Classic Architectural Sketches

Elegant historical sketches depicting Italian landscapes and classic architecture, showcasing intricate details and scenic views.

The view of the Ossoli castle in uje; Gerson, Wojciech (1831-1901); 1852 (1831-00-00-1901-00-00);

Villa Medici of the Petraia in Florence, by Giuseppe Gherardi (1756 -1828), Italy 18th-19th Century. Engraving.

Thomas Girtin, 1775-1802, British, Near Ramsgate, Kent, ca. 1795. Gray wash and graphite on medium, slightly textured, cream wove paper.

Italian landscape, sketchbook card; Czachórski, Władysław (1850-1911), Czachórski, Stanisław (1853-1904); 1876 (1876-00-00-1876-00-00);Italy (state), landscapes, landscapes with buildings, sketches, terraces, views, architectural views, purchase (provenance)

Campagna/ Rome, Isaac Weld, 1774-1856, Irish, 1818, Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 10 5/16 × 16 9/16 inches (26.2 × 42.1 cm), Grand Tour, landscape, Campagna, Rome

Fullham Church, James Stark, 1794-1859, British, June 1804, Graphite and brown wash on medium, slightly textured, cream wove paper, Sheet: 3 9/16 × 6 5/16 inches (9 × 16 cm), architectural subject, boats, church, landscape, river, All Saints Church, England, Fulham, London, Thames, United Kingdom

Ruines du Château de Pierrefonds.. Méryon, Charles (1821-1868). 1858. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Ruins, Castles & palaces , France

Cityscape, possibly Oosterwijk, Johan Johansz. Balen (Possible), 1700 - 1799 drawing paper. pencil. watercolor (paint) brush city-view, and landscape with man-made constructions. castle Oosterwijk

Okehampton Castle, Devon, 1772. By Francis Towne

The view of the Ossoli castle in uje; Gerson, Wojciech (1831-1901); 1852 (1831-00-00-1901-00-00);

The Seine and the Pont Royal; On the right the Pavillon de Flore and a wing of the Louvre ..

Palazzo Chigi in Ariccia; Blaschnik, Arthur (1823-1918); 1857 (1857-00-00-1857-00-00);

Fishermen's cottages , Dwellings. Charles H. Woodbury (1864-1940). Prints

Two compositions: hay sheaves, Verso: Tree, House on the Hill W Trees in the church; Blaschnik, Arthur (1823-1918); 1860 (1860-00-00-1861-00-00);Lower Silesia, Kościelnik (Dolnośląskie Voivodeship), Poland, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, houses (architect.), Landscapes, travel, travel, German drawings, snopes, sketches, sketches, rural buildings, grains

Henry Edridge, 1769-1821, British, View of Eton from Windsor Castle, 1806. Graphite on moderately thick, slightly textured, cream wove paper.

Barth Erwin (1880-1933), Garden Massolle in Groß-Glienicke near Berlin (02.1931): Break break from Inv.-Nr. 41230: Perspective view (bird's show) from the garden with residential building. Light break on paper, 44.7 x 70.9 cm (including scan edges) Barth Erwin (1880-1933): Garten am Landhaus Massolle, Berlin-Kladow

At Civita Castellana, on the right in the foreground a resting family, 1792 drawing Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli). Italy paper. ink. chalk pen / brush landscape with ruins. landscape with bridge, viaduct or aqueduct. city-gate Civita Castellana

View of IJsselstein, Anonymous, After Hendrik Spilman, 1750 - 1850 drawing paper. ink drawing / pen / brush city-view in general; 'veduta'. church (exterior) IJsselstein

Country house among the hills (from portfolio with 26 landscape drawings) ..

View of Veenendaal, 1731 Leaf 37 Recto from a sketchbook with 78 sheets. Veenendaal paper. pencil. ink pen / brush Veenendaal Leaf 37 Recto from a sketchbook with 78 sheets. Veenendaal paper. pencil. ink pen / brush Veenendaal

The old white lady gate / too entry, in Welstant.

Landscape with Villas and a Church (Smaller Italian Sketchbook, leaf 6 recto) 1774-75 () Joseph Wright (Wright of Derby) British. Landscape with Villas and a Church (Smaller Italian Sketchbook, leaf 6 recto) 405728

Bridge over the Severn at Newtown, Looking up the River, Thomas Sunderland, 1744-1828, British, 1797, Graphite, pen and brown ink, gray wash, and blue wash on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)

Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), A Church in Italy, undated. Gray wash and graphite on medium, moderately textured, cream laid paper.

Félix Hilaire Buhot, La Chapelle Saint Michel à l'Estre (Second Version) La Chapelle Saint-Michel à l'Estre (Second Version)

Church building behind tree row. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 193 mm × w 296 mm. Museum: Rijksmuseum, Amsterdam.

Castle Petschkau in the Czaslauer circles. Arrow. v. J.J.D. 1737, followed by v. J. Venuto 1804.

Georges Michel (1763-1843). "Collection of drawings: road lined with houses". Charcoal, lead mine. Paris, Carnavalet museum. 112263-11 Cheminee, drawing, charcoal, house, road

View from the Amstel on Amsterdam, Elias Stark, 1887 print View from the Amstel on Amsterdam. A sailing ship sails on the river. Nieuwer-Amstel paper etching river. city-view, and landscape with man-made constructions Amstel (river). Amsterdam

A View of the Estate at Esholt Hall, Yorkshire, Samuel Scott, 1701/2-1772, British, undated, Gray wash and graphite on medium, slightly textured, cream laid paper with thin, moderately textured, blue laid paper border, mounted on moderately thick, moderately textured, cream wove paper, Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm) and Mount: 19 x 36 3/4 inches (48.3 x 93.3 cm), buildings, country house, hall, hills, homes, horses (animals), landscape, stagecoach, trees, view, England, Eshott Hall, Felton, Northumberland, United Kingdom

STATION OF THE DIRECT UNITED STATES' CABLE, TORBAY, NOVA SCOTIA, 1877 engraving

Formerly

A cityscape with a temple, walking on the street three people, a fourth person is at work next to a horse, print maker: Hermanus Fock, Dating 1781 - 1822.

William Hodges, 1744-1797, British, View of a Mosque and Small Huts Near a Walled Fortress, between 1781 and 1783. Gray wash and pencil on two pieces of laid paper, joined, laid down on 19th century wash mount.

Catania, Edward Lear, 1812-1888, British, 1847, Pen and brown ink, pen and black ink, and graphite on medium, smooth, beige wove paper, Sheet: 7 5/8 × 14 1/2 inches (19.4 × 36.8 cm), architectural subject, building, donkey, doorway, ladder, landscape, mill, mountain, road, trees, trellis, wheel, winery, Catania, Catania, Italy, Sicily

Village de Siadèh ; Interieur d'une maison, Cazbin Qazvin.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Capt. Francis Grose, 1731-1791, British, Mitford Castle, Northumberland, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Country house between the hills (from portfolio with 26 landscape drawings), rural housing, eg country house, villa, cottage, Christoph Heinrich Kniep, 1765 - 1825, paper, pencil, chalk, h 102 mm × w 277 mm

Central Paris Halles Victor Baltard (1805-1874). Central Paris Halles. Pencil and red ink, 19th century.

View of the Bridge Bridge.

The Duchy. Palatinate Zweybridge Castle Hostiwitz in the Rakonitzer Circles Joan Venuto 1803.

Angers: Panoramic View. Louis Auguste Lepère; French, 1849-1918. Date: 1912. Dimensions: 216 × 505 mm (image); 271 × 549 mm (plate); 330 × 610 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Near Ramsgate, Kent. Date/Period: Ca. 1795. Drawing. Gray wash over graphite on medium, slightly textured, cream, wove paper. Height: 156 mm (6.14 in); Width: 264 mm (10.39 in). Author: Thomas Girtin.

The Hernhutter Church on the Plantation Leliëndaal; The Hernhutter Church on the Plant: Leliëndaal; Album with drawings of Suriname, p.4 (50). .

Royal. City Schuttenhofen (Böhm.) Sussice, Prachiner Kr. Improved by Joann Venuto 1822.

Coastal view in the middle a monastery with high walls, on the right a sea with ships. Design for a print, Coastal view with a monastery Design for a print series with coastal landscapes (series title), draughtsman: Israël Silvestre, 1631 - 1691, paper, pen, h 84 mm × w 187 mm

Tav. 26 Tempio di Clitumno tra Fuligno e Spoletti … (Pl. 26 Temple of Clitumnus between Foligno and Spoleto … ), from Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l’Italia (Some Views of Triumphal Arches and Other Monuments Erected by the Romans Some of Which Are in Rome and Some Elsewhere in Italy). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Koningsberg in Rozendaal, 1833 Page 6 Recto from a sketchbook with 41 sheets. Rudder paper. pencil low hill country Mountain

Het Prater in Vienna, Daniël Dupré, 1786 drawing paper. ink. pencil pen / brush forest, wood Prater, it. Vienna

Capt. Thomas Hastings, 1778-1854, British, Nabs Crag and Rydal Church, 1836. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Vue de la Ville de Tourinsk Title also in Cyrillic font

Castle Ruin in Landscape Scene with a Lake, unknown artist, undated, Brown wash, gray wash, graphite, pen and gray ink on medium, slightly textured, beige, wove paper, Sheet: 4 13/16 × 7 1/4 inches (12.2 × 18.4 cm)

Drawing, Fantasy. A staircase in a park, in ruins.; France; black crayon, brush and wash with black ink.; Sheet: 22.7 x 30.9 (8 15/16 x 12 3/16 in.)

Orth August (1828-1901), Johanniskirche in Berlin-Moabit. Conversion (1886): Perspective view. Pencil watercolor on the box, 30.2 x 47.8 cm (including scan edges)

Picturesque Sketches in Spain: Remains of a Roman Bridge on the Guadalquiver, Cordova, circa 1837

Attributed to James Bulwer (British, 1794 - 1879), Castle Rheban on the River Barrow, Athy, graphite and black chalk with brown wash on paperboard

Quebec from (---illeg.). J.G. Parks (Canadian, died 1895)

Villa Medici in Rome, by Gaspar van Wittel (ca 1652-1736).

Church Santa Pudenziana in Rome; Blaschnik, Arthur (1823-1918); 1854 (1854-00-00-1854-00-00);

View of Roviano, Houses in Rome in the Foreground, c. 1809 - c. 1812 drawing Drawing from a group of 46 drawings and studies from mainly cityscapes and landscapes in and around Rome. Italy paper. graphite (mineral). watercolor (paint) brush villa. (high) hill Rome. Roviano

Thèbes. Karnak. Vue générale des propylées et de ruines du palais prise du nord-est.. Prints, Illustrations. 1812. Rare Book Division. Egypt, Temple of Amon (Karnak, Egypt), Caravans , Egypt, Obelisks , Egypt , Karnak, Soldiers , French

James Miller, active 1773-1814, The Swan Inn at Twickenham. Watercolor and gray wash over graphite.

Pencil drawing by Franz Wiegele showing the view from the artists studio window, created before 1935, emphasizing perspective and interior view.

View of Eton from Windsor Castle, Henry Edridge, 1769-1821, British, 1806, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 5/8 × 15 7/8 inches (24.4 × 40.3 cm), architectural subject, architecture, boat, landscape, river, town, trees, Berkshire, England, Eton, Europe, United Kingdom

Sir Richard Colt Hoare, 1758-1838, British, Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora, 1791. Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper.

Cassino Sannazzaro at Posillipo, October 16, John Robert Cozens, 1752-1797, British, undated, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 7 1/8 x 9 5/8 inches (18.1 x 24.4 cm), arches, architectural subject, buildings, hills, trees, walls, Europe, Italy, Posíllipo

The visit to the prisoners Hubert Robert (1733-1808). "The visit to the prisoners".

Dunstaffnage Castle, Scotland, James Moore, 1762-1799, British, 1792, Graphite on medium, slightly textured, beige, wove paper, Sheet: 7 × 8 15/16 inches (17.8 × 22.7 cm)

Gezicht op de haven van Bari aan de zuidkant. Vue du port de Bari, du côté du Midi (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 179 mm × w 524 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by Ferdinand Boberg. Uppland, Oland's hd., Skäfthammars sn., Gimo, Nordic

Charles Gore, 1729-1807, British, Hubertusburg Chateau, undated. Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper pasted on contemporary mount made of moderately thick, moderately textured, blued white laid paper.

William Taverner, 1703-1772, British, Italian Landscape with Ruined Castle, undated. Brown wash and gray wash on medium, slightly textured, cream laid paper.

View of Emmerik, seen from the Mersch, Justus van den Nijpoort, 1635 - 1700 drawing paper. pencil brush prospect of city, town panorama, silhouette of city Bucket

Holmberg, Werner, work, Leppälahti house in Kuru, 1857, pencil and watercolor, painting, LANDSCAPE; farm; peasant buildings; Alder Bay; Gorge; Hem, 34.5 cm x 52.5 cm

Ile de Philae. Prints. 1841. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Egypt, Philae (Egypt), Islands , Egypt

View of Utrecht, Jan Peeters (I), 1634 - 1680 drawing paper. ink pen / brush prospect of city, town panorama, silhouette of city Utrecht

The entrance to the Schönbrunn Castle , Entrée au Chateau de Schoenbrunn th Etat, Carl Schütz -, Artist, Artaria , Co, Verlag, Publishing House

View of the fortifications of Tarente, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 181 mm × w 527 mm

Sir David Young Cameron, 1865-1945, British, Craigievar, 1908. Etching.

The Basilica of Maxentius and Constantine in Rome The Basilica of Constantine and Maxentius, Rome, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., Ruin of a building, architecture, Roman Forum, Basilica of Maxentius, Josephus Augustus Knip, Italy, c. 1809 - c. 1812, paper, graphite (mineral), watercolor (paint), brush, h 410 mm × w 697 mm

William Henry Hunt, 1790-1864, British, The Flagstaff, Margate, undated. Watercolor over graphite on moderately thick, sightly textured, cream wove paper.

Quai du Louvre, 1st arrondissement, Paris Quay of the Louvre. Paris (IER ARR.), 1850-1860. Anonymous Photography.

Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora, Sir Richard Colt Hoare, 1758-1838, British, 1791, Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm) and Contemporary drawn border: 16 1/16 x 21 5/8 inches (40.8 x 54.9 cm), architectural subject, drawbridges, Grand Tour, island, landscape, moat, palace, tower (building division), Europe, Frosinone, Italia, Lazio, Sora

The Colosseum, Rome, Isaac Weld, 1774-1856, Irish, 1818, Graphite and brown wash on moderately thick, moderately textured, beige laid paper, Sheet: 12 × 18 7/8 inches (30.5 × 47.9 cm), architectural subject, architecture, cityscape, colosseums, Grand Tour, ruins, Rome

Extensive View of Windsor Castle, Francis Place, 1647-1728, British, undated, Graphite, gray wash, pen and gray ink, and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 8 7/8 × 28 1/8 inches (22.5 × 71.4 cm), architectural subject

City of Bischofteinitz in Klattau Circles taken by Joseph Horetzky, raided by Joann Venuto 1818.

The Kennemer- or Nieuwpoort at Haarlem, Johannes Josephus Destree, 1837 - 1888, draughtsman: Johannes Josephus Destree, 1837 - 1888, paper, brush, h 333 mm × w 543 mm

Ruins of the temple at Medamout, near Thebes, 1842 - 1849, by David Roberts (1796-1864). Published by F.G. Moon in London. The work consists of 6 volumes in 4, featuring illustrations, maps, and plates (some colored). 25 x 35 cm. Topics include archaeological sites, descriptions and travel in the Middle East, and Egypt's temples and porticoes

MONUMENT RECENTLY ERECTED AT DIVES, NORMANDY, IN MEMORY OF THE DEPARTURE OF WILLIAM OF NORMANDY FOR THE CONQUEST OF ENGLAND

John Robert Cozens, 1752-1797, British, Convent at Vietri, September 26, undated. Graphite on thin, slightly textured, beige laid paper.

The album of the views from Italy Casa del Tasso a Sorento. unknown

Donated by Albrecht by Waldstein Herzog of Friedland, AO 1782 clear Carthaus Walditz Neechst Geschin, Bidczow. Kr. Improved by Joan Venuto 1823.

Mount Vernon in Virginia. The seat of the late Lieut. General George Washington commander in chief of the Armies of the United States. Robertson, Alexander (1772-1841). Eno, Amos F., 1836-1915. Prints. 1800-03-31. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, George, 1732-1799 , Homes and haunts, Mount Vernon (Va.)

THE PALACE OF SAN ANTONIO, MALTA, RESIDENCE OF H.R.H. THE DUCHESS OF EDINBURGH, 1877 engraving

France, 19th century. View of Montceau-les-mines, a mining city with coal seams, in 1857

Diorama or Government Square in Paramaribo, Gerrit Schouten, 1812 Diorama of the Government Square of Paramaribo in Suriname. Wooden box in which, in relief, a landscape with buildings; The face on the square of Suriname from the southwest. In the background the Suriname River on which ships and the Fort Zelandia with English flag. On the left in the foreground the Government Palace with some figures on the sidewalk. A closed carriage with two horses for the sidewalk. In the foreground a large lawn on which some people and cows. Inscription: 'A View of the Gouvernment House and Parade Ground in The Colony Surinam, and Part of Fort Zelandia'. The presentation from left to right: the Government Palace, a white wooden building with a two -storey and a middle riser, awarded with a fronton. In front of the palace is a carriage with two horses in front, one white and one brown. There is a coachman in uniform on the goat. There are two uniformed men on the stairs of the palace and there is a

Sir Robert Smirke the younger, 1781-1867, British, North Porch of the Erectheion, Athens, ca. 1804. Gray wash, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper.

Henry Edridge, 1769-1821, British, St. Alban's Abbey, ca. 1800. Graphite on medium, slightly textured, cream wove paper.

View of Sea Isle City : New Jersey , Sea Isle City N.J., Aerial views Norman B. Leventhal Map Center Collection

View of the city of Basel. In the middle a bridge over the river Rhine. On the right the Munster van Bazel.

Lazio Roma Subiaco Rocca Abbaziale1. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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