Character Studies and Sketches

Artistic head studies and character sketches, featuring varied expressions and styles, showcasing the detail in facial features and forms.

Study sheet with sixteen heads, Marie Lambertine Coclers, 1776 - 1815 print Amsterdam (possibly) paper etching

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) 1786 After Wenceslaus Hollar Bohemian. Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) 411917

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wenceslaus Hollar, out of the Portland Museum) 1786 After Wenceslaus Hollar Bohemian. Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wenceslaus Hollar, out of the Portland Museum) 411925

Drawing (Italy)

Study sheet with sixteen heads, Marie Lambertine Coclers, 1776 - 1815 print Amsterdam (possibly) paper etching

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) 1786 After Wenceslaus Hollar Bohemian. Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) 411928

Five heads; Collection of different scribbles and etchings; Recueil De Divers Griffonements & Preuves d'Eau Forte. Four heads turned back to the left and one head to the right.

Head of a man, Anne Claude Philippe Caylus, After Anthony Van Dyck, 1735 print Head of a man, turned to the left. France paper etching head (human). adult man

Group of five heads of Saters, Anne Claude Philippe Caylus, After Peter Paul Rubens, 1702 - 1765 print Numbered at the top right: 77. France paper etching satyr(s) (in general)

Study sheet with six heads. Study sheet with six different heads of men and women.

Print made by Oliverio Gatti, 1568-1651, Italian, Studies for the Instruction of Painters, two suites. Rome, c. 1630, undated. Line engraving on medium, slightly textured, cream laid paper.

Composition with writing man, head of a woman and four male figures, Ignace -Joseph de Claussin, after Rembrandt van Rijn, 1805 - 1844 print paper etching / engraving / drypoint writing and letters. head (human) - AA - female human figure. adult man. lantern

Seven Male Heads late 17th-mid-18th century Sebastiano Ricci Italian. Seven Male Heads. Sebastiano Ricci (Italian, Belluno 1659-1734 Venice). late 17th-mid-18th century. Pen and brown ink, wash. Drawings

Leonardo da Vinci, Sheet of Studies (recto), probably 1470 1480 Sheet of Studies recto

Study sheet with seven heads in two rows, print maker: D. van den Bosch, (mentioned on object), Netherlands, 1817, paper, etching, h 80 mm × w 118 mm

Two men's busts with masks and fantasy head covering, René Boyvin (workshop of), After Léonard Thiry, After Rosso Fiorentino, 1535 - 1598 print paper engraving fantasy costume. head-gear. mask. the arts of the stage: ballet, theatre, musical drama, motion picture

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum). Artist: After Wenceslaus Hollar (Bohemian, Prague 1607-1677 London); After Leonardo da Vinci (Italian, Vinci 1452-1519 Amboise). Dimensions: Plate: 7 11/16 x 6 5/16 in. (19.6 x 16 cm)Sheet: 7 7/8 x 6 1/2 in. (20 x 16.5 cm). Publisher: Published London by John Clarke (British, active 1788-91). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.

Head of a man with mustache, Anne Claude Philippe Caylus, After Anthony Van Dyck, 1735 print France paper etching head (human). old man. moustache

Head studies of Saskia and others. Copy to the Print of the same name by Rembrandt.

Six heads of Saters, 1622 - 1652 print Print is part of an album. Antwerp paper engraving satyr(s) (in general)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), book to learn to draw. Six other heads. Tenth issue of a suite of 16 pieces. (A. de Vesme 301; Dutuit 146) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

On the way to Emmaus and head of a blond child, 1594 - 1662 Two drawings by Gerard ter Borch the old next to each other stuck on a leaf. Zwolle (Possible) paper. ink. chalk. watercolor (paint) brush / pen Two drawings by Gerard ter Borch the old next to each other stuck on a leaf. Zwolle (Possible) paper. ink. chalk. watercolor (paint) brush / pen

Old Man with a Book, Old Man with a Magnifying Glass, Old Man Meditating, Old Man with a Large Hat. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1775. Dimensions: 142 x 109 mm (image/plate, upper left); 145 x 117 mm (image/plate, upper right); 142 x 118 mm (image, lower left); 149 x 119 mm (plate, lower left); 149 x 113 mm (image, lower right); 152 x 115 mm (plate, lower right); 544 x 385 mm (sheet). Four etchings on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum). Artist: After Wenceslaus Hollar (Bohemian, Prague 1607-1677 London); After Leonardo da Vinci (Italian, Vinci 1452-1519 Amboise). Dimensions: Plate: 7 11/16 x 6 5/16 in. (19.5 x 16 cm)Sheet: 7 7/8 x 6 7/16 in. (20 x 16.4 cm). Publisher: Published London by John Clarke (British, active 1788-91). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.

Design Ages, from Encyclopédie 1762-1777 France. Etching, with engraving, on cream laid paper . Benoît-Louis Prévost

Heads ..

Six heads of Saters; SATERS. Print is part of an album.

Kinderkopje with counterpressive. Children's head, with the back Pressure on the Same Leaf.

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Two deceased warriors with hair band, 1759 print Two mascarons on a leaf. On the left a man with beard, open mouth and hair band, seen from the front. On the right a man with a hair band, turned left. paper etching mask, mascaron ~ ornament. the soldier; the soldier's life

Two men's heads to the right, Anonymous, 1700 - 1799 print paper etching / engraving silhouette-apparatus, 'physionotrace'

Face of a man with skin disease: two figures. Watercolour by R.W. Sherwin, ca. 1900.

Studieblad met twee hoofden.Above the head of a young man with a helmet on, under an old man with beard and glasses.

Koppen from two men, a woman and a child, Roubillac, After Pierre Thomas Le Clerc, 1749 - 1849 print paper etching drawing, sketch. head (human)

Heads of a woman, an old man with beard and a soldier with helmet; Collection of different scribbles and etchings part 2; Recueil De Divers Griffonen et Preuves d'eau forte part 2. .

The four seasons, Francesco Rosaspina, After Vittorio Maria Bigari, 1772 - 1841 print Four circles with heads that represent the four seasons. print maker: Italyafter design by: Italypublisher: Bologna paper etching year divided into four seasons

Nouvelle - Zélande. 1. 2. Profil et face d' epaé enfant de Wangari., 3. Ekara Jeune fille de la baie des lles., 4. Bouche d' Ekara., 5. 6. Tawiti et sa Femme. 7. Bouche de la Femme de Tawiti.. Dumont d'Urville, Jules-Sébastien-César, 1790-1842. Prints. 1830 - 1835. General Research Division

Francois Boitard, ca. 1670-1715, French, A Design of Masks, 1710. Pen and black ink and gray ink on medium, moderately textured, cream, laid paper.

Composition with six heads of men and women with closed eyes, Ignace -Joseph de Claussin (attributed to), after Jean Jacques de Boissieu, 1815 - 1844 print paper etching old man. eyes closed

Eleven studies of a men's head, Leonard Schenk, 1710 - 1767 print Eleven different views of a men's head with beard. Three heads are depicted with a helmet. The print comes from a series of presumably twelve study examples for young artists. Amsterdam paper etching head (human). the soldier; the soldier's life

Drawing Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from Encyclopédie 1762-1777 France. Le Brunís depictions of the strongest passions offer a darker side of human emotions. In his lecture he argued that hatred and jealousy could be indistinguishable, emphasizing the livid, enflamed flesh of those caught in the thrall of these emotions, and therefore the EncyclopÈdie does not attempt to distinguish them. Anger adopts a similarly turbulent manifestation, with the glare of desire retaining a steely focus. Finally, the man writhing in acute pain offers a passionate reaction to a physical, rather than mental state.. Etching with engraving on cream laid paper . A. J. Defehrt

Medusa and died warrior; Mascaroons and helmets. Two mascaroons on a leaf. On the left a medus boke with hoses. On the right a man with hair band, turned to the left.

Studies of historical heads and caricatures, Willem Pieter Hoevenaar, 1818 - 1863 drawing paper. pencil caricatures (human types)

Two men's heads, Marius Holleman, 1920 print The left man is wearing a hat, the right has a beard. Groningen paper etching head-gear: hat. beard

Drawing, Studies of Peace for "Justice and Peace"; Daniel Huntington (American, 1816-1906); USA; charcoal and white chalk on gray-brown laid paper; 46.7 x 59.3 cm (18 3/8 x 23 3/8 in.) ; Bequest of Erskine Hewitt; 1942-50-42

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Landscape with rider, Jan van Aken, 1640 - 1670 print paper etching landscapes in the temperate zone

The Grimaces. Artist: Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). Dimensions: Sheet: 13 1/8 x 10 in. (33.3 x 25.4 cm). Printer: Delpech. Series/Portfolio: Collection of Grimaces (Recueil de Grimaces). Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

Plate 10: two heads of old soldiers wearing helmets, both facing left and looking downwards, from 'The principles of design' (I principii del disegno) ca. 1641 Stefano della Bella Italian. Plate 10: two heads of old soldiers wearing helmets, both facing left and looking downwards, from 'The principles of design' (I principii del disegno) 412514

Drawing, Studies: Two heads of children; Mauro Gandolfi (Italian, 1764-1834); Italy; red crayon on paper; 19.2 x 11.2 cm (7 9/16 x 4 7/16 in.)

Hamlet Winstanley, 1698-1756, British, Various Sketches of Heads, between 1715 and 1720. Pen and brown ink and graphite on medium, slightly textured, cream laid paper.

Leroy young, actor.

Sketch sheet. / No. 19. (Registered Title) | Lithographic Album. (title of all)

Crémieux / Thiers / Gambetta / Picard / Pelletan / EM. Ollivier

Donkey carrying a flag on its back possibly 18th century Possibly Francesco Casanova. Donkey carrying a flag on its back. Possibly Francesco Casanova (Italian, London 1727-1803 Brühl). possibly 18th century. Etching. Prints

Study sheet with ten heads, Jacob de Wit, 1705 - 1754 drawing paper. ink pen head (human)

Three men and a woman, Hendrick Goudt, 1580 - 1650, Study sheet of three men and a woman., draughtsman: Hendrick Goudt, 1580 - 1650, paper, pen, h 55 mm × w 100 mm

Benjamin Robert Haydon, 1786-1846, British, Study of Facial Expressions, undated. Pen and brown ink on medium, slightly textured, blued white, laid paper.

Study of nine heads, draughtsman: Jan Symonsz Pynas, draughtsman: Jacob Symonsz Pynas, Netherlands, 1600 - 1699, paper, pen, h 46 mm × w 70 mm

Two Deformed Heads with Very Long Upper Lips Wenceslaus Hollar Bohemian after Leonardo da Vinci Italian ca. 1645 View more. Two Deformed Heads with Very Long Upper Lips. Varie Figurae et Probae after Leonardo da Vinci, Antwerp, 1645 (New Hollstein 737-751). Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). ca. 1645. Etching. Prints

Verschillende hoofden en kapsels.Three rows with different heads and hairstyles of men and women.

On the way to Emmaus and head of a blond child. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: 1594 - 1662. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

James Hall, a groom aged 40, and his facial tumor. The huge growth like a double chin grew over five years from a simple sore throat. Copperplate engraving by Edward Mitchell after an illustration by John Bell from his own Principles of Surgery, as they Relate to Wounds, Ulcers and Fistulas, Longman, Hurst, Rees, Orme and Brown, London, 1815.

Caricature of Leo Gestel on his sickbed: two studies of his head. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 197 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.

Lavater, Essays on Physiognomy, 1789-1798

Two Grotesque Heads 1640s Anonymous, Netherlandish, 17th century Netherlandish Seemingly in an animated conversation, these figures alternately fascinate and repel us, while also begging us for empathy. The decrepit man wears a monks habit, and the ugly womans old-fashioned, eccentric costume seductively bares her bosom. This print, formerly attributed to Wenceslaus Hollar, was executed in a much larger scale than the original drawings of grotesque figures by Leonardo. In contrast, when making his copies, Hollar usually respected the scale of motifs in Leonardos drawings.. Two Grotesque Heads. Anonymous, Netherlandish, 17th century. 1640s. Etching; only state. Prints

Plate 5: four ears, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner) ca. 1649 Stefano della Bella Italian. Plate 5: four ears, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner) 377016

Two physiognomies showing hybrids of man and ox. Drawing, c. 1789, after C. Le Brun.

Study of several mouths Figures after Annibale Carracci Artis Pictoriae ex aperibus Hannib: Caraccii con cinnata on object, print maker: anonymous, Annibale Carracci, (mentioned on object), publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1675 - 1711, paper, etching, engraving, h 171 mm × w 238 mm

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Saint-Mémin Collection of Portraits, Group 35, 1804-1808, Portfolio Title, Saint-Mémin Collection of Portraits, fifteen mezzotints with engraving mounted to brown wove paper, image (overall): 24.13 × 34.29 cm (9 1/2 × 13 1/2 in.), mount: 29.21 × 40.64 cm (11 1/2 × 16 in.), Charles B. J. Févret de Saint-Mémin (artist) French, 1770 - 1852

Three Studies of the Head of a Youth. Francesco Salvator Fontebasso (Italian, 1707 - 1769)

Etching by Giuseppe Ribera depicting detailed studies of human eyes, showing anatomy, expression, and artistic technique.

Portrait study of different heads, Jacobus Ludovicus Cornet, 1825 - 1882 print Study magazine with six different busts, among other things the head of a monk and a helmet of a harness. Leiden paper etching head (human). monk(s), friar(s). helmet

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of various scratches. Five children's heads. Twenty-first number of a suite of 22 pieces. (A. de Vesme 410; Dutuit 121) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Two deformed heads (the figure on the left is possibly a caricature of Dante) 1645 Wenceslaus Hollar Bohemian Two deformed heads. The man on the left seems to be a caricature of Dante. He wears a cap with earflaps. The woman on the right has her hair in a bag and prominant neck muscles. After Leonardo. Two deformed heads (the figure on the left is possibly a caricature of Dante) 360758

Four men, Jan Chalon, 1748 - 1795 print Presentation in four parts. In the top two parts the busts of two men. A man plays a violin under that. At the bottom right an old man with a walking stick. In mirror script there is some text vertically. paper etching / drypoint morphology of human expression (+ adult male (human being)). morphology of human expression (+ old male (human being)). walking-stick, staff. violin, fiddle

Six coins with portraits of men and women from classical antiquity: Letter BL D, Richard Collin, After Joachim von Sandrart (I), 1675 - 1680 print Six coins with portrait busts of men and women from classical antiquity. Among others Alexander the Great and Byzas. paper engraving coin

Nine masks and six small bunches of fruit; Cups, jars and scales; Many Schoene stuck to drive the goudt forging mustache. Obachi copies of the series listed under Orn Cat I-324.a. Title page and 14 partially numbered sheets from a series of 25.

The head of John Thurtell after his hanging. Pen drawing by J. Wentzell, 1824.

J. C. Lavater, Essays on physiognomy...

Head of a Woman with Helmet Looking Left. Artist: Circle of Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome) (). Dimensions: sheet: 5 1/2 x 4 1/16 in. (14 x 10.3 cm). Former Attribution: Formerly attributed to Anonymous, French (), late 16th century early 17th century; Formerly attributed to Frans Floris I. Date: late 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Augsburg, Lotter, Johann Jacob, Bergmüller, Johann Georg, Sperling, Hieronymus, Schematic representation of female and male face and two putti with coat of arms and easel, verso - stamped, Middle top: Fig. 11., print, book illustration, prints, etchings, height 315 mm, width 211 mm, German, 1695 - 1777, print maker, printmaker, 1723 - 1723, paper, papier, etching, Work conception, 1688 - 1762, after a design by, Publication (Event), Publication, 1683 - 1738, publisher

Nine men's heads with exotic main coverings; Later edition of Ein Frembds und Wunderbares Kunstbüchlin (...). The upper three men wear turbans. Sheet from series of 56 () Sheets.

Projects for statues: 'Wisdom.' 'Constancy.' 'Eloquence.' 'Cupid Disguised.', Jan Claudius de Cock, Flemish, 1667 - 1735, Black crayon, pen, ink, brush, gray watercolor on paper, Horizontal rectangle. From left to right: a youth standing with one leg upon a dog (). He holds a snake with his right hand, leaning with his left hand upon a standing looking glass. A girl leans against a column, carrying in her right hand a key and in her left one a palm branch. A laurel wreath around her head. A youth with a winged helmet, carrying the caduceus in his left hand and a lyre in his right one. Cupid, leaning with his right arm upon something unidentified, covers his face with a mask. The lowered left hand carries the quiver. Caption written in ink, at left: “immitatio sapiens” (the ink changes to the one first used in 1916-9-1) naervolginge der wysheyt fidelis constantia/ getroniae Stantvaftigheyt elocuentia/welsprekentheyt al seen harfs soet luydende/Amor simulat/veynseude liefde - foes Claud

Four Heads of Prophets, October 26, 1716, Hamlet Winstanley, 1698-1756, British, 1716, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 12 1/8 × 7 3/4 inches (30.8 × 19.7 cm) and Binding: 13 inches (33 cm)

Men's heads and a women's head, 1839 Page 14 Recto from a sketchbook with 37 sheets. paper. pencil pen head (human). adult man. adult woman. head-gear: hat (+ men's clothes)

A married couple who have begun physically to resemble each other. Drawing, c. 1794.

Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), Studies of a Classical Bust, 1774 to 1775. Oil on paper, laid on canvas.

Two heads of Niobe, Augustinus Terwest (I), 1672 - 1711 print Above and below two views of a classic sculpture of the head of Niobe. Rome paper etching (story of) Niobe. piece of sculpture, reproduction of a piece of sculpture

Foockel Lach-One-Reys and Lazarus Sonder-Very; Farmers. Print from a series of 36 prints with heads of farmers and farmers.

Reading man and old woman and three heads, Pieter de Mare, after Christina Chalon, 1768 - 1796 print Leiden paper etching old woman. reading

Amsterdam, Visscher, Claes Jansz. (II), Bruegel, Pieter (I), Doetechum, Johannes of Lucas van, Peasant Heads, Foockel Lach-een-reys and Lazarus Sonder-Zeer, verso - stamped, Print from a series of 36 prints with heads of peasants and peasant wives., print, prints, height 133 mm, width 188 mm, print maker, printmaker, 1612 - 1652, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, South Netherlands, 1525 - 1569-09-05, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Luca Ciamberlano, Print from Drawing Book, c 1610 1620 Print from Drawing Book

The female trunk - definition of proportion.. Smith, John Rubens, 1775-1849. Prints. 1831. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Figure drawings, Female nude in art

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