Classical Allegorical Prints

Engravings depicting mythological scenes, including figures like Bacchus and representations of love, often rich in detail and historical context.

Barmhartige Samaritaan, Jules Joseph Bourin Laurens, After Eugene Dollarix, 1854 - 1857 print Paris paper. the good Samaritan (Luke 10:30-37)

Coming to Amor, Jean Audran (Awarded to), After Antoine Coypel, 1677 - 1756 print France paper etching / engraving Venus and Adonis as lovers

Bacchus punishes a man who destroys a vineyard / Bacchus rescues Ariadne from the island of Naxos / Bacchus and the Sleeping Amor, monogrammist MP, 1680 - 1800 print Three performances on a leaf. Above: Bacchus punishes a man who destroys a vineyard. Middle: Bacchus saves Ariadne from the island of Naxos. Below: Bacchus and the sleeping Amor. In addition, a cow, perhaps IO. paper engraving (story of) Bacchus (Dionysus), Liber. Bacchus finds Ariadne on Naxos. (story of) Cupid, Amor (Eros). Bacchus in strife with the opponents to his worship

An etching and copper engraving by Johann Daniel Preisler from 1680-1737 depicting an allegorical scene with a round temple on a steep height, showing figures and architectural details.

Barmhartige Samaritaan, Jules Joseph Bourin Laurens, After Eugene Dollarix, 1854 - 1857 print Paris paper. the good Samaritan (Luke 10:30-37)

Personification of the Assyrian Empire, Heinrich Ulrich, 1582 - 1671 print Crowned woman with a scepter and a shield. On the left a lion with eagle wings. In the background a face on a city. Numbered in the middle: 1. paper engraving four great beasts rising from the sea ~ Daniel's visions. the lion with eagle's wings (griffin), standing on its hind legs ~ Daniel's visions. personifications of countries, nations, states, districts, etc.. city-view, and landscape with man-made constructions

Allegorical show about abundance, Michel Dorigny, After Simon Vouet, After François Tortebat, 1666 print print maker: Francepublisher: Paris paper engraving / etching Abundance (abundance) as Roman personification

Couple walking at a mill with various performances all around, Adrien de Witte, 1876 print paper etching / drypoint couple of lovers. windmill in landscape. milkmaid. horse-racing. (story of) Cupid, Amor (Eros)

Corvus caught the coronis girl; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. The White Raven Corvus Betraft Coronis, beloved from Apollo, on infidelity. If he wants to report this to God, he is warned by the Kraai Cornix for his plan. In the background right a coastal landscape. Under the show twice two fresh rules in Latin. The print is part of an album.

H. Hieronymus in the wilderness, Valentin Lefèbvre, After Titian, 1682 print The saint Hieronymus kneels with a stone in his hands in front of a crucifix on a rock. In the foreground a lion and a lizard, on the rocks behind Hieronymus a skull, hourglass and a number of books. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him

Copper engraving by Barbara van den Broeck depicting Venus and Adonis and the goddess Ceres, created between 1575 and 1600, showing mythological figures in classical scenes.

Copper engraving by René Boyvin, 1540-1600, depicting Amphinomos and Anapias in a victim scene, showing human figures, gestures, and composition.

The Dream of Aeneas Made 1663-1664 Italy. Etching on ivory laid paper . Salvator Rosa

Corvus caught the girl Coronis, 1728 De Witte Raaf Corvus is on unfaithfulness Coronis, beloved from Apollo. If he wants to report this to the God, he is warned before his plan by the crow Cornix. In the background on the right a coastal landscape. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving De Witte Raaf Corvus is on unfaithfulness Coronis, beloved from Apollo. If he wants to report this to the God, he is warned before his plan by the crow Cornix. In the background on the right a coastal landscape. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving

HERULES (ALCIDES) IN DE SFINX, 1670 - BEFORE 1692 print Hercules, sitting against the lion skin and leaning on a dagger. There is a deer next to him. His clubs and arrows sleeve and bow are in the foreground. Opposite him, among other things, the Sphinx, the head of the boar of Eymanthus and the three -headed dog Cerberus as a reference to the twelve works. Italian fresh in the lower margin. Numbered below: 4. paper etching (story of) Hercules (Heracles). sphinx of Thebes. sphinx (lion/woman); 'Sfinge' (Ripa)

Adraste verslaat HIPPIAS, Jean-Baptiste Tilliard, after Charles Monnet, 1785 print Adraste and Hippias fight on the battlefield. Above them in a cloud, death is in the form of a skeleton with a scythe. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. III. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. single combat in place of battle. Death as skeleton. ornament ~ festoon, garland

Bacchanaal, Georg Andreas Wolfgang, after Johannes Heinrich Schönfeld, 1641 - 1716 print paper etching thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus. cupids: 'amores', 'amoretti', 'putti'. group dancing

Job on the manure heap; History of Job; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Job sits on a manhole and is visited and mocked by his friends. One of his friends is in pocket and ash: he has sprinkled ash on his head. Under the show a reference in Latin to the Bible text in Job 2.

Three putti at a Bijenkorf, 1754 print Three putti, equipped with a spear, a lute and an incense barrel, stand next to a beehive. The heads of the putti are successively, acclaimed and winged. The show is framed by leaf branches in which there is an eagle and a pigeon at the top, on the right the attributes of painting and music and on the left hang a hand mirror with caduceus. paper etching cupids: 'amores', 'amoretti', 'putti'. symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa)

Relief with the pride of Teophane by Neptune; Roman sculpted reliefs; Icone et segment (...). Relief with the pride of Teophane by the God Neptune. He lifts her and steps into his shell that is being pulled through four hippocamps. Text in Latin in undermarge. Print is part of an album.

Anakreon portrait medallion. A portrait medallion of the Greek poet Anakreon is held by Cyrthe, Bacchus and Cupid. The time is on the ground. His wings are cut by a putto, another has tapped his sickle. With an explanation of the show in French.

Olympic gods between the clouds: the element air; Aer; The four elements. The gods Jupiter and Juno, with eagle and peacock respectively, surrounded by the different gods of the Olympus and putti between the cloud cover, as allegory on the air element. Print from a series of four.

In love couple kissing and caressing, gottlieb friedrich riedel, 1778 - 1779 print A coast in love and caresses each other in the open air. On the right an old woman with a jug runs through a wooden gate. Around the show a frame with garlands. A German text in the lower margin. Publishing number 7. Augsburg paper etching pastorals, Arcadian scenes. (lovers) kissing each other

Print, The Letter O; Designed by Giovanni Battista Betti (Italian, active 1754 - 1777); Italy; Mat: 23.5 x 32.9 cm (9 1/4 x 12 15/16 in.); 1918-17-15

Venus sends psyche to a source guarded by dragons. Venus wears psyche the task to get water from a source that is guarded by dragons. On the right on a mountain the eagle of Jupiter that brings Psyche water from the Styx.

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Reconstructed from two fragments. Northern Netherlands paper engraving the meeting between Esau and Jacob

The crossing

Etching by Johann Zimbal from 1740-1795 depicting the Ascension of Christ, showing figures, clouds, angels, and surrounding landscape.

An etching by Pieter Soutman from 1616-1657 depicting the Birth of Venus, showing the goddess Venus emerging from the sea, surrounded by classical figures and decorative elements.

Return from Tobias; History of Tobias; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Tobias embraces his mother Anna upon returning home. Behind her a boy leads the blind tobit to the outside. The Archangel Rafael points in the direction of Sara and the animals packed with gifts. Under the show a reference to the Bible text in Tobit 11 in Latin. Print is part of an album.

Christ shifts the money changers from the temple and circumcision, 1660 Two drawings from Moses ter Borch to Rembrandt, stuck next to each other on a leaf. Zwolle paper. ink. chalk brush Two drawings from Moses ter Borch to Rembrandt, stuck next to each other on a leaf. Zwolle paper. ink. chalk brush

Minerva sat on a cloud with angels and a portrait medallion, Jacques-Philippe Le Bas, 1755 print Paris paper etching (story of) Telemachus. (story of) Minerva (Pallas, Athena)

Sadrach, Mesach and Abednego are thrown into the fire; History of Sadrach, Mesach and Abednego. Sadrach, Mesach and Abednego are thrown into the burning oven. One of them can be seen through a window in the oven. He is assisted by an angel. The flames don't work. Two men are about to throw one of the three by throwing the upper hole in the oven. Three of the guards who are on the oven burn in the flames. On the left in the foreground one of the three Jewish men is banged before he is also thrown into the oven. Under the show an explanatory text in Latin. This print is part of an album.

Etching by Johann Heinrich Ramberg depicting a marketplace where enslaved individuals are displayed and exchanged, showing figures, architecture, and interaction.

Copper engraving by Cornelis van Kittensteyn titled 'Flucht der Coelia', created between 1620 and 1638.

Meid Met Eenhootn, Carlo Cesio, After Domenichino, After Annibale Carracci, 1656 print A girl with a unicorn in a landscape. Possibly Saturn in the form of a unicorn that sits on the chest of Nymph Philyra. print maker: Romeafter painting by: Italyafter design by: Italypublisher: RomeVaticaanstad paper etching unicorn. Philyra beloved by Saturn, occasionally in the shape of a horse

Two Allegorical Figures under Bingakin, Jan Punt, 1749 print Along a river there are two allegorical female figures on a throne under a canopy decorated with coats of arms. One of them has a staff in hand and points to a woman who comes out of the water with a basket. In the foreground nymphs in the water. Amsterdam paper etching / engraving armorial bearing, heraldry. canopy, baldachin. river

The Satyrs' Dance 1763 Jean Honoré Fragonard French In this print set of four etchings (see also 1996.238.1-3), Fragonard presents playful bacchanalian scenes in the form of ancient stone reliefs framed by lush, sun-dappled greenery. Whether the reliefs are based on actual antiquities (as was long assumed) or are products of the artists imagination, the result is a tour de force of etching. The satyrs, the nymphs, and their offspring are imbued with a convincing sense of animation that belies the conceit of the compositions as depicting time-forgotten relics.. The Satyrs' Dance 334644

God separates the light from dark, Sophie Sibire, François Anne David, After Rafaël, 1808 print paper etching / engraving division of light and darkness

Bacchanaal on Andros. Bacchus meets the residents of the island of Andros during a bacchanal. A group of drunk men and women in a landscape. In the foreground a sleeping naked woman.

De Slaap, François Boucher, 1730 - 1740 print Two sleeping children and a cat. print maker: Francepublisher: Paris paper etching child (+ two persons). animals (+ sleeping animal(s)). sleeping on the ground. cat

Arcadian landscape with shepherd at a stream, J.M. Bregmagher, after Abraham Rademaker, c. 1726 print Arcadian landscape with a shepherd who rest under a tree on the banks of a stream. His sheep lie next to him in the grass. In the background you can see a woman who runs to a country house. Amsterdam paper etching Pastoral, Arcadian Scenes

Herfst, Louis Félix de la Rue (Le Jeune), After François Boucher, 1741 - 1765 print publisher: Parispublisher: ParisFrance paper etching Autumn, Fall, 'autumn'; "Autumn" (bank). Cupids: 'Love' '' Amoretti '' Putti '

Zephirus in Flora, Anonymous, After Antoine Coypel, 1671 - 1696 print print maker: France (possibly)publisher: Paris paper etching Flora in her realm: a garden full of flowers, given to her by Zephyrus

Servant buries his talent, Harmen Jansz Muller, after Gerard van Groeningen, 1585 print The servant, who has received a talent from his Lord to manage, digs a gap to bury his talent. On the right a ruin and a port left in the background. Under the show a reference in Latin to the Bible text in mat. 25. This print is part of an album. paper engraving two servants trade with the money; one servant buries it

Poros injured in the battle with Alexander the Great (plate 1), Gérard Audran, After Charles Le Brun, 1678 print Paris paper etching / engraving the army of Porus and its elephants are conquered by Alexander

Requesting Hieronymus in the desert, Gérard Audran, After Domenichino, 1650 - 1703 print print maker: Francepublisher: Paris paper etching / engraving St. Jerome tempted by a dance of young girls

Print (France)

Polyphemus en Galatea, 1656 print Polyphemus plays a love song on his pan whistle for the Zeenmf Galatea. Galatea sits on a shell that is pulled by dolphins. She is supported by two sea emissions. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Polyphemus. panpipes. (story of) Galatea; 'Galatea' (Ripa)

A copper engraving by Cornelis Cort depicting Hercules placing Kerberos in chains and battling the dragon Ladon, created in 1563.

Spirit of Creüsa appears to Aeneas; Aeneam Allowur Simulacrum et Umbra Creusae; Wanderings of Aeneas; L'ENEA Vagante Pitture Dei Caracci. During the flight from Troy disappears and dies Creüsa, the woman of Aeneas. When Aeneas will look for her, her mind appears to him. Numbered: VII. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Diana and Endymion, Bernard Lens (II), After Abraham of Diepenbeeck, 1682 - 1725 print London paper Diana (Luna) visiting the sleeping Endymion

Minerva and Putti mourning a graftombe.

Personification of Verbond, Robert van Audenaerd, 1673 - 1743 print On a console two women who embrace each other. They are armed in the same way. There are two birds on the skewer in their hands. There is a fox under their feet. The print is part of an album. paper engraving peace. embracing each other, kissing. song-birds: crow. beasts of prey, predatory animals: fox. 'Lega' (Ripa)

Mercury in Herses room; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Europe is raised by Jupiter in the form of a bull over the sea. On the right the service of Europe desperate on the beach. In the background the scene that precedes this. Jupiter gives his son Mercurius the assignment to drive a herd of cattle to the beach so that he could mix as a bull among them and approach Europe unobtrusively approached. Under the show twice two fresh rules in Latin. The print is part of an album.

Graf monument Van Watteau, François Boucher, 1717 - 1728 print Title page of a series of prints to Watteau. The painter's burial monument with a portrait in an oval. In addition to the portrait four graces, a trumpeting angel at the top. On the tomb a four -line text in French. In the foreground are painting materials and a bust. France paper etching grave, tomb. grave-building, monumental tomb. Graces (Charites), generally three in number; 'Gratie' (Ripa)

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Adam and Eve after the Fall, from the LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 14.4 × 17.5 cm (5 11/16 × 67/8in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Wood engraving, England, by Thomas Bewick.

Egidius after Martin of your Raphael Sadeler (said the old, 1560-1632). Egidius after Martin of your. Burin, 17th century.

Minerva at Akker who is edited by Putti, Abraham Delfos, 1741 - 1820 print Minerva at Akker where five putti work the country with digging, pulling and sowing. Under banderol with Latin text. paper etching (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'. soil cultivation

Bendemann Eduard Julius Friedrich (1811-1889), murals in the ballroom of the Residenzschloss in Dresden (approx. 1900): Photography after a stab with a representation from the Greek myths. Photo on paper, 42.1 x 33 cm (including scan edges) Bendemann Eduard Julius Friedrich (1811-1889): Wandgemälde im Ballsaal des Residenzschlosses, Dresden

Apollo en marsyas en het oordeel van midas, Melchior Meier, after Francesco Salviati, 1581 print Apollo in the middle, with the knife in the hand with which Marsyas has just been skinned, whose skin Apollo has stuck in its left hand. Marsyas itself hangs on the tree without skin. On the right the kneeling midas with the donkey ears, saters and soldiers in the background. paper engraving punishment of Marsyas: he is flayed by Apollo

Letter Q Van Seek and find Met Rechtvaardigheid, 1595 print Ornamental letter Q van Quaerite et Invenietis (looking for and you will find) with the personification of justice at the top right. She keeps a scale, sword and a burning torch in her hands. On the left a naked woman with a fee. In the middle of a satap with fish rod. The letter is further decorated with birds, bunches of fruits, weapon trophy and fish. Verso verses in Latin and German. Print is part of an album. Frankfurt paper engraving / letterpress printing Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. satyr(s) (in general). fruits and vegetables ~ ornament. fishes. ornament ~ grotesque

Dauw on the woolen fur, anonymous, After Maarten van Heemskerck, 1561 print The kneeling gideon asks God, who appears above the threshing floor with the wool coat, to confirm for his assignment to free Israel. If there were dew on the wool a day later, while the ground around it was dry, Gideon knew for sure that Israel would be freed by his actions. Behind this scene, Gideon squeezes the wet fur above a bowl. Behind that Gideons army. In the margin a single -line caption in Latin. print maker: Low Countriespublisher: Antwerp paper engraving the dew is on the fleece only, the ground is dry (first sign given to Gideon). Gideon presses the fleece and wrings out a bowl full of water

La Discorde 1886 Félix Bracquemond French. La Discorde 384769

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Copper engraving by Jean Louis Roullet from 1665-1699 depicting Kadmos killing the kite, representing a scene from classical mythology.

Portrait of Gregorio Barbarigo and prayer personifications, good rumor and religion zeal; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On the front a medallion with the portrait of Gregorio Barbarigo. He is wearing a biretta on his head. Two castles in a nightly landscape on the back. Above the pedestal fame or good rumor with trumpet and olive branch and around her neck a gold chain with a heart. Two women kneel. The censer of the woman's left symbolizes the prayers who take off to heaven. They are the female personifications of prayer and devotion or religion zeal. The print is part of an album.

Pan en Syrinx, 1728 On the banks of the River Ladon, the Nymph Syrinx tries to escape the god Pan. Syrinx had dedicated her lifestyle Diana and is therefore depicted in hunting clothes and with a arrow sleeve. Before Pan can catch her, she turns into Moerrasriet. On the right a few saters. On the left the river god and two river nymphs. This story is told by Mercury to get the hundred -eyed Argus asleep and to free the cow io. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving On the banks of the River Ladon, the Nymph Syrinx tries to escape the god Pan. Syrinx had dedicated her lifestyle Diana and is therefore depicted in hunting clothes and with a arrow sleeve. Before Pan can catch her, she turns into Moerrasriet. On the right a few saters. On the left the river god and two river nymphs. This story is told by Mercury to get the hundred -eyed Argus asleep and to free the c

Decorations by Lebrun and Mignard at the Palace of Versailles, Engraving on paper, before 1901, Print, Print

Engel appears to Joseph in a dream, Sébastien Bourdon, 1626 - 1657 print Paris paper etching Joseph worrying about Mary's pregnancy; annunciation to Joseph in a dream (Matthew 1:19:25)

Mercury kills Argus; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. After he played him asleep with his flute and telling stories, Mercury kills the hundred-eyed argus. Mercurius hits him under a tree. In the background Juno covered her peacock with the eyes of Argus. A dog barks. The cow is io that Argus had to monitor Juno. Under the show twice two fresh rules in Latin. The print is part of an album.

Bacchants in a wooded landscape, William Unger, After Nicolas Poussin, 1847 - 1889 print Germany paper. etching Male Bacchant (ES). Maenad (s), Female Bacchant (ES). Panpipes

Apollo puts Melpomene in Thalia, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print Apollo as a sun god on the clouds together with Melpomene, Muze from the Treurspel and Thalia, muse of the comedy. Title page for the collected works by Antoine de la Fosse. Amsterdam paper etching / engraving Apollo and the Muses, Apollo Musagetes. Melpomene (one of the Muses); 'Melpomene' (Ripa). Thalia (one of the Muses); 'Talia' (Ripa)

Hercules and Iole; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. Hercules and Iole are sitting on a rock. Hercules plays on a tambourine. In the background, Amor stands with his bow. The print originally belonged to Liber 22 of the Atlas of Michiel Hinloopen (seem to book 10).

Perseus and the Sleeping Medusa. Artist: Alexander Runciman (British, Edinburgh, Scotland 1736-1785 Edinburgh). Dimensions: Plate: 6 7/16 × 9 15/16 in. (16.3 × 25.2 cm)Sheet: 8 7/16 × 11 5/16 in. (21.5 × 28.8 cm). Date: 1774. Museum: Metropolitan Museum of Art, New York, USA.

a painting by" Rome, Lanfranco, Giovanni, Italy, Cesio, Carlo, Assumption of Mary, Saint Peter with other saints and angels, Rome, verso - stamped, Saint Peter (recognizable by the putti with two large keys) together with another saint on clouds. They are surrounded by angels, two of whom are blowing trumpets., print, prints, height 551 mm, width 289 mm, Italian, 1622 - 1682, print maker, printmaker, 1636 - 1686, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, 1582-01-26 - 1647-11-30, after a painting by

Allegory of poetry, François van Bleyswijck, after Hieronymus van der Me, 1717 print Allegory on poetry with putti looking at a painting that stands on an easel. The painting shows a poet in his office and a pastoral scene. On the Parnassus mountain the three graces and Pegasus flies through the air. Leiden paper etching symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Hours (Horae), Seasons

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio8. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hercules in battle with the Hydra of Lerna. Hercules, raised with knots above his head, battle with the six-member Hydra by Lerna.

Raceoe Cartouchers MET Helmet, Godfriet Berhard Gesphasz, After Joseph Anton Figony-Severem, 1774 print Rocaille Cartouche, crowned with helmet. Putto with helmet and spear on the right. paper etching rocaille ornament. helmet

Darstellungen Aus Dante's Hölle: Dante Vor Den Drei Gierigen Thieren Zurückbebend; Koch, Joseph Anton (1768-1839), Dall'armi, Joseph (1787-1807); 1807 (1807-00-00-1807-00-00);

MENALCAS en Galatea, Georg Lorenz Rugendas (1), after Charles Joseph Dominique Eisen, 1740 - 1778 print Galatea is dreaming about Silvio in a landscape next to a waterfall. Next to her is the Herder Menalcas loving on Galatea. In the lower margin two columns with three -line German text. Publishing number XIV. Augsburg paper etching pastorals, Arcadian scenes. male persons from classical history (MENALCAS) - love-affairs of person from classical history. love-affairs of Galatea. sleeping on the ground

Relief with triumph of Bacchus; Roman sculpted reliefs; Icone et segment (...). Relief with the Drunk God Bacchus on a triumphar. It is supported by an old Sater. On the left a man with a ram and a putto. On the right two musicing centaurs. Text in Latin in undermarge. Print is part of an album.

Landschap met berenjacht; Jachttaferelen.Landscape with hunters and hunting dogs. On the left a hunter on horseback that lives up to kill a bear. The bear stands on a man. A castle in the background.

Stitch player and served on horseback in Roman costume, François Chauueau, 1670 print print maker: Francepublisher: Paris paper etching festivities. joust, tilt. tournament. horse

Amor's wings are cut off, Antoine de Marcenay de Ghuy, after Charles Le Brun, 1763 print paper etching / engraving punishment of Cupid

Jacob with His Family en Route Home, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Three Hesperides bring lemons to Lake Garda, Cornelis Bloemaert (II), After Nicolas Poussin, 1640 - 1646 print Three Hesperides bring the first lemons to the god of Lake Garda. This print is an illustration for the introduction of G.B. Ferraris book about citrus fruits. Through self -invented mythological stories, the author tries to explain the origin of the various lemon species. paper engraving other Hesperides (+ attributes)

Bacchus and Ariadne / Bacchus raises his glass / Perseus and Andromeda, monogrammist MP, 1680 - 1800 print Three performances on a leaf. Above: Bacchus Latchoost Ariadne. Middle: Bacchus has a glass sitting on a wine barrel. Below: Amor Troost Andromeda, which is chained to the rock. In the foreground the sea monster. In the background Perseus with the head of Medusa, the hair of which turns into coral. paper engraving (story of) Ariadne and Bacchus. (story of) Bacchus (Dionysus), Liber. Perseus lays down Medusa's head on a bed of leaves and seaweed which turn into coral, i.e. the origin of coral. Perseus cleanses his hands of blood at the well Hippocrene; Andromeda attended by Cupid and Naiads (+ variant)

Coat of arms of King Louis XIV of France and the letter J with Pan, Anonymous, After Bernard Picart, 1717 in the background Pan, Anonymous, After Bernard, 1717 print Two performances on a leaf. Above: The coat of arms of Louis XIV, King of France, with in the middle of the order of the Order of the Holy Spirit, is crowned by Putti. In the background bookshelves. Below: the letter J with pan, which unpleases the globe and a mask. In the background the Mount Parnassus. paper etching / engraving coat of arms (as symbol of the state, etc.). study; 'studiolo'; library. cupids: 'amores', 'amoretti', 'putti'. historiated initial. (story of) Pan. Parnassus, sacred to Apollo Musagetes

. Title page of "Histoire de l'Origine de l'Imprimerie" by Prosper Marchand, 1740. On a cloud there is a printing of printing with a printing press. She is flanked by Minerva and Mercury. Among them are personnifications from Germany, Holland, England, Italy and France. They carry portraits with persons who have been important for the printing printing.

History reveals by father Time and Truth, Bernard Picart, 1732 print Father Time and the Light of Truth Unlock History in a Study Room. Illustration of the motto under the show: Testis Temporum Lux Veritatis Magistra Vite Nuntia Vetustatis. The show is caught in an ornamental frame. Amsterdam paper etching / engraving Father Time, man with wings and scythe. Truth; 'Verití' (Ripa). 'Historia'; 'Historia' (Ripa). study; 'studiolo'; library

Adam and Eve after the Fall, from the LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

The temptation, Rudolph Meyer, 1650 print Adam and Eva in paradise, near the tree of knowledge. Eva gives Adam de Appel; The snake above their heads. paper etching Temptation and Fall (Genesis 3:1-7). dance of Death; Death together with one or more human beings

Education of Bacchus; Educatio Bacchi. A marble relief of the Italian sculptor Antonio Canova. For the entrance of a cave, Mercurius that Bacchus has laid in the arms of the Nymph leucothe. Silenus and pan. On the right kneel three nymphs full of admiration for the child. Fauns and nymphs around them. Under the image three lines of Latin text.

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink, brush and brown wash over traces of graphite on cream laid paper

The Adoration of the Shepherds ca. 1560 () Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 14, bottom. The Adoration of the Shepherds 366248

Hercules frees Prometheus; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. Prometheus is closed to a rock. Hercules frees him. In the foreground lies the dead vulture that came to the Prometeus' liver.

Neptunus pursues a woman / triumph of bacchus / return of vulcanus with bacchus, monogram mist MP, 1680 - 1800 print Three performances on a leaf. Above: Neptunus pursues a woman. Amor shoots an arrow. Middle: triumphal tour of Bacchus with drinking and destroying satyrs and figures. Below: Bacchus puts Vulcanus backwards on a donkey. In the background, Vulvanus is brought to the Olympus on the donkey. paper engraving love-affairs of Neptune: first series. triumph of Bacchus; 'Carro di Bacco' (Ripa). Vulcan's return to the Olympus with Bacchus and his train

of 3