Botanical Prints and Compositions

Detailed etchings and prints featuring various floral designs, trophies, and ornamental vegetables, showcasing botanical artistry from the 18th century.

Artist: Jeanne Deny, French, 1749-after 1815, After: Jean Baptiste Pillement, French, 1728-1808, Untitled (Ideal Flowers), from a set ofsix, late 18th to mid-19thcentury, Engraving, platemark: 24.4 × 16.5 cm (9 5/8 × 61/2in.), Made in France, French, 18th-19thcentury, Works on Paper -Prints

Cahier de Fleurs Singulieres, Jean-Baptiste Pillement, French, 1728-1808, Jean-Jacques Avril the Elder, French, 1744 - 1831, Etching on paper, France, 1728-1808, Print, Print

Trofeeën met eend en vogel; Attributs De Chasse; 37e Cahier RR Livre De Trophées; IIe Volume De l'Oeuvre de J. Ch. Delafosse (...).On the left a trophy with a shot duck, an arrow sleeve, a bag and a barrel with bottles. On the right a trophy with a deer head, a shot bird, a hunting horn and a basket with fruit.

Fifth leaf from Livre de Legumes; Livre de Legumes (series of seven sheets with ornaments and vegetables. Fifth leaf from Livre de Legumes: Series of seven ornament sheets with vegetables.r.b. Gene. 18 (Fuhring 22)

Trophy, from 'Livre de Trophées des Arts et Sciences', Pierre Ranson, French, 1736-1786, Etching on paper, Europe, France, Europe, 18th century, Print, Print

Bunch of flowers tied with ribbon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The flower stems are at right, palm branches at left. Colored background., Rome, Italy, 1780-1800, interiors, Drawing, Drawing

Print (France)

Artist: Jeanne Deny, French, 1749-after 1815, After: Jean Baptiste Pillement, French, 1728-1808, Untitled (Ideal Flowers), from a set ofsix, late 18th to mid-19thcentury, Engraving, platemark: 24.4 × 16.5 cm (9 5/8 × 61/2in.), Made in France, French, 18th-19thcentury, Works on Paper -Prints

10) flower composition; Frankenberger, Tobias (1627-1664; m 1662 (1662-00-00-1662-00-00);

Print (France); Drafted by Charles-Germain de Saint-Aubin (French, 1721-1786)

Polyptoton de Flore (The Variance of Flowers). A staggering variety of flowers are displayed in six richly ornamented vases. The decorative frames indicate that the prints were meant to be hung on the walls, as paintings. This is also clear from the varying perspective of the pedestals under the vases. Quite exceptionally, these impressions were kept in an album which explains their pristine condition.

Flowers, Martin Engelbrecht, German, 1684-1756, Engraving on paper, Top row: three nosegays, a twig. Bottom row: three nosegays; two twigs, horizontally disposed., Augsburg, Germany, France, 1725-1750, Print, Print

The letter Y, sheet from the episode "Nova Alphati Effictio Historiis". The letter Y made of tail, with grotesque elements, leaf from the episode "Nova Alphati Effictio Historiis ad Singulas Literas Correspondetibe, et Toreumate Brynaeo Artificiosis in Aes Incisis Illustrata: Nejw artificial alphabet, tailored with Schören Figns, whose Iede find his letter accomodet; Partly JN Kupffer stabbed, through the Brye, even with Latin's verses and teutsch rasmen funny described. Fr. Ad Moe. A °. MDXCV.

Print, L'Amour; Designed by Alexis Peyrotte (French, 1699-1769); Print Maker: Marie Therese Martinet (French, 1731 - 1800); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768), Jacques-François Chéreau (French, 1742 - 1794); France; etching on laid paper

Print, Flowers in a Vase; Unknown (French); Attributed to Mathurin Duchesne (1630/48 - ); France; engraving support: white laid paper, lined with cotton or linen cloth; 48.9 x 35.1 cm (19 1/4 x 13 13/16 in.) dimensions vary Mat: 55.9 x 40.6 cm (22 x 16 in.)

Print (France)

Print (France)

Eikentak and Bachttrofee, 1866 print On the left a stem with acorns and oak leaves, on the right a cartouche with the head of Diana under which a trophy hangs. At the top left: 1re partie, at the top right: A. N ° 3, bottom right: 20. Liège paper

Untitled (Ideal Flowers), from a set ofsix. Artist: Jeanne Deny, French, 1749-after 1815 After: Jean Baptiste Pillement, French, 1728-1808

Print (France)

5) flower composition; Frankenberger, Tobias (1627-1664; m 1662 (1662-00-00-1662-00-00);

Print, Cahier de Cartels Chinois ; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper

Title Page. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques Avril I after Jean-Baptiste Pillement.

Groteskes ornament with cartilage, leaf from the "Neuw Grottensken book". .

Flowers in Kan en Band, Etienne Claude Voysard, After Pierre Ranson, 1778 print Six small flower arrangements, at the top right in a basket, at the bottom left of a glass. Paris paper etching flowers in a vase

Print (France)

Bound Print, Designs for Chinoiserie Flowers; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); Published by Charles Leviez (French, 1708-1778); France; etching on laid paper

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Chedel, Pierre Quentin, Oeuvre de Juste Aurele Meissonnier, Livre de legumes inventées et dessinées par J. Me.r, Ornament with dead pigeon on a branch, This print is part of of an album., print, image, album sheet, ornamental print, prints, height 163 mm, width 113 mm, French, 1705 - 1763-06-01, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, uitgever, 1710-02-15 - 1774-05-10, granter of privilege

Flower vase, Jean Baptiste Monnoyer, c. 1680 - c. 1695 print Flower vase in which flowers. Print is part of an album. paper etching flowers in a vase

Flowers in a Vase, Unknown, French, Engraving Support: white laid paper, lined with cotton or linen cloth, France, France, 1650-75, graphic design, Print, Print

Three flowers, including a carnation and a rose, anonymous, after 1667 - 1701 print From series of 12 magazines. print maker: Netherlands (possibly)after design by: Netherlandspublisher: Amsterdam paper etching

Print (France)

Jean Baptiste Pillement was one of the most influential designers of the Rococo period, known for his varied and prolific chinoiseries (European variants of Chinese and Japanese motifs). His designs were spread throughout Europe primarily via their translation into prints. This print is one of a set of six etched by Pillement himself. Each depicts a so-called Persian flower, largely fantasies, presenting strange, alienlike floral forms that could be adapted to various uses from textiles to wall decorations. Persian Flowers, 1755. Jean Baptiste Pillement (French, 1728-1808). Etching; plate: 30.9 x 20.9 cm (12 3/16 x 8 1/4 in.); sheet: 43.5 x 28.8 cm (17 1/8 x 11 5/16 in.).

Flowers in vase with masks, anonymous, after Johann Theodor de Bry, after Jacobus Kempener, 1620 - 1640 print Flowers in an ornamental vase with grotesque masks. Left and right a snail and one bee. paper engraving flowers in a vase

Letter S from Solomon; Ornamental alphabet; Nova alphati effictio. Ornamental letter S from Solomon. The letter is formed at the bottom by leaf RINKS and a feminine semi-detached figure with wings. Middle above a putto with wings. The letter is further decorated with a butterfly, parrot, bunches of fruits and a turtle. On verso verses in Latin and German. Print is part of an album.

Print (France)

Print, La Peinture; Designed by Alexis Peyrotte (French, 1699-1769); Print Maker: Marie Therese Martinet (French, 1731 - 1800); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768), Jacques-François Chéreau (French, 1742 - 1794); France; etching on laid paper

Flowers in Horned and Triangular Shapes, Triangular Flowers Fleures Baroque (series title), print maker: Johann Heinrich Hess, (mentioned on object), intermediary draughtsman: Jean Baptiste Pillement, Charles Leviez, Paris, 1755 - 1775, paper, etching, h 241 mm × w 163 mm

Print (France)

. De Bruyn had a preference for making sizeable engravings. His floral still life after a painting by Jacob Savery is one the largest ever printed. This notwithstanding, the rendering of the flowers is refined and delicately detailed. The birds filling the empty corners were a clever addition devised by the engraver.

Print marked top right: Fol: 92., Mansoor Asarum / Mans ears , print maker: Caspar Luyken, publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 136 mm × w 80 mm

Four large lilies and somewhat smaller flowers, 1570 - Before 1618 print Page 6 of 21 numbered sheets with title page from a series of 24. paper engraving flowers: lily

Moerbessen, De Europische insecten, Merian, Maria Sibylla, 1647-1717, Engraving, hand-colored, 1730, Mar: Sibil. Merian inscribed on mulberry branches.

Flowers in a vase. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 358 mm × w 282 mm. Museum: Rijksmuseum, Amsterdam.

Carl Buergerniss, Embroidered Flower Motif, 1941 Embroidered Flower Motif

Shell motif with lobster; C Livre de Legumes; Oeuvre de Juste Aurele Meissonnier. A shell motif with a lobster and lisdodden. Print number 14.

Amsterdam, Ram, Johannes de, Quellinus, Artus (I), Pilaster Festonnen, Title page: Pilaster Festonnen, Opposite copy after festoons from the series Prima Pars Praecipuarum..., Het Eerste Deel Van de voormain Statuen ende Cieraten..., La Premier Partie...., print, ornamental print, prints, ornamental prints, height 259 mm, width 126 mm, Work conception, South Netherlands (before 1775), 1609 - 1668-08-23, after a design by, 1665 - 1693, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1648-06-18 - 1693-05-15, publisher

Depicts 'Flower-Nine B' by an anonymous artist, created as a copper engraving print around 1440-1450, showing floral motifs and decorative composition.

Letter W with the personification of truth, 1595 print Ornamental letter W with the winged personification of truth with the book of truth for the radiant sun in her hands. On the right a naked woman. The letter is further decorated with a trophy, a butterfly, bunches of fruits and insects. Verso verses in Latin and German. Print is part of an album. Frankfurt paper engraving / letterpress printing Truth; 'Verití' (Ripa). fruits and vegetables ~ ornament. letters, alphabet, script. insects: butterfly. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Mansoor, Caspar Luyken, Jan Claesz ten Hoorn, 1698

Watermeloen (Citrullus vulgaris); pronk-appel. / Citrulli. / pompon (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 249 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Bound Print, Designs for Chinoiserie Flowers; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); Published by Charles Leviez (French, 1708-1778); France; etching on laid paper

Flowers with leaves in kite form and parasol-like flowers, Flowers in kite form Fleures Baroque (series title), print maker: Johann Heinrich Hess, (mentioned on object), intermediary draughtsman: Jean Baptiste Pillement, (mentioned on object), Charles Leviez, Paris, 1755 - 1775, paper, etching, h 243 mm × w 163 mm

Goldsmith's Bouquet, from Newes Lauberbuechlein. Artist: Peter Aubry II (German, 1610-1666); After Gédéon Légaré (French, 1615-1676) (). Dimensions: Sheet: 6 × 4 5/16 in. (15.3 × 11 cm). Date: 1628-66.Decorative floral arrangement in the shape of a leaf, emerging from a tree trunk. At the bottom right, a rowboat, with a castle above. From a set of seven plates by Peter Aubry II after 'Livre de Feuilles d'Orfevrerie,' designed by Gédéon Légaré and engraved by P. Lombart (SKB 813 [1 and Guilmard 51.58). Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for an earring; Italy; 1940-86-554

Ensete Ventricosum, Luigi Balugani, 1737-1770, Italian, undated, Graphite and pen and black ink on medium, moderately textured, cream laid paper, Sheet: 8 3/4 × 7 5/8 inches (22.2 × 19.4 cm), bananas, leaves, roots

Design for the Embroidery Field of a Man's Coat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Four turnips and an onion plant are disposed in three oblique rows., France, ca. 1785, Drawing, Drawing

Print, Two Designs for Trophies; Published by Roubiliac (French, active 18th century); France; crayon manner etching in red ink on laid paper

Currant (Ribes rubrum) and milk thistle (Silybum marianum), Currant and milk thistle. With a butterfly. FIGs. 45 and 46 on a sheet hand numbered 24. In: Anselmi Boetii de Boot I.C. Brugensis, anonymous, 1604 - 1632 and/or 1640, paper, ink, watercolor (paint), engraving, h 135 mm × w 205 mm h 160 mm × w 230 mm

London, Leviez, Charles, Pillement, Jean Baptiste, Receuil de Differents Bouquets de Fleurs, Bouquet, verso - stamped, Bouquet of various flowers such as roses., print, ornament print, prints, ornament prints, height 300 mm, width 212 mm, French, 1728-05-24 - 1808-04-26, print maker, printmaker, 1760 - 1760, paper, papier, etching, etchings, Work conception, Frans, after own design of, Publication (Event), Publication, 1708 - 1778, publisher

Plate from a Set of Chinoiserie Representations, Jean-Baptiste Pillement, French, 1728-1808, Martin de Monchy, b. 1746, Etching on paper, Two Chinese figures sit facing each other on a grassy platform; one has a parasol. Above them, a third sits on steps supported by a scaffolding at the top of which is an umbrella-like shelter resting on two poles. Two framing lines. Bottom: 'J. Pillement del'; 'Demonchy sculp'., France, 1780-1790, Print, Print

Trophies, Louis-Marin Bonnet, French, 1736 - 1793, Pastel manner engraving in various colors on paper, Suspended from a nail and a bow knot. Framing lines. Bottom margins: 'A Paris, chez Bonnet, rue St. Jacques, au coin de celle de la Parcheminerie No 692'. Pastoral attributes. A quiver and arrows are included., France, ca. 1775, Print, Print, Trophies, Louis-Marin Bonnet, French, 1736 - 1793, Pastel manner engraving in various colors on paper, Suspended from a nail and a bow knot. Framing lines. Bottom margins: 'A Paris, chez Bonnet, rue St. Jacques, au coin de celle de la Parcheminerie No 692'. Pastoral attributes. A quiver and arrows are included., France, ca. 1775, Print, Print

Title Page, from 'Fleures Persannes', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, A flower branch, the larger blossoms of which are shaped like disks and edged with tiny blossoms. Enriched by a bough is the title., France, ca. 1765, Print, Print

Keizerskroon, Crispijn van de Passe (II), 1617 print Print is part of a book. paper engraving flowers

Lyon, Echantillon, Jean Baptiste, Designs for embroidery, Desseins des Fleurs Platitudes et Guirlandes pour le Tambour et pour la Broderie, Six motifs, verso - stamped, Six motifs with tendrils and leaf motifs, lower left with an oval medallion, lower right with a bow., print, ornamental print, prints, ornamental prints, height 178 mm, width 227 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, Work conception, after own design by

Flowers and butterflies, Nicolaes de Bruyn (Possible), 1594 print Flowers including iris, carnations, buttercup and pea and day and night butterfly. Netherlands paper engraving flowers. insects: butterfly

Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util 1645 Nicolas Cochin French At top, a horizontal panel with a row of flowers, including an iris at right. Below, a frieze with a landscape, with a couple seen from behind at left and a woman on a swing suspended from two trees at right. From a series of twelve plates with rows of flowers above friezes with landscapes, etched by Cochin, published by Balthazar Moncornet in Paris in 1645, and dedicated to the goldsmith, Jean de Leins. The prints are executed in a combination of etching, for the landscape, and burin, for the flowers.. Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util 425838

Pencil study by Joseph Holzer of a papel on 11 July 1837.

Relic holder with putti and cherubies, 1714 print Numbered in the top left: no. 14. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching relics (and reliquaries). cupids: 'amores', 'amoretti', 'putti'. cherubs, i.e. children's heads with wings

Attributes belonging to agriculture and Bacchus, Johann Carl Schleich (Possible), 1769 - 1842 print Five trophies. Top left with a flower basket and a rake. At the top right with a sickle, scoop and a fruit basket. In the middle with a staff, books and a smoking vessel. Left below with attributes belonging to Bacchus. At the bottom right with a wheelbarrow with vegetables. Publishing number 42. paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. agriculture. attributes of Bacchus

Copper engraving 'Flow-Is' by an anonymous artist, around 1440-1450, depicting floral elements with petals and stem details.

Title Page, 'Suite de Jeu Chinois', Jean-Baptiste Pillement, French, 1728-1808, Martin de Monchy, b. 1746, Etching on paper, A Chinese boy with musical instruments dances on a round platform, while two seated ones watch from another. Below them is the title, on a cloth: 'Suite de Feu Chinois / Inventées et Dessinées par / J/ Pillement premier Peintre / du Roi de Pologne / A Paris / chez Dalmon rue Fromen / teau en façe du Louvre'; below: 'J. Pillement del.', 'Demonchy Sculp.', France, 1770-1780, Print, Print

Design for a Lavish Headdress with Feathers on a Helmet. Artist: Possibly by Baccio del Bianco (Italian, Florence 1604-1656 Escorial) (and workshop). Dimensions: Sheet: 10 5/8 x 7 11/16 in. (27 x 19.5 cm). Date: ca. 1620-56.Design for a headdress, shown from the side (person facing left). The headdress is made up out of three tiers of extremely large feathers and topped with plumes. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Bouquet, from Collection of New Flowers of Taste for the Manufacture of Persian Cloth, Invented and Drawn by Jean Pillement. Johann Heinrich Hess (Germany, born 1746); after Jean-Baptiste Pillement (French, 1728-1808); published by Charles Leviez (French, 1708-1778). Date: 1765-1770. Dimensions: 238 × 166 mm (plate); 357 × 262 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Print, Spray of Flowers; Print Maker: Arnault-Eloi Gautier-Dagoty (French, 1741 - 1783); After Jean-Baptiste Pillement (French, 1728-1808); France; etching on laid paper

bekend, Amsterdam, Danckerts, Cornelis (II), Cornelis (I), Flowers, Imperial crown and other flowers, unknown, possibly peonies. This print is part of an album., print, prent, albumblad, prints, prenten, height 140 mm, width 187 mm, print maker, prentmaker, 1630 - 1718, paper, papier, etching, etsen, Publication (Event), Publicatie, 1604-06-13 - 1656-04-27, publisher, uitgever, Noord-Nederlands, 1664-03-02 - 1717-07-22, verlener, verlener van privilege

Leaf from New Kreuterbuch by Leonhart Fuchs, plate 97 from Woodcuts from Books of the XVI Century 1543 Switzerland. Woodcut on paper . Heinrich Füllmaurer

Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util 1645 Nicolas Cochin French At top, a horizontal panel with a row of flowers, most of which are carnations. Below, a frieze with figures in a landscape. At left, a standing couple and a seated couple. In the background at center, a castle. From a series of twelve plates with rows of flowers above friezes with landscapes, etched by Cochin, published by Balthazar Moncornet in Paris in 1645, and dedicated to the goldsmith, Jean de Leins. The prints are executed in a combination of etching, for the landscape, and burin, for the flowers.. Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util 425848

Paris, Firens, Pierre, Bolten, Arent van, From a series of fruits and festoons, Garlands of fruits and masks surrounded by a frame line, Mask on a leg with garland, Two bunches of fruit, hanging over a garland, which is held up in the middle by a mask on a leg. Sheet is part of a series of 3 sheets. At the bottom left are acorns and at the bottom right is a poppy head., print, prent, ornamental print, prints, ornamental prints, height 153 mm, width 214 mm, print maker, printmaker, 1604 - 1616, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1573 - 1633, after a design by, Publication (Event), Publication, Southern Netherlands, French, 1580 - 1638-12-24, publisher

Feston with fruit; Quellinus, artus (1609-1668); around 1650 (1645-00-00-1655-00-00);

Plate from Omnia Conando Docilis Solertia Vincit (A Docile Disposition will Conquers all Difficulty), Paul Birckenhultz, German, 1561 - 1639, Engraving on laid paper, Vertical rectangle showing a vase with three fantastic masks containing a symmetrical floral arrangement. The vase stand on a table with gadrooning., Germany, Ca. 1600, albums (bound) & books, Print, Print

Design for a Boss Carved with Acanthus 1819 Anonymous, British, 19th century British. Design for a Boss Carved with Acanthus 386524

Print (France)

Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util 1645 Nicolas Cochin French At top, a horizontal panel with a row of flowers, including a daffodil at left center. Below, a frieze with a hunt in a landscape with two riders moving from left to right in the left foreground and two riders in the background at right. From a series of twelve plates with rows of flowers above friezes with landscapes, etched by Cochin, published by Balthazar Moncornet in Paris in 1645, and dedicated to the goldsmith, Jean de Leins. The prints are executed in a combination of etching, for the landscape, and burin, for the flowers.. Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util 425841

Design for the arm of a wall arm, c. 1775 - c. 1790 Design for the arm of a wall arm in the form of a branch with three lilies, a back plate () With a bow and some nails or pins. Rome paper. graphite (mineral) pen sconce, wall lamp

Trophy, Marie Therese Martinet, French, 1731 - 1765, Alexis Peyrotte, French, 1699-1769, Etching on paper, Europe, France, Europe, 18th century, Print, Print

Man on staircase; Cahier de Six Baraques Chinoises.in a landscape is a man on a staircase under two awnings.

Print marked top right: Pag. 414., Title Page and Eight Prints with Flowers Narcissus Narcissus / Narcissus. White Timeless , print maker: Caspar Luyken, publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 141 mm × w 79 mm

Martyrdom of Saint Sebastian. Coloured etching.

Nine broches and earrings, Johannes Jacobsz Folkema, after Friedrich Jacob Morisson, after 1697 - Before 1718 print At the bottom runs a putto with a bouquet of flowers. Copy to page 3 of Friedrich Jacob Morisson published in Vienna in 1697. Page 10 from series with leaf vines and designs for goldsmiths, Dutch copies of designs by Thomas Lejuge, Jean Louis Durant and Friedrich Jacob Morisson. Second edition, second print. Amsterdam paper engraving

Trial Proof for a Printed Textile, Woodblock, handcolored with brush and gouache on paper, Pink, yellow and green sword-shaped leaves on two stalks, one with spines, the other with roots., France, 1790-1800, textile designs, Drawing, Drawing

Robert "Variae ac...", 1660; engravings

unknown, Amsterdam, Danckerts, Cornelis (II), Cornelis (I), Flowers, Imperial Crown and flowers from the Carnation Family, This print is part of an album., print, prent, albumblad, prints, prenten, height 140 mm, width 188 mm, print maker, prentmaker, 1630 - 1718, paper, papier, etching, etchings, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher, uitgever, Publicatie, Noord-Nederlands, 1664-03-02 - 1717-07-22, verlener, verlener van privilege

Bound Print, Man with a Sickle; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); Published by Pierre-Francois Basan (French, 1723 - 1797); France; etching on laid paper

Sketches for Two Muffs and a Parasol ca. 1785-90 Anonymous, French, 18th century French Page with three sketches and a long inscription. On the top left is a graphite sketch of a parasol with fringe trimming. To the right a muff with a flower in ink and graphite, and below is a muff with a blue ribbon and yellow flowers executed in graphite.. Sketches for Two Muffs and a Parasol 414982

Print

Design for Cartouche Evoking Aquatic Elements, Jacques de Lajoüe, French, 1687-1761, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Cartouche decorated with aquatic elements: an oar, water reeds, and a trident at upper left; coral, shellfish, and shells at lower left., France, 1740, ornament, Print, Print

Untitled Valentine (Pink and Yellow Flowers). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 55 x 75 mm. Etching with hand-coloring on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Labiatae (indeterminate species): finished drawing of a leafy shoot, without flowers, James Bruce, 1730-1794, British, ca. 1769, Gouache over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 21 1/2 × 15 1/8 inches (54.6 × 38.4 cm)

Design for a large Vase or Ewer representing 'Air', Plate 2 from: 'Neu inventierte Vasi auf die neueste manier' Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for a monumental lidded vase or ewer, decorated with rocaille ornaments and a dragon, surrounded by 3 winged putti and 2 falcons. The design is meant to represent the element of 'Air'. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a large Vase or Ewer representing 'Air', Plate 2 from: 'Neu inventierte Vasi auf die neueste manier'. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg)

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