Classical Art and Figures

A collection of classical artworks depicting mythological scenes, figures in motion, and religious themes, executed in various engraving and drawing styles.

River gods and putto, verso - stamped, Two river gods and a putto with water jars are seated along a river. A winged woman is seated on the left. Detail of an unknown map., print, prent, prints, prenten, height 97 mm, width 129 mm, print maker, prentmaker, 1700 - 1800, second quarter 17th century, paper, engraving, engraving (printing process)

Pellegrino Tibaldi depicts subs of a frieze with a sitting girl holding a unicorn in her lap, executed with feather on brownish paper, lavated.

France, Jacquard, Antoine, Les Divers Pourtraicts & figures faictes sus les meurs Des habitans du Nouveau Monde, Figures in motion, set in architectural niches, Nude man with shield and coat of arms in a niche, verso - stamped, print, prints, height 148 mm, width 144 mm, French - 1640, print maker, printmaker, 1610 - 1640, paper, papier, engraving, engraving (printing process)

The Contest between Apollo and Pan. De wedstrijd tussen Apollo en Pan. Draughtsman: Jan de Bisschop. Intermediary draughtsman: Giulio Romano. Dating: 1648 - 1671. Measurements: h 222 mm × w 314 mm. Museum: Rijksmuseum, Amsterdam.

Saint Peter and Saint John Healing the Lame Man at the Beautiful Gate. Girolamo Francesco Maria Mazzola (called Parmigianino) (Italy, Parma, 1503-1540)Attributed to Ugo da Carpi (Italy, Carpi, circa 1468/70-1532)Attributed to Antonio da Trento (Italy, active Bologna, circa 1510-circa 1550)Sanzio Raphael (1483-1520). Italy, c. 1527-1530; later printing. Prints; woodcuts. Etching with two tone blocks

River gods and putto, verso - stamped, Two river gods and a putto with water jars are seated along a river. A winged woman is seated on the left. Detail of an unknown map., print, prent, prints, prenten, height 97 mm, width 129 mm, print maker, prentmaker, 1700 - 1800, second quarter 17th century, paper, engraving, engraving (printing process)

The Apollo Temple to Bassae in Arcadien Tablica VII Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Drawing, Continence of Scipio; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 18.4 x 21.3 cm (7 1/4 x 8 3/8 in.)

A coal drawing by Carl Joseph Geiger from May-October 1867 showing a children's group with a wreath performing dance exercises for the vestibule of the Vienna Opera House.

Dido laid and considered on the stake; History of Dido, designs for illustrations for the fourth book of the Aeneis of Vergilius. Possible design for a print.

French Revolution: allegorical frieze to the ancient of offerings made to wisdom. 1794. Tribute to the feast of the Supreme Being. (TF)

The Apollo Temple to Bassae in Arcadien Tablica XXVII Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Group of the Farneysian bull. Amphion and Zetos attach Dirke, Queen of Thebes to the corners of the raging bull. (Farnezian bull (Roman sculpture from the 2nd century CE, a copy according to the unfaching Greek original from the second century BC, from Rhodes; from the collections of the National Museum in Naples, formerly Roman Palazzo Farnese). Unknown, Bibliographical Institute in Hildburghausen and New York

Garden ofPomona. Engraver: Léon Davent, French, active 1540-1556 After: Francesco Primaticcio, Italian, 1504-1570

Lazio Roma Rome S. Maria in Vallicella42. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bas-relief of singular combat, Naqsh-e Rustam. Fars Province, Iran. Old steel engraved antique print. Published in L'Univers La Perse, in 1841. Histor

This Clair OBSCUR woodcut by Antonio da Trento, created after 1524-1525, depicts the martyrdom of St. Paul and the condemnation of St. Peter, using three plates in light red and brown tones with detailed composition.

The Farnese Hercules from the front and back. Engraving by G. Vasi, 1773.

Louis Lafitte drawing of an Ancient Greek artist's studio, executed in ink with wash and white highlights, dated 1796.

Barbari, Jacopo de', Italy, Women offering sacrifice to Priapus, Women offering sacrifice to statue of Priapus. The god stands in the form of a herm on a column. On the right a satyr plays a flute., print, prints, height 97 mm, width 112 mm, 1440 - 1516, print maker, printmaker, 1500 - 1508, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

The Birth of Shame Julius Schnorr von Carolsfeld (1794-1872 German) Engraving

HERCULES. PERSONAJE MITOLOGICO. HERCULES SOFOCA AL LEON DE LA SELVA NEMEA. GRABADO DE UNA PINTURA DE LUCAS JORDAN. CALCOGRAFIA NACIONAL. MADRID.

Lazio Roma Rome Palazzo Rondanini7. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, sculptural relief, stucco, painting, frescoes, mosaics, decorative arts (furniture, goldwork, clocks, etc. Object Notes: The palace was later called "Sanseverino" and is now the location of the Banca dell'Agricultura. The building dates from 1744-8. It was the former residence of Giuseppe Cesari (Cavaliere d'Arpino). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni Palazzo Carrara7. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dante Gabriel Rossetti, Desdemona's Death Song, 1878 1880 Desdemona's Death-Song

Drawing, Sketch for a Painting; Italy; black chalk on paper

Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau 1560s Giorgio Ghisi Italian. Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau 367596

Rome, Vien, Joseph-Marie (I), Les travaux de la vendange, Picking the grapes, verso - stamped, Bacchanalian scene in frieze form with bacchantes and satyrs picking grapes from a tree in a southern landscape., print, prints, height 175 mm, width 453 mm, French, 1716-06-18 - 1809-03-27, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, Work conception, Frans, after own design by

Bernhard Rode's drawing depicts an Egyptian dish related to funerary practices, executed with leading handle, spring, and brown brush strokes with lavated shading.

A coal drawing by Carl Gustav Jacob Madjera depicting Hüon liberating with the Horne Rezia.

Design for a Panel with a Depiction of Bacchus and Ariadne 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Design for a Panel with a Depiction of Bacchus and Ariadne 340122

Bacchanal with five young people, Anonymous, 1500 - 1599 print A bacchanal with five youngsters, one on the back of a lion. The lion eats from a basket with grapes. On the left, a young man pours a drinking bowl full of wine. Italy paper engraving children's bacchanal. bunch of grapes. beasts of prey, predatory animals: lion

Abruzzo, L'Aquila, L'Aquila, Collegiate complex (S. Bernardino), Italy, 20th century, photo, photography, Europe

Picart, Bernard, Amsterdam, Armorial trophy with putti with breastplate, verso - stamped, print, ornamental print, prints, height 84 mm, width 105 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, paper, papier, etching, engraving, engraving (printing process), supervision

Three studies of kneeling angels with a torch, Marco Antonio Franceschini, 1690 - 1699 drawing paper. paint (coating). watercolor (paint) brush / pen angels

Hebe Pours Wine into Jupiter's Bowl, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Jupiter shown sitting on throne. He raises bowl into which Hebe pours wine. Mercury looks on. Below are two putti and an eagle, while above two putti fly with bowl of fruits. Rays of unusual graphite marks are above at right., Italy, ca. 1810, figures, Drawing, Drawing

Umbria Perugia Gubbio Palazzo dei Consoli6. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Sketch No. 4, the evil race, a pestilence, by John Flaxman. Gift of the New Zealand Academy of Fine Arts, 1936.

LeVigilant. Artist: Pierre-Narcisse Guérin, French, 1774-1833

Alma ferina in spoglie umane accolta,', 1801 - 1835, Etchings, 8 7/8 x 10 7/16 in. (22.5 x 26.5 cm), Paper / Sheet 8 7/8 x 10 7/16 in. (22.5 x 26.5 cm), Cream laid

Germanicus speaking to a group of citizens. Behind Germanicus are soldiers with spears. Germanicus Talks to Civilians, print maker: Raphael Morghen, (mentioned on object), Jean Grandjean, (mentioned on object), publisher: Pieter Meyer, print maker: Italy, Rome, publisher: Amsterdam, 1781 and/or 1779, paper, etching, h 188 mm - w 141 mm

Iphigenia told of the death of her father Agamemnon. Her brother Orestes in diadem at left asks why she is sad. A female servant Flabellifera fans Iphigenia. Pylades, cousin of Orestes, stands at right. Scene from Euripedes Iphigenia in Tauris. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

These about theology of Antoine Talon (right -handed part), Claude Mellan (attributed to), 1648 print paper engraving (story of) Hercules (Heracles)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)83. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Clair-obscur woodcut by Ugo da Carpi from circa 1523-1527 showing the biblical scene of Jacobs dream, with figures, architecture, and symbolic elements.

Rafael in Florence; Barth, Carl (1787-1853), Rist, Gottfried (1789-1824), Riepenhausen, Franz (1786-1831), Riepenhausen, Johannes (1787-1860), Rafael (1483-1520), Wenner, Johann Friedrich (1772- 1835); 1816 (1816-00-00-1816-00-00);

The First Sin. Engraving. "Los Héroes y las Grandezas de la Tierra". Volume I. 1854.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Le jugement de Paris. Louis-Émile Durandelle (French, 1839 - 1917)

South according to the sculpture of prof. Johannes Schilling was drawn by Jan Strzałecki. Chastate from the magazine Wieniec 1872 (1) 176 ZAB Ocki, Feliks (1846 1874), Schilling, Johannes (1828 1910), Strza Ecki, Jan (1837 1919)

Drawing, Hebe Pours Wine into Jupiter's Bowl; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper ; 20.7 x 12.3 cm (8 1/8 x 4 13/16 in.)

Drawing (Italy)

The Fire in the Borgo, detail, by Raffaello Sanzio da Urbino, also Raffael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Ita...

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)60. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Three women's images and a group with two women and a child; Paradigmata Graphics variorum artificum. All of the left a group of two women, one holds a child on her arm (a). Next to a woman who loves her skirt (b). Minerva (, C) in the middle right. Completely on the right an image that various figures could proported, possibly a muse, or the goddess flora, or Laetitia Publica (D).

Two drawings of Sybils and Two Putti, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper, Upper drawing of seated Sybil turned towards left, and writing on tablet; two putti flank her. Lower drawing of seated Sybil facing front but turned towards right and pointing at tablet. Two putti flank her., Italy, Italy, recto 1815, figures, Sketchbook folio, Sketchbook folio

Copper engraving by Giovanni Antonio da Brescia depicting four women dancing, created in the second half of the 15th century.

Sea goddesses pulled on a vessel, Pierre Brebiette, 1608 - 1650 print paper etching other gods of the waters. Nereids, daughters of Nereus; sea-nymphs. triton(s)

Drawing by Heinrich Friedrich Füger depicting Melida and her mother showing surprise at her arrival, executed with bister, feather, and white highlights.

Campania Caserta Carditello Plazzo Reale58. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

UK, England, London, British Museum, An Heroic Feat With Dead Men, by Francisco de Goya, Disasters of War, circa 1810-12

Drawing (Italy)

French crown, France, Heince, Zacharie, Bignon, François, Mythological figures at the water, Tritons and nereids with a coat of arms, verso - stamped, print, prints, height 126 mm, width 375 mm, height 22 mm, width 311 mm, 1620, print maker, printmaker, 1630 - 1720, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1611 - 1669-06-22, after a design by, after, after a painting by, granter of privilege

Julius Caesar refuses the crown. Roman scene- 19th cent. engraving ITALY.

Drawing (Italy)

The Stoning of St. Stephen, Imitator of John Michael Rysbrack, 1694-1770, Flemish, active in Britain (from 1720), undated, Pen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper, Sheet: 12 1/2 × 20 1/8 inches (31.8 × 51.1 cm), apostle, execution, figure study, martyr, men, muscles, New Testament, religious and mythological subject, stones, stoning

Faun kissing the hand of a Maenad who is playing with a ring, Herculaneum, Campania, Italy, engraving by Fiorillo from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 36, 1757-1787, Naples.

Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sarcophagus and allegorical figures., Italy, 1746-1809, architecture, Drawing, Drawing

Right with Christ at the Poel van Bethesda, Antonio Balestra (attributed to), 1707 - 1732 drawing paper. pencil. chalk. ink pen / brush Christ says to a paralytic man: 'Rise, take up your pallet (bed)'

SALA CAPITULAR - RELIEVE DE LA EXPULSION DE LOS MERCADERES (1582). Author: JUAN BAUTISTA VAZQUEZ EL VIEJO (1510-1588)-DIEGO DE VELASCO (S XVI). Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.

Lazio Roma Rome S. Andrea della Valle1. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Roman marriage ceremony. Copperplate engraving after antique painting at the Aldobrandin Palace

Venus and Amoretti and TwoSatyrs. Artist: Unknown

Figures after Laurent de la Hyre's Life of St. Stephen, Sketchbook, Black chalk on paper, ca. 1797, Folio 12, verso, from a sketchbook of drawings by an unknown maker.

Four women and amor. Four women sit together and stand together. Amor with his bow in the foreground. Part of a fan. This print is part of an album.

Lazio Roma Albano Laziale Museo Civico Archeologico - Sala Ricevimenti9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Project for Carved Panelling, Giovanni Francesco Romanelli, 1610-1662, Pen and brown ink, graphite, red chalk on paper, Horizontal format, two blank panels flank two putti who deck a herm with garlands and at either extremity are seated figures. Project left incomplete., Italy, Italy, 1650, architecture, interiors, Drawing, Drawing

Umbria Terni Porano Torre S. Severo1. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Aurora drives the night (right part), Giovanni Battista Pasqualini, After Guercino, 1621 print Sprinkled with flowers, Aurora drives on her car that is pulled by two horses. Every morning Aurora drives away the night and brings it dawn. For her from the Horae, the goddesses of the seasons. On the right Aurora's husband Tithonus checks her. Assignment in the lower margin and the middle of a coat of arms. paper engraving triumph of Aurora: in her chariot drawn by two (sometimes four) horses, and possibly scattering flowers; Aurora's victory over the night; 'Carro dell'Aurora' (Ripa) Villa Boncompagni Ludovisi

Battle of the Lapiths and Centaurs', painting by Mr William Bouguereau.

Achille in Sciro. Fresco di Pompei.

The Man of Sorrows 1540-1550 Flanders. Engraving and etching in grayish brown on ivory laid paper . Frans Crabbe van Esplegem

Fall of the Giants 1550-1559 Italy. Pen and brown ink, over traces of black chalk, on cream laid paper . Guglielmo della Porta

St Peter and St Paul Sepia ink on paper. Perino del Vaga (1501-1547) Italian painter and decorative artist. Religion Christian

The Death of Priam. Dated: c. 1660. Dimensions: overall: 21.3 x 30.6 cm (8 3/8 x 12 1/16 in.). Medium: pen and brown ink with brown washes over graphite on tan laid paper. Museum: National Gallery of Art, Washington DC. Author: Michael Lukas Leopold Willmann.

Bas reliefs of the statue of Mozart in Salzburg, vintage engraving. Bas reliefs of the statue of Mozart in Salzburg, vintage engraved illustration. Magasin Pittoresque 1845. Copyright: xZoonar.com/PatrickxGuenettex 10660632

John Hamilton Mortimer, 1740-1779, British, Revengeful Monsters (two states).

Imitator of John Michael Rysbrack, 1694-1770, Flemish, active in Britain (from 1720), The Stoning of St. Stephen, undated. Pen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper.

Drawing, Four Caryatids; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and dark brown ink, brush with sepia wash over traces of graphite on light blue laid paper; 16.9 x 30.4 cm (6 5/8 x 11 15/16 in.)

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church14. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Rinaldo and Armida

The Feast of the Gods, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Horizontal rectangle showing gods in classical dress gathered around a table. There are surrounded by servants, dancers and putti. Under the table is pottery. Sketches around the margins., Italy, ca. 1797, figures, Drawing, Drawing

A rubber tempera painting by Giovanni Benedetto Castiglione showing Diana under a tree with a herme, holding two greyhounds, accompanied by two shepherds, emphasizing figures, posture, and animals.

Heinrich Aldegrever (German, 1502 - 1555-1561), Dancing Children, 1535, engraving

John Michael Rysbrack, 1694-1770, Flemish, active in Britain (from 1720), A Scene on Mount Olympus, undated. Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper.

Sadeler, Raphaël (I), Coignet, Gillis (II), unknown, Suicide of Cleopatra, verso center bottom - stamped, Cleopatra, queen of Egypt sits naked on a bed. In her hands two snakes that bite her. She decides to commit suicide because she does not want to be captured by the Romans. In the background her maidservants find her., print, prints, height 201 mm, width 259 mm, Southern Netherlands, 1560, print maker, printmaker, 1570 - 1632, paper, engraving, engraving (printing process), Work conception, 1580 - 1642, after a design by, Publication (Event), Publication, publisher

A child and a man look at a woman; an outline of an old man floats between them. Etching after C. Le Brun.

Autolicus, a champion in the Pancratian or Athenian games, crowned by winged Victory. The loser pulls a feather from Victorys wing. The winner is adorned with fillets or ribbons tied to his arms. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

ROME The Sistine Chapel The Last Judgement drawing sketch for a polychrome by Michelangelo Buonarotti Summer, Giorgio (Georg) (1834 1914)

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