Classic Etchings and Landscapes

Artistic etchings depicting serene landscapes and still life scenes, featuring natural settings and human figures, capturing the essence of past artistic movements.

Punter along the banks of a river, Jacques Barthélemy Appian (Adolphe), 1869 print Numbered at the top right: 60. print maker: Francepublisher: Paris paper etching / drypoint boat propelled by man or animal. river Rix

Les rochers , Alphonse Legros (1837-1911)

Still life with falling and broken objects, Willem Bastiaan Tholen, 1870 - 1931 print paper etching still life of miscellaneous objects. 'Vanitas' still life. breaking something (household accident)

Plate 18 from the 'Disparates':Birds of a feather flock together. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: sheet: 13 3/16 x 18 7/8 in. (33.5 x 48 cm)plate: 9 9/16 x 13 7/8 in. (24.3 x 35.3 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

Punter along the banks of a river, Jacques Barthélemy Appian (Adolphe), 1869 print Numbered at the top right: 60. print maker: Francepublisher: Paris paper etching / drypoint boat propelled by man or animal. river Rix

Away between Ruins, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print A road with ruins on either side. On the left is a signboard on the wall. Before that the Silhoueten of travelers, one of which is on horseback. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins

Le coteau , Hills, Alphonse Legros (1837-1911)

La Madonna del Mulino pressure Sorrento; Grospiesch, Florian (1789-1831); 1823 (1823-00-00-1823-00-00);

Cache / N ° 3 (registered title) | XII Lithographic designs for 1833 (IFF p. 6-7) (set of all)

Sewing on the grass.. Cassatt, Mary, 1844-1926. 1884. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Farm at the Waalsdorperweg. Draughtsman: Johannes Bosboom. Dating: 1827 - 1891. Measurements: h 265 mm × w 369 mm. Museum: Rijksmuseum, Amsterdam.

Les voyageurs fatigués , Travelers, Sleeping, Trees, Alphonse Legros (1837-1911)

A 1871 autograph lithograph by Jean-Baptiste Camille Corot titled 'The Rest of the Philosophers', printed on Chinese paper, showing a group of philosophers resting in a landscape.

Two women and a man at a source, Adolphe Martial Potémont, 1877 print paper etching / drypoint spring, source of river or stream. forest, wood

Coolen Op Patrouille in the village of Kesamben, ca. 1820-1850, 1850 - 1950 drawing Coolen on patrol at night in the village of Kesamben. Part of a group of twelve separate magazines from a sketchbook with drawings about the life of Coenraad Laurens Coolen, evangelist on East Java, ca. 1820-1850. Each magazine has a drawing on the right half, with a caption in Indonesian. Indonesia paper. pencil. chalk East Java

Coup de vent , Winds, Trees, Alphonse Legros (1837-1911)

The French Bed ('The crib'), Dominique Vivant Denon (Baron) (Possible), Rembrandt van Rijn, 1757 - 1825 print A French bed is a bed with curtains all around. paper etching man and woman cohabiting

The sepulchre of Horatius on the Esquiline Hill. `Sepulcrum trium Horatiorum`. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Dans les ruines , Trees, Ruins, Alphonse Legros (1837-1911)

L'Incendie (2nd plate) , Fires, Victims, Alphonse Legros (1837-1911)

Wijntuin in Rosenheim, Max Liebermann, 1857 - 1935 print Berlin paper etching drinking. pavement, terrace in front of inn or restaurant

. Timers at the first meeting of the new economic branch of the Society of Sciences in Haarlem, held on February 7, 1778 in Amsterdam. Allegorical representation of a landscape with the personification of society with Ceres and Mercury, in the foreground two putti with the design of a building. State before the time in the bottom of the performance.

Woman in an orchard wants to peel his apple for a boy, Hendrik Numan, 1746 - 1788 print Haarlem paper fruits: apple. cleaning fruit, e.g. peeling. orchard. boy (child between toddler and youth)

Galloping Horseman 1866 France. Etching on light gray China paper laid down on ivory wove paper . Odilon Redon

Watermill. Rodolphe Bresdin; French, 1825-1885. Date: 1866. Dimensions: 141 × 82 mm (image); 168 89 mm (plate); 326 × 252 mm (sheet). Etching on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Tobias 1875-1885 France. Etching and drypoint on ivory wove paper . Odilon Redon

Arcadian Landscape with Figures near an Obelisk, Johannes Glauber, c. 1674 - c. 1695 drawing paper. chalk

Hothery of the black head, the ruins / the large water jet / fountain of the source.

Riders with guns in a hollow road, Louis Charles Hora Siccama, 1822 - 1880 print paper etching / engraving / drypoint firearms: rifle. galloping horse

Reproduction from a print to a drawing by a woman who spies a naked man, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Cas de Conscience' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper spying on someone

A faun with jar at the river. Chalk lithograph from the 'Lithographic Original-Zeichnungen von J.G. Schinz, Zürich 1822 '.

La tour , Towers, Trees, Alphonse Legros (1837-1911)

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Herdsman's Cottage, 1850. Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé.

1730 etching by Marco Ricci showing a village landscape with homes, trees, and rural surroundings in detailed line work.

View of the Diemerdijk with a Milkman and Cottages ('Het Melkboertje'), Charles Amand -Durand, Rembrandt van Rijn, 1841 - 1905 print paper

Pêcheurs sur le quai à Boulogne , Fishermen, Piers & wharves, Alphonse Legros (1837-1911)

Jamison's Jayhawkers (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 4 3/4 x 6 5/8 in. (12.1 x 16.8 cm)Sheet: 7 7/8 x 10 3/8 in. (20 x 26.4 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

Seaport with three ships that are being worked on, Stefano della Bella, 1620 - 1664 print A seaport with three ships around a jetty. Having workers are working on the ships and on the jetty. A tower in the background. print maker: Italyafter own design by: Italypublisher: Rome paper etching ships (in general). building a ship, ship under construction. pier, quay, wharf. dock labourer

Maxime Lalanne, Dans un Parc, 1869 Dans un Parc

Young Women give Herderin money in Heuvellandschap, Félix Bracquemond, After Gustave Courbet, 1860 - 1869 print Three young women walk in a hilly landscape and pass a girl who hates cattle. The shepherdin receives money from a woman. On the left are two cows in a stream. paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. beggar. cow

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

Old Trees with Old Man, a Girl, and a Dog, from the first issue of Specimens of Polyautography Published 1803 United Kingdom. Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper . Richard Corbould

Noon, Under the Trees. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1889. Dimensions: 292 × 217 mm (image); 370 × 300 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Moulin de la Galette / (Montmartre)

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 11/16 × 8 7/16 in. (14.5 × 21.5 cm)Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Ghosts; Romanowicz, Walenty; V-VII.1942 (1942-00-00-1942-00-00);

Etching and copper engraving by Benoît Louis Prévost created between 1761 and 1804 depicting vessels presented to the king by the provinces of France, showing ships, ceremonies, and coastal settings in European 18th-century style.

AanVallende Solden, Clément Auguste Andrieux, 1874 print paper etching / drypoint battle Châtillon

Boothuis on the Oever, Arnoud Schaepkens, 1855 - 1904 print paper. etching / drypoint boat-house, shed

Christmas, or Folding the Last Sheep. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 12 1/16 x 8 3/4 in. (30.7 x 22.2 cm)plate: 4 7/8 x 4 5/8 in. (12.4 x 11.7 cm)image: 3 7/8 x 3 3/16 in. (9.8 x 8.1 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

Beehives between trees, Samuel Jessurun de Mesquita, 1911 print On the left a bird in the grass; On the right a plate on a pole. paper etching bee-hive. forest, wood

Etching and aquatint by Rudolf Jettmar from 1897 depicting a Roman ruin with architectural details in a landscape setting.

Hieronymus at the Knotwilg.

Outskirts of Rome. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1866. Dimensions: 278 × 208 mm (image); 393 × 282 mm (sheet). Etching on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Mill. Charles Émile Jacque; French, 1813-1894. Date: 1848. Dimensions: 111 × 100 mm (image/plate); 291 × 226 mm (sheet). Drypoint and roulette in brown on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Franktireurs, board 3; Gruner, Erich (1881-1966), E.-A. -semann-Buch- und Kunstverlag (Leipzig; Publisher; 1858-1921-2008); 1915 (1916-00-00-1918-00-00);French, World War I (1914-1918), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, partisans, pedestrian shooters, teka

Man Sitting on a Hill 1833-1894 France. Etching on cream China paper laid down on ivory wove paper . Charles Émile Jacque

Alte Eichen. Leistikow, Walter (1865-1908), graphic artist, Pan-Presse, Verlag Paul Cassirer (Berlin ; wydawnictwo ; 1908-1927), publishing house, Hoberg, Reinhold (1859-1932), engraver

Alley Bois de Vincennes. (Title of use)

William Bernard Cooke, 1778-1855, British, Tantallon Castle, 1833. Line engraving, first published state.

Wieliczka; Kowalski, Leon (1870-1937); after 1900 (1900-00-00-1925-00-00);Salt Mine "Wieliczka" (Wieliczka - Mine), Young Poland (Styl), Partage Plus, Warsaw Artistic Society (1899-1939) - collection, Wieliczka (Lesser Poland Voivodeship), Polish graphics, mines, mines, Poland (culture), work

A Nymph with a Small Satyr and Two Goats, from Capricci 1740-1750 Italy. Etching on paper . Giambattista Tiepolo

Johan B�low (1751-1828), Pyramid and Ruins, 1751 - 1828

Cartoon from Leiden Student Almanac, 1849, 1849 print Cartoon from the student almanac of the University of Leiden of the year 1849. A singing student company under the inscription 'Io Vivat', surrounded by small performances from student life. . student life Leiden

La Femme sur la route (The Woman on theRoad). Artist: Camille Pissarro, French, 1830-1903

Mendiant avec son chapeau à la main , Beggars, Hats, Trees, Alphonse Legros (1837-1911)

Max Klinger, First Encounter, 1887, etching, engraving, and aquatint on wove paper.

Pole Fishing 1860-1870 France. Etching and drypoint on ivory laid paper . Charles Émile Jacque

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Northern Netherlands paper engraving the meeting between Esau and Jacob

A lobster looks at the sun; Monastery life in emblems. Presentation of a lobster that, on a coast, looks at the upset sun. This magazine is part of the emblem series 'monastic life in emblems'. In addition to an illustrated title page and 26 emblems, the second state of this series contains a title page and a blade with assignment, both in letterpress without image.

Birch. Fort, Louis (Paryż ; drukarnia ; ca 1900-ca 1948), printing house, Pankiewicz, Józef (1866-1940), graphic artist

Crossing the Bridge. Charles Émile Jacque; French, 1813-1894. Date: 1846. Dimensions: 80 × 122 mm (image); 120 × 165 mm (chine); 122 × 168 mm (plate); 230 × 299 mm (sheet). Etching on light gray China paper laid down on yellowish-ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jupiter, Juno and the other gods receive Hercules, Bernard Picart (workshop of), 1713 - 1719 print Jupiter, Juno and the other gods receive Hercules. Jupiter presents his daughter Hebe to Hercules. Along the edges instructions for mounting the print on other prints. Print is part of a series of prints, which together present the painted ceiling with the apotheosis of Hercules in the Hôtel Lambert in Paris. print maker: Amsterdampublisher: Amsterdampublisher: Paris paper etching / engraving (decorated) ceiling. apotheosis of Hercules: he is borne to heaven in a four-horse chariot and reconciled with Juno Lambert Hotel

The Little Marine -- Souvenir of Medway 1879 Félix-Hilaire Buhot French. The Little Marine -- Souvenir of Medway. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1879. Etching; prior to first state () of six. Prints

Alphonse Legros, Peasant Washing Her Feet (Paysanne se lavant les pieds), 1860 Peasant Washing Her Feet (Paysanne se lavant les pieds)

Cháteau des revenants , Trees, Hills, Buildings, Bodies of water, Boats, Alphonse Legros (1837-1911)

A variety of pencil sketches by Ferdinand Georg Waldmüller depicting figures, landscapes, and architectural studies, highlighting line work, form, and composition.

Forest face with resting couple, Jan Lievens, 1650 - 1669 drawing Japanese paper. ink pen forest, wood. forest, wood

Landscape with procession of dancing farmers, 1620 print paper etching farm or solitary house in landscape. dancing around the maypole. bagpipe, musette - CC - out of doors Schwabach

Dante et Virgile. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Virgil, Dante Alighieri, 1265-1321

Un vagabond passant dans une ruelle , Tramps, Alphonse Legros (1837-1911)

This 1843 lithograph by Eugène Delacroix illustrates the death of Ophelia in Act IV, Scene VII of Shakespeares play.

A Nymph with a Small Satyr and Two Goats, from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1740-1750. Dimensions: 141 x 175 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with Peasant Home. Charles Émile Jacque; French, 1813-1894. Date: 1845. Dimensions: 104 × 175 mm (image); 115 × 188 mm (chine); 150 × 225 mm (plate); 300 × 424 mm (sheet). Etching and drypoint on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hieronymus at the Knotwilg.

Planche faite pour une exposition chez Dunthorne , Trees, Alphonse Legros (1837-1911)

Artist: Louis Monzies, French, 1849-after 1889, After: Nicolas Lancret, French, 1690-1743, Nicaise, Etching and engraving, image: 9 × 13.5 cm (3 9/16 × 5 5/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Etching by Auguste Lepère titled 'Careers of America, near Paris', created in 1898 on Japanese paper. The print depicts industrial or urban elements near Paris in detailed etching.

. Recording date: 2011-09-29

Copper engraving by Schelte Adamsz. Bolswert depicting a landscape featuring an ox team, created in the 17th century.

Tapping moisture from a tree and ways to catch worms, Bernard Picart (workshop or), 1730 print Two performances on a leaf. Above: A man taps moisture from a tree trunk. Below: techniques to dig a hole in the ground and catch worms. Amsterdam paper etching / engraving agriculture. spading ~ soil cultivation

La Conversation; Le Prince, Jean-Baptiste (1734-1781); 1764 (1764-00-00-1764-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, lagrenée, louis- Jean-Francois (1724-1805)-dedication for, Le Prince, Jean-Baptiste (1734-1781). Divers Habillament des femmes de Moscovie, Russia, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864-1917)-Tarnowski , Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, French (culture), illustrations, genre scenes

Shepherd with dog at a memorial stone, c. 1670 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins. dog

The bower near the goblins, seen from the passage Moret (dummy title)

Ruin in Villa Barberini; Rovine d'Antico Edifizio Nella Villa Barberina Presso Castel Gandolfo; Archaeological finds from Albano and Castel Gandolfo; Antichità d'Albano e di Castel Gandolfo. View in a ruin in the Villa Barberini near Castel Gandolfo. Title on Banderol Bottom right. Numbered at the top right: Attn. XXIV.

Heuvellandschap with Jager, Lodewijk Schelfhout, 1939 print A hilly landscape covered with trees with a settlement. Left in the foreground a hunter who carries a gun around his shoulder and a horizontal dog. In the middle one lake where there are two deer. paper drypoint (high) hill - HH - ideal landscapes. trees. hunter

Legend of Sleepy Hollow, sheet 3 of6. Artist: Felix O. C. Darley, American, 1822-1888

De Haven in Veere, Johannes Frederik Engelbert ten Klooster, 1883 - 1940 drawing paper. ink. pencil pen harbour Veere

Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again' (Si resucitará) 1814-15 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again' (Si resucitará) 381425 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again' (Si resucitar), 181020, published 1863, Etching and burnisher, Plate: 6 7/8 8 11/16 in. (17.5 22 cm) Sheet: 9 7/8 13 9/16 in. (25.1 34.5 cm). The Metropolitan Museum of Art, New York. Gift of Mrs. Grafton H. Pyne, 1951 (51.530.2(80))

La Ramasseuse de Fagots Félicien Rops (Belgian, 1833-1898). , 1895. Etching on heavy laid paper, 11 5/16 x 7 1/2 in. (28.7 x 19 cm). European Art 1895

The Port of Rouen. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: sheet: 8 15/16 x 10 15/16 in. (22.7 x 27.8 cm)plate: 4 1/16 x 4 13/16 in. (10.3 x 12.3 cm). Date: 1885. Museum: Metropolitan Museum of Art, New York, USA.

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