Ceramic and Textile Design

Decorative arts featuring tile pilasters and prints from various cultures, highlighting intricate designs and historical influences.

A devil as a mendicant, Kawanabe Kyosai, 1850 - 1889, scroll painting

Tile pilaster with marbled column in manganese, vines and birds, tile pilaster visual material ceramic earthenware glaze tin glaze w 25,5 h 153,0 baked 2x painted tile polish two wide twelve high adorn living interior Rotterdam City center Stadsdriehoek Hoogstraat Originally from the house Hoogstraat Rotterdam.

Lady with a Dog Isoda Koryusai (Japanese, ca. 1766-1788). Lady with a Dog, ca. 1770. Pillar print, 28 x 4 3/4 in. (71.1 x 12.1 cm). Asian Art ca. 1770

A devil as a mendicant, Kawanabe Kyosai, 1850 - 1889, scroll painting

Medallion portrait of Salvator Mundi flanked by portraits of twelve apostles. unknown dated 1568 Tapestry Dimensions: H 2'2" x W 24'3" Tapestry Materials/Techniques: unknown Culture: German Weaving Center: unknown Ownership History: French & Co. L to R GCPA 0244941: Ss. James, Simon, Matthew, James Minor, Thomas, John the Evangelist; GCPA 0184798: Salvator Mundi, Peter, Philip, Bartholomew, Matthew, Andrew, Judas; with trees between medallions & flowers below Continuous band shown in 2 pieces in photograph; each piece scanned separately. No French & Co. stock sheet in archive, no stock number

Decoration for Frieze 16th century Anonymous, French, 16th century French. Decoration for Frieze 339902

"Copper engraving print by the Meister des Sforza-Stundenbuches from the second half of the 15th century showing ornament strips with a satyr holding a violin, including figures and decorative elements."

"Copper engraving print by the Meister des Sforza-Stundenbuches from the second half of the 15th century showing ornament strips with two sphinxes holding shields, including figures and decorative elements."

The Pekingese 1774-1784 Japan. Color woodblock print; hashira-e . Torii Kiyonaga

Kandelaber met bladranken.Ornament with candelabler with leaf drinks, held at the foot by a putto that holds a horn in his other hand.

Border Italian probably 19th century View more. Border. Italian. probably 19th century. Silk on canvas. Textiles-Embroidered

The Waitress Osen of the Kagiya teahouse Carrying a Cup of Tea 1764-1770 Japan. Color woodblock print; hashira-e . Suzuki Harunobu

Woman and Small Boy Katsukawa Shunch Japanese In this print the artist employs seasonal clues to suggest the summer setting. Mother and child are engaged in a leisure summertime activity, a luxury they can enjoy as members of the merchant class (chnin). The child points to a cicada (a summer insect) on a tree branch, and his mother shows interest in her son's discovery. Each holds an accessory common in summer: he a parasol, she a fan.Shunch often used the format of hashira-e, or pillar print—a narrow, vertical composition. Here, following the Japanese convention in which images are cropped to conform to the print's dimensions, he truncated the parasol, the mother's left arm, and part of her hair. With particular skill he rendered just enough of the tree to let the viewer know where the child's attention is focused.. Woman and Small Boy. Katsukawa Shunch (Japanese, active ca. 1783-95). Japan. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

A Courtesan of the Matsubaya. Katsukawa Shunsho ; Japanese, 1726-1792. Date: 1773-1779. Dimensions: 67 x 16 cm (27 1/2 x 6 1/2 in.). Color woodblock print; wide hashira-e. Origin: Japan. Museum: The Chicago Art Institute, USA.

Celebratory ribbon: Vivat der Opfermuth am Opfertage der Stadt Breslau 4. und 5. Maerz.. Kaempffer, Eduard (1859-1926), draughtsman, cartoonist

Young Boy Beseeching Hotei 1775-1800 Japan. Color woodblock print; hashira-e . Kitao Shigemasa

Benkei, Migita ToshiHide, 1880-1925 A standing man figure that looks at a partly opened hand role Japan Painting: Ink. Paper. Mounting: Silk A standing man figure that looks at a partly opened hand role Japan Painting: Ink. Paper. Mounting: Silk

Panel from a Triptych with Bishop Saint mid-15th century German The technique of punched dots (opus punctorium) to create a composition originated with goldsmith work and in many respects is a precursor to the art of engraving. Originally forming a triptych, the attendant Bishop saint may associate this devotional object with a specific city such as Cologne or Mainz.. Panel from a Triptych with Bishop Saint 472548

Ornamental Panel: Triton Ridden by a Child, c. 1505-1515. Giovanni Pietro da Birago (Italian, active c. 1471-1513). Engraving; image: 53.4 x 7.8 cm (21 x 3 1/16 in.); platemark: 53.9 x 9.1 cm (21 1/4 x 3 9/16 in.). Printed ornamental columnssuch as these flanking the portrait of Henry IIwere probably colored and used for interior decorations. The printed panels may have also served artists and craftsmen creating similar patterns in other materials, including wood, stone, or metal. They have been imaginatively integrated into the display on this wall because their intricate designs feature pieces of armor and mythical creatures that echo those in the works around them.

Dolkchede with the fall of Icarus. In the middle of the pleasure () In the form of a woman with a cornucopia, and at the bottom of tantalus.

Design for a sheath with a lady and a gentleman, Heinrich Aldgrever, 1532 print Design for a dagger sheath. The lower part is decorated with leaf vines. Above that are a gentleman and a lady hand in hand. Germany paper engraving foliage, tendrils, branches ~ ornament. couple of lovers

Set of seven tiles ca. 1600 Italian, Rome. Set of seven tiles 191728

A Satyr Holding a Violin, from Twelve Ornamental Panels 1490-1515 Giovanni Antonio da Brescia Italian. A Satyr Holding a Violin, from Twelve Ornamental Panels 626263

Bull Gustav (1807-1880), tiled stove (without date): View with various ornaments. Pencil on transparent, 66.1 x 16.3 cm (including scan edges) Stier Gustav (1807-1880): Kachelofen

Bull Gustav (1807-1880), tiled stove (without date): View with various ornaments. Pencil on transparent, 62.4 x 15.9 cm (including scan edges) Stier Gustav (1807-1880): Kachelofen

Falcon at Sunrise 1770-1780 Japan. Color woodblock print; hashira-e . Isoda Koryusai

Fragment Made 301 CE-500 CE Egypt. Linen and wool, slit tapestry weave . Coptic

Young Couple under Cherry Tree 1776-1794 Japan. Color woodblock print; hashira-e . Kitao Masanobu

tile manufacturer Schiedamsedijk, Aalmis, Tile pilaster with portrait of Wilhelmina, princess of Prussia, on the occasion of her marriage on 4 October 1767, tile pilaster sculpture ceramic earthenware glaze tin glaze, baked 2x glazed painted Two wide twelve high Yellow shard WILHELMINA PRINCESS OF PRUSES TRENDED AT BERLN ANNO Rotterdam Aalmis Aelmis Orange wedding stadholder prince prince William V Willem V princess Wilhelmina of Prussia princess Wilhelmina of Prussia Frederica Sophia Wilhelmina of Prussia 4-10-1767 Oude Dijk Kralingen Originating from building at the Oude Dijk in Kralingen.

Orphrey; silk, metal, linen

Onderste van drie friezen met rechts van het midden een mascaron; Variarum protractionum quas vulgo maurusias vocant (...); Ornament met moresken.Lower of three Frisians, of which the left half consists of white moresken on a black fond and the right half from black moresken on a white surface. To the right of the middle is a mascaron. One of 15 blades from a series of 23 Frisians with title page.

Frieze (England); block-printed; 78 x 12 cm (30 11/16 x 4 3/4 in.)

Copper engraving by Monogrammist AC showing a vignette with a satyr positioned between two women, created in the first half of the 16th century, illustrating figures and decorative arrangement.

Woman with a hat walking under a tree, c. 1782, Torii Kiyonaga, Japanese, 1752 - 1815, 26 7/8 × 4 13/16 in. (68.3 × 12.2 cm) (image, sheet, hashira-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 18th century

The Man Outside ca. 1770 Suzuki Harunobu Japanese. The Man Outside 55468

Piece 18th century Japan. Piece 71231

Border, Block printed on handmade paper, Band of Greek key motif interspersed with stylized floral motifs. Printed in black, white, green and orange., France, 1795-1815, Wallcoverings, Border

Cutting and elevation of two columns surrounding a statue

Frieze with Medici Coat of Arms and Putti (Embroidery Design) 16th century Anonymous, Italian, 16th century Italian. Frieze with Medici Coat of Arms and Putti (Embroidery Design) 388729

Detail of the Decoration of the Pavillon de Turgot, Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Drawing, Project for a Church Ceiling; Italy; black crayon, pen and ink, brush and watercolor on paper

Textile, Honeysuckle; Designed by William Morris (British, 1834-1896); Made by Morris & Co. (United Kingdom); England; cotton

Sleeve Band 19th century China. Sleeve Band 68719

Woman Admiring Morning Glories while Brushing Her Teeth. Torii Kiyonaga; Japanese, 1752-1815. Date: 1774-1784. Dimensions: 70.1 x 12.5 cm. Color woodblock print; hashira-e. Origin: Japan. Museum: The Chicago Art Institute, USA.

Incense box with figures first half of the 19th century China. Incense box with figures. China. first half of the 19th century. Porcelain painted in overglaze polychrome enamels and with openwork decoration (Jingdezhen ware). Qing dynasty (1644-1911). Ceramics

Fragment van een vrouw bij een tempel.The irregular left side of the cardboard shows a piece of a woman in front of a temple altar; The right part of the cardboard is described with text. Irregular piece of cardboard with left punching and finished on the left in a narrower point.

Monkey in a Peach Tree, One-panel Folding Screen. Korea, Korean, Joseon dynasty, 1392-1910, 18th century. Paintings. Hanging scroll, ink and color on silk

Les Huguenots, Block-printed on paper, a) Interior view of chapel with large amount of Gothic architectural elements; figures at bottom clothed in brightly colored costumes, b,d) right half of a Gothic arched window ending with two caryatid supports, view outside window incoludes distant mountain, palm trees, and a single building, c) Gothic fretwork containing narrow painted arches, head of caryatid., Saint-Genis-Laval, France, ca. 1850, Wallcoverings, Scenic, Scenic

Textile (Spain); cotton

Orphrey Band Made 1601-1700 Italy. Hemp and linen plain weave; appliquÈd with silk, broken warp chevron twill weave cut, solid velvet; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in satin and split stitches; laidwork, couching padded couching .

Krishna between five ladies, Orissa, 1800 - 1900, cardboard, brush, h 41 mm w 201 mm w 210 mm

Drawing. Date: before 1914. Museum: Cooper Hewitt, Smithsonian Design Museum.

Germany, Monogrammist W, Ornament with Mercury, verso below - stamped, Design for a scabbard. Lower half decorated with foliate tendrils, at the top Mercury blowing on a trumpet., print, ornament print, prints, height 110 mm, width 22 mm, width 13 mm, print maker, printmaker, 1528 - 1528, second quarter 16th century, paper, engraving, engraving (printing process)

Panel from a Shawl first half 18th century Through the eighteenth century, the ever popular flowering plants of the Shah Jahan period transformed into pinecone-shaped clusters of buds emanating from roots of stylized leaves. Here, the motif, called a bota, lines the edge panel of a shawl.. Panel from a Shawl. first half 18th century. Pashmina wool; double interlocking twill tapestry weave. Attributed to India, Kashmir. Textiles-Costumes

Renaissance ornament

Drawing, Spes (Hope), Design for a Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on tracing paper; 45.9 × 11.5 cm (18 1/16 × 4 1/2 in.); 1914-38-365

In the top center is a female mask from which two entwined ribbons spring, forming ovals; three are above, four are below a central oval medallion, with the figure of a woman, standing. In the center of the ovals is a stem with leaves. Surrounded by a dark colored strip. Date: 1780-1800. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Courtesan and Young Man Under Umbrella 1776-1794 Japan. Color woodblock print; hashira-e . Kitao Masanobu

Decoration - Love's Mesh 1880-1893 United States. Brown, gray and white gouache on cream wood-pulp laminate board . Will Hicock Low

Rolschildering.Courtesan. Fake. In wooden box.

Two designs for panels to decorate a hunting lodge 1830-97 Jules-Edmond-Charles Lachaise French. Two designs for panels to decorate a hunting lodge 385009

The Jewel River of Bush Clovers (Hagi no Tamagawa), from the series "Six Jewel Rivers in Popular Customs (Fuzoku Mu Tamagawa)". Suzuki Harunobu ; Japanese, 1725 ()-1770. Date: 1764-1770. Dimensions: . Color woodblock print; hashira-e. Origin: Japan. Museum: The Chicago Art Institute, USA.

Panel late 17th-early 18th century French. Panel. French. late 17th-early 18th century. Oak carved and painted gray. Woodwork

Tekkai zu, The Chinese sage Tieguai., Katsushika, Taito II, approximately 1810-approximately 1853, artist, between 1830 and 1844, 1 print : woodcut, color ; 34 x 7.5 cm.

Drawing, Mts placés sur le Pont-Neuf aux Fêtes de Juillet 1838 (Flagpole for Pont Neuf, Paris, July Festival 1838); Attributed to Félix-Jacques Duban (French, 1798 - 1870), Abel Blouet; France; brush and watercolor, graphite on cream paper, mounted on beige paper; 37.1 x 10.3cm (14 5/8 x 4 1/16in.)

Fragment Made 301 CE-500 CE Egypt. Linen and wool, slit tapestry weave . Coptic

Drawing of standing woman in list, E.G.C. SCHUBAD, c. 1900 - c. 1920 Drawing of a standing woman in a list of rosewood paper. paint (coating). glass. cardboard. rosewood (wood) drawing Drawing of a standing woman in a list of rosewood paper. paint (coating). glass. cardboard. rosewood (wood) drawing

Wallpaper border, 1930s, maker unknown. Gift of Ray and Betty Weeber, 2010.

Parijs, Mariette, Pierre (II), Frankrijk, Lepautre, Jean, Grotesques et moresques, Panel with sphinx and putto at the top, Paris, France, At the bottom a satyr above a medallion with an image of a nymph., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 220 mm, width 48 mm, Frans, 1618-06-28 - 1682-02-02, print maker, prentmaker, 1634 - 1667, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Germany, Funck, David, Hopfer, Lambert, Candelabrum ornament, Candelabrum with leaf tendrils, cherubs, birds and mascarons, Plane decoration. At the bottom hangs a shield with Hopfer's signature. On either side of it hangs a horn of plenty from which a putto on horseback emerges., print, ornament print, prints, ornament prints, height 314 mm, width 98 mm, print maker, printmaker, 1520 - 1530, first quarter 16th century, second quarter 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Schemeringius, Thomas, Cats, Jacob (1577-1660), States-General, Amsterdam, Visscher, Claes Jansz. (II), Venne, Adriaen Pietersz. van de, Northern Netherlands, Arrival and reception of the Count Palatine Frederik with his wife Elisabeth at Vlissingen, 1613, Large representations consisting of 4 sheets of the arrival and reception of the Count Palatine Frederick (the Winter King) with his wife Elisabeth in Vlissingen, Set of 4 plates, April 28, 1613., print, prints, Frederik Muller Historieplaten, height 424 mm, width 2240 mm, print maker, printmaker, 1618 - 1618, first quarter 17th century, third quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1589 - 1662-11-12, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher, uitgever van privilege, 1577-11-10 - 1660-09-12, writer, Dutch, 1561 - 1642

Ogiya hanaogi yujo, Courtesan., Katsukawa, Shuncho, active 1783-1821, artist, between 1786 and 1790, 1 print : woodcut, color ; 64.7 x 12.4 cm., Print shows Hanaogi, a courtesan, full-length, standing near a large city gate, facing left.

Narrative Frieze: Procession with Dignitary in a Palanquin Architrave from a Jain Temple, 1500s-1600s. India, Gujarat, 16th-17th century. Wood with traces of color; overall: 20.4 x 257.7 x 10.2 cm (8 1/16 x 101 7/16 x 4 in.).

Frieze (England); block-printed on continuous paper; 83 x 16 cm (32 11/16 x 6 5/16 in.)

Osen of the Kagiya Teahouse ca. 1769 Suzuki Harunobu Japanese The narrow rectangular shape of this pillar print creates an arresting image of Osen, the popular waitress of the Kagiya teahouse at the Kasamori Inari Shrine in Edo. The height of the willowy Osen is accentuated by the tall slender post of the torii gate partially visible at right. The pillar, roof, and lantern of the teahouse as well as the footed table of cakes restrict the area of the print even more, while simultaneously identifying the woman portrayed as Osen and enhancing her gracefulness. Written on the lantern are the name of the shop, Kagiya, and Oyasumi dokoro, meaning "rest stop."This depiction of Osen turning back to look at a cuckoo in flight is not a mere snapshot but a memorable pose of her essential charm and striking appearance. This print presents the beautiful Osen more as a popular icon than as part of a narrative scene.. Osen of the Kagiya Teahouse 45089

Orphrey Band Made 1601-1700 Italy. Hemp and linen plain weave; appliquÈd with silk, broken warp chevron twill weave cut, solid velvet; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in satin and split stitches; laidwork, couching padded couching .

Border, Block-printed on paper, Architectural moldings, including dentil, egg and dart and beading. Printed in shades of gray, black and a salmon-color., France, 1795-1815, Wallcoverings, Border

Amsterdam, Tresling & Comp., Binger, Gebroeders, Netherlands, Historical and Allegorical Procession in Amsterdam. May 12, 1874, Plate 20. - Fig. 1. Allegorical float, representing: Trade, Industry, Fine Arts and Sciences; fig. 2, the College Vriendschap, Historical costumed procession in Amsterdam on the occasion of the 25th anniversary of the reign of King William III in 1874 (plate 20), Plate no. 20 with the part of the procession with a float with an allegorical representation of Trade, Fine Arts and Sciences, followed by the members of the College Vriendschap. Part of a series of 24 plates of the costumed historical and allegorical procession held in Amsterdam on 12 May 1874, as part of the festivities celebrating the 25th anniversary of the reign of King William III., print, prent, prints, Frederik Muller Historieplaten, height 115 mm, width 365 mm, print maker, printmaker, 1874 - 1874, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher, uitgever, Ne

A woman riding on the back of a tiger ca. 1880-1910 José Guadalupe Posada. A woman riding on the back of a tiger. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Border. Date/Period: 1800-30. Border. Block-printed on handmade paper. Height: 880 mm (34.64 in); Width: 200 mm (7.87 in). Author: UNKNOWN.

Ton vault, composed of oak planks, painted with grotesken and acanthus vranks, expired female figures with underclines that end in claws and volutes, anonymous, c. 1600 Vault consisting of approximately 150 panels of different sizes. Part 1 to 22 and part 190 to 193. Northern Netherlands wood (plant material). oak (wood). paint (coating) The Hague Vault consisting of approximately 150 panels of different sizes. Part 1 to 22 and part 190 to 193. Northern Netherlands wood (plant material). oak (wood). paint (coating) The Hague

Doré, Gustave (n.1832-01-06-D.1883-01-23), return of René Iallanges (title awarded), 1855. Bois. Balzac house.

Przeszłość Przyszłości unknown sculptor

Remains of panelling from the destroyed lacquer cabinet

November, with the Sign of Sagittarius, Jan Kamphuijsen, 1790 - 1791 painting Nine months with the signs of the zodiac: November with the sign of the Sagittarius. Is part of a group of decorations with grotesken from the house of J.A. Brentano on the Herengracht. Probably made of designs by Giambattista Maderna. panel. oil paint (paint) November ~ other concepts (+ with signs or personifications of the planets together with zodiacal signs). ornament ~ grotesque

Screen Panel from Set of Six late 18th-early 19th century China. Screen Panel from Set of Six 69967

Band, Medium: linen, silk, metal-wrapped silk, metal coils Technique: satin stitch embroidery for silk; couching stitch for metal-wrapped silk, Narrow border of linen embroidered in gold with a pattern of confronted lions on either side of a plant., Italy, 16th century, embroidery & stitching, Band

Textile (France); glass and gilt beads, silk and wool on canvas.; Overall: 68 x 11.5 cm (26 3/4 x 4 1/2 in.)

Sampler (Germany); silk embroidery on linen foundation

A yujo reading. Origin: Japan. Period: Edo period. Date: 1615-1868. Color on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Border (USA); block-printed; 28 x 6 cm (11 x 2 3/8 in.)

Hunter and dog toasted by Hazen, Virgilius Solis, 1524 - 1562 print Nuremberg paper etching hunter. hunting dogs. hare-hunting, rabbit-hunting. rodents: hare

Erotische scènes van Krishna en Radha.The freshly opposed is painted upside down with erotic scenes of Krishna and Radha in a panel that covers most of the blade, left can still be seen a small piece of Oud-Indian Scripture; Right a rider with a lotus arrow and bow on an elephant with horned back (brush in black outline lines). The piece of palm leaf is included in a blue passepartout so that front and back are visible.

Dado, Block-printed on handmade paper, In center, horizontal rectangular medallion with two figures in grisaille; to right and left, semicircular radiating fluting. To right and left of these, circular pink medallions, each with a figure in grisaille. At either end, a termination in acanthus arabesques. Horizontal rectangle., France, 1780-85, Wallcoverings, Dado

Vivatbant, Vivat Empress Zita, War welfare office , Red Cross , War aid office - , Alfred Offner -, Draft

General Guo Ziyis Birthday Banquet, early or mid-1800s. Korea, Joseon dynasty (1392-1910). Eight-panel folding screen, embroidery on silk; painting: 60.9 x 30 cm (24 x 11 13/16 in.); overall framed: 195.2 x 332.4 cm (76 7/8 x 130 7/8 in.). The subject of this folding screen is a banquet in honor of Guo Ziyi (697-781), who is considered one of the greatest generals in Chinese history. He had a long and successful military career as well as a blissful family life. Thus, his image surrounded by his numerous family members symbolize the paragon of success and happiness. Using a wide spectrum of colorful silk threads, the artist colorfully depicts Guo enjoying his full-fledged retirement life.

Woman (Bijin) Looking at the Moon's Reflection (From the series Mu Tamagawa), mid-1700s. Suzuki Harunobu (Japanese, 1724-1770). Pillar print; sheet: 70.1 x 13.3 cm (27 5/8 x 5 1/4 in.).

Kaga no Chiyojo | Library of Congress

Headpiece depicting fairies and musicians by George Heywood Sumner. George Heywood Maunoir Sumner (1853-1940) an English painter, illustrator and craftsman. Dated 19th century

Jan van Eyck, Ghent Altarpiece, 'Eve'

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