Civil War Illustrations

Dynamic sketches representing Civil War scenes and figures, highlighting movement and emotion in a dramatic historical context.

Ekman, Robert Wilhelm, Resurrection of Christ; Composition sketch (two-sided work), drawing, 33 cm x 17.4 cm

Valiant Men "Dat Fite Mit Siegel" (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 4 11/16 x 6 7/16 in. (11.9 x 16.4 cm)Sheet: 7 15/16 x 10 3/8 in. (20.1 x 26.3 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

The Stagecoach Holdup. Bartolomeo Pinelli; Italian, 1781-1835. Date: 1801-1835. Dimensions: 278 x 421 mm. Pen and black ink and graphite on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Standing man, seen on the back. With the right arm raised. Leaf 14 Recto from sketchbook LXIV with 29 sheets.

Valiant Men "Dat Fite Mit Siegel" (from Confederate War Etchings) 1861-63 Adalbert John Volck American. Valiant Men "Dat Fite Mit Siegel" (from Confederate War Etchings) 421350

A drawing by Francesco la Marra depicting the biblical figure Job being mocked, executed with money and feather.

Pencil drawing by August Xaver Karl von Pettenkofen depicting a pumpkin market with figures and produce, focusing on market activity and arrangement.

City maiden of Den Bosch and Prince Frederick Henry, Crispijn van de Passe (I) (workshop of), 1629, The City maiden of Den Bosch presents the keys of the city to Prince Frederick Henry in 1629. Design for a print., draughtsman: Crispijn van de Passe (I), (workshop of), 1629, paper, pen, h 143 mm × w 378 mm

Peasants with Pack Animal 1789-1843 England. Graphite on tan laid paper, tipped onto cream wove paper . William Henry Pyne

Ekman, Robert Wilhelm, Resurrection of Christ; Composition sketch (two-sided work), drawing, 33 cm x 17.4 cm

Illustration for a Book: Battle by the Sea Coast 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Battle by the Sea Coast 339313

Le voleur de poires (1st plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Mercury, Argus and Io, Gerbrand van den Eeckhout, 1650 - 1674, draughtsman: Gerbrand van den Eeckhout, draughtsman: Jan Lievens, (rejected attribution), 1650 - 1674, paper, pen, brush, h 124 mm × w 124 mm

A graphite and black chalk drawing by Lucas Stipperger circa 1775-1780 depicting an award ceremony with Diana and Apollo, showing figures and gestures.

Francisco Goya (1746-1828). "Los Moros Establecidos in Espana, Prescindiendo de Las ...". Eat, dry point, partial aquatint and chisel. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. 3 - The Moors established in Spain, prescribed from the superstitions of their Alcoran, adopted this hunt and art, and throw a bull in the field - H 206 i1 Arab, etching, Moor, Saber, Taurus, Turban, Lance

Study magazine with sick woman in bed, etc ...

Turbaned Soldier on Horseback, Rembrandt van Rijn, c. 1629 print paper etching

A pencil drawing by Lucas Stipperger depicting a theater scene with oriental figures and knights, showing figure placement and interaction.

Mrs. Sargent painting , Painters Artists, Painting, Cliffs. Charles H. Woodbury (1864-1940). Prints

Market, Willem van Wessem, Jacques Dassonville, 1735 - 1787

Italy, Billy, Nicolo, Testa, Pietro, Adoration of the Shepherds, verso - stamped, The Holy Family sits before a building and is surrounded by shepherds and angels who adore the Christ Child. In the background on the left the Annunciation to the shepherds by an angel., print, prent, prints, height 204 mm, width 276 mm, Italian, 1612 - 1650, intermediary draughtsman, after a drawing by, 1650 - 1750, paper, papier, etching, etchings, print maker, prentmaker

Priam and Companions Outside the Walls ofTroy. Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Sprookje.A woman stands in a portal and holds a piece of meat in the air. She is surrounded by lions, leopards and other cats.

Persons on the terrace at a garden. Design for a painting.

Theseus finding his father's arms 1645 (published 1648) Giovanni Benedetto Castiglione (Il Grechetto) Italian. Theseus finding his father's arms 393494

Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

An ink and feather drawing by an anonymous artist depicting Christ and the Samaritan woman at a fountain, showing figures, gestures, and water features.

James McNeill Whistler, TA Nash's Fruit Shop, c 1886 T.A. Nash's Fruit-Shop

Street fight with bystanders in London, Jan Toorop, 1868 - 1928 drawing paper. pencil fist-fight

A cavier field.

Drawing, Sketches for Scenes Four and Five of Cartoon for Cotton Printing: L'Histoire de Henri IV; Possibly by Hartmann et Fils (France); France; graphite on cream-colored paper, mounted; 28.1 × 86.1 cm (11 1/16 × 33 7/8 in.)

Drawing with lead, brush, ink, and white highlights by Lucas Stipperger depicting the farewell of Louis XVI from his family, showing figures and gestures.

Market scene, Harmen ter Borch, c. 1651, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, c. Mar-1651, paper, brush, h 167 mm × w 195 mm

Koeien in een weiland.In the background a house or possibly a shed. Leaf 7 Verso from a sketchbook with 33 sheets.

The Pastoral Play 1888 England. Lady Archibald Campbell, born Janey Sevilla Callander, was an aristocratic patron of Whistlerís and the subject of three etchings and one pastel by Roussel. She performed in pastoral plays (outdoor theater), which she and her husband produced; this etching shows her at right, in the role of Pierrot in ThÈodore de Banvilleís Le baiser. The play was performed on August 8, 1888, in Cannizaro Wood in the London suburb of Wimbledon. Part of the audience that day, Roussel apparently created the sketch for the print on the spot.. Etching with foul biting in blue-green on ivory laid paper . Theodore Roussel

Lavarice (Greed), from the portfolio Les péchés capitaux (The Deadly Sins). Artist: James Ensor, Belgian, 1860-1949

Study sheet with a general and soldiers and naked figures, 1839 - 1894 Two groups of soldiers bend for a general who is on an elevation. The figures wear historic costume. Also studies of two naked figures and a fisherman at a waterfront. Page 42 Recto from a sketchbook with 51 sheets. paper. pencil the soldier; the soldier's life. head bent forward; bowing. the (nude) human figure; 'Corpo humano' (Ripa)

Three potato harvesters on the land. Rear bract from a sketchbook with 27 sheets.

Sketch of Three Men gardening, watched by Figure and two Attendants, 1849-50. Artist: John Everett Millais

Group of people and a donkey around an anvil outside of a tent, Pierre Jean Baptiste Leroy, 1806 print paper etching tools, aids, implements ~ crafts and industries: anvil. tools, aids, implements ~ crafts and industries: hammer. ass, donkey

Departure for Greenwich (Depart pour Greenwich). Dated: 1891. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Cloud with angels and a cherub, Isaac Weissenbruch, 1836 - 1912 print paper angels. heaven represented in the air, with clouds (in concentric circles) and light

Bandits at a water well, Bartolomeo Pinelli, 1819 - 1823 Three bandits at a well. One of them drinks from the well, while another uses his hat to drink out. Two bulls also drink from the well. A mountainous landscape in the background. The print is part of an album. Rome paper etching Three bandits at a well. One of them drinks from the well, while another uses his hat to drink out. Two bulls also drink from the well. A mountainous landscape in the background. The print is part of an album. Rome paper etching

The Library of Pergamus Given to Cleopatra 1624-63 attributed to Francesco Allegrini Italian. The Library of Pergamus Given to Cleopatra 338041

At theAmbassadeurs. Artist: Edgar Degas, French, 1834-1917

Pencil drawing by August Xaver Karl von Pettenkofen representing a moment in Gil Blas, showing characters, interactions, and visual composition.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch for a mural over a door jamb -unidentified, Pen and ink, graphite, Wove, 25.4 × 20.2 cm (10 × 7 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Pen and brush drawing by Michael Willmann from 1682 depicting the apotheosis of Joachim von Sandrart, executed in brown, gray, and black inks with white highlights on yellowish paper.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

A group of cheering characters shown from you; Scholtz, Julius (1825-1893); 1865-1866 (1865-00-00-1866-00-00);Fryderyk Wilhelm III (King of Prussia - 1770-1840) - iconography, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - Dar, Wrocław (Lower Silesian Voivodeship), German drawings , studies to paintings, characters studies, figural sketches, soldiers

Pencil drawing by Carl Schindler titled 'Investigation', created between 1838 and 1842, depicting figures and a scene related to investigative or observational activity.

Galloping horses and riders, sketch for the painting Catching a horse with a lasso" (1881); verso: galloping horse. Brandt, Józef (1841-1915), draughtsman, cartoonist

Knights with male in landscape, Charles Rochussen, in or before 1841 print A group of knights is around a man sitting on his knees in a landscape. Around various scenes with veiled women and knights. The Hague paper. knight. landscapes (+ landscape with figures, staffage)

The Chefs. Dated: c. 1914/1919. Dimensions: overall: 32 x 47.5 cm (12 5/8 x 18 11/16 in.). Medium: brush and black ink and black crayon on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Cottage Door. Dated: c. 1884/1886. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Poort in Constantinople, Marius Bauer, 1889 print Figures at a city gate. paper etching city-gate Constantinople

Judgment of Paris, Zacharias Dolendo (attributed to), 1580 - 1596 print In a forest landscape, Pallas, Juno and Venus are opposed to Paris with shepherd's staff and a ram next to him. Above them, Amor floats with a bow and arch on Paris. Mercury is hidden in a tree on the right. In the lower margin a four -line Latin text. Amsterdam paper engraving the Judgement of Paris (Mercury present)

La Petite Soeur (The LittleSister). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Pen and lead pencil drawing by Daniel Gran depicting a scene titled The Wonderful Feed, showing figures and composition details.

The Meeting of Jacob And Rachel at the Well. Artist: School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 6 5/8 x 10 1/2 in. (16.8 x 26.7 cm). Date: 1640-49. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Duro es el paso! (Its a Hard Step!), pl. 14 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Rodolphe Bresdin, Landscape, probably c 1858 Landscape

After the Sale, Hounsditch. Dated: c. 1886/1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Sketches, Fragment: Peasant Seated at the Foot of a Tree. Jean François Millet; French, 1814-1875. Date: 1863-1875. Dimensions: 72 × 47 mm (image, recto); 47 × 47 mm (image, verso); 75 × 47 mm (sheet). Woodcut fragment from a partially inked block and drawing in charcoal on tan wove China paper and fragment of woodcut in dark brown ink on verso. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Shepherd with schalmei. A shepherd is sitting on a rock and plays Schalmei. Next to him is a shepherd. Goats lie around the couple.

Group Oosterlingen, Soldiers and Women, Giovanni Domenico Tiepolo, 1737 - 1804 drawing paper. ink pen / brush Asiatic races and peoples. Asiatic races and peoples

Jacob's dream, Nicolaes Maes, 1650 - 1660 drawing paper. deck paint. ink pen / brush the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder

Triomphe de la Mort: La Mort entraînant L'Ivrognerie et la Luxure , Death, Skeletons, Lust, Intoxication, Alphonse Legros (1837-1911)

Le brûleur d'herbes , Fires, Herbs, Alphonse Legros (1837-1911)

Design for a cartoon on King Alfons XIII of Spain and the Catholic clergy, Henricus, 1906 drawing A bomb explodes in the midst of different representatives of the Catholic clergy. paper. chalk political caricatures and satires. violent death by bomb, hand-grenade. organization, functionaries and dignitaries in Roman Catholic church; clergy in general

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Fishermen Climbing over Gunwales, Cullercoats, England, Winslow Homer, American, 1836-1910, Charcoal on heavy cream wove paper, Horizontal view of figures of fishermen climbing over the gunwales of a dory boat that has just been launched., USA, 1881-82, seascapes, Drawing, Drawing

Drinking scene with a sitting lady, a sleeping soldier and a standing lord. A drinking scene with a sitting lady, seen on the back, a sleeping soldier with the head on the arms at the table and a standing lord between the table and the bedside in the background.

Man who smokes a water pipe, Marius Bauer, 1889 print An interior with a lying man in the foreground who smokes a water pipe. Two sitting figures in the background. paper etching water-pipe, hookah, narghile Ottoman Empire

Purgatorio XXI, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Various studies of Figuren, Edgar Alfred Baes, 1875 print paper etching / drypoint dog. cat. sea and coastal fishery. sailing-ship, sailing-boat

The Temptation of Saint Anthony (Die Versuchung des heiligen Antonius). Dated: 1919. Dimensions: plate: 24.1 x 30.3 cm (9 1/2 x 11 15/16 in.) sheet: 33.1 x 42.1 cm (13 1/16 x 16 9/16 in.). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Catch variation , Fishermen. Charles H. Woodbury (1864-1940). Prints

The rags. (Factitious title) | The cries of Paris. (Title of the whole)

William Perkins Babcock, Wooded Landscape with Putti Helping a Woman Undress Wooded Landscape with Putti Helping a Woman Undress

Pencil and brown pen draft by Moritz von Schwind for the Melusin cycle, depicting figures and scenes, 1868.

Disparate furioso (Furious Folly), pl. 6 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Three figures, James Ensor, circa 1870-1880, drawing, Belgian Art

Landscape (Paysage). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Barque en péril , Bodies of water, Boats, Alphonse Legros (1837-1911)

Reconciliation of Jakob and Esau and loose fragments, Zacharias Dolendo (attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. On the right a few fragments of possibly the same print or a print with the same image. Northern Netherlands paper engraving the meeting between Esau and Jacob

James McNeill Whistler, The Little Forge, 1875 The Little Forge

Peasant Interior with two women, Cornelis Ploos van Amstel

The Ship of Fortune, Rembrandt van Rijn, 1633 print parchment (animal material) etching Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa). Roman personifications of abstract concepts. at the sight of the ruins of Carthage, C. Marius talks with a lictor about the cruel vicissitudes of fortune

The music-room , Etchers, Physicians, Reading, Spouses, Haden, Francis Seymour, 1818-1910. James McNeill Whistler (1834-1903). Lithographs

Heavy times (an emperor print), Marius Bauer, 1895 print Cartoon on the leadership role of the German emperor Wilhelm II in building a new Europe. As Archangel Michael, Wilhelm calls on the other European countries to follow him in building the ruins of Europe. In the air an image of Buddha and Chinese dragons as a symbol of the alleged Asian threat from the east. Published in the addition of 'De Kroniek' of November 24, 1895. paper political caricatures and satires Germany

Wheelwright. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christian Holm (1803-1846); , "Pierrot and His Familie," 1803 - 1846

The Martyrdom of Saint Stephen. Pietro da Cortona; Italian, 1596-1669. Date: 1655-1665. Dimensions: 310 x 190 mm. Pen and brown ink, on tan laid paper, laid down on cream laid card. Origin: Italy. Museum: The Chicago Art Institute, USA.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Landscape with figures ..

In a quarry Ivanec ', Ivan (1893 1946)

Five Men Pushing a Block of Stone ca.1640-50 Jacques Stella French In this vivid depiction of manual labor, Stella captures the exertions of five men moving a stone block using two long poles for leverage. The authenticity of the vignette is heightened by the artists economy of means. Employing black chalk and gray wash, Stella left areas of the sheet in reserve, or unworked, to convey the bright fall of sunshine on the men and on the top face of the block.. Five Men Pushing a Block of Stone 339776

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