Botanical Illustrations

Elegant arrangements of colorful flowers, showcasing detailed petals and leaves rendered in vibrant hues.

The, illustrated, botany, New York, J.K, Wellman, 1846-1847, color colored, botany, lithographs, pictorial, works, An elegant arrangement of flora featuring vibrant blossoms and lush green leaves. Dominating the composition are large, ruffled petals in shades of deep red and soft pink, signifying the beauty of the flowering plants. Interspersed among these are delicate blue flowers, adding a charming contrast and enhancing the overall vibrancy. Below the blooms, broad leaves showcase intricate textures, providing a lush backdrop. The botanical illustration is labeled with the scientific and common names of the plants, highlighting their significance and classification in the natural world.

The, illustrated, botany, New York, J.K, Wellman, 1846-1847, color colored, botany, lithographs, pictorial, works, An elegant arrangement of flora featuring vibrant blossoms and lush green leaves. Dominating the composition are large, ruffled petals in shades of deep red and soft pink, signifying the beauty of the flowering plants. Interspersed among these are delicate blue flowers, adding a charming contrast and enhancing the overall vibrancy. Below the blooms, broad leaves showcase intricate textures, providing a lush backdrop. The botanical illustration is labeled with the scientific and common names of the plants, highlighting their significance and classification in the natural world.

Moss rose, Rosa centifolia f. muscosa (Rosa muscosa). Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1788.

Japanese lily varieties, Lilium specioseum. Pink, Atrococcineum 1 and white, Album 2. Handcoloured copperplate engraving after a botanical illustration by Miss Charlotte Caroline Sowerby from Edward Henderson and Andrew Hendersons The Illustrated Bouquet, consisting of figures with descriptions of new flowers, printed by C. Chabot, E.G. Henderon, London, 1857.

Sweet pea, Lathyrus odoratus, and cultivated pea, Pisum sativum. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her "Plantae Utiliores: or Illustrations of Useful Plants," Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Lilac-flowered Italian pimpernel, Anagallis monelli var. lilacina. Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

Rosa Gallica Flore giganteo; Rosier de France a grandes fleurs; Rosier de France, variete Rosa gallicaL. cv.. Thory, Claude-Antoine (1759-1827). Prints. 1817 - 1824. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Leaves, Flowers, Botany, Roses

Rosa multiflora = rosier multiflore. Rambler Rose, Multiflowered Rose. Redouté, Pierre Joseph, 1759-1840. Duhamel du Monceau, M., 1700-1782. Prints, Botanical illustrations. 1801 - 1819. Rare Book Division. Trees , France, Flowers, Botany, Shrubs , France, Roses

Botanical Print by Walter Hood Fitch 1817 - 1892, W.H. Fitch was an botanical illustrator and artist, born in Glasgow, Scotland, UK, colour lithograph. From the Liszt Masterpieces of Botanical Illustration Collection.

Rose without a thorn, Rosa francofurtana variety, Rosier turbiné sans épines. Handcoloured stipple copperplate engraving from Pierre Joseph Redoute's "Les Roses," Paris, 1828. Redoute was botanical artist to Marie Antoinette and Empress Josephine. He painted over 170 watercolours of roses from the gardens of Malmaison.

Pencil sketch by Katharina Freiin von Röthlein depicting a clove plant with reddish pencil shading for botanical study.

Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own "Roses, a monograph of the genus Rosa," London, 1806. Andrews was an English botanist, artist and engraver who published the "Botanist's Repository" from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

Rosa Centifolia Bullata; Rosier a feuilles de Laitue (syn) Rosa centifolia L. 'Bullata'. Thory, Claude-Antoine (1759-1827). Prints. 1817 - 1824. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Leaves, Flowers, Botany, Roses

A rhododendron (Rhododendron species): flowering branch and gynoecium. Coloured zincograph, c. 1853, after M. Burnett.

Scarlet lychnis, Lychnis chalcedonica, Chinese lychnis, Lychnis coronata, fulgent lychnis, Lychnis fulgens, Bunge's scarlet campion, Agrostemma bungeana, rose campion, Agrostemma coronaria, glutinous soapwort, Saponaria glutinosa, Calabrian soapwort, Saponaria calabrica, and Gypsophylla prostrata. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden of Ornamental Perennials, William S. Orr, London, 1849.

Revue horticole Paris Librairie agricole de la maison rustique 1829-1974 France Gardening Horticulture Periodicals Taxonomy Binomial Anthurium ferrierense, A vibrant anthurium flower, known for its striking heart-shaped spathe, displays a captivating mix of soft pink tones atop a sturdy green stem. The floral structure is complemented by a prominent white spadix, adding to its unique appearance. Nestled beside the main flower, a delicate bud suggests the promise of future blooms. Below, large, glossy green leaves provide a lush backdrop, showcasing the plant's tropical heritage and ornamental beauty, symbolizing hospitality and abundance in floral symbolism.

Hermosa rose, variety of Ile-Bourbon, raised by Monsieur Marcheseau in 1840. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's "Les Roses," Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. François Frédéric Grobon (1815-1901) ran his own atelier and illustrated "Fleurs" after Redoute with his brother Anthelme as the Grobon freres.

Virginian rhexia, with colorful pink and mauve flowers.. Rhexia virginica. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's "Botanical Magazine" 1790-1800.

Midnight Beauty (Mirabilis jalapa) Jasmine of the Indian. jasminum hispanicum. / Merveilles de perou. (title on object), Nachtschone or wonder flower. Numbered top right: 287. Top left the name in five languages. Part of the third album with drawings of flowers and plants. Tenth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanations in Dutch, Latin and French, Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, chalk, ink, pen, h 259 mm × w 163 mm

Sweet Peas, Henrietta Benson Homer, American, 1809-1884, Brush and watercolor, graphite on illustration board, Flowering sweet pea vines. Signed and dated in green watercolor along one of the lower tendrils., USA, 1875, nature studies, Drawing, Drawing

Pierre Joseph Redouté, French (1759-1840), Four Peonies and a Crown Imperial, watercolor and gouache over graphite on parchment mounted on board

Revue horticole, Paris, Librairie agricole de la maison rustique, 1829-1974, France, Gardening, Horticulture, Periodicals, The illustration features a vibrant representation of a Camellia flower, specifically labeled as 'Camellia 'Fred Sander'.' The plant showcases large, lush blooms with ruffled, deeply pigmented petals in rich shades of pink. The flowers are positioned prominently amidst dark green leaves that add a striking contrast. Additional smaller leaves can be seen at the base, contributing to the overall lush appearance. The detailed depiction highlights the intricate textures of both the petals and foliage, emphasizing the natural beauty of this ornamental plant.

Anemone scabiosa (Japan anemone, Anemone japonica). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's "Curtis's Botanical Magazine," London, 1847.

The flowering plants, grasses, sedges, and ferns of Great Britain. London, F. Warne, 1905. Floras, Great Britain, plants, has, Anne Pratt, women in science, A vibrant arrangement of various types of poppy flowers, showcasing their distinctive colors and intricate details. The composition features a striking red poppy, a delicate white variety adorned with a maroon center, a cheerful yellow poppy, and a striking flower with a blend of white and red hues. Each bloom is elegantly supported by lush green foliage, enhancing the overall beauty of the display. The names of the flower varieties are noted beneath, highlighting the vivid diversity of this captivating plant.

Botany table, botanical garden of padova

New varieties of carnations from the garden of Baron Pycke de ten Aerde, Dianthus caryophyllus. Rodolphe Coumont 1, President Jules Malou 2, Directeur Emile Rodigas 3, Madame J. Linden 4 and Madame D. vanden Hove 5. Chromolithograph by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1885.

Pink wild rose of the woods.. Rosa rubiginosa nemoralis. Rosa micrantha. L'Eglantine des bois.. Hand-colored octavo-size stipple engraving by Pierre-Joseph Redoute from "Les Roses" 1828.

Illustrations of North American pitcher plants, Washington, D.C, The, 1935, carnivorous plants, Sarraceniaceae, Mary Vaux Walcott, Mary Vaux Walcott, Mary Morris Vaux Walcott, women in science, This illustration features a striking pitcher plant, showcasing its unique form and vibrant colors. The plant's elongated stem supports a prominent bud that is poised to bloom. Surrounding the stem are broad, ribbed leaves that curl elegantly, creating a natural cradle for the developing flower. The deep purples and greens capture the essence of the plants intriguing anatomy, highlighting the contrast between the smooth textures of the leaves and the intricate details of the budding flower, all set against a simple background that emphasizes the beauty of this carnivorous species.

Curtis's Botanical Magazine, London, New York, botany, periodicals, pictorial works, curtis, Watsonia marginata, taxonomy: family = Iridaceae, Sydenham Teast Edwards, South Africa., A detailed botanical illustration features a striking flower with clusters of elongated, delicate pink blossoms. Each flower showcases intricate details, including prominent yellow and white markings at the center, adding to its visual appeal. The composition includes a slender, green leaf that elegantly complements the floral arrangement. This artwork highlights the beauty and intricacies of the plant, emphasizing both its form and vibrant coloration. The illustration is accompanied by annotations that provide context about the species and its botanical classification.

Madonna lily or bourbon lily (Lilium candidum): flowering stem. Watercolour.

Wild rose (Rosa) Fragrant bosch roose / rosa silverstris adorata. / Rose des bois avec odeur (title on object), Wild-scented rose. Numbered top right: 110. Part of the second album with drawings of flowers and plants. Ninth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanations in Dutch, Latin and French., Flowers: rose, Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, pencil, pen, h 216 mm × w 145 mm

Crimson peony flower with seeds, Paeonia officinalis. Handcolored copperplate engraving of a botanical illustration by J. Schaly from G. T. Wilhelm's "Unterhaltungen aus der Naturgeschichte" (Encyclopedia of Natural History), Vienna, 1817. Gottlieb Tobias Wilhelm (1758-1811) was a Bavarian clergyman and naturalist in Augsburg, where the first edition was published.

Rosa, provincialis (Blush province rose), 1799. Published in London by Miss Lawrance. This etching features leaves, flowers, and botany elements. 33 x 28 cm

Pink cinnamon rose, Rosa majalis. Rosa cinnamomea maialis, Rosier de Mai. Stipple copperplate engraving by Jean Baptiste Chapuy handcoloured a la poupee after a botanical illustration by Pierre-Joseph Redoute from the first folio edition of Les Roses, Firmin Didot, Paris, 1817.

Lavatera, altææ folio, et facie flore rubro = Lavaterre. Tree Mallow. Bonelli, Giorgio, 1724-1803/4. Prints. 1772 - 1793. Rare Book Division. Plants, Flowers, Medicinal plants, Botany , Italy , Rome, Botany, Medical , Italy , Rome

Bouquet of tulips, violets, blue grapes and dotters, Willem van Leen, 1763 - 1825 drawing paper. chalk. watercolor (paint) brush cut flowers; nosegay, bunch of flowers. flowers in a vase

Floral Wish, Floral Boquet

Punica nana. Dwarf pomegranate with scarlet flowers.. Conrad Loddiges and Sons published an illustrated catalogue of the nursery's plants entitled the Botanical Cabinet. The monthly magazine featured 10 hand-coloured illustrations and ran from 1817 to 1833 to total 2,000 plates. The publication introduced many exquisite camellias from China, exotic orchids and lilies from the New World, and about 100 varieties of heaths from South Africa, which were currently in vogue. (The Victorian era saw a series of manias for flowers - from roses and camellias to heaths, ferns and orchids.). Most of the plates were drawn by the author George Loddiges and local engraver George Cooke (1781~1834). The others were drawn by Loddiges' daughter Jane and his brother William, Cooke's brother William and his son Edward (who became a leading Victorian artist), apprentice engravers T. Boys and William Miller (who later became principal engraver to the artist J.M.W. Turner) and Miss Rebello. All the plates wer

Provence rose, Rose de provins, Rosa provincialis. Handcoloured lithograph by Lecouturier after a botanical illustration by Mlle. F. Legendre from Pierre Boitard's Rose-Lover's Complete Manual, Roret, Paris 1836.

Spanish fennel, Nigella hispanica. Chromolithograph from an illustration by Desire Bois from Edward Steps Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896.

Marie van Houtte hybrid rose, tea-scented. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's "The Rose Garden in two divisions," London, 1888. First issued in 1848 with 15 coloured plates, "The Rose Garden" soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' "Botanical Magazine" for many years.

Didier's tulip or garden tulip, Tulipa gesneriana (Bonorata tulip, Tulipa bonarotiana). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

Whitney's farewell to spring, Clarkia amoena subsp. whitneyi, native to North America, from British Columbia to San Francisco. Cross of Godetia lindleyana x Godetia whitneyi, raised by Daniel Bros., Seed-Growers, Norwich. As Godetia whitneyi, Lady Albemarle. Handcolored botanical illustration drawn and lithographed by Frederick William Burbidge from Henry Honywood Dombrain's Floral Magazine, New Series, Volume 5, L. Reeve, London, 1876. Lithograph printed by Vincent Brooks, Day & Son.

Rhododendron cultivar, Duchess of Edinburgh. Hybrid of R. Princess Royal and R. lobbii, raised by Veitch and Sons of Chelsea. Handcolored botanical illustration drawn and lithographed by Worthington George Smith from Henry Honywood Dombrain's Floral Magazine, New Series, Volume 3, L. Reeve, London, 1874. Lithograph printed by Vincent Brooks, Day & Son.

Rhododendron hybridum, Madame Linden (Rhododendrum Madame Linden). Drawn and chromolithographed by P. de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1873.

Curtis's Botanical Magazine London New York Botanical Illustration Botany Periodicals Pictorial Works Plants Ornamental Curtis Rosa Lutea Rosa Banksiae Lutea Taxonomy: Family= Rosaceae China, A vibrant red flower in full bloom is prominently featured, showcasing its striking petals that are layered and unfurling gracefully. The center of the flower is adorned with a cluster of yellow stamens, adding a bright contrast to the deep red. Alongside the flower, a closed bud hints at the potential of new blossoms. The lush green leaves, with their serrated edges, provide a natural backdrop, enhancing the visual appeal of the composition. The intricate details highlight the texture of the petals and leaves, inviting admiration for the beauty of this botanical specimen.

Curtis's botanical magazine London, New York botanical illustration botany periodicals pictorial works plants ornamental Curtis, The illustration features a delicate representation of a flowering plant, showcasing soft pink blossoms that radiate elegance. Each petal is intricately detailed, demonstrating subtle variations in shading and texture, while a cluster of green leaves provides a rich contrast. The composition also includes a sketch of the plant's foliage, highlighting the distinctive shape and veins of a leaf along with its placement on the stem. This detailed botanical study captures the essence of the plant's beauty and vitality, emphasizing both its floral and foliage components. The inclusion of numbers and annotations suggests a scientific context, likely intended for educational or cataloging purposes.

Crimson hibiscus variety. Hibiscus rosa sinensis miniatus semi-plenus. Handcolored botanical drawn and lithographed by W.G. Smith from H.H. Dombrain's "Floral Magazine" 1872.. Worthington G. Smith (1835-1917), architect, engraver and mycologist. Smith also illustrated "The Gardener's Chronicle." Henry Honywood Dombrain (1818-1905), clergyman gardener, was editor of the "Floral Magazine" from 1862 to 1873.

Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's "British Phaenogamous Botany" 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Seven plants, including an orchid, a paeony and a toadflax: flowering stems. Coloured etching, c. 1834.

Pink miniature China rose, Rosa chinensis. Rosa indica pumila, Rosier nain du Bengale. Stipple copperplate engraving by Jean Baptiste Chapuy handcoloured a la poupee after a botanical illustration by Pierre-Joseph Redoute from the first folio edition of Les Roses, Firmin Didot, Paris, 1817.

Revue horticole Paris Librairie agricole de la maison rustique 1829-1974 France Gardening Horticulture Periodicals Mme JR Guillot Women in science Taxonomy Binomial Primula obconica, This artwork showcases a detailed botanical illustration of primrose flowers, specifically the variety Primula veris. The composition features clusters of delicate blooms in varying shades of pink and purple, gracefully arching above broad, lush green leaves. The intricate details highlight the textures of the petals and leaves, capturing the natural beauty and complexity of these flowering plants. Each cluster of flowers is rendered with a sense of vibrancy and elegance, inviting viewers to appreciate the artistry of botanical representation.

Pink rose, Rosa carolina var. pimpinellifolia. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own "Roses, a monograph of the genus Rosa," London, 1805. Andrews was an English botanist, artist and engraver who published the "Botanist's Repository" from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

Farewell to spring, Clarkia amoena subsp. lindleyi (Large-flowered godetia, Godetia grandiflora). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.

Dahlia cultivar, Dahlia species. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her "Plantae Utiliores: or Illustrations of Useful Plants," Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

Les Roses Jean Pierre Lays (1825-1887 French)

The Naturalist's Pocket Magazine or Compleat Cabinet of the Curiosities and Beauties of Nature. London, A beautifully illustrated carnation flower, showcasing its intricate petals that swirl in a captivating pattern of red and white hues. The delicate, frilled edges of the petals are artistically rendered, emphasizing the flower's lush texture. Its slender green stem stands upright, complementing the vibrant bloom. Below the flower, the word 'CARNATION' is elegantly inscribed, hinting at its classification. This artwork captures the essence of botanical illustration, highlighting both the aesthetic appeal and natural intricacies of the carnation.

Malva virgata = Mauve effilèe. Pink hollyhock mallow. Redouté, Pierre Joseph, 1759-1840. Duhamel du Monceau, M., 1700-1782. Prints, Botanical illustrations. 1801 - 1819. Rare Book Division. Trees , France, Flowers, Botany, Shrubs , France

Rosa gallica, Rose, Historic rose, Rose cultivar, Illustration from 1799, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Ficus, Carel Borchaert Voet, 1681 - 1743 drawing Netherlands paper. watercolor (paint) brush plants and herbs: ficus

Chinese rose (Rosa chinensis Jacq.) Rosa semperflorens , print maker: Hendrik Schwegman, Haarlem, 1793, paper, etching, engraving, h 248 mm × w 190 mm

Nettle-leaved Bell-flower (Campanula Trachelium), William Catto (Aberdeen, Scotland, 1843 - 1927)

A branch of honeysuckle against a light brown ground. Brush and watercolor on paper. Date: ca. 1870-1890. Museum: Cooper Hewitt, Smithsonian Design Museum.

The, genus, Rosa, London, John, Murray, 1914, roses, botany, Rosa, A delicate stem of a flowering plant showcases vibrant pink blossoms nestled among lush green leaves. The foliage is richly detailed, featuring sharp thorns along the stem, which contributes to its wild, natural beauty. The arrangement exudes a sense of tranquility and elegance, capturing the intricate details of the plants structure and the softness of the petals. The overall composition highlights the harmony between the blooms and their surrounding leaves, creating a striking visual representation of natures artistry.

Dolichoglottis lyallii; Dolichoglottis scorzoneroides; (New Zealand snow groundsels) watercolours, works on paper

Rosa í Centifolia, also centifolia, rose group with filled flowers, which is one of the old roses, garden rose, digital reproduction of a historical template, between 1790 and 1810, botanica pharmaceutica by Andreas Friedrich Happe

Moss-rose purslane, Portulaca grandiflora (Dr. Gillies' purslane, Portulaca gilliesii). Native to Chile. Handcoloured copperplate engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' "The Botanical Register," London, Ridgway, 1834. Sarah Anne Drake (1803-1857) drew over 1,300 plates for the botanist John Lindley, including many orchids.

Snakeweed (Polygonum bistorta), William Catto (Aberdeen, Scotland, 1843 - 1927)

Bowie's oxalis, Oxalis bowiei. Handcoloured copperplate engraving after a botanical illustration by Mills from Benjamin Maund and the Rev. John Stevens Henslow's The Botanist, London, 1836.

A stem garnet blossom

Rosa Centifolia Simplex; Rosier a centfeuilles a fleurs simples Rosa centifolia L. 'Ciudad d'Oviedo' (syn.);Rosa centifolia L. 'Simplex'. Thory, Claude-Antoine (1759-1827). Prints. 1817 - 1824. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Leaves, Flowers, Botany, Roses

Flore des serres et des jardins de l'Europe A Gand, chez Louis van Houtte, éditeur, 1845-1880, A vibrant bouquet featuring a stunning array of Dianthus flowers, showcasing a delightful mix of rich red and delicate pink blossoms. Each bloom exhibits intricate petal structures with a velvety texture, complemented by striking white accents around the centers. The surrounding lush green foliage enhances the colorful display, creating an eye-catching composition that highlights the beauty of these elegant flowers. The arrangement captures the essence of natures artistry, radiating a sense of freshness and charm.

Luigi Balugani, 1737-1770, Italian, Abutilon longicuspe A. Rich. (Abutilon): finished drawing, undated. Watercolor and gouache over graphite on medium, slightly textured, cream laid paper.

Watercolour - Cornus canadensis Anne Ross McCord (1807-1870)

Rosa, provincialis, pink Provencerose, Rose, Historic Noble Rose, Rose cultivar, Illustration from 1799, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Red lily (Lilium) Red lily / Martagon lilium Cruentum / Martagon (title on object), Orange lily. Numbered top right: 178. At the top the Latin name. Part of the second album with drawings of flowers and plants. Ninth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French., Flowers: lily, Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, chalk, ink, pen, h 306 mm × w 180 mm

Print, Flower Boughs, from "Recueil de Differentes Fleurs de Fantaisie Dans le Goût Chinois"; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); France; etching on paper

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752-1818, Brush and gouache, graphite on pale green wove paper, Floral border design, pink pansies, blue bells, green leaves, scattered buds on field above, on white ground., France, 1800-1818, textile designs, Drawing, Drawing

A Bouquet of Flowers with Insects. Dimensions: sheet: 25.3 x 17.2 cm (9 15/16 x 6 3/4 in.) support: 28.3 x 22.3 cm (11 1/8 x 8 3/4 in.). Medium: watercolor with gold on vellum; laid down. Museum: National Gallery of Art, Washington DC. Author: Pierre Joseph Redoute.

L'Arrete boeuf a feuilles rondes. Ononis rotundifolia, round-leaved restharrow. Handcoloured etching from Pierre Joseph Buchoz' Collection precieuse et enluminee des fleurs les plus belles et les plus curieuses, qui se cultivent tant dans les jardins de la chine, que dans ceux de l'Europe, Paris, 1776.

Two Red-and-white Tulips.

Camellia's gaze; herbarium card; Stroobant, Louis Constantin (1814-1872), Stroobant, filas (gand; 1850-1870 (1850-00-00-1870-00-00);

Rosier hybride remontant, remontant hybrid of the rose, plant and flower, digitally reworked reproduction of an original from the 19th century, Remontant hybrid of the rose, plant and flower, digitally reworked reproduction of an original from the 19th century .

Flowers; New Dutch childrens prints; Funke's prints. Leaf with 6 performances of different flowers, including roses and clematis. Under every performance a caption. Numbered at the top right: No. 15.

Begonia octopetala, native to Peru. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1874.

Bouquet of Carnations, Painting by Adolf Hitler (1889-1845), Historical, digitally restored reproduction from a 20th century original, public domain, Record date not stated

Conophytum minutum (Tiny fig-marigold, Mesembryanthemum minutum). Handcoloured copperplate engraving by F. Sansom after an illustration by Sydenham Edwards from William Curtis' The Botanical Magazine, London, 1811.

Varieties of bedding violas and pansies. Eyebright, Canary, In Memoriam, White Perfection, Advancer, Dicksons King. Handcolored botanical drawn and lithographed by W.G. Smith from H.H. Dombrain's "Floral Magazine" 1872.. Worthington G. Smith (1835-1917), architect, engraver and mycologist. Smith also illustrated "The Gardener's Chronicle." Henry Honywood Dombrain (1818-1905), clergyman gardener, was editor of the "Floral Magazine" from 1862 to 1873.

Three dancing pansies , Pansies. Louis Prang & Company Collection

Rose vervain, Verbena aubletia, with small purple flowers.. Illustration by Henrietta Moriarty from "Fifty Plates of Greenhouse Plants" (1807), a re-issue of her own "Viridarium" (1806), with handcoloured copperplate engravings. Moriarty was a colonel's widow who turned to writing novels and illustrating botanical books to support her four children.

The amateur's flower garden London Groombridge & Sons 1875. Flower gardening Flowers Geranium, A vibrant cluster of red geranium flowers, characterized by their rounded, full petals that create a striking visual impact. The blooms sit atop a lush green stem adorned with large, intricately shaped leaves that exhibit a unique pattern of light and dark shades. The overall composition highlights the natural beauty and symmetry of the plant, showcasing its rich texture and the interplay between the vivid flowers and the verdant foliage. This botanical illustration captures the essence of the geranium, emphasizing its ornamental appeal in gardens and floral arrangements.

Flamingo flower, Anthurium scherzerianum. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

Gustav Leutzsch after Henry George Moon, Cattleya Mendelii Quorndon House Var Cattleya Mendelii Quorndon House Var.

Heliotrope (Heliotropium Peruvianum), from the Flowers series for Old Judge Cigarettes 1890 Issued by Goodwin & Company The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.. Heliotrope (Heliotropium Peruvianum), from the Flowers series for Old Judge Cigarettes 400599

Verbena (Verbena chamaedrifolia), from the Flowers series for Old Judge Cigarettes 1890 Issued by Goodwin & Company The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.. Verbena (Verbena chamaedrifolia), from the Flowers series for Old Judge Cigarettes 400580

Crimson-flowered Cactus jenkinsonii (Disocactus × jenkinsonii). Hand-colored illustration by E.D. Smith engraved by Watts from Charles McIntosh's "Flora and Pomona" 1829. McIntosh (1794-1864) was a Scottish gardener to European aristocracy and royalty, and author of many book on gardening. E.D. Smith was a botanical artist who drew for Robert Sweet, Benjamin Maund, etc.

Fraser's hairy phlox, Phlox amoena. Handcoloured copperplate engraving by F. Sansom Jr. after an illustration by Sydenham Edwards from William Curtis' Botanical Magazine, T. Curtis, London, 1810.

Curtis's Botanical Magazine London, New York Botanical Illustration Botany Periodicals Pictorial Works Plants Ornamental Curtis Galaxia ovata purpurea Galaxia ovata Taxonomy: Family = Iridaceae South Africa Sydenham Teast Edwards, A delicate botanical illustration showcases a flowering plant featuring two pink blooms with intricate petals, each adorned with a central yellow and brown pattern. The flowers are supported by slender green stems, which rise from a bulbous root system. The composition is set against a softly textured background, enhancing the elegance of the plant. Accompanying text at the bottom provides botanical details, suggesting meticulous documentation of this species. The overall presentation highlights the beauty and complexity of nature, inviting appreciation for the artistry of plant illustration.

Rosa alba or Great maiden's blush rose, 1799, Published by Miss Lawrance, London. Leaves, Flowers, Botany, Roses, Etchings, 33 x 28 cm

Anemone (Anemone), Diversche anemonien / Anemone variae. / Differentes anemones. (title on object), Red and pink anemones. With a beetle. Numbered top right: 84. Top left the Latin name. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French, flowers: anemone, insects: beetle, Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, chalk, ink, pen, h 208 mm × w 163 mm

Alcea rosea, common hollyhock, digital reproduction of a historical model, between 1790 and 1810, (Botanica Pharmaceutica by Andreas Friedrich Happe).

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