Classical Art and Decoration

A collection of artworks showcasing classical themes, figures, and ornate designs, featuring mythological scenes, elegant figures, and intricate borders in various styles.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Vestigia delle Terme di Tito. Apollo. Quadro from vault ornamentation in room 15. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Lazio Viterbo Caprarola Palazzo Farnese213. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese421. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

De Volwassenheid, Giovanni Volpato, 1700 - 1799 print Imagination of adulthood. A lady with a glass in a garden at a fountain. Next to her a young man with a tray with a carafe and fruit. Behind his back a maid. Title in two languages under show. The scene is caught in an ornament edge. paper engraving / etching Adulthood, Majority; 'Virilità' (Ripa). house personnel, servants. ornaments ~ art

A Beggar Playing a Flute. Artist: After Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: 2 9/16 x 3 7/16 in. (6.5 x 8.7 cm.). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Cupid's ruse. Artist: Hans Veit Friedrich Schnorr von Carolsfeld (German, Schneeberg, Sachsen 1764-1841 Leipzig). Dimensions: sheet: 6 15/16 x 7 5/8 in. (17.7 x 19.4 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.

Dutch redemption, 1813; The Netherlands. Ao. 1813. Allegory on the redemption or liberation of the Netherlands and the return of Prince Willem Frederik in the Netherlands on November 30, 1813. Central a monument with a bust of Prince Willem Frederik as sovereign frost. Above him in the clouds peace and a genius with a horn of abundance. At the top a genius makes the news of peace known. At the foot of the monument, Father points the desperate Dutch virgin on the arrival of the frost, on the left a grinning Dutch lion. Rats gnaw on a pillow or bag with grain.

Mars and Rhea Sylvia (in box with 43 drawings). .

Feste Bacchique, Graphite, red and black chalk on two sheets of grey-brown paper, joined, On a platform within an arabesque enframement is a scene from Don Quixote, showing Sancho Panza on a donkey approaching three figures, while in the background is a herm. Below, a landscape with a bridge within a cartouche. The frame is composed of trellis-work, garlands, and vegetal arabesques decorated with birds. Composition continued on second sheet of paper, pieced horizontally at the lower edge of the first., France, before 1710, ornament, Drawing, Drawing

A bride holds a mirror and a box with nuptial presents. The pronuba holds a band or girdle, and the pronubus holds the unguentarium and strigile. Two genii of Hymen fly above with myrtle branches. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Patin to the rope spell in the Ploty cathedral, Dar Konrad and Fr. Mazowieckie - details, il. Z: Aleksander Przedziecki, Edward Rastawiecki, "Patterns of the Medaline Arts and from the Rebirth Age after the end of the 17th century in former Poland" (Warsaw, Paris, 1853-1855), Series 1, z. I, tab. B; Podczeszy Skki, Boles Aw (1822-1876), Thurwanger, Free Res (Fl. 1849-1865), Fajans, Maksymilian (Warsaw; Litographic and photographic de 1890), Przedziecki, Aleksander (1814-1871), Rastawiecki, Edward (1804-1874), Unger, Józef (Warsaw; printing, publishing house, prince Garnia; 1841-Ca 1877); 1853-1855 (1853-00-00-1855-00-00);

Gardening company, Wilhelmus Petrus van Geldorp, 1873 print A family is busy in the vegetable garden. The woman sprays the vegetables while the man and boy pull the weeds out of the ground. To the image an ornament edge with putti, fruits and garden tools. Rotterdam paper gardening. weeding

A trophy of filled quiver and flowers, suspended from a fleur-de-lis, in scrollwork quatrefoil. Design for textile, tapestry. Date: ca. 1880. Pen, ink, watercolor, and gouache on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Hebe Offering a Drink to Zeus; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 32.4 x 19.8 cm (12 3/4 x 7 13/16 in.)

An ink drawing by Alessio Gimignani depicting a multi-figure encounter inside a church room, executed with ink and feather, showing figures, interior space, and spatial arrangement.

Textile, Medium: plain weave cotton. Printed by engraved roller., Humorous design showing a French military camp and an English military camp. The English camp is not complete on this example. In sepia on off-white., Rouen, France, 1800-1850, printed, dyed & painted textiles, Textile

A feast or orgy to Venus with Roman men and women lounging on cushions. One woman plays a double flute (tibia or aulos). Within a rectangular decorative border. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Banner honouring Napoleon. Plersch, Jan Bogumił (1732-1817), designer, Ligber, Jan (-ante 1814), graphic artist, Wojniakowski, Kazimierz (1772-1812), draughtsman, cartoonist

This color etching by Michelangelo Maestri, created between 1780 and 1820, depicts the classical figure Mercurio (Mercury), emphasizing attributes, posture, and neoclassical composition.

Wish letter with different animals and figures, c. 1780 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with performances of different animals, figures and children playing. Numbered below: No. 21. Netherlands paper maps, atlases. human types. characters (human types). children's games and plays

'Project of the Plafond 'Apollo's Chariot''. Italy. Dimensions: 56x92,5 cm. Museum: State Hermitage, St. Petersburg. Author: Giuseppe Manocchi.

Card 23 Ecce Homo, with: album with drawings depicting reliefs from the chapel of Kalwaria Ujazdowska unknown

Saint Michael Defeating Heresy and Satan. Dated: 1730. Dimensions: overall (octagonal): 25.9 x 28.4 cm (10 3/16 x 11 3/16 in.). Medium: pen and brown ink with brown wash and white heightening on blue laid paper, rubbed on verso with red chalk and incised for transfer. Museum: National Gallery of Art, Washington DC. Author: Johann Georg Bergmüller.

Study for a Ceiling n.d. Jean Jacques Lagrenée French. Study for a Ceiling 343453

Designs for Painted Panels with Fortune and Jacques Necker, Claude-Louis Desrais, (French, 1746-1816), Pen and ink, brush and white gouache and sepia washes, black chalk on two pieces of off-white laid paper, joined, At top is a radiant sun with interlacing Ls, the symbol of Louis XVI and a woman deflecting beams of light with a magnifying glass. At center, a woman holds a wreath over a portrait bust of Jacques Necker. At the base of the plinth is a book entitled Compte rendu, and a paper scroll on which is written: Eloge de Colbert. At bottom, a grotesque and a crowned shield with fleurs-de-lys., France, 1788-90, ornament, Drawing, Drawing

Lazio Viterbo Caprarola Palazzo Farnese37. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Textile (France); cotton

Hebe Offering a Drink to Zeus, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Sitting god extends his right hand with bowl towards Hebe, who stands pouring ambrosia with both hands from pitcher. Juno appears beside Zeus. Putti with trumpets standing around. Above are flying putti with flowers, below two putti support dish with fruit. Below in right corner, sketch of part of young man extending his right arm., Italy, 1810-23, architecture, interiors, Drawing, Drawing

Cretan princess Ariadne with a diadem in her hair, holding a ferula as a symbol of Bacchus (centre). Her female genius holds a patera of sesamum (right) while another figure holding a mirror leans against a column. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

Picture with application Saint. Family unknown

Two parts of promotional print of Antoine Talon ..

Eastern magician.

tegelpainter, tile manufacturer, Jan Aalmis jr., Tile picture Joseph sold by his brothers, tile picture material ceramics pottery glaze tin glaze, up) baked 2x glazed painted Rectangular nine high five wide Joseph sold J Aalmis Rotterdam (signed and painted lower center) Aalmis Aelmis Bible Old Testament religion Joseph

Two Costume Designs or Portrait Types. Artist: Anonymous, French, 18th century; Anonymous, French, 19th century; Possibly connected to Antoine Caire-Morand (French, Briançon 1747-1825 Turin). Dimensions: Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm). Date: ca. 1785-90.Page with two round portraits. The portrait on the left is painted in blue tones. It shows a woman turned towards the right. She is looking down and has her arms crossed in front of her. She is wearing a corseted bodice with buttons and a white fichu. She has a large hat with feathers and flowers. The portrait on the right is painted in warm ochre tones. It depicts a woman turned towards the right and looking back over her right shoulder. She is wearing a white checkered fichu crossed over her chest, and a tight bodice with a wide skirt. She also wears a large hat. Museum: Metropolitan Museum of Art, New York, USA.

Christ in Glory; Correggio (Antonio Allegri) (Italian, about 1489 - 1534); Italy; 1520 - 1523; Red chalk and brown and gray wash, heightened with white bodycolor on pink ground; inscribed circle in brown ink; squared in red chalk; 14.6 × 14.6 cm (5 3,4 × 5 3,4 in.)

Judgement of Clara, Medium: cotton Technique: roller printed on plain weave, Four scenes (all captioned in French) of the story of Clara. One scene would only be complete when lengths were sewn together. In red on white., Rouen, France, early 19th century, printed, dyed & painted textiles, Textile, Textile

Antique wall painting in the Tiberine Museum, Rome. Now the National Roman Museum, Museo Nazionale Romano. Museo Antike Wandmaleeri, Museo Tiberino, Rom. Chromolithograph by G. Neuhaus from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Plate with Scene of Psyche Carried by Zephyr to Cupids Palace. Pierre Courteys (France, Limoges, circa 1520-circa1586). France, Limoges, circa 1560. Furnishings; Serviceware. Grisaille enamel, flesh tones, and gold on copper

Sketch for the wedding hall of the town hall of the 15th: Allegory of the city of Paris (ceiling). Jobbe-Duval, Felix. Sketch for the wedding hall of the town hall of the 15th: Allegory of the city of Paris (ceiling). Oil on canvas. 1884. Museum of Fine Arts in the city of Paris, small palace.

Isegrim for King Nobel. Design for illustration (fool. 4): Van den Vos Reinaerde; Isegrim, the wolf, for King Nobel.

Allegoric man figure, standing with two lions, draughtsman: Johannes van Dregt, 1778, paper, pen, d 270 mm

Hercules is suckled by Juno, Anonymous, 1688 - 1698 print Juno sits on the clouds and gives the little Hercules the breast. By drinking her milk, Hercules becomes immortal. On the left, a figure holds the peacock, the attribute of Juno, in the hands. A putto comes flying with a laurel wreath. Netherlands paper engraving genesis of the Milky Way (Juno suckling Hercules)

Planet Earth and God, Johann Georg Pintz, 1733 print paper engraving / etching 'Terra', 'Carro della terra' (Ripa). earth, world as celestial body. astronomy (and cosmography). tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Design for a paneled ceiling with a trompe l'oeil dome in London. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Roundel with Adoration of the Kings. Culture: North Netherlandish. Dimensions: Overall: 8 3/4 in. (22.2 cm). Date: 1510-20. Museum: Metropolitan Museum of Art, New York, USA.

Fontein Met Masks, Jeanne Deny, After Jean Baptiste Pillement, 1770 print A figure on the back is at the edge of a fountain with a mask. Paris paper etching ornamental fountain. mask, mascaron ~ ornament

Anonymous. Collection of ornamental patterns - Industrial drawing by Javet. "Untitled". Draw on albumin paper laminated on cardboard. 1880-1920. Museum of Fine Arts of the City of Paris, Petit Palais. 72896-32 Cardboard, industrial drawing, flower, ornamental motif, ornament, peacock, albumin paper, collection, draw

Textile (France); Manufactured by Nicholas Koechlin; cotton

Feather drawing by Piero di Cosimo depicting the Madonna with the Christ child and John the Baptist in a landscape.

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus., Print made by James Basire, 1769-1822, British, after Charles Alfred Stothard, 1786-1821, British, 1842, Hand colored engraving on smooth, moderately thick, white wove paper, Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm) and Plate: 14 3/8 × 19 1/2 inches (36.5 × 49.5 cm), architectural subject, religious and mythological subject, City of Westminster, England, London, Palace of Westminster, United Kingdom

A plate from the Swedish countryside on which the potter has put his own name along with - we suppose - a picture of his wife, and other decorative motifs. Date: 1690

USA, Washington DC, Library of Congress, Believer's Vision, Mount, deal with angels, from Currier & Ives, color lithograph, (1834-1907),

Shrine Attendant Raking Maple Leaves, c. 1830 or early 1830s. Katsushika Hokusai (Japanese, 1760-1849). Color woodblock print; sheet: 28.6 x 6.8 cm (11 1/4 x 2 11/16 in.).

Plate, anonymous, c. 1880 - c. 1910 Rectangular plaque of multicolored painted faience, with a triangular pediment with a bearing eye at the top. In the middle, a woman and a child are modeled and painted in the colors green, red, yellow and blue. The modeled edge is painted blue with flower and leaf vines in the colors yellow, green and red. The plaque is a copy. France (possibly) earthenware. tin glaze. Rectangular plaque of multicolored painted faience, with a triangular pediment with a bearing eye at the top. In the middle, a woman and a child are modeled and painted in the colors green, red, yellow and blue. The modeled edge is painted blue with flower and leaf vines in the colors yellow, green and red. The plaque is a copy. France (possibly) earthenware. tin glaze.

Embroidered picture, Medium: silk, metallic and chenille embroidery on silk foundation, with metal sequins Technique: embroidered in satin stitch on plain weave; details added in watercolor, An oval image depicts a mother with two children offering bread to a beggar child. The scene is based on a mezzotint engraving entitled Charity by P. Stampa, published in 1802. The scene is painted, with a chenille embroidered tree and satin stitch grass. The rectangular framing device is worked in satin and padded satin stitches. The oval is framed by golden ears of wheat, and above, a metallic gold eagle is holding floral garlands in his beak, caught up at the corners with spangled gold ribbons., Wethersfield, Connecticut, USA, ca. 1805, embroidery & stitching, Embroidered picture

Project for a Royal Escutcheon, Pen and brown ink, brush and brown wash on off-white laid paper, A crowned escutcheon is flanked by birds and flags. On either side is a seated allegorical women. The left holds a fasces, the right an orb., Italy, early 19th century, ornament, Drawing, Drawing

Vestigia delle Terme di Tito. Dionysus and Ariadna. Quadro from the decoration of the room of the room 15; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Ariadna, Bachus, DESA - collection, Rome, Italy, town, Terme di Tito, Nero's Golden House, antique, architecture, archeology, leather, decorations, lens, purchase (provenance)

Orientals Tafereel; East subjects ..

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Man assumes domestic animals". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-28

Plate 7 of a Set of Chinese Genre Scenes, François Boucher, French, 1703 - 1770, Martin Engelbrecht, German, 1684-1756, Handcolored etching on paper, Panel with Chinese figures in a garden. A woman and three small children. A parrot is perched on the back of a chair from which the woman has risen at right., France, ca. 1740, Print, Print

Tile- New Testament Scene, c 1600s- 1700s. Holland / Netherlands, Delft, 17th- 18th century. Glazed ceramic; overall: 12.7 x 12.7 cm (5 x 5 in.).

Fame Adoring Shakespeare's Tomb, Angelika Kaufmann, Swiss, 1741 - 1807, Medium: silk embroidery on silk foundation, some painted details Technique: embroidered in satin, stem, speckling, knot, and detached chain stitches on plain weave foundation, Oval embroidered silk picture showing a classically draped female figure with wings on her head, strewing flowers on the tomb of Shakespeare. After 'Fame Adoring Shakespeare's Tomb,' by Angelica Kaufmann. In a landscape with a grassy foreground, architectural element behind the tomb, trees overhead and sky with white clouds. Embroidered in colored silks except for the sky, wings, head, arms and feet, which are painted., England, ca. 1800, embroidery & stitching, Embroidered picture, Embroidered picture

Illustration 'chestnuts' 1829, by Jean-Charles Develly (1783 - 1862); French illustrator and artist. A naughty boy is scalded by a woman for stealing cherries from an orchard

Illustration for the Fairy tale Marya Morevna, Zvorykin, Boris Vasilievich (1872-after 1935)

Scheppig Carl (1803-1885), Villa Lante in Bagnaia (31.08.1833): ceiling decoration. Pencil watercolor on the box, 27.9 x 40.3 cm (including scan edges) Scheppig Carl (1803-1885): Villa Lante, Bagnaia

Lemercier & Cie., Sculpture group with six figures and a dog on a rock in Meissen porcelain, recto - printed, photomechanical print, page, photos, photographically illustrated books, Collection Francesco Riberio da Cunha de Lisbonne, height 192 mm, width 135 mm, French, maker, manufacturer, 1879 - 1884, paper, Woodburytype

Salesman's samples, Medium: silk Technique: woven, Two designs for a waistcoat pocket: one has a scene of a woman and an older man under a trellis. On the left is a well surrounded by gardening tools. On the right, the young woman fends off the advances of her suitor. They are surrounded by baskets of fruits and vegetables. The other design has an elderly woman with a cane standing near a gate as she scolds two young lovers sitting under a trellis., France, late 18th century, woven textiles, Salesman's samples

Titz Oskar (1845-1887), seasons vignettes (without date): autumn, winter. Ink on transparent, 8 x 17 cm (including scan edges) Titz Oskar (1845-1887): Jahreszeitenvignetten

The Annunciation. Artist: Sir Edward Burne-Jones

The Ladies Bill of Fare, or, a Copious Collection of Beaux. Publisher: Published by George Wilson (British, active 1795-1801). Date: 1795. Museum: Metropolitan Museum of Art, New York, USA.

Marc-Antoine Raimondi. Saint Georges Marc-Antoine Raimondi (1480 - around 1534). Saint Georges. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

st, Rathausplatz - Rathaus - municipal council meeting hall - interior view - detailed view - Fresco by Ludwig Mayer trade, Unknown, photographer

Anna Nikaunowna née Schenschine at the table, maybe the daughter of the director of the Warsaw-Vienna Railway, General around 1850 (1850-00-00-1850-00-00);Houses, children, girls, books, foreign miniatures, portraits, family, costumes, interiors, toys

Stereofoto of the theater in Paris; Barbe Bleue Femme La Fille du Roi ..

Eugene Shellady, Pa German Pie Plate, 1937 Pa. German Pie Plate

John Hamilton Mortimer, Three Oriental Heads, 1770 1775 Three Oriental Heads

Sketches for a Decoration of a Private Library "B". Date: 1894. oil and pencil on canvas. Museum: Smithsonian American Art Museum.

Songs of Innocence: Frontispiece ca. 1825 William Blake British This frontispiece to Songs of Innocence illustrates Blake's "Introduction," a poem that casts the poet as a wandering piper inspired by the vision of a divine child:Piping down the valleys wild,Piping songs of pleasant glee,On a cloud I saw a child,And he laughing said to me"Pipe a song about a Lamb!" So I piped with merry cheer.. "Piper, sit thee down and writeIn a book, that all may read."So he vanished from my sight;And I plucked a hollow reed,And I made a rural pen,And I stained the water clear,And I wrote my happy songsEvery child may joy to hear.. Songs of Innocence: Frontispiece. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

FORTUNY, MARIANO. PINTOR ESPA¿OL. REUS 1838-1874. "EL ULTIMO PROYECTO DE FORTUNY". DIBUJO DE R. TUSQET. GRABADO COLOREADO. ILUSTRACION ESPA¿OLA Y AMERICANA.

Jorg Breu I, The Wine Harvest (September), German, c. 1480 - 1537, in or before 1521, pen and black ink with gray wash on laid paper

Ahasverus can be read the chronicles of his empire, Anonymous, c. 1525 - c. 1530 Window, rectangular, stained glass with the representation of Ahasverus. Leiden glass.. silver stain. lead (metal) Window, rectangular, stained glass with the representation of Ahasverus. Leiden glass.. silver stain. lead (metal)

Campania Caserta Caserta Palazzo Reale52. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mourning Sampler (USA); silk embroidery, paint and ink on silk foundation; 1984-100-5

The Tomb of Hafiz at Shiraz. Bjerregaard, C. H. A. (Carl Henrik Andreas), 1845-1922. Illustrations. 1902. General Research Division. Omar Khayyam, Sufism in literature, Shiraz (Iran), Hafiz, 14th cent, Tombs & sepulchral monuments , Iran

Punch playing with the child Date: 1828

Mosaik aus den RömischenThermen Am Kronion, Olympia; die ergebnisse der von dem Deutschen Reich veranstalteten ausgrabung, im auftrage des Königlich preussischen ministers der geistlichen, unterrichts- und medicinalangelegenbeiten hrsg. von Ernst und Friedrich Adler, Adler, Friedrich, 1827-1908, Borrmann, Richard, 1852-1931, Dörpfeld, Wilhelm, 1853-1940, Graeber, Friedrich, Graef, Paul, 1853-, Engraving, 1892-1896

Photograph of painting: Eugeniusz Zak (1884-1926), Kobieta pod drzewem na tle zatoki Woman at tree against the bay, 1913. Druet, Eugene (1867-1916), photographer

Wall painting showing Theseus and Ariane from a tablinum in the Casa di Caccia Antica or House of the Ancient Hunt, Reg. VI, Ins. 4, No. 48. Illustration drawn by Discanno and lithographed by Victor Steeger from Emile Presuhn's "Les Decorations Murales de Pompei," Weigel, Leipzig, 1878. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno, made exact copies of many wall paintings that are now lost.

Fountain with wife and hunting out, Anonymous, After Jacques de la Joue (II), After Gabriel Huquier, 1705 - 1800 drawing A fountain with a naked woman sitting on a dolphin. On the right a deer hangs next to a tree and grape bunches. Left in the foreground is a hunt with a hare and birds. At the top left is a cat next to a bowl of fruit. paper. watercolor (paint). chalk brush ornamental fountain. hunting trophies

Manto, daughter of the prophet Tiresias, before the god Apollo on a tripod, A priestess at right pronounces the oracle. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

interior of Kenwood House. The original house dates from the early 17th Century and was then called Caen Wood House. Originally designed by Humphry Repton (1752-1818) English landscape designer. Dated 17th Century

Farmer's family when slaughtering a pig, Adriaen van Ostade, 1650 - 1654 print paper etching slaughtered ox or pig. farmers

Robert Le Diable 2eme Acte Scene VI. Unknown maker, French

Costume and Movement Studies, Josef Eduard Tetar van Elven, 1842 - 1859 drawing paper. ink. watercolor (paint). pencil brush / pen

Fries van Putti with floral wreaths grouped to hold a hand that holds a ring, Jacob de Wit (Free After), 1705 - 1754 drawing Fries van Putti with floral wreaths grouped to hold a hand that holds a ring; Furthermore, a dog, a key, the weapon of Amsterdam, a shield and a sword. Design for a painting. paper. ink pen / brush cupids: 'amores', 'amoretti', 'putti'. ring. hacking and thrusting weapons: sword

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red-brown watercolor on cream laid paper, Base of clock supported by tapered legs. Scene depicted on front horizontal panel is of a bearded man speaking to a seated crowned man; a woman at right. Above, at left, clock case decorated with arms on front of case and on top. At right stands a classical warrior, his helmet in his hands., Inscriptions:, Below, graphite: Belisaire faintly written;, pen and brown ink: Belisaire eiv No. 101, Lowe right: Cooper Union stamp #457D, Belgium, 1800-1825, timepieces & measuring devices, Drawing, Drawing

Playing on three -bacial trunks in the costumes from 1st 16th century outfits, according to the engraving of Daniel Hopfer; Lesser, Aleksander (1814-1884), Hopfer, Daniel (Ca 1470-1536); 1830-1884 (1830-00-00-1884-00-00);Hopfer, Daniel (Ca 1470-1536), Hopfer, Daniel (Ca 1470-1536)-reproduction, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Wiktor Stanisław Zygmunt (Baron- 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Lesser, Wiktor Stanisław Zygmunt - collections of Aleksander Lesser - Dar, Hungarians, Dar (provenance), graphics, graphics (artist), German graphics, musical instruments , horse riding, copy, a copy of the engravings, trumpeter, clothing, men's clothing, Hungarian army, armor, soldier

A pencil drawing by Julius Victor Berger depicting a feminine figure, showing posture, proportions, and detailing of the figure.

Frisian of Putti with floral wreaths grouped to a bijenkorf.fries of putti with floral wreaths grouped to a beehive; Continue with a rooster and a sieve. Design for a painting.

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