Charming Rural Life Illustrations

Engravings illustrating charming scenes of rural life, featuring children and women with animals, blending tenderness and pastoral beauty in the 18th to 19th centuries.

Artist: Gilles Demarteau, Flemish, active in France, 1722-1776, After: Jean Baptiste Hüet, French, 1745-1811, Girl FeedingHens, Stipple and crayon manner engraving printed in color, image: 23.3 × 35.6 cm (9 3/16 × 14 in.), Made in France, French, 18thcentury, Works on Paper -Prints

Artist: Gilles Demarteau, Flemish, active in France, 1722-1776, After: Jean Baptiste Hüet, French, 1745-1811, Girl FeedingHens, Stipple and crayon manner engraving printed in color, image: 23.3 × 35.6 cm (9 3/16 × 14 in.), Made in France, French, 18thcentury, Works on Paper -Prints

Amitié de pension, from the series Scènes de la vieintime. Artist: Paul Gavarni, French, 1804-1866 Publisher: Aubert et Cie, Paris, founded 1829

Children on the Waterkant, Dirk Jurriaan Sluyter, After Johannes Antonius Canta, 1848 print A girl with a reed stalk in her hand is on the waterfront. Next to her is a second girl who feeds the ducks in the water. Half in the water is a fallen basket. In the bark of the tree on the bank, the initials of the print maker are carved. print maker: Amsterdampublisher: The Hague paper etching / engraving water-birds: duck (+ man and animal). girl (child between toddler and youth)

Menghina Troost Cacasseno with a chestnut cake, Giuseppe Maria Crespi, 1710 - 1715 print Cacasseno's mother Menghina comforts her son and holds him a chestnut cake. Under the show a three -faced rhyme in Italian. Print from a series of six with the regions of Caccasseno, part of a series of twenty prints. Italy paper etching literary characters and objects. biscuits. childhood sorrows comforted

Madame Unzelmann in the Part of 'Nina', Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Engraving on paper, The seated figure of the actress, Madame Friederike Unzelmann is seen seated in a landscape in a scene from the first act of Armand's play 'Nina,' in the part of Nina. She covers her face with her hand in despair., Berlin, Germany, 1799, Print, Print

C A L Buisson after Charles Michel Ange Challe, The Upset Basket The Upset Basket

Costume de Bal - 1835 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Print made by David Allan, 1744-1796, British, born in Scotland, Jenny and Roger, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper.

Flight to Egypt.

Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega) 377784

Young woman barefoot with a pitchfork over her shoulder over the country, Frans van Kuyck, 1862 - 1911 print paper etching agricultural implements: pitchfork. adolescent, young woman, maiden

Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 15/16 in. (21.4 × 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA. Author: Goya (Francisco de Goya y Lucientes).

Young woman for a painting by Minerva, stopped by Engelen, Jacques-Philippe Le Bas, After Jean Baptiste Descamps, 1753 print print maker: Parisafter design by: France paper etching (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'. picture within picture

Lust. / Coquetry. / Young, pretty, I have long tems to be loved without loving (title registered) | The seven sins of capital (title of all)

A gallantry of Mr. Mayeux .... / No. 2. (registered title)

Le Devin du Village (Colette Weeping). Dated: 1779. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Pietro Antonio Martini after Jean-Michel Moreau.

Francisco de Goya, Ni asi la distingue (Even Thus He Cannot Make Her Out), in or before 1799 Ni asi la distingue (Even Thus He Cannot Make Her Out)

Dazing figures, Pierre Dirtin, After Jean Antoine Watteau, 1700 - 1751 print print maker: Francepublisher: Parispublisher: Paris paper etching / engraving one pair dancing; man and woman dancing as a couple. popular music, street music - CC - out of doors

Flittner, Friederike Auguste Conradine.

Rest from Labour on Sunny Days 1784-87 Thomas Rowlandson British. Rest from Labour on Sunny Days 407362

Lady Jane Grey, the Nine Days' Queen of England, 1553. Courtiers show King Edward VI's declaration. Lady Jane Grey declining the crown. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Francisco de Goya y Lucientes / 'Even thus he cannot make her out'. 1797 - 1799. Etching, Aquatint, Drypoint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

La JeuneMere. Artist: Paul Gavarni, French, 1804-1866

Girl. Pietro Antonio Martini; Italian, 1738-1797. Date: 1753-1797. Dimensions: 232 x 160 mm (image/plate/sheet). Etching in black on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Flight to Egypt, 1662 Zwolle paper. ink. deck paint brush Zwolle paper. ink. deck paint brush

Lotta née Goethe (board from "Chudo Ektienej Listok"); Brese, N., Fernlund (Fl. 18 ...), Kaulbach, Wilhelm von (1805-1874), Henkel, W. E. (St. Petersburg; Publisher; Ca 1860-1870); 1868 (1868-00-00-1868-00-00);

Galant company with musician, Pierre Filloeul, after Jean Baptiste François Pater, 1739 print publisher: ParisFrance paper etching / engraving garden of Love, court of Love, 'fíªte galante'. musician - CC - out of doors

Jacques Couché, La fuite à dessein, 1783, etching and engraving on laid paper.

Thousands of Snopek/ Nasz/ Kłosów. Holewi Ski, Józef (1848 1917)

Le mercure de France 1775-1785 Germany. Engraving on paper . Heinrich Guttenberg

Man with cloth on Boom, Pierre Charles Canot, After Jean Baptiste Pillement, 1759 print A Chinese man is standing next to a tree with a cloth with the serial title bound. He holds the canvas and points to it with a stick. London paper etching standing figure. trees

Shepherd Boy and Shepherdess in a Landscape, Jean Baptiste Le Prince, French, 1734 - 1781, Pen and black ink, brush and black wash over graphite on off-white laid paper, A shepherd boy playesa flute, at left, while a shepherdess wearing a turban listens. Their sheep are shown in a rocky, and wooded landscape., France, 1767, figures, Drawing, Drawing

Allegorical figures in landscape, Jan Punt, 1759 print A crowned woman with scepter and all -seeing eye above the head is accompanied by a young lady, a woman with flame on the head and Mercury with Caduceus. A group of figures is watching on the right. In the foreground a putto on a dolphin. paper etching (scenes from) specific works of literature (with AUTHOR, Title). group of actors, troupe; actors on the stage

Etching by Auguste Claude Simon Legrand between 1785 and 1815, showing Genevieve, Countess of Brabant, in a historical portrayal.

Man gives a woman a bird cage, Jan Punt, 1739 print A man gives a bird cage to a woman in the forest. She holds an arrow in the hand and points in the distance. Scene from the play Mélicerte, Van Molière. Amsterdam paper etching / engraving (MOLIERE) specific works of literature (with AUTHOR, Title). couple of lovers. bird in a cage

Kissing couple, Noach van der Meer (II), After Jacobus Buys, 1778 - 1785 print A kissing couple in a room. The woman sitting on a chair, the man standing. Amsterdam paper etching (lovers) kissing each other. living-room, parlour, sitting-room

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) 1797-98 Goya (Francisco de Goya y Lucientes) Spanish. Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre) 334158

Woman kneeling, MCCC. Watson, Stewart, active 1843-1847. 1840. Watson, Stewart, active 1843-1847. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Italy, Grand tours (Education), Women , Clothing & dress , 1400-1499

Elision (...); Scenes from Gottscheds Deutsche Schaubühne. The Shepherdess Elision and King Dion stand for a rocaille throne in a forest landscape. They are surrounded by men and women. On the left is the on Elisie in love shepherd daphnis next to an older man with a walking stick. In the underwear twice a two-year French and German text. Publisher number XV.

Greybeard, woman and child on a forest path Landscapes with figures (series title), print maker: Leendert Overbeek, Haarlem, 1791, paper, etching, h 202 mm × w 162 mm

Copper engraving and etching by Auguste Claude Simon Legrand, created 1790-1815, showing a young and old woman with a child and sheep, highlighting figures, posture, and interaction.

Jacques Aliamet and Antoine-Jean Duclos after Jean-Honoré Fragonard, French (1726-1788), A femme avare galant escroc, etching

The brave Batavian crowned by the Dutch Virgin, 1799, Bartholomeus Ziesenis, 1799, draughtsman: Bartholomeus Ziesenis, Netherlands, 1799, paper, brush, h 550 mm × w 416 mm

Print, Figures in a Landscape; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Marie Anne Charlotte Corday above Darmans, aged 25 years old

Girl says goodbye to her family before leaving for the city D, print maker: Jules David (1808-1892), (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Henri Jeannin, (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: London, 1834, paper, h 316 mm × w 486 mm

Charles Nicolas Varin after Nicolas Lavreince, Le concert agreable Le concert agreable

Caroline Watson, 1760-1814, British, Scene from the Tempest (VI), 1795. Stipple engraving on moderately thick, moderately textured, cream, wove paper.

Shakspeare. Much ado about nothing, act III, scene I , Orchards, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Much ado about nothing. Thomas Pennant Barton Collection

Standing lady, seen from behind, turned slightly to the right, dressed according to the French fashion of 1725. She wears a 'robe a la Watteau' which she holds up from behind with her right hand. On the left a group of trees, Fashion and Elegance: French Fashions of the 1720s Standing lady looking out over landscape French figures (series title) Figures Françoises (series title), print maker: François Octavien, (mentioned on object), François Octavien, (mentioned on object), print maker: Quiryn Fonbonne, (mentioned on object), Paris, 1725, paper, etching, engraving, h 161 mm × w 110 mm

Anthony Cardon, 1772-1813, Flemish, Round and Sound Five Pence a Pund Duke Cherry's, 1795. Aquatint.

Louis XV (King of France), Watteau, Jean Antoine, France, Jeaurat, Edme, The Works of Antoine Watteau Painter of the King, Prints after Antoine Watteau, Oriental Figures in a Landscape, Hia Theo ou Esclave Chinoise., Enslaved Chinese Woman in a Garden, verso - stamped, print, prints, height 240 mm, width 171 mm, 1688 - 1738, print maker, printmaker, 1731 - 1731, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1684-10-10 - 1721-07-18, after, after a painting by, 1710-02-15 - 1774-05-10, granter of privilege

Design for a room: statue of sense smell, also a woman and child with flowers, Dionys van Nijmegen, 1715 - 1798 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen piece of sculpture, reproduction of a piece of sculpture. 'Odorato' (Ripa)

Three Oriental Heads March 5, 1780 Etched and published by Robert Blyth British. Three Oriental Heads 408064

Four putti with the family weapons of Graafland and Hooft, Reinier Vinkeles (I), 1775 print Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. armorial bearing, heraldry. clouds

Drinking, Charles.

The Green Plot. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: after Niclas Lafrensen II.

Interior with a young woman sitting on a chair, looking at two pigeons on a desk, Nicolas Joseph Voyez, after Jean -Baptiste Greuze, 1777 - 1779 print print maker: Francepublisher: Paris paper etching / engraving interior of the house. doves, pigeons. adult woman

France, Empire, Poland and Russia; Tilliard, Jean-Baptiste (1740-1813), Le Prince, Jean-Baptiste (1734-1781); 1768 (1768-00-00-1768-00-00);Chappe d`auteroche, Jean-Baptiste (1722-1769). Voyage en Sibérie EN 1761, Witke-Jeżewski, Dominik (1862-1944)-collection, illustrations, personifications (iconogr.), Purchase (provenance)

Print, Figure Under Canopy; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); France; etching on paper

Copper engraving and etching by Comte Anne Claude Philippe de Caylus from 1737 titled 'The Charming Catin', showing figure and composition in artwork.

Young woman gives a child a beating with a roe, Jean Baptist Leprince, after François Boucher, 1744 - 1781 print A young woman puts a small child over a couch, down the pants, to give him a punishment with the roe. A second child next to her. paper etching spanking, drubbing (of naughty children)

State Dame (Demoiselle Quantin), Daniel Nikolaus Chodowiecki, 1758 print paper etching adolescent, young woman, maiden. gate, entrance

Emma Hart as Bacchante, Print made by John Raphael Smith, 1752-1812, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1784, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 16 3/4 × 12 15/16 inches (42.5 × 32.9 cm), Plate: 15 × 10 15/16 inches (38.1 × 27.8 cm), and Image: 9 7/8 × 8 1/16 inches (25.1 × 20.5 cm)

PATEZ, HOT TALLES TALLES SIC. / 8. (Registered title) | Boards extracted from the Cree of Paris. (IFF 97) (Title of the whole)

Design for a room piece: Amaryllis recognizes Myrtillo. Scene from 'Il Pastor Fido' by Guarini. Design for a painting.

Jahel from Heroes and Heroines of the Old Testament. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586-died 1600). Dimensions: Sheet: 17 x 12 11/16 in. (43.2 x 32.3 cm)Plate (oval): 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm). Date: ca. 1597. Museum: Metropolitan Museum of Art, New York, USA. Author: After Hendrick Goltzius. Nicolaes Braeu.

Print made by Charles Turner, 1774-1857, British, Mrs. Stratton, 1833. Mezzotint (third state, private plate) on thick, slightly textured, cream wove paper.

Young woman sitting on a chair in a landscape, Élisabeth Lépicié, after Charles-Antoine Coypel, 1751 print publisher: Parispublisher: ParisFrance paper etching / engraving dress, gown. sitting figure

Pixis, Theodor, London, Bruckmann, Friedrich, The Playing Infant, Photographic reproduction of a drawing of a scene from a play by Friedrich Schiller with a mother and a child playing, by Theodor Pixis, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Registered., height 292 mm, width 225 mm, German, 1814 - 1898, photographer, 1870 - 1875, photographic paper, photo paper, albumen print, albumine print, 1831-07-01 - 1907-07-19, intermediary draughtsman

Print, In the Woods (La Causerie); France; lithography on paper; 19.8 × 16.2 cm (7 13/16 × 6 3/8 in.); 1896-31-114

Pierrot met worst, 1774 - 1799 print paper types in 'commedia dell'arte': Pierrot. sausage

Three children with a bird's nest, Charles Etienne Leguay, 1824 print Paris paper child robbing bird's nests

Georgiana, Duchess of Devonshire, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Lady Diana Beauclerk, 1734-1808, British, 1778, Etching and stipple engraving, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 10 × 11 1/8 inches (25.4 × 28.3 cm), Plate: 8 1/4 × 9 1/8 inches (21 × 23.2 cm), and Image: 6 1/4 × 7 1/8 inches (15.9 × 18.1 cm), portrait

Zosia (Zosia standing on the fence and Tadeusz watching her in the window of the court (from the first book of Pan Tadeusz A. Mickiewicz); (according to the picture of Leonard Straszyński). Scared, Leonard Ludwik (1827 1879), Droehmer, Hermann (1820 1890), Pfeiffer, E.

A Seated Chinese Man and a Woman Carrying a Fish. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris). Dimensions: Sheet (trimmed): 11 7/8 × 9 5/16 in. (30.2 × 23.6 cm). Series/Portfolio: Scenes of Chinese Life(Scenes de la vie Chinoise). Date: ca. 1742. Museum: Metropolitan Museum of Art, New York, USA.

Cimon in But (Roman Caritas).

Dios la perdone: y era su madre (For Heavens Sake: and It Was Her Mother), pl. 16 from Los caprichos. Artist: Francisco Goya, Spanish, 1746-1828

France / what do you do (IT)

Russia in a slatier. (Registered Title) | News. (Title of the whole)

Swiss farmer, Arnoud Schaepkens, 1855 - 1904 print paper etching / drypoint farmers - AA - female farmer, farmer's wife

Copper engraving by Hendrick Snyers, created between 1635 and 1642, depicting the Rest on the Flight into Egypt with detailed human figures and landscape elements.

SansAmour. Artist: Paul Gavarni, French, 1804-1866

Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm)Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Pyramus and Thisbe ca. 1529 Heinrich Aldegrever German. Pyramus and Thisbe 428691

Philibert-Louis Debucourt, Modes et Manières No. 6: La petite coquette (Toquet orné de Plumes. Chapeau a cotes, brodé), 1800, hand-colored etching on paper.

The nap. (Registered title) | FANTASIES. (Title of the set)

Ceres, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Battista Cipriani, Italian, 1727-1785, active England, 1755-1785, Stipple engraving in brown ink on white paper, Ceres sits facing two boys at the right, one carrying a big bird, the other allowing a small bird to perch on his hand. She holds a basket; woods beyond., England, 1787, Print, Print

H. Joris and the H. Cecilia. The Holy Joris holds a lance. This print is part of an album.

Boy and his mother as the first period of life, Daniel Nikolaus Chodowiecki, 1793 print Berlin paper etching farm or solitary house in landscape. child. the life of man. bench. mother and baby or young child

Sculpture of the Greek goddess Hebe, Angelo Bertini, After Giovanni Tognolli, After Antonio Canova, 1793 - 1838 print Sculpture of the Greek goddess Hebe, standing with a jug and a drinking cup in her hands, by the Italian sculptor Antonio Canova. Italy paper etching / engraving (story of) Hebe (Juventas) - attributes. piece of sculpture, reproduction of a piece of sculpture

Picart, Bernard, Amsterdam, Dutch maiden and Dutch lion, verso - stamped, The Dutch maiden with the lance of liberty in her hand and leaning on the Bible. Next to her the Dutch lion with a bundle of arrows. They are sitting on a quay with ships at sea in the background. The scene is set in an ornamental frame., print, prent, prints, prenten, height 127 mm, width 177 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1718 - 1718, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Two loved ones in a forest, Achille Devéria, 1832 print print maker: Parisprinter: Parispublisher: Parispublisher: Londonpublisher: New York (city) paper (lovers) caressing each other. forest, wood

. Francisco José de Goya y Lucientes

Artist: Johann Heinrich Lips, Swiss, 1758-1817, Les Adieux deCalas, Engraving, image: 25.9 × 20.9 cm (10 3/16 × 8 1/4 in.), Made in Switzerland, Swiss, 18thcentury, Works on Paper -Prints

Jusques dans la moindre chose. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Louis-Joseph Masquelier after Pierre-Antoine Baudouin.

unknown, Paris, Surugue, Louis, Duchange, Gaspard, Picart, Bernard, Pierre Louis, Musician Couple, verso lower left - stamped, A woman sits with an open songbook on her lap in a park. A man plays a flute. Cupid accompanies them. In the margin a four-line poem in French., print, prent, prints, prenten, height 97 mm, width 111 mm, 1716 - 1772-04-29, print maker, printmaker, 1730 - 1762, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1673-06-11 - 1733-05-08, after a design by, Publication (Event), Publicatie, 1662-04 - 1757-01-06, publisher, uitgever, Frans, 1686 - 1762-10-08, verlener, verlener van privilege

TIRCIS AND AMARANTH, BY GUSTAVE DORE

(MA FEMME DESSINE LE PAYSAGE.). Artist: Paul Gavarni, French, 1804-1866

Achille Devéria (1800-1857), French and pink engraver Joseph Lemercier (1803-1887), French printer-lithographer. The cradle. The Cradle .. Lithography on paper, 1832. Paris, Carnavalet museum. 77637-15 Baby, cradle, drawing, giving, child, woman, cake, garden, landeau, lithography, eating, mother, feed

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