Classic Tapestry Art

A series of historic tapestries depicting pastoral scenes, religious narratives, and allegorical themes, featuring vibrant colors and intricate designs from various centuries.

A Brussels tapestry woven in wools and silks, depicting a still-life of Tulips, Lilies, Roses and other Flowers. Heinrich Reydams I (fl.1629-1669). Mid-17th century, 342 x 525cm.

Girl Feeding Chickens from the series known as the Enfants de Boucher ca. 1770-80 After a painting by François Boucher French. Girl Feeding Chickens from the series known as the Enfants de Boucher. After a painting by François Boucher (French, Paris 1703-1770 Paris). French, Paris. ca. 1770-80. Wool, silk (27 warps per inch, 10-11 per cm.). Textiles-Tapestries

October from a set of Medallion Months ca. 1525-28 Possibly after a design by Bernard van Orley Netherlandish Like the Ages of Man tapestries (also on display in this gallery and perhaps designed in the same artist's workshop), the subject of this tapestry explores the cyclical nature of time. Embodying October, peasants sow the fields with seed in a crisp Autumnal landscape. Jupiter, seated on a plough, looks down the scene. A Zodiacal belt encloses this medallion, with Scorpio triumphant. Pairs of women with hourglasses separate the signs, whilst the background shifts from bright daylight through dusk to dark night, thence back through dawn to day. In the upper corners are SUPERNAS, actually a summer wind, and NOTUS, a south wind. In the lower corners are further charmingly-observed scenes of country life.. October from a set of Medallion Months 194566

Elie and the Angel of the Lord, Aubusson, .

Panel: Spring, c. 1715. Royal Savonnerie Manufactory, Chaillot Workshops (French, est. 1627). Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp; overall: 274.3 x 219.7 cm (108 x 86 1/2 in.).

Alexander welcomes a king, anonymous, c. 1625 - c. 1650 Wall carpet with King Porus () Alexander Bezeker, from a series with the history of Alexander the Great. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with King Porus () Alexander Bezeker, from a series with the history of Alexander the Great. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry

A Brussels tapestry woven in wools and silks, depicting a still-life of Tulips, Lilies, Roses and other Flowers. Heinrich Reydams I (fl.1629-1669). Mid-17th century, 342 x 525cm.

The Perseus Sacrifice (Perseus History Tenure) Pieter Ijkens (V.1640-1695) (for characters) and Pieter Spierincx (1635-1711) (for landscapes). Model attributed to the Manufacture of Jacques van der Goten in Antwerp (attributed to). The Perseus Sacrifice (Perseus History Tenure). Tapestry. At the end of 17 century.

The Feast of Herod third quarter 17th century British. The Feast of Herod. British. third quarter 17th century. Silk and metal thread on silk. Textiles-Embroidered

Arras - verdure. unknown, author

Arras tapestry. unknown, male artist

Spring sic Popular Image

Ceiling in Hadrian's Villa, with Nymphs, Centaurs, Stags, and Elephants, Pen and colored inks, brush and watercolor, guache, over traces of graphite on paper, Design of a ceiling. In the center of the plan is a circle containing a square. The outlines of a cupola are seen from below, inscribed into it. The space of the cupola is filled by a square, in the center of which are the figures of two dancing women. This representation is framed by moldings in cross shape, with ornamented squares in the corners. In the panels of the angles of the large square is a centaur carrying a boy. In the corners of the ceiling are four horizontally rectangular landscapes with their base along the short sides. Between them are quadrigas, both with a winged genius carrying a palm branch, the left one is drawn by four stags, the right one by horses. In the center of the long sides are on either side two heads of elephants, with leaf stems. In the corners above the landscapes are circles with a woman on blu

Tapestry (Four Servants). After a design by Jacob Jordaens (1593-1678); Woven at the workshop of Jan van Leefdael (1603-1668); Flanders, Brussels. Date: 1640-1660. Dimensions: 351.2 x 424.8 cm (138 1/4 x 167 1/4 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Wild men and animals in a landscape (fragment), anonymous, c. 1500 - c. 1520 Wall carpet -Fragment () - With Hortus conclusus with wild men; Left in the foreground is a woman with a child on their lap; She has hanging hair and a crown, and a long recovery of red, the arms and the bosom free. De Wildeman has a wreath with plume on the head, reaches the child a falcon and wears a overblanding Paltrock whose lap of Dierevel, which is finished with rooster-hen comic cuts. There is a dog and a sheep at their feet. A flowering tree in the middle. From the right there are two long -halled large animals, the front with spotted neck and grim lions () Head and the body hanging with a flowering branch, behind it a camel () With speckled skin and driven by a boy. A braided fence is partially visible on for- and background. In the offing castles. Southern Netherlands Chain: Wool. impact: Wool tapestry Wall carpet -Fragment () - With Hortus conclusus with wild men; Left in the foreground is a woman

The Audience of the Emperor from the series The Story of the Emperor of China designed ca. 1685-90, woven ca. 1685-1740 Guy Louis Vernansal the Elder French. The Audience of the Emperor from the series The Story of the Emperor of China 227304

. Tapestry with an allegorical representation of the four elements and chronos out and from a series of ten with the months, seasons and elements, within an architectural frame.

A brown pen drawing by Joris Hoefnagel depicting a grotesque scene with monkeys and parrots, enhanced with water and cover colors, gold, on brownish tinted prepared paper imitating parchment, with black-brown framing lines and gold remains, created 1594-1595 with additions around or after 1608.

The Fall of Phaeton: A Study for a Ceiling, follower of Sir James Thornhill, 1675-1734, British, undated, Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm), architectural subject, ceiling, chariot (ancient vehicle), clouds, design, horses (animals), mythology, religious and mythological subject, study (visual work)

London, Colnaghi & Co, Amsterdam, Maaskamp, Evert, Kuyper, Jacques, Netherlands, Portman, Ludwig Gottlieb, The Art of Drawing hands over its Work to Mercuur, La Muse du dessin remetson Ouvrage à Mercure, The Art of Drawing shows its work to Mercurius, The Art of Drawing shows its work in a sketchbook to Mercurius. Diamond-shaped representation with emblems in the four corners of the frame with the fruits of trade, shipping, agriculture and fishing. Title plate of a bound edition of the series of twenty plates of Dutch costumes in the Batavian Republic at the beginning of the nineteenth century by Maaskamp, ca. 1807., print, engraving, book illustration, books, Frederik Muller Historieplaten, height 233 mm, width 160 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1805 - 1805, paper, papier, stippelets, etching, hand colouring, 1761-06-29 - 1808-06-01, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1769-09-27 - 1834-01-31, publisher, uit

Putti with grapes in framing of wine drinks: autumn () ..

"St. Michael, the Archangel," Folio from the Bellini Album ca. 1600. "St. Michael, the Archangel," Folio from the Bellini Album 451968

Clodius Disguised as a Woman from The Story of Caesar and Cleopatra. After a design by Justus van Egmont (1601-1674); Woven at the workshop of Gerard Peemans (1637/39-1725); Flanders, Brussels. Date: 1675-1685. Dimensions: 536.7 × 368.4 cm (211 1/4 × 145 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

The Lost Son back with his father, Giovanni Volpato (Possible), 1700 - 1799 print The lost son returns to his father. He is dressed and dressed by his father, dressed in a dressing gown. On the left an elegant lady, on the right an elegant young man (the eldest son). The figures are on a landing with a garden vase on the balustrade. Title under show. The scene is caught in an ornament edge. paper engraving / etching the prodigal son kneels before his father who takes him in his arms. ornaments ~ art

. Parched with thirst, the goddess Latona and her children Apollo and Diana stopped to drink water from a lake in Lycia. The farmers, however, prevented her from doing this by churning the water up, making it muddy and undrinkable. The angry goddess punished them by turning them into frogs. This curse is foreshadowedhere by the frogs that can be seen here and there in the water and on the banks.

Tapestry; Ferloni, Pietro (Fl. 1717-1770), Paradisi, Domenico (Fl. 1689-1721); 1737 (1737-00-00-1737-00-00);

Design for a Ceiling with Virgin and Child in Glory 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Ceiling with Virgin and Child in Glory 389773

Unexecuted ceiling design for the Stanza Egizia, Antonio Asprucci architectural drawings for the Villa Borghese, ca. 1770-ca. 1793, Conca, Tommaso, 1734-1822, Pencil, pen and ink with watercolor on paper, between 1775 and 1780

framed together. Top-1962P50. Demolition of the Temple of Apollo, 16th Century.. Bottom-1962P51 The Foundations of Oratory to Monte Cassino, 16th Century.. Unknown artist, North Italian School

The Camel; Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699, border design attributed to Jean-Baptiste Monnoyer, and Guy-Louis Vernansal, French, 1648 - 1729; 1690 - 1730; Wool and silk; modern linen and cotton lining; Object: 318.77 x 424.18cm (10 ft. 5 1/2 in. x 13 ft. 11in.)

David as young man at Saul's court . unknown c. 1535-1540 Tapestry Dimensions: H 11'3" x W 15'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Young David eating from platter, before Saul & others; classical buildings in background (BRD) ribbon-tied bunches of oversize flowers & fruit on central rod, interspersed with putti No French & Co. stock sheet in archive, no stock number Related Works: Panels in set: GCPA 0238997-023900, 0236321

The Death of Dido, 1679. Giovanni Francesco Romanelli (Italian, 1610-1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 414 x 466.5 cm (163 x 183 11/16 in.).

Pieter Pannemaker I after Bernard van Orley, The Garden of Gethsemane, c 1520 Pieter Pannemaker I after Bernard van Orley, The Garden of Gethsemane, Flemish, active c. 1517/1535, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, Widener Collection

Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse. Culture: Flemish, Brussels. Designer: Design attributed to Giovanni Battista Lodi da Cremona (Italian, active 1540-52); Border design attributed to Giovanni Francesco Penni (Italian, Florence ca. 1496-after 1528 Naples) ,from the set of the "Acts of the Apostles". Dimensions: 170 1/16 x 283 1/16 in. (432 x 719 cm); weight confirmed, includes tube: 14 ft. 9 in. × 23 ft. 6 in., 199 lb. (449.6 × 716.3 cm, 90.3 kg). Factory director: Weaving workshop directed by Willem de Pannemaker (Flemish, active Brussels, 1535-78, died 1581). Date: designed ca. 1540, woven ca. 1570.Picking up the narrative from the tapestry of Aglauros's Vision of the Bridal Chamber of Herse displayed near-by, this is the final episode in the story of the god Mercury's love for the mortal princess of Athens, Herse. Emboldened by her jealous vision of Mercury and Herse's union, Herse's sister Aglauros barred his entry to her sister's apartments. In

Cupid in a roundel, Manufacture Royale des Gobelins, c. 1758 - c. 1774 Wall carpet with Amor to the right, with two torches in medallion, in Karmoijne Fond; No. XV From the 'La Tenture de Francois Boucher' series (17 pieces complete, 14 versions) Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with Amor to the right, with two torches in medallion, in Karmoijne Fond; No. XV From the 'La Tenture de Francois Boucher' series (17 pieces complete, 14 versions) Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Tapiser - verdiura; End of the 17th century (1770-00-00-1800-00-00);

A Decoration Dedicated to Peace, Graphite, pen and Chinese ink, brush and various watercolor and gouache, brush and varnish on paper, France, Europe, 1675-1700, Drawing, Drawing

Drawing, Rectangular Box Cover; Circle of Charles-Dominique-Joseph Eisen (French, 1720 - 1778); France; pen and black ink, brush and watercolor on laid paper; 5.8 × 8.2 cm (2 5/16 × 3 1/4 in.)

Tapestry: Le Thé de l'impératrice, from L'Histoire de l'empereur de la Chine Series.

Arras. unknown, author

Mythological scene, floral decoration, mural, glazed tiles, Golestan Palace or Golestan Palace, Tehran, Iran, Asia

Embroidered Picture (USA); School of Misses Patten; silk, metallic and chenille embroidery on silk foundation, with metal sequins

Tapestry: Don Quichotte guéri de sa folie par la sagesse, from L'Histoire de don Quichotte Series.

Paul-Albert Baudouin (1844-1931). "Pluviose and the dream - Vault of the peristyle, interior garden, small palace". Fresco. 1909-1910. Museum of Fine Arts of the City of Paris, Petit Palais. 99858-28 Year 1900, beautiful time, painted decor, fresco, 20th XXth XX 20th 20th 20th century

Textile, Medium: cotton Technique: block printed on plain weave, Fragment showing a pattern of a hunter with two dogs in a field of flowers with sheaves of wheat under a flowering tree. Colors are red, blue, yellow and dark brown on a light brown ground., England, ca. 1825, printed, dyed & painted textiles, Textile

Landscape expedure with lions and hunting scenes, Erasmus earlofs, c. 1650 Wall carpet with lion hunt and the saying "Luxus Mundi Cito Mutatur". (From a series) Brussels Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with lion hunt and the saying "Luxus Mundi Cito Mutatur". (From a series) Brussels Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Sampler, Mary Rook, Medium: linen, silk, paper Technique: embroidery (for pattern only), Circular medallion in the center with pastoral scene (ivory sheep guarded by black dog on a green lawn; man in red and woman in white in front of a tree; and gate with a white house). Surrounded by floral vines. Baskets of flowers in each corner., England, early 19th century, embroidery & stitching, Sampler

Arras - verdure. unknown, author

Handkerchief with images from the life of Napoleon. Occasionary cloth of écru-colored cotton, in red printed with performances with books and captions in English and German who are spotting events from the life of Napoleon's life around 1812-'13.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 193v, St. Mary Magdalene, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Wine Cooler or Vase on a Classical Pedestal ca. 1784 Aubert Henri Joseph Parent French Decorative design containing a wine cooler or vase on top of a pedestal. The vase is decorated with a sphinx and the pedestal has an antique bas relief showing a masked putto offering fruit to another putto. Roses and other flowers are draped across the pedestal and two birds nests are placed on the outer ends of their stems. The style of the drawing is reminiscent of late 18th century drawing books.. Wine Cooler or Vase on a Classical Pedestal 343111

Violin and Lute Players from a set of five Grotesques. Artist: Style of Jean Berain (French, Saint-Mihiel 1640-1711 Paris). Culture: French, Beauvais. Designer: Jean-Baptiste Monnoyer (French, Lille 1636-1699 London); Border designed by Guy Louis Vernansal the Elder (French, Fontainebleau 1648-1729 Paris). Dimensions: H. 117 x W. 76 inches (297.2 x 193 cm). Factory director: Philippe Béhagle (French, 1641-1705) , or his son Philippe. Manufactory: Beauvais. Date: designed ca. 1688, woven ca. 1690-1711.Presenting musicians within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The li

. Tapestry with Alexander His physician reserved, from a series with the history of Alexander the Great.

Cephalus and Procris. To test the faithfulness of his wife Procris, Cephalus disguised himself and tried to seduce her. Just when she was about to give in, he revealed himself. In her distress, Procris fled to the goddess Diana, but was eventually reconciled with her husband. In the foreground, Diana and Procris bid each other farewell.

Plaque depicting Jacob choosing Rachel to be his Bride; Alcora Ceramic Factory, Spanish, active 1727 - about 1858, After painting by Jacopo Amigoni, Italian, about 1685 - 1752; Alcora, Spain, Europe; about 1755; Faïence (tin-glazed earthenware); Object: H: 94 x W: 47.6 cm (37 x 18 3/4 in.)

Summer, rural festival, detail of 18th century Gobelins tapestry depicting the Seasons. Rococo Room, Rosenholm Castle, Jutland, Denmark.

Etching with plate tone by Andrea Scacciati from 1725-1771 depicting the biblical scene of the Brazen Snake, showing Moses, Israelites, and serpent in detailed composition.

Picture (France); silk

Cleopatra Asked to Pay Tribute to Rome from The Story of Caesar and Cleopatra. After a design by Justus van Egmont (1601-1674); Woven at the workshop of Willem van Leefdael (1632-1688); Flanders, Brussels. Date: 1675-1685. Dimensions: 343.4 × 361.6 cm (135 1/4 × 142 1/4 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Hunting the Stag, mid 17th century, Unknown designers and cartoonists, Flanders, 162 3/4 × 172 1/2 in. (413.39 × 438.15 cm), Wool, silk; tapestry weave, Flanders, 17th century, Hunting the Stag is one of a five-tapestry series titled 'The Hunt.

The Twelve Ages of Man: The Last Three Ages of Man (54-72), or Winter. Author: Author of inscriptions possibly Jerome van Busleyden (Hieronymus Buslidius) (ca. 1470-1517). Culture: Flemish, Brussels. Designer: Probably after a design by the Workshop of Bernard van Orley (Netherlandish, Brussels ca. 1492-1541/42 Brussels). Dimensions: H. 175 x W. 282 inches (444.5 x 716.3 cm). Date: ca. 1515.This tapestry illustrates the final three ages of man, equated with old age, infirmity and death, in a tripartite composition. The last eighteen years of life correspond to the months of October, November, and December, and to the season of winter, presided over by Aeolus, ruler of the winds. Boreas is more usual in this role, but he is shown as a wind in the December section. The two attendants may be personifications of Snow and Frost. The owl, a symbol of death and sleep, is appropriate for the season.Each of the three vertical sections includes a roundel at the top surrounded by twenty-four ho

Figural tapiser; Geubels, Franz (1535-1590); 2. PO. 16th century (1551-00-00-1600-00-00);

Vernansal, Guy-Louis (known as the old) (n.1648-07-12-D.1729-04-09), astronomers (main title), 1685. Textiles, tapestry on smooth bass business, wool weaving and wool and wool weaving silk. Petit Palais, Museum of Fine Arts of the City of Paris.

Rectangular Box Cover, Pen and black ink, brush and watercolor on laid paper, An oval medallion showing shepherdess and shepherd., France, 18th century, Drawing, Drawing

Vanity Sounds the Horn and Ignorance Unleashes the Hounds Overconfidence, Rashness, and Desire (from The Hunt of the Frail Stag) ca. 1500-1525 South Netherlandish This tapestry fragment is part of a series that symbolically represents man's life on earth as a stag hunt. Man is depicted here as "the fragile stag" at the upper left bounding through the woods. The stag is being hunted by Desire, Rashness, and Overconfidence, the hunting dogs set loose by Ignorance, portrayed as an elegantly dressed woman at the bottom center of the tapestry. Dominating the scene at the right is another courtly lady, Vanity, who sounds the hunting horn.The verses inscribed in French on the banderole above read in translation:"The dogs that she held leashed in the woods Dame Ignorance has set loose after the stag; they are Desire, Rashness, Overconfidence,Who, filled with worldly pleasure, make him take many a leap and crossing; and then Vanity comes forward to sound the horn as she knows how to do."As the

Pipe with the Birds of the Pastoral Recreations.

Handkerchief, Medium: cotton Technique: printed by engraved roller on plain weave, Red cotton handkerchief printed with black on cream showing a central scene of the interior of Louis Pasteurs laboratory. At left, Pasteur is shown seated administering a vaccine. Decorative scrolling border with medallions containing animals at each corner. Hemmed on the two ends., France, late 19th century, printed, dyed & painted textiles, Handkerchief

Picture (Unfinished Needlework) Made 1601-1700 England. Silk, satin weave embroidered with metal coils, silk-wrapped metal purl and silk floss in satin stitch; couching; French knots; detached buttonhole; areas of raised work; mica .

Portiere with the Chauvelin arms from a set called a Chancellerie designed 1679 and 1700, borders ca. 1720, woven 1728-30 Claude Audran III French In the center of the tapestry are the arms of France and Navarre within collars of orders of Saint Michel and Saint Esprit.In each corner of the borders are coats-of-arms. Described in heraldic terms as argent, head of wild cabbage sinople uprooted, stalk entwined by serpent or, head upraised, these are the armorials of Chauvelin des Grosbois et de Beauregard.. Portiere with the Chauvelin arms from a set called a Chancellerie. French, Paris. designed 1679 and 1700, borders ca. 1720, woven 1728-30. Wool, silk (21-23 warps per inch, 8-9 per cm.). Textiles-Tapestries

Cavagnole Game Board; papier mache, painted and gilded decoration

The four seasons, Everaert Leyniers, c. 1650 - c. 1680 Wall carpet with an allegorical representation of the four seasons with Janus from a series of ten with the months, seasons and elements, within an architectural accompaniment. maker: Brusselsdesigner: Antwerp Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry Wall carpet with an allegorical representation of the four seasons with Janus from a series of ten with the months, seasons and elements, within an architectural accompaniment. maker: Brusselsdesigner: Antwerp Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry

Scenes from the Acts Apostles, by Mortlake workmanship, Manifattura Lefebvre, 1630 - 1680, 17th Century, tapestries. Italy: Marche: Pesaro Urbino: Urbino: Galleria Nazionale delle Marche. Whole artwork. Miraculous catch of fish. Jesus apostles halo/aureole men boats fishers nets fish lake Tiberias shore birds small figures houses buildings trees frame wreaths/festoons garlands coat of arms/emblem caryatids

Fragment (France); cotton

Drawing, Ornamental panel; Designed by Jean-Siméon Rousseau (1747 - 1820); France; pen and ink, brush and watercolor, graphite on laid paper; 42.9 × 17.1 cm (16 7/8 × 6 3/4 in.)

Hall to eat goncourt Jules of Goncourt. Dining room of Goncourt, rue Saint Georges.

Ikona: Boże Narodzenie Ikona w okładzie. nieznany warsztat rosyjski (1700-1970), factory

Discovery of the Plot to Kill Caesar and Cleopatra from The Story of Caesar and Cleopatra Made 1675-1685 Flanders. Wool and silk, slit and double interlocking tapestry weave . Geraert Peemans (Manufacturer)

TAPIZ-EL FESTIN-TALLER DE AMBERES-FLANDES-1690-330X550 CM-LANA/SEDA. Location: BANCO HIPOTECARIO. MADRID. SPAIN.

Satirical scenes with Napoleon Bonaparte unknown

Collage of expressed prints stuck on album leaf of blue paper.One or seventeen collages from leaflet.

David and Abishag, Medium: wool and silk Technique: tapestry woven, Pillow cover showing a crudely-rendered scene. Two women, each holding a jug, a man on horseback and another standing behind him. Landscape in background and a floral border., Northern Europe, 1610-30, woven textiles, Pillow cover, Pillow cover

The Annunciation probably early 16th century Workshop of Master of the Triptych of Louis XII This master is recognized as the enameler of a triptych with a central scene of the Annunciation flanked by donor portraits of Louis XII of France (1462-1515) and his queen, Anne de Bretagne (d. 1514), painted between 1499 and 1514. Now in the Victoria and Albert Museum, London, that triptych is arguably the most beautiful early sixteenth-century Limoges enamel in existence. This plaque is a variant of the London triptychs central panel.. The Annunciation. French, Limoges. probably early 16th century. Painted enamel on copper, partly gilt. Enamels

A 1882 watercolor by Eduard von Luttichheim depicting Undine, using deck white and gold color, emphasizing figure and composition.

Tradition, Creation and Recognition, Richard Nicolaüs Roland Holst, 1878 - 1938 drawing Design for a painting. paper. deck paint. pencil brush / brush Custom, Habit; 'Consuetudine' (Ripa) (+ abstract concept represented by male figure). Creation (+ abstract concept represented by male figure). Acknowledgement, Granting (+ abstract concept represented by female figure)

Madonna of the Magnificent Sandro Botticelli 1444-1510 Italian Galleria Degli Uffizi Florence Italy

Embroidered picture of pastoral scene ca. 1725 British. Embroidered picture of pastoral scene. British. ca. 1725. Wool and silk on canvas. Textiles-Embroidered

Tradition, creative power and recognition. Design for a painting.

Van Orley, Jan (N.1665-07-04-D.1735-02-22), Raising Hélène (main title). Organic, textiles, wool, silk, tapestry reduction: 7 to 8 wires / cm. Petit Palais, Museum of Fine Arts of the City of Paris.

Sidewall, Block-printed on handmade paper, Two repeating panels of hunting scenes, in one frame, a man with drawn bow and arrow stands with a maiden beneath a lambrequin, both figures appear in classical costume. In the next frame, a dog attacks a running deer, there is a tree nearby. Each of the two scenes contains a pair of columns incorporating caryatids, which support a trellis wrapped with vines. Panels are separated by pilaster on pedestal, supporting a decorative border with a cameo, centered between two deer, and anthemians., France, ca. 1800, Wallcoverings, Sidewall

The Twelve Ages of Man: The Second Three Ages of Man (18-36), or Summer. Author: Author of inscriptions possibly Jerome van Busleyden (Hieronymus Buslidius) (ca. 1470-1517). Culture: Flemish, Brussels. Designer: Probably after a design by the Workshop of Bernard van Orley (Netherlandish, Brussels ca. 1492-1541/42 Brussels). Dimensions: H. 174 1/2 x W. 289 inches (443.2 x 734.1 cm). Date: ca. 1515.This tapestry illustrates the second three ages of man, equated with the bridesman, in a tripartite composition. These eighteen years of life correspond to the months of April, May and June, and to the season of summer, presided over by Ceres, goddess of the harvest; she is identified in a Latin elegiac distich on a scroll in the border immediately below. Ceres is the usual deity of summer, but the pansies and daisies of her dress are not traditionally her flowers; they may refer here to Margaret of Austria, regent of the Netherlands form 1507-1530. Margaret of Austria also owned a green parr

TAPIZ DEL APOCALIPSIS S XVI-LAS BODAS DEL CORDERO. Location: PALACIO REAL-INTERIOR. LA GRANJA DE SAN ILDEFONSO. SEGOVIA. SPAIN.

Pillow cover, Medium: wool on linen, silk backing Technique: counted stitch embroidery, Solidly worked multicolored pillow cover with a conventionalized fruit and flower border that encloses a scene from the Parable of the Prodigal Son; scene depicted is the time of his departure from his family with a bag containing his inheritance money., England, 17th century, embroidery & stitching, Pillow cover

Robinson Crusoe, Machine printed with engraved copper rollers, Children's wallpaper depicting events from the story of Robinson Crusoe. A pattern of entwined branches forms a rustic framework around each of six different scenes, placed in an alternating position in horizontal rows. There is a caption below each scene. Margins at both sides. Intaglio printed in a monochromatic brown design on a light brown ground., England, ca. 1875, Wallcoverings, Sidewall, Sidewall

Noe con l'arca (Noah and the Ark), detail of the bureau with large mirror, made of walnut and rosewood, decorated with ivory and tortoise shell inlays, worked in the same style as Pietro Piffetti (1701-1777), bedroom, King's apartment, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

Embroidered picture with hunting scene first quarter 18th century British. Embroidered picture with hunting scene 229058

Tapestry: Le Cheval rayé from Les Anciennes Indes Series.

'"Jacob and Rachel"'. The Netherlands. The Netherlands, Mid-16th century. Dimensions: 35x33 cm. Museum: State Hermitage, St. Petersburg.

Allegory of Poland, detail from the Screen of Nations, by an unknown 18th century artist.

Collage. France, 1690-1696. Prints; engravings. Paper; engraving

Weapon carpet of the count of Monterey, Jacob van der Borcht (I), c. 1770 Weapon carpet with the coat of arms of Graaf van Monterey, the Fonseca, Zuniga, Ullda, Biedma and Acevedo. Signed with J.V.D. Vrijcht and the city coat of arms of Brussels. Brusselsmaker: Brusselsmaker: Madrid Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry Weapon carpet with the coat of arms of Graaf van Monterey, the Fonseca, Zuniga, Ullda, Biedma and Acevedo. Signed with J.V.D. Vrijcht and the city coat of arms of Brussels. Brusselsmaker: Brusselsmaker: Madrid Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry

Roundel with Annunciation to the Shepherds 1500-1510 North Netherlandish. Roundel with Annunciation to the Shepherds. North Netherlandish. 1500-1510. Colorless glass, vitreous paint and silver stain. Made in Haarlem (), North Netherlands. Glass-Stained

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