Classical Architectural Views

Prints of grand architectural structures and designs, including temples and fireworks displays, capturing historical celebrations and layouts.

Tondi depicting sea views: a colonnade, a boat with sailors and a small temple with some figures (top); building with towers and figures holding pateras (bottom), Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 51, 1757-1787, Naples.

Walloons leave the Citadel of Antwerp, 1577, Anonymous, After Frans Hogenberg, 1613 - 1615 print The Walloon units leave the Citadel of Antwerp, August 1, 1577. The military governor Blois van Treslong is imprisoned. With caption of 4 lines in Latin. The song scratched away, unprinted on the back. Northern Netherlands paper etching / engraving capture of city (after the siege) Citadel of Antwerp (16th century)

Fireworks in the Hofvijver for celebration of the Peace of Utrecht, 1713; Image of the fire threcking, in Den Hage, by her high-morning Heeren Staan General of the United Netherlands Ter Aucasion of the Vreden with Vrankryk solared, April 11, 1713 / Representation du Feu d'Artifice a la Haye (...) . Stellage with fireworks lit at the Court of Appeal in the Hofvijver in favor of the Peace of Peace of Utrecht on 14 June 1713.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Drawing, Project for a painted ceiling; Flaminio Innocenzi Minozzi (Italian, 1735 - 1817); Italy; brush and gray and brown wash, pen and ink, on paper.; 36.1 x 47.2 cm (14 3/16 x 18 9/16 in.)

Tondi depicting sea views: a colonnade, a boat with sailors and a small temple with some figures (top); building with towers and figures holding pateras (bottom), Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 51, 1757-1787, Naples.

Adreskaart van Friedrich Wilhelm Rossbach, Friedrich Wilhelm Rossbach, 1838 - 1841 print For a group of prints and maps the address of the Streetprintkerij. Left, right and at the bottom faces on Amsterdam with the coat of arms of the city flanked by two lions twice at the top. Amsterdam paper printer Amsterdam

Fireworks at the celebration of the peace of Utrecht in Rotterdam, 1713; Image of the Theater and Vuurvertk rided in the Maese by Ordre from the Ed. MOG. Heeren de Committeer Raeden Ter Admiriteyt Reside in Rotterdam, about the peace closed to executed in Den Jaere 1713. Stellage with fireworks set off commissioned by the committed councils of the Admiralty of Rotterdam on the Maas in the port of Rotterdam, 1713. Central a structure In the form of a fort with the Dutch lion for crossed anchors. In the caption the titles in Dutch and French.

Interior of a sepulchral chamber near San Vito. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Fireworks at the celebration of the Peace of Utrecht in Rotterdam, 1713, 1713 print Scaffolding with fireworks commissioned by the committed councils of the Admiralty of Rotterdam on the Maas in the port of Rotterdam, 1713. Central a building in the form of a fort with the Dutch Lion for crossed anchors. In the caption the titles in Dutch and French. Northern Netherlands paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Rotterdam

A staircase of age: a male staircase. On the steps of the stairs, in the shape of a bridge, there are men between 0 and 100 years old. Under the bridge a representation of the Last Judgement. To the left a putto and to the right death. On either side of the scene a tree. At the bottom of the text: Des menschen op en nedergangh valt d'eene soet en dander bangh., print maker: Monogrammist MH (prentmaker), (mentioned on object), publisher: Joost Broersz, (mentioned on object), Amsterdam, 1634 - 1647, paper, h 295 mm × w 380 mm

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Staafsund, View of the Stavsund estate, The print is part of an album., print, album sheet, prints, height 214 mm, width 417 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1690 - 1696, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Gallery with the twelve Keizers, 1594, 1594 - 1595 EREGALERIJ Met about twaalf keizers. Opgesteld van de Oever St. Michaelsklooster. Onderdeel Van de Beschrijving van de species van aartshertog Ernst Antwerp, 18 July 1594, Door John Boche, description of the public congratulation, spectacles and games in the arrival sereniss. Prince Ernest archiducis Austria, Ex Plantiniana, Antwerp 1595. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp EREGALERIJ Met about twaalf keizers. Opgesteld van de Oever St. Michaelsklooster. Onderdeel Van de Beschrijving van de species van aartshertog Ernst Antwerp, 18 July 1594, Door John Boche, description of the public congratulation, spectacles and games in the arrival sereniss. Prince Ernest archiducis Austria, Ex Plantiniana, Antwerp 1595. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Åhrsta versus Orientem, View of the mansion Årsta, The print is part of an album., print, album sheet, prints, height 282 mm, width 338 mm, 1655 - 1727-05-18, print maker, printmaker, 1710 - 1710, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Project for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Partial view. Below, view upon two stories from below, the first having in the center a balconette with a trophy of arms; above, an entablature, the second story, with a window in the center. Then the main entablature, framed outside by a moulding with interlaced waved lines. Imaginary view into a cupola above pendentives. Framing lines, except at right., Italy, early 18th century, architecture, Drawing, Drawing

Illuminatia of the house of Mr. C. Scholten van Aschat in Amsterdam, 1766. The illuminaties on the facade and two decorations applied behind the windows of the house of C. Scholten van Aschat on the inside in Amsterdam. On the occasion of the majority of Prince Willem v on March 8, 1766. Numbered at the top: X.

Map of The Hague (tenth part); Map of the figurative map of The Hague (tenth part). Tenth part of a map of The Hague. Along the left and bottom a pendulum of leaves, weapons and objects that refer to the fine arts. Numbered at the bottom right: 10.

Villa d'Este in Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print View of the Villa d'Este and accompanying gardens in Tivoli. Title on a block in the middle. Rome paper etching villa. garden. garden buildings. garden ornaments. garden fountain. piece of sculpture, reproduction of a piece of sculpture Villa d'Este. Tivoli

View of the anatomy room in Leiden, Anonymous, c. 1726 print Northern Netherlands paper etching university. anatomy lesson university of Leiden

Lazio Viterbo Caprarola Palazzo Farnese118. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Map of the Maarsseveen glory (part left), Philibert Bouttats, 1690 - 1691 print Share (bottom left) of a map of the Maarsseveen glory. paper etching / engraving maps of cities. pastorals, Arcadian scenes. soil cultivation. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Maarsseveen

Speculum Romanae Magnificentiae: Circus Maximus 1553 Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients

Map of Amsterdam, Anonymous, After Adriaen van de Velde, 1682 - c. 1710 print Map in a nutshell perspective. Along the top the title. At the top left the legend 1-178. To the right of that the coat of arms of the city. At the top right of the Legenda 179-354 with the city seal and a bowl of 1000 Amsteldam feet to the left. Bottom left a female figure with a incense vessel on a camel or dromedaris as a personification of Asia and Europe on a bull as a personification of the continent of the same name. At the bottom of a face on the city, seen from the IJ, with Mercury above it with the coat of arms of the city and putti with objects that refer to the sea ship. At the bottom right a female figure with a scorpion in her hand and a lion as a personification of Africa and a female figure with a fee, arrow and bow on a large lizard or crocodile as a personification of America. Orientation: south -southwest above. paper etching / engraving maps of cities. prospect of city, town panorama, sil

Speculum Romanae Magnificentiae: The Septizodium. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 18 11/16 x 12 3/4 in. (47.5 x 32.4 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romae Magnificentiae. Date: 1582.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is wher

The statue was carved by theGreek sculptor, Phidias,around 435 BC from ivory.Itwas slowly destroyed by fire,floods, earthquakes and landslides.

Print made by unknown artist, sixteenth century, Il Castello che al Presente si Dice Sant'Angelo Anticamente Fu il Sepolcro de Adriano, 1583. Line engraving on medium, slightly textured, cream laid paper.

The procession enters the city through the Keizerspoort, 1582, 1582 The procession enters the city walls along the city walls through the Keizerspoort, along the way there is scattered with scattering. Plate III in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Emperor's gate The procession enters the city walls along the city walls through the Keizerspoort, along the way there is scattered with scattering. Plate III in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Emperor's gate

Print made by unknown artist, sixteenth century, Il Castello che al Presente si Dice Sant'Angelo Anticamente Fu il Sepolcro de Adriano, 1583. Line engraving on medium, slightly textured, cream laid paper.

Demonstration of the hose fire sprayers in the courtyard of the exhibition in Amsterdam, ca. 1670-1680, 1735 print Demonstration of the use of the hose fire sprayers by spraying water and over the tower of the stock market (ca. 1670-1680). In the caption the explanation of the letters A-D in Dutch. A second plate with text is printed above the plate. Plate 23 in the reprint of the fire spray book by Jan van der Heyden from 1735. Amsterdam paper etching / engraving pump (fire-extinguishing equipment). Exchange, Bourse Fair of Hendrik de Keyser

Temple van Salomo, Georg Lemberger (Possibly), Georg Lemberger, 1524 print paper letterpress printing temple of Solomon (1 Kings 5-9; 2 Chronicles 2-7)

Map Schoonhoven, Anonymous, 1657 - c. 1704 print Map in a nutshell perspective. At the top left a cartouche with the title, the legend 1-4 and a bowl: 720 pedes geometrici. At the top right the Wapen van Schoonhoven. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal) Schoonhoven

Praag, Balzer, Matthias, Jan, Kleinhard, Johann, Various Works for the Excavation of the Mines and Plans, The Mining Construction, Mining, verso - stamped, A rocaille ornament with a candle and attributes of a miner such as a pickaxe and a cart. In the background people are working in a closed mine. Numbered AA in the bottom margin., print, ornament print, prints, ornament prints, height 220 mm, width 201 mm, 1738 - 1799-12-14, print maker, printmaker, 1772 - 1772, paper, papier, etching, engraving, engraving (printing process), 1747-02-15 - 1791-07-18, Work conception, 1742 - 1794, after a design by, Publication (Event), Publication, publisher

Fireworks at the celebration of the Peace of Utrecht, 1713; Figure of the theater with Syn Ornaments and Convy-Vuurreck, founded by orders from her Ed. Large: the Lord States of Holland and West Vriesland (...) in 's Gravenhage, in the Vyver (...) / Figure du Theater Avec Ses Orgenens, et un Curieux Artifice de feu, Fait Construire Par Ordre de Leurs Hauts Puissants Messeigneurs Les Estats D'Hollande et West Frise Dans Le Vivier a la Haye (...). Stellage with fireworks set up commissioned by the states of Holland and West Friesland on the Hofvijver in The Hague at the celebration of the peace of Utrecht, 14 June 1713. Central is the Temple of Janus awarded by the Hollandse Virgo with freedom hat in the Dutch Garden. The temple is surrounded by sitting figures of faith, freedom, commerce, science and the arts. Men are working on the fireworks in different places. At the bottom of the title and legend 1-21 in Dutch and French. The names of the firework makers are now added to the caption

Print (France)

Umbria Perugia Montefalco S. Agostino. Hutzel, Max 1960-1990 Exterior views of the 13th century architecture of the church; interior views include frescoes dating from the 14th-16th centuries. Fresco subjects include the Madonna and Child, the Annunciation, the Coronation, the Madonna of the Misericordia, and the following saints: Pietro, Fortunato, Paolo, Severo, Agostino, Nicola da Tolentino and Caterina d'Alessandria. Object Notes: One composite view of the interior is found in the Italy Oversize box in the Medieval core collection (H-7, H-8). General Notes: Hutzel photo campaign date: October 27, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Speculum Romanae Magnificentiae: Circus Maximus 1553 Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients

The Sawhorse. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

Jerusalem map with twelve images around all around. .

Engraver: Unknown, After: Claes Jansz Visscher, Dutch, 1586-1652, Publisher: Johannes Tangena, Dutch, active 1583-ca. 1618, Testimony of theArminians, ca.1618, Engraving, sheet: 13 9/16 × 10 3/16 in. (34.5 × 25.9cm), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Print, Projet d'un feu d'Artifice sur l'eau pour le mariage de Me. Première (Design for Fireworks over Water for the Marriage of Madame Premiere Elizabeth of France, plate 112, in Oeuvres de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Herisset (French, 18th century); Published by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; 34 x 61.8 cm (13 3/8 x 24 5/16 in.)

Lazio Viterbo Caprarola Palazzo Farnese89. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Flood, Etienne Delaune, 1528 - 1583 print In the middle, the Ark of Noah floats under a canopy. From series of 6 magazines. France (possibly) paper engraving

View and decoration of the Façade of the High Artifice in the Strike Square in front of their majesties on January 21, 1782 on the occasion of the birth of Bishop Le Dauphin (view of optics) Anonymous / the road, publisher. "View and decoration of the facade of the high fireworks in the place of strike shown in front of their majesties on January 21, 1782 on the occasion of the birth of Bishop Le Dauphin (view of optics)". Water-loud colored.

Giovanni Battista Piranesi (Italian, 1720-1778), The Sawhorse, 1780s, etching, engraving, sulphur tint or open bite, scratching

The twelve patriarchs, the sons Jacobs sees / one here is set in stairs with their names, / lyk they were to him his last blessing, / knowing that God commands the blessing himself, Johan Noman, 1806 - 1830 print Leaf with a large representation of a staircase with thirteen steps. Jacob and his twelve sons, the patriarchs, are on the steps. In the arch under the stairs a performance of Jacobs dream. Under the image one fresh in two columns. Numbered at the top right: No. 99. Publisher: Zaltbommelprint Maker: Netherlands paper letterpress printing the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. the twelve tribes of Israel (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context)

Cock, Hieronymus, Heemskerck, Maarten van, Southern Netherlands, Sculpture garden in Palazzo Valle, Capranica, Capranica. Courtyard of the palace with two Corinthian columns in the foreground. Antique sculptures, free-standing and in niches., print, prints, l on base: 'Cock exc. 1553', In margin at the bottom: HAEC VISVNTVT ROMAE, IN HORTO CARD, EIUS BENEFICIO, EX ANTIQUITATIS, RELIQUIIS IBIDEM CONSERVATA., height 289 mm, width 416 mm, print maker, printmaker, 1553 - 1553, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Pen and bister drawing with bluish and greenish watercolor by Giovanni Guerra showing Bagnaia, emphasizing architecture, landscape, and central compositional elements.

Philippus Jacobus Sachse de Löwenheimb. Line engraving, 1661.

Antwerpen, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Variae Architecturae formae, Small architectural perspective views, Courtyard with a statue of a river god in a rectangular pond, Antwerp, Courtyard with a statue of a river god in a rectangular pond. This print is part of an album., print, prent, albumblad, prints, prenten, height 155 mm, width 207 mm, print maker, prentmaker, 1562 - 1562, paper, etching, etchings, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

General reinforcement, decoration on the Kadijksplein, 1795; General Waursing / on the Kadyk Square; Fifteen decorations at the Alliantief festival in Amsterdam in 1795. The general reinforcement, allegorical decoration established on the Kadijksplein in Amsterdam at the Alliance party on 19 June 1795. Medieval castle standing on rocks, on the towers of astronomy, hydrography and geometry, on it Chassinet In the underpass, freedom is raised by Batavian and French sailors on a shield.

Title page: Nouveau Liure de Paysages; Nouveaux lieure the paysages; Nouveau Liure de Paysages. View of port to the Mediterranean Sea. From series of 6 sheets.

Memorial column for the seven united provinces, 1796, Jan Gerritsz. Visser, 1796 print Allegorical monument with vignettes of the seven provinces at the top. Rapping the monument with medallions with images and weapons of the most important cities per province. The number under each medallion is the number of hours of travel from Amsterdam. The monument has been awarded a trophy of banners and weapons and the weapon of the States General. On the left a Batavier, on the right one man with scales and dog. On the left in the foreground the arrival of the Batavians in the Netherlands. On the right a fisherman and a child who points to a spinning wheel and a loom. The print also includes an explanation. See also Pendant from 1793. print maker: Netherlandspublisher: Amsterdam paper etching / engraving fisherman showing catch. commercial fishery. spinning-wheel. weaving-loom. extinct, 'historical' peoples Overijssel. Eemland. Holland. Gelderland. Zealand. Friesland. Groningen (Province)

Birth and Christening of Frederick, Duke of Württemberg, Stuttgart, March 17, 1616 17th century Matthäus Merian the Elder Swiss. Birth and Christening of Frederick, Duke of Württemberg, Stuttgart, March 17, 1616. Esias van Hulsen, Repraesentation der fürstlichen Aufzug und Ritterspil (Stuttgart, 1616-18). Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach). 17th century. Etching. Prints

Speculum Romanae Magnificentiae: Castrum mid-to-late 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients c

Turnhout, Brepols, Philippus Jacobus, The new and entertaining game of goose, in what manners and how to play it yourself, verso - stamped, Goose board game with squares numbered 1-63. In the middle field a representation of an inn, brothel scene with two men, a woman and two children around a table, the men are playing backgammon. In the four corners of the game men making music, dancing and playing games. Below the representation the rules of the game., print, folk print, gameboard, playing board, goose board, prints, folk prints, height 336 mm, width 412 mm, Publication (Event), Publication, Belgian, 1778 - 1845, publisher, 1834 - 1836, paper, woodcut, letterpress printing, letterpress, print maker, printmaker

Print (France)

Speculum Romanae Magnificentiae: The Pantheon. Artist: Anonymous; After Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). Dimensions: sheet: 13 11/16 x 17 3/16 in. (34.7 x 43.6 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Series/Portfolio: Speculum Romae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is w

The stairs of old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. On either side of the show a tree. Under the show a six-line verse in four columns. Numbered at the bottom right: No. 37.

L'illumination execut�e le XXIX aoust M.D.CCXXXIX(TI)

Septizonium Severi ad Viam Appiam, Das Septizonium wurde von Septimus Severus errichtet und 203 n. Chr. eingeweiht. Es befand sich in der südöstlichen...

Considered to Slot Wordslly, Jean Marse (i), 1679 The print is part of an album. paper etching Slot Hässelby The print is part of an album. paper etching Slot Hässelby

Giovanni Battista Piranesi, The Sawhorse, published 1750 1758 The Sawhorse

Construction of the tower of Babel, Hans Holbein (II), 1538 print Men hoist blocks through wooden scaffolding upstairs at the construction of the tower of Babel. In the margin is the text: Genesis XI. paper the Tower of Babel

Rome, Piranesi, Giovanni Battista, Description and design of the drainage channel of Lake Albano by Giovanni Battista Piranesi, Dimostrazioni dell'Emissario del Lago Albano, Emissarium of Lake Albano, verso - stamped, Plan and views of the emissarium (drainage channel) of Lake Albano. Title top center. Numbered top left: Tav. VIII, print, prints, height 400 mm, width 286 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1762 - 1762, paper, papier, etching, etchings, Work conception, after own design by

Fontana dei Draghi in the gardens of the villa d'Este in Tivoli; Fontana De Draghi Detta La Girandola Sotto Il Vialone Delle Fontanelle; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Numbered at the bottom right: 11. The print is part of an album.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Experience of the Aerostatic Machine of M. Mongolfier at the Castle of La Muette, November 21, 1783. (IT)

Drawing, Decorative Study; Verso: Anatomical Study; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink over graphite on cream laid paper; 37 x 25.1 cm (14 9/16 x 9 7/8 in.)

Commerce and Seavaart, Decoration on the Nieuwmarkt, 1795, A. Verkerk, 1795 print Commerce and Zeevaart, Allegorical Decoration Founded in the Nieuwmarkt in Amsterdam at the Alliance Festival on 19 June 1795. Huge model of a merchant ship on a pedestal with chassinet with a representation of Neptunus and Mercury who shake hands with each other while the French and Batavian sailor the British flag tear on pieces. Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). ship-model (+ propulsion of vehicle, ship, etc. by wind) Amsterdam. New market

Rich -decorated English () Fegat (left sheet), Willem van de Velde (I), 1643 - 1707 drawing Side view of a richly decorated English () Figat. Left sheet of show composed of two sheets (right sheet has object number RP-T-00-408). paper. ink. pencil pen / brush navy (+ sailing-ships). sailing-ship, sailing-boat

Denkblatt on Austria three most glorious days under Emperor Ferdinand I, Friedrich Berndt, Lithographer, after, Ferdinand Tewele, Draft, Eduard Sieger -, printer

View of the fountain of Ceres, Gabriel Perelle, 1675 - 1703 print Print is part of an album. publisher: ParisFrance paper etching French or architectonic garden; formal garden. garden fountain. attributes of Ceres. summer, 'Aestas'; 'Estate' (Ripa) Garden of Versailles

View of the garden of the Axarienne Castle in Sint -Petersburg, family Remondini (attributed to), 1700 - 1799 print Numbered in the bottom left: dd 1. Publisher: Bassano del Grappaprint Maker: Italy paper. watercolor (paint) etching / brush garden. garden ornaments. ornamental plants Axarienne

Prospect against the lust-wood in Obwächung Kaiserl, Favoriten-Garten , from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, drawer, Georg Daniel Heumann -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

Palazzo Borghese Te Rome, Matthäus Greuter, 1618 print View of Palazzo Borghese in Rome. At the bottom right three statues of female figures. Title in Italian in STUDMARGE. Print is part of an album. paper engraving hôtel, i.e. small palace in city. piece of sculpture, reproduction of a piece of sculpture Borghese Palace

Etching by Stefano della Bella depicting the catafalque in the Church of S. Lorenzo, Florence, for the exequies of Emperor Ferdinand II, 1637.

Well in plaza with two spouts, 1573., Antverpiæ. Wells, pulleys, pails, engravings

Image of the faun in the maze of the gardens of Palace Het Loo, 1695 - 1705 print Elegant dressed ladies and gentlemen walk around a pond with a statue of a faun in the gardens of the Loo. The pond is on the so -called 'six -way' in the middle of the maze. Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. paper etching French or architectonic garden; formal garden. statues, sculptures in garden. labyrinth, maze ~ garden Palace Het Loo

Print (France)

Drawing, Design for Temple of Justice or Temple of Immortality; Architect: Jean-Charles Delafosse (French, 1734-1791); France; pen and black ink, brush and pink, blue and gray wash, black chalk on paper; 15.2 x 23.7 cm (6 in. x 9 5/16 in.)

Analysis of Beauty, Plate 1 March 5, 1753 William Hogarth British. Analysis of Beauty, Plate 1 404837

Amsterdam, Visser & Comp., JG, Visser, Jan Gerritsz., Netherlands, Memorial Column of the VII United Provinces, Memorial Column for the Seven United Provinces, 1796, verso - stamped, Allegorical monument with vignettes of the seven provinces at the top. The monument is hung with medallions with images and coats of arms of the most important cities per province. The number under each medallion is the number of hours of travel from Amsterdam. The monument is crowned with a trophy of banners and weapons and the coat of arms of the States General. On the left a Batavian, on the right a man with scales and a dog. On the left in the foreground the arrival of the Batavians in the Netherlands. On the right a fisherman and a child pointing to a spinning wheel and a loom. The print also includes an explanation. See also pendant from 1793., print, prints, Frederik Muller Historieplaten, height 540 mm, width 668 mm, Noord-Nederlands, 1765 - 1821-05-08, print maker, printmaker, 1796 - 1796, paper,

Rome, Mascardi, Giacomo, Lauro, Magesyn der Italiaense buildings, Antiquae Urbis Splendor, Ancient monuments, De Tropheis C. Marii hodie in Capitolio, Monument to Gaius Marius on the Capitol Hill in Rome, Text in Latin in the lower margin. The print is part of an album., print, picture, album sheet, prints, pictures, height 175 mm, width 231 mm, Italian, print maker, printmaker, 1612 - 1628, paper, papier, etching, etchings, 1567 - 1634, printer, drukker

Naumachia Van Keizer Nero, Giacomo Lauro, 1612 - 1628 print A theater where a sea battle (Naumachia) is played. Text in Latin in STUDMARGE. The print is part of an album. Rome paper etching representation of real building (either existing or having existed). theatre (building) - AA - open-air performances

Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome 1554 Giulio de Musi Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints.

Print, Rocaille Arch and Fountain with Three Graces; Designed by Pierre Edme Babel (French, 1720-1775); Published by Jacques Chéreau (French, 1688-1776); France; engraving on off-white laid paper; Sheet: 34.4 x 23.5 cm (13 9/16 x 9 1/4 in.) Platemark: 28.3 x 19 cm (11 1/8 x 7 1/2 in.)

Garden with geometric ground floor and kolf players; Gardens (8-leaf series). Garden with a ground floor formed by low perches in a geometric pattern, consisting of a diamond with semicircular protrusions on the straight sides. In the background is a square where people play a flask. The print is part of an album.

March; Martivs; The twelve months; Menses XII Anni Solaris. In the foreground on the right there is a middle-aged man with prunes in one hand and a branch forest in the other hand. Farmers plant a vineyard in the background and a garden is laid out. In the mid top in the clouds the astrological sign of the RAM. The print has a Latin caption and is part of a twelve-part series about the months of the year.

Print (Netherlands); Jan van Doetechum the Elder (Netherlands); After Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Print Maker: Johannes van Doetechum I (ca. 1530 - 1606), Lucas van Doetechum (Dutch, after 1584); support: white laid paper; Platemark/repeat: 21.1 x 25.3 cm (8 5/16 x 9 15/16 in.)

. Eight putti admire a rarite cabinet.

Speculum Romanae Magnificentiae: Trajan's Column. Artist: Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 19 x 11 5/8 in. (48.2 x 29.6 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581-86.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where

Overview of the fireworks in different places at the celebration of the Peace of Utrecht, 1713, 1713 print Leaf with an overview of the scaffolding for the fireworks and the illumination at the celebration of the Peace of Utrecht set off on 14 June 1713 in The Hague and Leeuwarden and the illumination next to the town hall of The Hague. With detailed performances of the allegorical decorations. Large candlesticks are set up on both sides. With descriptions and statements in Dutch and French. print maker: Northern Netherlandsafter drawing by: Northern Netherlandspublisher: Amsterdam paper etching activities in the air ~ public festivities, e.g. fly-past. festivities on events of national importance Town hall. Leeuwarden. Hofvijver

Antwerp, Galle, Joannes, Vredeman de Vries, Hans, Hortorum Viridariorumque, Garden designs associated with the Doric, Ionic and Corinthian architectural orders, Ionica, Garden with a parterre with square compartments in the diagonals, verso - stamped, Garden with central parterre with square compartments in the diagonals and a cross in the corners. The garden is laid out according to the Ionic order of architecture., print, prints, height 193 mm, width 247 mm, Southern Netherlands, 1527 - 1607, intermediary draughtsman, after a drawing by, 1583 - 1583, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1600 - 1676-09-20, publisher

Parma and the papal envoy in Gnadental, 1586, 1586 - 1588 print The Duke of Parma is praised by the papal envoy for his merits, scene in a church in Gnadental near Neuss, August 1, 1586. Episode from the Cologne War. With the caption in the plate only the explanation of the letters A-D. Under print in book printing a caption of four columns of 14 lines each in German. Numbered: 103. Cologne paper etching / letterpress printing Gnadental

The invitation to the Brabant rooms sent, 1561; Dese figure was the above Beyde Caerten who the Camer van de Volieren Wtsondt SO does In Mr. Play as DLantjuweel. Allegorical performance in the invitation to the Brabant rooms sent for the land jewel of Antwerp in 1561. Blazing plate with the date 3 August 1561.

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol. II. Illustration 110. Mining works. Mercury extraction. Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

Triumph port of the Fugger family, 1599; Graphica Designatio Operis Fuggerorum. Triumphoort of the Fugger family, December 1599. Triumphoort decorated with pictures of historical princes. During the arrival in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599.

Londesburgh, plate 31 from Britannia Illustrata. Jan Kip (Dutch, c. 1653-1722); after Leonard Knyff (Dutch, 1650-1721); published by David Mortier (French, 1673-1728). Date: 1707. Dimensions: 323 x 469 mm (image); 349 x 480 mm (plate); 444 x 525 mm (sheet). Etching, with engraving, in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Johannes Kip.

Althrop in the County of Northampton, plate 27 from Britannia Illustrata. Jan Kip (Dutch, c. 1653-1722); after Leonard Knyff (Dutch, 1650-1721); published by David Mortier (French, 1673-1728). Date: 1707. Dimensions: 325 x 473 mm (image); 353 x 480 mm (plate); 445 x 516 mm (sheet). Etching, with engraving, in black on cream laid paper (discolored to buff). Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Johannes Kip.

Thrms van titus; Thermae titi flavi au; Livre these edifics antiques romains; MAYYNY THE ITALIAENSE PROBUED.THE PRINT IS PART OF IN ALBUM.

Fig. XIX. Hippomylos, feu, jumentaria mola,. Bockler, Georg Andreas. Prints, Drawings, Design drawings. 1662. Rare Book Division. Mechanical engineering, Machinery, Mills and mill-work, Mules, Gearing

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