Classical Apollo Figure

An elegant nude male figure, representing Apollo, poses dynamically with an outstretched arm. The engraving highlights muscular structure and classical artistry.

Vries, Adriaen de, Amsterdam, Muller, Jan Harmensz., Apollo slays the dragon Python, verso - stamped, The naked Apollo looks over his right shoulder., print, engraving, prints, height 405 mm, width 292 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1596 - 1600, paper, engraving (printing process), 1556 - 1626-05-15, after image by

Vries, Adriaen de, Amsterdam, Muller, Jan Harmensz., Apollo slays the dragon Python, verso - stamped, The naked Apollo looks over his right shoulder., print, engraving, prints, height 405 mm, width 292 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1596 - 1600, paper, engraving (printing process), 1556 - 1626-05-15, after image by

Male academy in motion, Gustav Klimt -, artist

Standing male nude ..

Standing male nude, seen on the back (1st prize 1768), Jacob Maurer, 1767 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude with raised arms, seen on the back. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 580 mm × w 408 mm. Museum: Rijksmuseum, Amsterdam.

Giovanni Antonio da Brescias 'Torso of Hercules' (late 15th-early 16th century) is a copper engraving depicting the muscular torso of Hercules, emphasizing anatomy, musculature, and posture.

Figure study of standing Nude, Jean Augustin Daiwaille, 1810 drawing paper. chalk standing figure (+ nude human being)

Sitting Male Nude, Chrétien Dubois, 1804 drawing paper. chalk

Nude study, standing from the front, Gerard Allebé, 1818 - c. 1900 drawing paper. chalk

Naked man with a peak in his hand, Jan de Bisschop, after Giuseppe Cesari, 1668 - 1671 print Naked young man with a peak in his hand. He walks forward and looks back. Northern Netherlands paper etching male sex; man (+ forward)

Study of Perseus for Perseus on Pegasus Slaying Medusa, mural, Stairway, Museum of Fine Arts, Boston[?. Artist: John Singer Sargent, American, born Italy, 1856-1925, LL.D. 1916

Sitting male naked, seen on the back, Willems (Possible), c. 1825 - c. 1852 drawing paper. chalk sitting figure

Klomp Johannes Franziskus (1865-1946), study work (24.02.1885): Anatomical act of plaster according to plaster. Pencil on paper, 66.6 x 37.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Studienarbeiten

Drawing, Figure Study for Diana and Her Attendants among the Constellations; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on paper, laid down on board; 76.7 × 42.7 cm (30 3/16 × 16 13/16 in.); 1914-38-351

Standing male naked with a stick, Jean Grandjean, 1779 drawing prepared paper. chalk

Standing male naked, from the front, the left arm stretched to the left. Draughtsman: Christiaan Andriessen. Dating: 1812. Measurements: h 543 mm × w 427 mm. Museum: Rijksmuseum, Amsterdam.

Antonio Canova drawing of a male nude figure, executed in gray-brown ink with pen designation.

Academic Nude, Seen from the Back. Paul Cézanne; French, 1839-1906. Date: 1862. Dimensions: 627 × 435 mm. Charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Male nude. Thoma, Hans (1839-1924), draughtsman, cartoonist

Drawing, Figural Study; black and white crayon on brown paper

Man seen from the Back, holding a Skull in his right Hand 16th century Giulio Bonasone Italian. Man seen from the Back, holding a Skull in his right Hand 392793

Standing male nude, from the front, a canvas holding down.

Sculpture of Hercules; Hercules Farnese; Herculis Simulacrum in Aedibus Farnesiani; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Plaster study of an Islamic Galace Laaf, Cornelis Joseph D'Heur, 1717 - 1762 drawing This man made as a slave, fascinated behind his back, can be recognized as Muslim by having the typical hairstyle (head except for a tuft) that Islamic Galis slaves were obliged. paper. chalk piece of sculpture, reproduction of a piece of sculpture. sitting figure. prisoner of war (after the battle). slavery; serfs and the enslaved

Hercules and the Golden Apples. Illustration from the book ""The International Library of Famous Literature"".Published in London 1900. Volume XIII.

Study of a nude man with raised club, Nude study of man with club Study of life , print maker: Abraham Lion Zeelander, (mentioned on object), intermediary draughtsman: Abraham Lion Zeelander, (mentioned on object), Amsterdam, 1799 - 1856, paper, engraving, h 356 mm × w 270 mm

Sitting male nude Solleticare.

Statue of a naked Paris, Michel Natalis, After Giovanni Lanfranco, 1640 print Statue of a naked Paris, a stick in his right arm, his left arm slightly raised. At the bottom of the tree trunk the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving classical history (+ full length). monument, statue. piece of sculpture, reproduction of a piece of sculpture

Standing male nude with raised arm, to the left. Draughtsman: anonymous. Dating: 13-Feb-1826. Measurements: h 600 mm × w 435 mm. Museum: Rijksmuseum, Amsterdam.

Man with the basement of a column on his back. A man walks to the left, on his back the basement of a column wearing. On the left a tree stump.

John Constable, 1776-1837, British, Male Nude, 1808. Graphite and white gouache on medium, slightly textured, beige laid paper.

Standing male nude, as a bullfighter, anonymous, 1840 drawing paper. chalk bull-fighter, toreador. standing figure

Standing male nude, with stick in hand, draughtsman: Gerard Allebé, 1818 - c. 1900, paper, h 432 mm × w 271 mm

Academy study after plaster of antique image: Standing man, Johannes Taventrate, After Anonymous, 1828 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture (+ ceramics ~ arts)

Standing Academy 1585-1589 Italy. An eccentric exponent of the second generation of Florentine Mannerists, Boscoli demonstrates the emphasis on figurative draftsmanship characteristic of that era. Dating from a fairly early period, this study from a wax mannequin geometricizes and abstracts the precisely analyzed forms. Heir to Pontormoí s Mannerism, and influenced by Federico Barocciís vibrant light effects, Boscoli was a stylistically pivotal figure between the Renaissance and the Baroque.. Red and black chalk, on buff laid paper, laid down on cream laid paper, tipped onto cream board . Andrea Boscoli

Male nude, kneeling, left. Male nude, kneeling, left. Inscription: 19 1725.

Act standing straight ahead of the husband with raised; Makowski, Tadeusz (1882-1932); 1908-1910 (1908-00-00-1910-00-00);

Standing male naked with a vase on the head ..

Nude female figure, seated, seen directly from front; right leg down, left leg raised, with hands clasped around knee. Graphite on paper. Date: ca. 1890. Museum: Cooper Hewitt, Smithsonian Design Museum.

Hercules Raising his Club Study for Hercules and Cacus” 1717 France. Using only black chalk heightened with white to convey flesh tones, FranÁois Lemoyne convincingly depicted the hero Hercules in full swing, fully embodied and activated, and positioned surprisingly like a baseball player at bat. One of two known studies for the figure in Lemoyneís painting Hercules Clubbing Cacus, this sheet powerfully conveys the artistís graphic skill.The painting illustrates the 10th labor of Hercules, in which the hero was commanded to bring the monster Geryonís cattle back to Rome. After discovering that the giant Cacus stole several of the cattle, Hercules clubs him to death.. Black chalk, with white chalk, on buff laid paper, laid down on laid paper . François Le Moyne

Sitting male naked, seen from aside.

Ancient sculpture of a Roman gladiator, naked, with helmet, sword and scabbard. From the Galleria Giustiniana or Palazzo Giustiniani, Rome. Copperplate engraving by Johann Georg Waldreich after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Statue of Hercules, Claude Mellan, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Hercules (Heracles)

Naked Sater with cymbals. Image of a naked satater with cimbal in his hands. A pan flute hangs on a tree stump behind him. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Jonge Gladiator, Cornelis Bloemaert (II), After Giovanni City City Guidi, c. 1636 print Image of a naked boy with helmet on his head. In his hand he keeps the handle of a sword. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving fight of gladiators (+ sportsman, player, etc.). piece of sculpture, reproduction of a piece of sculpture

Hendrick Goltzius was one of many late Renaissance artists who felt compelled to travel to Italy as part of his artistic training. He went with one purposeto study antique sculpture. Goltzius made drawings on-site and then made engravings after his designs once he returned to Haarlem in 1591. He portrayed the Hercules Telephos from a low viewpoint to capture the awesome experience of first encountering the famous monument. It stands within a shadowed niche, which Goltzius filled with thousands of crossed engraved lines to create a dramatic recess that pushes the sculpture into the light. The engraving shows to excellent advantage the virtuosic technique that Goltzius developed, in which the swelling and tapering line exaggerates the heroic musculature of the figure. Three Famous Antique Roman Statues: Hercules and Telephos, 1592. Hendrick Goltzius (Dutch, 1558-1617). Engraving; sheet: 41.8 x 30.1 cm (16 7/16 x 11 7/8 in.); platemark: 40.4 x 29.4 cm (15 7/8 x 11 9/16 in.).

Standing male naked, from the front, keeping a canvas behind, Jean Grandjean, 1780 drawing prepared paper. chalk

Sitting male nude, to the right, in front of a tree, Jan Tersteeg (Possible), 1776 drawing paper. chalk

Naked boy with torch. Image of a naked young man with a torch in his outstretched right hand and two fruits in his left hand. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Statue of Perseus. An image of Perseus. The Greek hero is naked and wears the winged helmet of Mercury. In his right hand he has the lifting of a sword. In addition to his left leg, the Aegis, the shield of Athena with the Gorgoney, is the head of Medusa.

Statue of a gladiator; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a gladiator with a helmet on the head and in both hands a hilt of a sword. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Sitting male naked, seen on the back, Chrétien Dubois, 1775 - 1837 drawing paper. chalk

Naked boy with Fakkel, Cornelis Bloemaert (II), After Giovanni Citosibio Guidi, c. 1636 print Image of a naked young man with a torch in his vast right hand and two fruits in his left hand. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving piece of sculpture, reproduction of a piece of sculpture

Antique statue of a young man, Etienne Baudet, 1680 print France paper engraving monument, statue. youth, adolescent Tuileriep-palpal

Drawing, Soldier Running :Study for Figure in Left Foreground, "Betrayal of Christ," Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads; Taddeo Zuccaro (Italian, 1529 - 1566); Italy; pen and brown ink, brown wash, black chalk on gray paper; 36.8 × 21.6 cm (14 1/2 × 8 1/2 in.)

Statue of Hercules with the apples of the Hesperides in hand; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Hercules with the apples of the Hesperides in his left hand, the club in his right hand. In addition to him the skin of the lion. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

Standing Male Nude Figure 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Standing Male Nude Figure 336531

Standing male nude, seen on the back (1st price 1812), Jean Augustin Daiwaille, 1812 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Seated Male Nude, c. 1516-1520. Baccio Bandinelli (Italian, 1493-1560). Red chalk; sheet: 40 x 23.7 cm (15 3/4 x 9 5/16 in.).

Francisco Bayeu / 'The Dead Christ'. XVIII century. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Drawing, Design for Magazine Cover; Kenyon Cox (American, 1856-1919); USA; graphite on paper; 33.4 × 19.3 cm (13 1/8 × 7 5/8 in.)

Statue of Mercury with a putto to his feet; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Mercury, with the caduceus in hand. He looks down to the putto at his feet. It has the wings of his feet in hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Nude Male Figure with a Sword 1878 Alexandre Cabanel French The drawing is a study for one of the Muslims in the Captivity of St. Louis in Palestine, one of four scenes from the Life of St. Louis, painted by Cabanel in 1878 in the Panthéon, Paris.. Nude Male Figure with a Sword 334471

Baroque copper engraving by Pieter de Jode showing a nude male figure, created between 1629 and 1675, highlighting detailed anatomy and line work.

Christ on the Geselzuil, Anonymous, After Willem Danielsz. Van Tetrode, 1550 - 1625 print paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Old Parr When Young 1820 William Blake (1757-1827 English) The Huntington - San Marino, California

Hercules in Telephos, 1617 print A big image of Hercules, back, with his son Telephos on the arm. Six lines of Latin under the performance. Haarlem paper engraving (story of) Hercules (Heracles). (story of) Telephus

Naked man seen standing on the back; Paradigmata Graphics variorum artificum.

Male Nude with Left Foot on a Pedestal 1879 Austria. Graphite and white heightening on brown wove paper . Gustav Klimt

Statue of a follower of Bacchus, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of a male follower of Bacchus, in one hand a stick, in the other hand a grapesros. With his left underarm he rests on a tree trunk. At the bottom of the tree trunk the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving offspring, companion(s), train etc. of Bacchus. monument, statue. piece of sculpture, reproduction of a piece of sculpture

Antonio González Ruiz / 'Life study'. 1744. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Study into a classic image, Gerard Allebé (Possible), 1827 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture. the (nude) human figure; 'Corpo humano' (Ripa)

Statue of a naked athlete or victorious disc thrower. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Vulcan, Nicolaas Braeu, after Karel Van Mander (1), 1598 print An image of Vulcanus the god of the fire placed in a niche. Vulvcanus holds a hammer and a pair of tongs in his hands. Next to him is an anvil. There is a rat for the anvil. In this series, Vulcanus is the counterpart of the goddess Minerva. They are both protector of the artisans. Under the show a Latin verse. paper engraving (story of) Vulcan (Hephaestus)

Male nude, lying on the back, right. Male nude, lying on the back, right. Inscription: 1725 50.

nude female 1770 by Anton Pavlovich Losenko (1737 -- 1773) russian neoclassical painter and academician who lived in Imperial Russia and who specialized in historical subjects and portraits. He was one of the founders of the Imperial Russian historical movement in painting.

Print from Drawing Book, c. 1610/1620, engraving, Luca Ciamberlano (artist) Italian, 1580 - 1641

Statue of Bacchus with panther skin, 1636 - 1647 print Statue of Bacchus, with a leopard skin over his shoulder, standing at a tree trunk. At the bottom of the tree trunk the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. attributes of Bacchus (with NAME). (story of) Bacchus (Dionysus), Liber

Sitting male naked, head supporting with the right hand. Seated male nude, head supporting with the right hand, left arm. Pointing.

Male Nude from Panel of 'Creation of Eve', Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Studium aktu męskiego. Goryńska, Wiktoria (1902-1945), graphic artist

Etching by Jean Aubert depicting a male act, created in 1738, showing human figure and anatomy study.

Male act, Karl Wiener -, artist

Seen drawing example of a pulling male nude on the back; Varie Figvre Academic / Diversche Figvren Wt de Academia. Drawing example of a pulling male nude on the back. This print is part of an album.

Wszyscy Święci w MNK Matham, Jacob (1571 1631), Buonarroti, Michelangelo (1475 1564)

Biblical Story, The Risen Christ, Michelangelo Buonarroti, Historic, digitally restored reproduction from a 19th century original

Rape of a Sabine Woman 1584 Andrea Andreani Italian This monumental print reproduces Giambolognas famous Florentine sculpture Rape of the Sabine Woman. In his highly original configuration of contorted and intertwined bodies, Giambologna achieved the suggestion of dramatic movement and force—aspects that made the artwork an icon of Renaissance sculpture. To capture its three-dimensional quality, the printmaker Andreani made three different woodcuts after Giambolognas masterpiece, each depicting the sculpture from a different angle. The technique of chiaroscuro woodcut allowed the printmaker to suggest volume, using three woodblocks; one to render the contour lines, and the others to achieve convincing modulation of the bodies and background.. Rape of a Sabine Woman. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1584. Chiaroscuro woodcut from three blocks in gray-brown. Prints

Hercules with the golden apples, 1581 print Hercules sculpture with club and the golden apples, on a decorated base. paper engraving (11) the apples of the Hesperides carried off by Hercules. piece of sculpture, reproduction of a piece of sculpture

Two female figure studies and a hand study by Alexander Rothaug in pencil, chalk, and coal pencil with whipped white highlights on ocher-colored paper.

Standing male naked with a cloth, from the front. Male nude, with the right hand over the shoulder a cloth holding, from the front.

Standing male naked, seen on the back. Draughtsman: Jan Willem Pieneman. Dating: 16-Jan-1802. Measurements: h 613 mm × w 460 mm. Museum: Rijksmuseum, Amsterdam.

Man seen on the back, Anonymous, After Peter Paul Rubens, 1598 - 1690 print Man with bare torso seen on the back. He has a stick in his left hand and a drapery hangs over his shoulder. print maker: Low Countriesafter design by: Antwerp paper engraving adult man (+ back view)

Statue of a naked Sater with Cimbalen, 1636 - 1647 print Statue of a naked satar with cimbal in his hands. A pan flute hangs on a tree stump behind him. On the tree stump the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. satyr(s) (in general)

Venus de' Medici; view from the front. Artist: Peter van Lint, Flemish (Antwerp 1609-1690 Antwerp). Dimensions: 16 1/2 x 10 13/16in. (41.9 x 27.4cm). Date: 1640. Museum: Metropolitan Museum of Art, New York, USA.

Sitting naked, c. 1585 Sitting naked man, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Study of a sitting male nude.

Anatomical study of a male body. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 715 mm × w 442 mm. Museum: Rijksmuseum, Amsterdam.

Academic study of standing male nude; Six figures academiques. .

Life Study - Winner Of Grand Prix De Gravure En Taille Douce Charles Laurent Germain (Longueval, France, 1872 - 1900) 1894 Nude

Design Academic Figure, from Encyclopédie 1762-1777 France. Etching, with engraving, on cream laid paper . A. J. Defehrt

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