Classical and Allegorical Etchings

Etchings illustrating classical figures and allegorical scenes, emphasizing Neoclassical themes and intricate architectural settings.

Vestigia delle Terme di Tito. Philosopher. Quadro with decoration in room 15; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, philosopher, mythology, antiquity, purchase (provenance)

This etching by Tommaso Piroli, produced between 1780 and 1800, depicts the Delphica scene in the Sistine Chapel, highlighting figures, architectural space, and neoclassical composition.

Etching by Giovanni Cesare Testa depicting female personifications in a pendant format, produced between 1628 and 1655.

This etching by Tommaso Piroli, created between 1780 and 1800, depicts the Cumaea scene in the Sistine Chapel, emphasizing architectural details, figures, and composition.

Etching by Hubertus Quellinus around 1668 depicting a male figure in armor and stole holding a torch, accompanied by a rooster and a book, showing allegorical and symbolic elements.

Sculpture of the Apollo van Belvedère, Anonymous, 1850 - 1900 Photograph. visit card This photo is part of an album. cardboard. photographic support albumen print (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Vestigia delle Terme di Tito. Philosopher. Quadro with decoration in room 15; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, philosopher, mythology, antiquity, purchase (provenance)

Sitting naked; Paintings in the Sixtin Chapel. Seated naked man, partially turned to the left, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 11. The print is part of an album.

A copper engraving and etching by Antoine Alexandre Morel from 1785-1829 depicting an ancient female statue, highlighting classical drapery, form, and posture.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Brunhilde, Queen of Swiss francs.

Personification of eternity; Numismata virorum illustrium ex Barbadica Gente. A console with the feminine personification of eternity. She has a veil on the head that both should defeated. In her hands a Ouroboros, a snake or dragon that bites in his own tail. The print is part of an album.

Copper engraving and etching by Gilles Rousselet created between 1630 and 1686 depicting Salome, showing figure and compositional details.

L'Annonciation. Salmon & Ardail, A. Porcaboeuf & Succeseurs (Paryż ; zakład graficzny ; fl. ca 1889-1901), printing house, Arthur Tooth & Sons (Londyn, Paryż, Nowy Jork ; wydawnictwo ; fl. 1868-1901), publisher of prints, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Burne-Jones, Edward (1833-1898), painter

Image of Saturn in the northern gallery of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print Image of Saturn in the eastern part of the northern gallery of the Town Hall on Dam Square in Amsterdam. In his right hand a child he eats, in his left hand a sickle. At his feet a Januskop, Korenschoof, team and hourglass. At the bottom mark marked: O. paper etching / engraving (story of) Saturn (Cronus). (story of) Saturn (Cronus) - attributes. Saturn devouring his children. Janus' head, two-faced head City Hall of Amsterdam (1655-1808)

Personification of pleasure or pleasure; Numismata virorum illustrium ex Barbadica Gente. A console with a sitting woman. A flower wreath in the hair. In her hands a cornucopia and a thyrsus, a staff with a knob in the shape of a pine cone. The city is wrapped with leaves and two wreaths hang out. The print is part of an album.

Print, Ornament Panel with Apollo on his Chariot, pl. 23 in Oeuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Laureolli; Published by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; 11.9 x 20.7 cm (4 11/16 x 8 1/8 in.)

Camee with the portrait of Napoleon I Bonaparte, with spear and bay leaf, Raphael Urbain Massard, 1785 - 1843 print paper etching historical persons

. Memorial for Lukas Willem Baron van Essen in the old church of Barneveld. Victoria, the goddess of victory holds a laurel wreath in hand and leans with her other arm on the portrait of Baron van Essen. At her feet there are a cross, anchor and a burning heart, the symbols for faith, hope and love, and a Bible. In the middle of the baron of Essen's coat of arms.

Duplicate entry: Arnold Houbraken etching from 1675-1719 depicts personifications and symbolic figures, illustrating 17th-18th century allegorical engraving.

Title page for: 'The book der Psalmen, Near Christelyke Zangenen', 1779, Reinier Vinkeles (I), 1779 print Amsterdam paper etching / engraving altar. serpent Ouroboros. Trust (+ allegorical scene, i.e. two or more personifications involved in an action). harp

Bacchic rite. Girl with tibiae, woman with guttum vase, man with ark containing statuette of Bacchus, naked director of the rite, and woman (Ceres). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Apollon Sauroctone. Vatican. James Anderson (British, 1813 - 1877)

Bas -relief with the robbery of Proserpina, 1636 - 1647 print Bas-relief with the robbery of Proserpina. Pluto, the king of the underworld drags Proserpina on his car. Minerva tries to stop Pluto. Mercury leads the horses of the car. The companions of Proserpina are left behind. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her

Fresco in the Sixtine Chapel in Vatican City, representing the prophet Ezekiel, Edizione Brogi, c. 1875 - In or Before 1907 photograph Part of photo album with recordings of sights and artworks in Italy. Sixtine Chapel (Vatican) photographic support gelatin silver print the book of Ezekiel. prophets (before and during the Babylonian Captivity)

Etching by Arnold Houbraken depicting allegorical personifications and symbolic figures, created between 1675 and 1719.

Graf monument of the poet Hendrik Tollens, Edouard Vermorcken, after Johan Michaël Schmidt Crans, 1856 - 1906 print paper grave, tomb. Fama as Roman personification

Sansovino Andrea (1460-1529), S. Spirito, Florence. Altar (without dat.): Altar of St. Sacrament, detail. Photo, 38.9 x 24.3 cm (including scan edges)

Sculpture of a goddess with plate; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Model for the monument to work at Heiligerlee, 1868; Four pictures of the design for a monument for the Battle of Heiligerlee. Model for a monument for the Battle of Heiligerlee (23 May 1568) Revealed on May 23, 1868. The image suggests: the dying count Adolf from Nassau with the Dutch Lion and the Dutch Virgin. Gypsum model of four sides photographed.

Copper engraving by Jacob Matham depicting seven trucks, representing mechanical or transport subjects, illustrating design and function.

Sculpture 'Après La Tempête' by Sarah Bernhard, in or after 1876 - in or before 1884 photograph Photo of sculpture après la tempore, a piétà show: mother with the Dead Christ () On her lap. Plate from magazine. Paris paper. photographic support. cardboard

Chevaux de Marly, Champs Élysées. Édouard Baldus (French, born Germany, 1813 - 1889)

st, Volksgarten-Kaiserin-Elisabeth monument, postcard, Photographic industrial society, producer

Copper engraving by Jacob Matham depicting seven trucks, highlighting mechanical and structural aspects in a historical engraving context.

Gueridon puts Twee Halffiguren, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A gueridone with three -armed candlestick and two female semi -figures. Print number 319. Paris paper etching / engraving table. chandelier, candelabrum. standing figure - AA - female human figure

Sculpture of Maria on the portal of Notre-Dame in Paris, c. 1875 - c. 1900 photograph Paris cardboard. photographic support albumen print sculpture. parts of church exterior and annexes: portal. Mary (without the Christ-child) Our Lady

Sculpture of a Vestal Virgin, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. Vestal virgin(s)

Statue of Ceres as Queen, 1636 - 1647 print Statue of the goddess Ceres as a queen. She is wearing a crown and holds a bundle of grain in her hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Ceres (Demeter). piece of sculpture, reproduction of a piece of sculpture

Cariatide, Renaissance era

Drawing of 17th century silver belonging to an album, Anonymous, c. 1725 - c. 1728 album Amsterdam paper drawing

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Dignity, verso - stamped, A console with a bent woman in Roman clothing. She is trying to carry a large stone on her shoulders. The stone is decorated with foliage. The print is part of an album., print, prent, albumblad, prints, height 181 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Sistine Chapel (Vatican), Braun, Adolphe, Photographic reproduction of a fresco by Michelangelo in the Sistine Chapel, 'The Libyan Sibyl', photograph, photo, photos, height 481 mm, width 378 mm, French, German, 1812 - 1877, photographer, 1880 - 1900, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, cardboard, kaart, carbon print, kooldruk

Copper engraving by Cornelis Galle the Younger depicting a male figure in motion, created between 1629 and 1675.

Grafmonucent Van Ottavio Trento, Giovanni Balestra, After Antonio Canova, 1784 - 1842 print The burial monument of Ottavio Trento, by the Italian sculptor Antonio Canova. print maker: Italyafter design by: Vicenzaafter sculpture by: Vicenza paper engraving grave, tomb

Pencil sketch by Emerich Alexius Swoboda showing a monument, highlighting structural form, composition, and details

Statue of a Roman soldier, Velites or light infantry, with shord sword gladius, wooden shield parma. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Standing male nude, Franz Anton von Leitenstorffer, 1742 print paper etching / engraving artist (in general) working from nude model

Schick Carl, supports (from: architectural details. A collection of supports, cornices, consoles, etc. Pressure on paper, 65.3 x 47.9 cm (including scan edges)

Rome - Palais du Vatican (Chapelle Sixtine) - Michel-Ange. The photography is suitable for Adolphe Braun's mid-19th century as a tool to make fabric pattern templates that produced his Elsässer company first drawing. He photographed first plants and still life, but from 1857 is also successful with the sale of stereo pictures of popular travel destinations in Switzerland and Germany. The reproduction of works of art, which he devotes from 1866, but he considered his masterpiece. It is a concern to make appreciation of museums and private collections of a larger public accessible and also usable for educational purposes. Already in front of him, photographers such as Louis Blanquart-Evrard and Roger Fenton tried to play paintings and sculptures, but Braun, which specializes in the carbon printing process, manufactures unusually large-format, qualitatively outstanding and particularly durable images for this time. Under the leadership of his son Henri, excursions are being taken to the m

GIPS models for Cararians on the Palais du Louvre by Elias Robert, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. caryatids ~ architecture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Bust van Keizer Hadrianus, c. 1875 - c. 1900 photograph Capitoline Museums cardboard. photographic support albumen print emperor. historical persons (+ (full) bust portrait). sculpture. Gorgoneion, head of Medusa Capitoline Museums

Temperantia. From the portfolio: The Work of E. Burne-Jones., 1872, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Detail of "Le Triomphe de 1810", Arc de Triomphe. Hippolyte Bayard (French, 1801 - 1887)

Clio, Alexander Liernur, 1796 drawing Clio, muse of history. paper. pencil Clio (one of the Muses); 'Clio' (Ripa)

Copper engraving by Cornelis van Dalen showing ancient statues with classical features, created around 1638, highlighting historical sculptural design.

The Belvedere Apollo. Unknown

Portraits of the Kings Pepijn and Carloman, Dominique Sornique (attributed to), 1729 - 1733 print Paris paper engraving / etching king. historical persons

Michelangelo Buonarroti (1475-1564), S. Lorenzo, Florence. Tomb of Giuliano de Medici: View. Photo on cardboard, (including scan edge). Architecture Museum of the Technical University of Berlin Inv. No. f 9253. Michelangelo Buonarroti (1475-1564): S. Lorenzo, Florenz. Grabmal des Giuliano de Medici

Three studies to or for a statue of Juno, draughtsman: Vincent Sellaer, 1538 - 1544, paper, pen, brush, h 338 mm × w 173 mm

Study into a statue of a sitting man with sword, Jean Grandjean, 1765 - 1781 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture

Sarkofag v Ravenne Sarcophagus, Ravenna.. Gagarin, Grigorii Grigorevich, kniaz (1810-1893). Prints, Illustrations. 1897 - 1903. General Research Division. Architecture , Russia, Architecture, Byzantine, Architecture , Georgia (Republic), Decoration and ornament, Byzantine, Decoration and ornament, Russian

This albumin photograph depicts the sculpture group by Canova on the tomb of Archduchess Marie Christine in the Vienna Augustinian Church, showing artistic detail, marble work, and funerary architecture, produced in 1867.

Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, Sir William Chambers RA, 1723-1796, British, between 1750 and 1755, Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper, Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm) and Mount: 17 1/2 x 13 5/8 inches (44.5 x 34.6 cm), architectural subject, Grand Tour, niche, sculpture, triglyphs, Europe, Italy, Piazza del Popolo, Rome

Photo production of a detail of the fresco by Michelangelo in the Sixtine Chapel in Rome, representing Sibille van Cumae, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). Cumaean sibyl Sixtine Chapel (Vatican)

Copper engraving and etching by Jean Jacques Avril around 1818 depicting Urania, the muse of astronomy, in a classical compositional style.

Drawing, Thalia, Muse of Comedy and Calliope, Muse of Epic Poetry; Designed by Felice Giani (Italian, 1758-1823); Italy; black chalk on laid paper

Gypsum model for sculpture at the Palais du Louvre: "La Force" by Antoine-Louis Barye.Part of Reunion des Tuileries au Louvre 1852-1857, album 2.

Kaliope according to the drawing of J. L. Chapon, Léon Louis (1836 1918), Monogramista J.L.

Wooden sculptures of Saint Rochus and of Saint Joris with dragon, Anonymous, c. 1881 - in or before 1889 photomechanical print Antwerp paper collotype / photolithography sculpture. the confessor and pilgrim Roch(us) (Rocco, Rock) of Montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet. non-miraculous activities and events ~ St. George

Excerpt of the design for the National Monument, Maurits Verveer, 1864 photograph Fragment of award-winning design for the National Monument 1813-1863 motto Eben-Haezer in The Hague, from J.Ph. Koelman and W.C. Van der Waeyen Pietersen The Hague paper. photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. monument, statue The Hague

Sansovino Andrea (1460-1529), S. Spirito, Florence. Altar of St. Sacrament (without dat.): Detail. Photo, 39.1 x 24.3 cm (including scan edges)

Drawing, Design for a Sculpture and Plinth; Italy; graphite, brush and wash on paper

Mack, Franz von.

Copper engraving and etching by Alexandre Vincent Sixdeniers around 1818 depicting Euterpe, muse of music, with musical instruments in classical composition.

This copper engraving and etching by Antoine Alexandre Morel, created around 1818, depicts an ancient female statue holding a shell filled with fruit, emphasizing classical sculpture and detailed anatomy.

Anatomical study of the muscles from the left bone to the knee. At the top right numbered T. 78.

Sculpture in the St. Peter's Basilica, representing the Pieta of Michelangelo, Edizione Brogi, c. 1875 - In or Before 1907 photograph Part of photo album with recordings of sights and artworks in Italy. Saint Peters Square photographic support gelatin silver print sculpture. 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary. interior of church

Sculpture by Johannes de Baptist by Donatello at the Dom in Florence, c. 1875 - c. 1900 photograph Florence cardboard. photographic support albumen print series of scenes from the life of John the Baptist. monument, statue Dom van Florence

Euterpe. Euterpe, muse from the flute game.

AnApostle. Woodcutter: Antonio Maria Zanetti, Italian, 1680-1757 After: Parmigianino, Italian, 1503-1540

Two hand-acting ladies in conversation with a gentleman. .

Medallion with the portrait of Gaius Julius Caesar (). Medallion with the portrait of suspended Gaius Julius Caesar, against a stone base in a landscape. There is a fascence on the Vagrance.

Syout (Lycopolis). Statue appartenant au Docteur Cuny. Félix Teynard (French, 1817 - 1892)

Design for a statue of a commander of war, Louis Royer, 1803 - 1868, draughtsman: Louis Royer, 1803 - 1868, paper, pen, h 190 mm × w 101 mm

SCHESTSTEEN with holy Ursula Begijnhof in Amsterdam, Jac van Looij, 1877 - 1894 print Plest stone in the gateway to the Begijnhof on the Gedempte Begijnsloot. Numbered in the middle: No. 1. Amsterdam paper keystone ~ architecture. St. Ursula protecting the eleven thousand virgins with her cloak Amsterdam

Portrait of Karl Pavlovich Bryullov. Daugull, August (1830-1899), graphic artist, Brosz, K. (Petersburg ; fl. ca 1860-1870), draughtsman, cartoonist

Sir William Chambers RA, 1723-1796, British, Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome, between 1750 and 1755. Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper.

Statue of an Amazon who cancel her arm, 1636 - 1647 print Statue of an Amazon who cancel her arm. A shield in her other hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) the Amazons

Gypsum Models for Kariatides at the Louvre Palace by François Jouffroy. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

Copper engraving and etching by Jean Jacques Avril around 1818 depicting an ancient male statue holding a sword, showing anatomical features, posture, and drapery in classical style.

Allegory of "progress Paul Marc Joseph Chenavard (1807-1895). Allegory of progress. Feather and lavis on paper. Between 1807-1895.

Drawing, Sepulchral Monument of the Three Last Stuarts; ITALY & FRANCE; pencil, pen, wash, chinese ink.

Copper engraving and etching by Jean Baptiste Wicar, around 1800, featuring relief figures and cameo designs in classical style.

A 17th-century copper engraving and etching by Jeremias Falck depicting Dies, the allegorical personification of the day, showing symbolic elements and figure.

Relief of the kidnapping of Helena in the Museo di Napoli in Naples, Giorgio Sommer, After Anonymous, 1857 - 1914 photograph Naples paper. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. the abduction of Helen and some of her companions: Paris carries them off by sea, and takes a part of the palace-treasure with him National Museum

Statue of a standing woman, 1636 - 1647 print Statue of a woman dressed in a cloak. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. female persons from classical history

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Friuli, verso - stamped, A console with the personification of the Italian region of Friuli. It concerns a woman with a tower on her head. In her right hand she holds a spear and a privilege with seals. In her left hand a book. She leans against a vine and sits on two cornucopia filled with ears of corn and tree fruits. The print is part of an album., print, album sheet, prints, height 184 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Copper engraving and etching by Jean Jacques Avril around 1818 depicting Mars, the Roman god of war, showing armor, stance, and classical iconography.

Gypsum Models for Kariatides at the Louvre Palace by Jules Cavelier. Share of meeting of the Tuileries at the Louvre 1852-1857, album 1.

Terpsichore. Terpsichore, muse of the travel and choral singing.

of 3