Ceiling Design Sketches

Artistic sketches for ceiling designs featuring mythological themes, emphasizing rich detail and decorative motifs from the 19th century.

Frieze, Benton, Heath & Co., Hoboken, New Jersey, 1875 - 1917, Machine-printed on paper, applied mica flakes, Foliate bandings, shield-like ornaments in shades of blue, metallic silver and gold, outlined in mica-like gold. Frieze shades from light blue at bottom to light salmon color to tan at top. Flitter frieze, Hoboken, New Jersey, USA, 1900-1915, Wallcoverings, Frieze

Design for a corner piece of a ceiling with Diana and Endymion. Corner piece of a ceiling with diana and endymion in a round cartouche; On the right half of a representation of Venus mourning with Adonis's body.

Partial design for painted ceiling 19th century Jules-Edmond-Charles Lachaise French. Partial design for painted ceiling 385994

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Entrance wall of a salon., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824-1881, British, undated, Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper, Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm), architectural subject

Rudolf Weyr draft depicting decorative motifs, patterns, and ornamental elements for architectural design, emphasizing symmetry and detail.

Silver Platter. Dated: 1935/1942. Dimensions: overall: 36 x 52.3 cm (14 3/16 x 20 9/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Design for a Heavily-Decorated Wall Elevation 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Heavily-Decorated Wall Elevation 390134

Rinceau Border with Unicorn and Inlay on copper, Italian 18th century 19th century John Gregory Crace British. Rinceau Border with Unicorn and Inlay on copper, Italian 18th century 363501

Chest. Dated: 1942. Dimensions: overall: 43.4 x 76 cm (17 1/16 x 29 15/16 in.) Original IAD Object: 17"x33". Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: D. P. Jones.

Frieze, Benton, Heath & Co., Hoboken, New Jersey, 1875 - 1917, Machine-printed on paper, applied mica flakes, Foliate bandings, shield-like ornaments in shades of blue, metallic silver and gold, outlined in mica-like gold. Frieze shades from light blue at bottom to light salmon color to tan at top. Flitter frieze, Hoboken, New Jersey, USA, 1900-1915, Wallcoverings, Frieze

Heideken, K. J. von, work, Watercolor painting for Turku theater, watercolor, painting

What Cheeks Can Half so Soft Appear (valentine) 1845-1855 United States. Collaged elements on embossed and coated ivory wove paper .

Filippino Lippi, Man with a Stick, c 1500 Man with a Stick

Arch de L'Etoile - west 5. N.. Attributed to André H. Orange (French, active Paris, France 1850s)

Paul-Albert Baudouin (1844-1931). "Dance - Peristyle vault, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-16 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

Arcaden and a hand. Page 73 from a sketchbook with 158 pages.

Roman sarcophagus panel depicting Hermes meeting the Souls of the Deceased. 3rd century AD. Marble. The State Hermitage Museum. Saint Petersburg. Russia.

Sidewall, Block-printed on joined sheets of handmade paper, a) Two putti holding up vase of flowers. Shades of brown on brown. To left is vertical stripe of brown leaves on blue; b) fragment of same paper as 'a'. On same ground as above, a diamond-shaped frame with sacrificial altar; c,d) duplicates of 'b'., France, 1815-25, Wallcoverings, Sidewall

Design for a Sword Hilt, Scabbard, and Belt Fittings. Artist: Attributed to Eugène Julienne (French, Paris 1808-1875 Paris). Culture: French, Paris. Dimensions: 12 3/8 x 18 3/4 in. (32 x 48 cm). Date: ca. 1840-50.This is a rare example of an original mid-nineteenth century French design for an elaborate presentation sword in a historical revival style, including Renaissance and Neoclassical motifs. It is attributed to Eugène Julienne, a prolific designer of Sèvres porcelain from 1838 to 1848 and whose designs for jewelry, silver and a wide variety of ornament for the decorative arts were issued in an influential series of publications during his lifetime. Swords of this type were produced only as special commissions and often combined the skills of artists, cutlers, steel-chiselers, goldsmiths, and jewelers. Museum: Metropolitan Museum of Art, New York, USA.

Album # 2; Stained glass project for Pierrefitte, Decorative Reasons Gsell-Laurent workshop. Album # 2; Stained glass project for Pierrefitte, decorative patterns. Pencil, watercolor on layer.

Vestigia delle Terme di Tito. Sordino ornamentation in room 29. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Postcreen on horseback; 1800-1860 (1800-00-00-1860-00-00);

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 34 (recto) 1615-35 Anonymous, Dutch, 17th century Dutch Anonymous, Dutch, 17th century.From top to bottom, and left to right:Page contains 2 designs. Top design is in shape of diamond and is done is yellow and brown wash. It is decorated with a rose at its center with 2 birds at the left corner, and two 5-petaled flowers at the top and bottom corners. Bottom design is composed of 2 parts and is done in yellow wash. Both sections are decorated with curving vines at top that form heart-shapes and other foliage elements below.. Album of designs for embroidery: bodices, gauntlets, caps, bags, page 34 (recto) 659971

Augustus II the Strong (King of Poland), Imperial Court, Augsburg, Leopold, Joseph Friedrich, Bichel, Aegidius, Acanthus scrolls, verso - stamped, Acanthus scrolls in a symmetrical diamond shape. In the corners four loose acanthus scrolls., print, ornament print, prints, ornament prints, height 168 mm, width 420 mm, print maker, printmaker, 1698 - 1698, paper, engraving, engraving (printing process), Work conception, 1696 - 1735, after a design from, Publication (Event), Publication, 1668 - 1726, publisher, granter of privilege, German, 1670-05 - 1733-02-21

Grotesque. Experience of vault polychrome of the church of St. Cross in Krakow Wyspiały, Stanis Aw (1869 1907)

Stern Piece. Dated: c. 1939. Dimensions: overall: 38.3 x 54.1 cm (15 1/16 x 21 5/16 in.) Original IAD Object: 39" long; 17" high. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Moutal.

Design for Cove, Hôtel Cahen d'Anvers. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 6 7/16 x 12 5/16 in. (16.3 x 31.3 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Platter with Battling Tritons and Sea Nymphs 16th century Erasmus Hornick Netherlandish. Design for a Platter with Battling Tritons and Sea Nymphs 335897

Designs for the painted decoration of a vaulted ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 3/8 x 14 11/16 in. (26.3 x 37.3 cm)image: 7 11/16 x 11 3/16 in. (19.5 x 28.4 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Drapery Study for the Daughter of Herodias, 1904. Artist: Joseph Edward Southall (d. 1944)

Photor production of drawing by F. Barrias: Virgilius Scene from the Aeneidos, gods appear on horizontal man.

Museum of the Orient. Way of the cross. 7th station. Jesus falls. Lisbon. Portugal.

Designs for three medallions: freedom, equality and brotherhood ..

Two designs for the lower part of a window in the Noordertransept in the Dom in Utrecht, Richard Nicolaüs Roland Holst, 1934 - 1938 drawing Two framed designs. The lists are together with a hinge. Cardboard. Chalk. List: Wood (Plant Material) brush

Campania Caserta Sessa Aurunca S. Pietro (Duomo)01. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture of musical people and a man lying on the ground; La Paresse.Title 'La Paresse' (The Sloth) is on sculpture.

Fresco abstract.

Frieze, S.A. Maxwell & Co., Machine-printed paper, On tan ground row of small and large brownish-yellow abstract tulip with green leaves connected by plain green vine. Above, dotted border in square shape with abstract tulip, trellis background., USA, 1905-1915, Wallcoverings, Frieze

Feather and gray ink drawing by Josef Abel representing the ascent of St. Egide, first idea for the altar painting in the Church of Gumpendorf, on blue paper with grid and whipped technique.

British, Louis XIV style frame, Unknown framemaker, mid-18th century, Carved wood, later oil gilding over original gilding and sanded frieze

Dragon. Culture: Spanish. Dimensions: Overall: 131 x 132 in. (332.7 x 335.3 cm)(top panel): 83 x 132 in. (210.8 x 335.3 cm)(bottom panel): 48 x 132 in. (121.9 x 335.3 cm). Date: after 1200.Tail coiled, claws extended, and feet braced, this dragon is a powerful counterpart to the lion opposite. Medieval beasts, whether real orimaginary, were often imbued with symbolic meaning, as they are in animal fables today. It is not always possible, however, to reconstruct their specific intention in a given monument, and such beasts could be for "aesthetic delight," as one thirteenth-century archbishop commented. The monastery from which this fresco comes was abandoned in 1841. Museum: Metropolitan Museum of Art, New York, USA.

Design for two spandrels with winged figures 18th century François Boucher French. Design for two spandrels with winged figures. François Boucher (French, Paris 1703-1770 Paris). 18th century. Black and white chalk on blue paper. Drawings

EL TIEMPO DE LOS AUSTRIAS - 1989 - DIPTICO - IZQUIERDO - 100X70 CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Pencil sketch with white highlights by Josef Wawra for the Marchfeld art exhibition, depicting figures, objects, and compositional studies.

Turkish ornament

Komsomolskaya Metro station in the Krasnoselsky District, Moscow. The station is noted for its being located under the busiest Moscow transport hub, Komsomolskaya Square. the first southern segment of the Koltsevaya line is dedicated to the victory over Nazi Germany, the northern segment is dedicated to the theme of post-war labour. Komsomolskaya, however, is a clear exception: lead designer Alexey Shchusev designed it as an illustration of a historical speech given by Joseph Stalin November 7, 1941. In this speech, Stalin evoked the memories of Alexander Nevsky, Dmitry Donskoy and other military leaders of the past, and all these historical figures eventually appeared on the mosaics of Komsomolskaya.

Tiger 16th or 17th century In the style of Muqi Chinese Each an auspicious beast, the dragon and tiger together are symbolic of the yin-yang principle, embodying the complementary opposites of male and female, east and west, and wind and water, respectively.Determining the nationality of works in this genre is difficult due to the long history of pairing these two animals in East Asian paintings. The practice of emulating and repeating established traditions by artists in China, Korea, and Japan meant that styles and conventions often crossed cultures. These scrolls were attributed to Muqi, the celebrated thirteenth-century Chinese artist, when they entered The Met collection in 1912. While they reflect what is known of his style they are most likely not by his hand; the tiger especially reflects elements found in Korean and Japanese examples. Read further about the scrolls online in The Mets Timeline of Art History and make your own determination about their cultural origins.. Tiger.

Painting Horning with a ceiling, Theodoor van der Schuer, c. 1666 - c. 1695 The ceiling comes from the Stadholder Quarter of the Binnenhof, presumably from the sleeping room of Mary Stuart 1678. Netherlands canvas. oil paint (paint) Courtyard The ceiling comes from the Stadholder Quarter of the Binnenhof, presumably from the sleeping room of Mary Stuart 1678. Netherlands canvas. oil paint (paint) Courtyard

Decoration for Stoneware. Dated: 1935/1942. Dimensions: overall: 18.3 x 20.2 cm (7 3/16 x 7 15/16 in.). Medium: watercolor, graphite, and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: A. Zimet.

Princess with a Crown Princess with a Crown, 19th century. Oil on canvas, 54 7/8 x 23 in. Arts of the Islamic World 19th century

"Man with a Ram", Folio from the Bellini Album. Dimensions: H. 6 1/8 in. (15.5 cm)W. 4 in. (10.1 cm). Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.

Fresco with heraldic symbol depicting a two-headed eagle, Sluderns Gate, Glurns, Vinschgau Valley, Trentino-Alto Adige, Italy.

Section of a Border 1180-1205 Rémois Atelier French. Section of a Border 478947

Lunette from Altar-Church at Llano Quemado Altar Rail-Church at Sanctuario, Chimayo. Dated: 1935/1942. Dimensions: overall: 28.8 x 36 cm (11 5/16 x 14 3/16 in.) Original IAD Object: none given. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: E. Boyd.

Rhombus with weapon and inscription "... Geerlof Lourensz Heerwertertenberge mayor of the Stede Schoonhoven 1641" .Big armrong in which a colored weapon with two cartouches with inscription: .. Geerlof Lourensz Heerwertenberge Mayor Der Stede Schoonhoven 1641 "Note: Belongs to a group of a group of Four windows (BK-LXI, LXII, LXIII and LXIV).

Bust of Samuel Bogusław Linde in oval. Styfi, Jan (1839-1921), graphic artist, Buchbinder, Józef (1839-1909), draughtsman, cartoonist

Exhibit at new wing of Olympia Archaeological Museum, also known as Historical Museum of Olympic Games, Olympia, Greece

Paul-Albert Baudouin (1844-1931). "Messidor and the study of the peristyle, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99859-2 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

Small tortoiseshell butterfly (Aglais urticae) on stain glass window of church, Sheffield, England, UK. Commended in the Other Animals Category of the GDT competition 2014.

British art nouveau fan design by Frank Brangwyn (1867-1956), Anglo-Welsh artist, painter, water colourist, engraver and illustrator.. Color plate from Charles Holme's "Modern Design in Jewellery and Fans," published by the Studio 1902.

Untitled Valentine (Gold Cupid) 1845-1855 United States. Collaged elements on cut and embossed (designed) cream wove paper .

Autumn ca. 1775 Probably by François Joseph Belanger. Autumn 238635

Cast Iron Gate. Dated: c. 1936. Dimensions: overall: 37.5 x 45.1 cm (14 3/4 x 17 3/4 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Youth and eternal life, 1897 copper (metal) etching

Contraventana en madera tallada con motivos geométricos y florales.

Adrien Vachette. "Tabatière decorated with a cameo representing the assassination of Julius Caesar (from above), 19th century". Museum of Fine Arts of the City of Paris, Petit Palais. 26985-20 Camee, above, Roman state man, decorative object, civil gold, ancient Rome, tobacco, smoking, assassination

Tile of purple pilaster with twisted column around which branch of leaves, bunches of grapes and angels, tile pilaster footage fragment ceramic earthenware glaze, baked 2x glazed painted Five tiles of tile pellet of one width.

Remnants of standing male figures, Anonymous, 1662 drawing paper. chalk standing figure

Chest. Dated: c. 1936. Dimensions: overall: 22.7 x 29 cm (8 15/16 x 11 7/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ada V. May.

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Ornamenteel fries, anonymous, after Jean Lepautre, 1688 - 1698 print Frisian with ornamental plant motifs, a sphinx, a naked man and female figure, amor and three putti. On the left a rosette. This print is part of an album. Netherlands paper engraving Rosette ~ Ornament. SPHINX (Lion/Woman); 'Sphinx' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'

Wall Paper and Border. Dated: c. 1936. Dimensions: overall: 29.9 x 23.1 cm (11 3/4 x 9 1/8 in.) Original IAD Object: 20 1/4" repeat. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Valentine.

Sidewall, Block-printed on handmade paper, Composed of two scenes. First: Mercury, holding a winged staff entwined with the two serpents (caduceus) and wearing a broad-brimmed winged hat (petasus), winged sandals, and a dot pattern cape, hands a lyre to another figure, possibly Apollo, wearing a laurel wreath. Figures are on a landscape background with palm trees. Second: draped fabric with tassel and fringe including elements of a globe, telescope, possibly a compass, and a ring of stars. Fabric hangs from an anthemion or palmette. Printed in shades of blue, shades of green, and shades of brown on a blue ground. 'a' is composed of three parts., H# 353, France, 1795-1810, Wallcoverings, Sidewall

Fire Back; French; about 1703 - 1725; Cast iron; 80 x 96 cm, 131.5431 kg (31 1,2 x 37 13,16 in., 290 lb.); 2004.58

Drawings of Hands, Sir Peter Lely, 1618-1680, Dutch, active in England (from 1643), 1650s-1660s, Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper, Sheet: 12 × 9 3/8 inches (30.5 × 23.8 cm), figure study, hand

Paris (VIIE arr.), France The exhibition of decorative arts, National Manufacture of Sèvres, low relief in white cookie on a blue background, Guillonnet composition, Bracquemont sculpture , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Manufacture Nationale de Sèvres , Bas relief en biscuit blanc sur fond bleu , composition de Guillonnet , sculpture de bracquemont). Child, bas-relief, decorative arts, ceramics, exhibition, exhibition of decorative arts, ephemeral architecture, Human beings, art, housing , architecture, E.A .D - Manufre nle de Sèvres - A 1925 France panel, Paris, Exhibition of decorative arts, Manufre Natle de Sèvres. Blue background cookie, another subject

Fortin, Augustin-Félix (n.1763-D.1832-07-04), base of La Fontaine Desaix, 1803, 1803. Plaster. Carnavalet museum, history of Paris. Base of the desaix fountain.

Robe for a Sculpture Robe for a Sculpture, ca. 1820. Textile, 66 x 56 in. (167.6 x 142.2 cm). Asian Art ca. 1820

Resurrection of the Dead. India, Mughal empire, 18th century. Drawings. Ink on paper

Pilaster in carton pierre by Cruchet of Paris.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Casa Coll i Regàs, 1898. Decoración de la planta baja con esgrafiados florales. Mataró. Author: JOSEP PUIG I CADAFALCH.

Three designs for tokens with Weapons in Schilden, Anonymous, After Hans Sebald Beham, 1510 - 1599 print Copy in mirror image to print by Hans Sebald Beham paper engraving memorial medal. armorial bearing, heraldry

Hearthstone, from Antwerp Belgium, without frame, with male and female head, hearth fireplace part ceramic brick, baked Hearth stone of the Antwerp type without frame with representation of men's and women's head from the side in two laurel wreaths placed in two profiled diamonds half and quarter diamonds at the top and bottom are filled with parts of laurel wreaths with flower decoration heating history

Asiatic God. Paul Klee; German, born Switzerland, 1879-1940. Date: 1924. Dimensions: 22 1/4 x 14 in. (56.5 x 35.6 cm). Oil and plaster, over gauze, on panel. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Sketch for the dining room of the Paris City Hall: allegorical ceiling. Eugene Martial Simas (1862-1939). Sketch for the dining room of the Paris City Hall: allegorical ceiling. Oil on canvas, glued paper in full for the left compartment. Around 1891. Museum of Fine Arts in the city of Paris, small palace.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in the window, hearth fireplace component ceramics brick glaze, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1605 or 1606 half-panes at the top and bottom are filled with lily pattern. year 160 heat building history

Sarcophagus belonging to Father Bernat de Mur (died 1264), Second half XIII century. Nummulitic stone carving with polychrome remains figurative and incised, from the chapel of Santa Anna 1'esglesia dominie, the former convent of Santa Caterina , Barcelona

04/23/2013 Madrid. Supreme Court open house Photo, Isabel Permuy ARCHDC Isabel B Permuy.

John Sell Cotman, 1782-1842, British, Castle Acre Priory, 1805 to 1806. Watercolor and gouache over graphite on medium, moderately textured, cream wove paper.

Alexandre Seon (1855-1917). The seasons, sketch for the ceiling of the town hall of Courbevoie. Oil and ink on canvas, 1884. Museum of Fine Arts in the city of Paris, Petit Palais. Sketch, 19th XIXth XIX 19th 19th 19th century

Deraisme, Pierre -Georges (n.1859 - D.1932), brooch (main title), 1900. Graphite, gouache on transparent vellum laminated on gray cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Carved Stone Doorway, Mission San Carlos Borromeo. Dated: 1938. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gordena Jackson.

The Florence Baptistry or Battistero di San Giovanni (Baptistry of St. John) in Florence, Italy. The octagonal Baptistry stands in the Piazza del Duomo and was built between 1059 and 1128. The architecture is in Florentine Romanesque style. The Baptistry is renowned for its three sets of artistically important bronze doors with relief sculptures.

Alexis epitaph; the beginning of the Roman period (-30-00-00-1-00-00);

La Grange Fort, France , 1916-1917 - Auvergne - Stéphane Passet - (September 1916 - February 1917) (French - La Grange Fort , France). Animal transport, personality of nobility, interior view, painting, renaissance, palace , castle, Transport, personality, housing , architecture, art, France, La Grange Fort, collection of calipers

The stairs of the old age, c. 1760 - c. 1788 wood (plant material)

Sidewall (USA); machine-printed, mica, liquid; 49 x 34 cm (19 5/16 x 13 3/8 in.)

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824-1881, British, undated, Black ink on medium, slightly textured, brown wove paper, Sheet: 6 1/8 × 5 9/16 inches (15.6 × 14.1 cm), architectural subject

Death of Saint Joseph Anonymous, Italian Italian. Death of Saint Joseph 401791

Wall Fragment with Architectural Motifs on Black Ground; Boscoreale, Italy; about 70; Fresco; 75 x 60 cm (29 1,2 x 23 5,8 in.)

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