Classical Art and Tapestries

A collection of intricate artworks including tapestries and paintings featuring historical scenes, mythological figures, and vibrant colors from the Renaissance to Baroque periods.

Painting on ceiling of Chiesa Del Gesu Nuovo, Piazza Del Gesu Nuovo, Naples, Campania, Italy

The Triumph of Caesar from The Story of Caesar and Cleopatra. After a design by Justus van Egmont (1601-1674); Produced at the workshop of Gerard Peemans (1637/39-1725); Flanders, Brussels. Date: 1675-1685. Dimensions: 701.9 × 366.2 cm (276 3/8 × 144 1/4 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Defeat of the Venetians in Casentino. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari.

'EL FUEGO' CARTON PARA TAPIZ GOBELINO - SIGLO XVII. Author: GEORGES DE LA TOUR. Location: ROYAL PALACE. NEAPEL. ITALIA.

Painting on ceiling of Chiesa Del Gesu Nuovo, Piazza Del Gesu Nuovo, Naples, Campania, Italy

Joan Carles Panyó /Cardboard of Saints Juliana and Semproniana, 1779. Author: JOAN CARLES PANYÓ I FIGARÓ.

interiors of Raphael rooms, Vatican museum, Vatican VATICAN CITY, VATICAN, JUNE 15, 2015 : interiors and architectural details of Raphael rooms in Vatican museum, june 15, 2015, in Vatican city, Vatican Copyright: xZoonar.com/patrickxmichelettix 17111985

Allegory of Virtues, by Tiepolo Giambattista, 1740, 18th Century, fresco. Italy, Veneto, Venice, Scuola del Carmine. Allegory of Virtue cupid winged putto female figures lying clouds stucco decoration white gold.

Ceiling fresco detail, St. Stephen's Cathedral, also St. Stephen's Cathedral, Passau, Lower Bavaria, Bavaria, Germany, Europe

A brown ink and watercolored Baroque ceiling design by Felix Anton Scheffler depicting Cain and Abel, showing figures, composition, and decorative elements.

Roma. Vaticano. Raffaello, Vatican, Camere di Raffaello, fresco by Raphael: Stanza della Segnatura, Parnassus, Roma. Vaticano. Monte Parnaso. Raffaello, photograph, photo, photos, height 202 mm, width 259 mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print

Decorative Panel with Dancers Francesco Hayez (1791-1882 /Italian) Correr Civic Museum, Venice

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Luini, Bernardino (Ca 1480 1532)

The Wrath of Achilles - Peter Paul Rubens, circa 1630

Valencia, 02/04/2016. The frescoes of the church of San Nicolás, restored after three years of work, using the most advanced techniques. Photo: Mikel Ponce ARCHDC.

Mercury tells Aeneas to Leave Carthage, 1679. Giovanni Francesco Romanelli (Italian, 1610-1662), Michael Wauters (Flemish, 1679). Tapestry weave: silk and wool; overall: 411 x 337 cm (161 13/16 x 132 11/16 in.).

The Prince's Journey. Date/Period: 1700. Tapestry. Wool and silk. Height: 3,550 mm (11.64 ft); Width: 4,370 mm (14.33 ft). Author: Royal Beauvais Manufactory.

Foligno (Italy, Umbria, province of Perugia), Oratory of the Nunziatella. Perugino, Baptism and the Eternal Adored by two angels, fresco. Detail

The Battle of Actium from The Story of Caesar and Cleopatra Made 1670-1690 Brussels. During the winter of 42ñ41 B.C., Cleopatra became pregnant with twins. The following year, however, Antony returned to Rome and prepared a long-awaited campaign against the Parthians. Yet Octavian failed to support the endeavor. Disappointed, Antony left Italy and sailed to Alexandria, where he renewed his relationship with Cleopatra. Meanwhile, the triumvirate disintegrated, and Octavian rose to power in Rome. Eventually Antony broke off relations with Octavian, and in 31 B.C. civil war broke out again. The decisive sea battle was fought at Actium, a promontory in northern Greece. As depicted in the tapestry, the Egyptian fleet was destroyed by the Romans, and Antony fled to Egypt in Cleopatraís boat. In 30 B.C., Octavian invaded Egypt. Rather than surrender to his enemy, Antony committed suicide. A few days later, Cleopatra followed his example. Their tragic deaths are not included in this suite.. Wo

Marfa, Portugal. A monumental Baroque and Neoclassical palace-monastery. Construction began in 1717 under King John V of Portugal and was completed in 1755. (Editorial Use Only)

Wealth and Benefits of the Spanish Monarchy under Charles III. Dated: 1762. Dimensions: overall: 181.8 x 104.3 cm (71 9/16 x 41 1/16 in.) framed: 192.4 x 115.3 cm (75 3/4 x 45 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Adoration of the Kings 1525-1535 Design attributed to Bernard van Orley Netherlandish Though small in size, this rich devotional tapestry, woven with virtuoso technique in the priciest of raw materials, embodies the highest end production associated with early sixteenth-century Brussels. Complementing its physical appeal was the caliber of its designer, Bernard van Orley, wo was admired official court painter to both Margaret of Austria and, subsequently, Mary of Hungary. With fleeting movement, gorgeously observed draperies billowing, the three kings launch themselves into this scene, as if having just strode into the tapestry from behind its left and right borders. This is a more dynamic version of a design van Orley also executed in oil on panel in a painting now in the collection of the Philadelphia Museum of Art. Van Orley, or a member of his workshop, also explored this composition in a related and extended scene in The Mets drawing (2014.100) itself, apparently, a design for a

Black and red chalk drawing by Bernard Picart depicting God appearing in a dream, with white chalk highlights and border lines, after Eustache Le Sueur.

Nymph Nerina informs Daphne about presumptive death of Silvia by unknown artist, Fresco

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Kurtyna teatru krakowskiego Curtain of the Juliusz Słowacki Theatre in Cracow, 1894, oil on canvas. Towarzystwo Zachęty Sztuk Pięknych (Warszawa ; 1860-1940), merchant employer, unknown, photographer, Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier

Umbria Terni Terni Palazzo Carrara5. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

FRANCE. Pau. Castle. Triton or Neptune represented on a tapestry. Tapestry.

Wall painting in Santa Maria of the Grottella sanctuary Lecce. Italy.

PINTURA MURAL DE LA BOVEDA DEL SALON DE SESIONES - 1850/53 - DETALLE - LEGISLADORES DE LA EPOCA GRECO-ROMANA. Author: RIBERA CARLOS LUIS. Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN. JUSTINIAN I. ROMULUS. THEODOSIUS I THE GREAT. LYCURGUS. Rómulo y Remo. APIO CLAUDIO. NUMA POMPILIO. SERVIO TULIO. TRIBONIANO. Solon.

Garland of Fruit surrounding a Depiction of Cybele, by Jan Brueghel the Elder and Hendrick van Balen, circa 1620, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

Triumph after the victory on Pisa. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari.

Birth of the Virgin, 1514, by Andrea del Sarto (1486-1530), fresco. Cloister of the votes, Basilica of the Most Holy Annunciation, Florence.

Italian Renaissance Torrechiara Castle. Cesare Baglione 1550 - 1615. titleof the work. Grotesque frescoed room Hall of Landscapes. early 17th century. detail.

Joan Carles Panyó /Cardboard of Saints Juliana and Semproniana, 1779. Author: JOAN CARLES PANYÓ I FIGARÓ.

ESCALERA PRINC-FRISO OESTE-BATALLA DE SAN QUINTIN-SITIO Y TOMA DE LA CIUDAD. Author: LUCA GIORDANO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

October, detail of a 17th century tapestry based on cartoons by Jan van den Hoecke, manufacture of Brussels, from the series Months.

The Battle of Actium from The Story of Caesar and Cleopatra. After a design by Justus van Egmont (1601-1674); Woven at the workshop of Willem van Leefdael (1632-1688); Flanders, Brussels. Date: 1670-1690. Dimensions: 400.6 × 359.5 cm (157 3/4 × 141 1/2 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Brussels. Museum: The Chicago Art Institute, Chicago, USA.

Achilles fighting with Agamemnon after the taking of his slave-girl Briseis, episode from the Iliad, 1757 fresco (detail)

England, London, Greenwich, The Queen's House, The Queen's Presence Chamber, The Painted Ceiling

Anonymous drawing of ceiling mirrors featuring Jupiter, Mercury, and Venus using reddish and black chalk, blue watercolor, gray wash, and heightened white on deck around 1704.

England, London, Greenwich, Old Royal Navel College, The Upper Painted Hall, Artwork showing George 1st Surrounded by his Children and Grand Children by Sir James Thornhill

Sketch for an oval ceiling, Attributed to Louis Laguerre, 1663-1721, French

Painting with Diana and Actaeon in the House of Sallust, Pompeian house, 4th century BC, Pompeii, Campania, Italy, drawing and chromolithograph by V Loria from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume III, plate 3, 1854, Naples.

A circa 1775 draft for a ceiling painting depicting Minerva and the arts, rendered in colored cover paint, framed by a leaf cord with cut corners.

Portugal, Douro, Oporto, Blue tiled wall

Decorative fresco of the Cherubs hall, by Andrea Tibaldi, Landriano Castle, belonged to the Taverna family, Lombardy. Italy, late 16th century. Detail.

Allegorie à l'Amour (Homage to Love) (Furnishing Fabric) Made 1810-1820 Nantes. Cotton, plain weave; engraved roller printed . Favre-Petitpierre et Cie. (Producer)

Juggling acrobats fresco by Cesare Baglione (ca 1550-1615), Hall of the Jugglers, Torrechiara Castle, Langhirano, Emilia-Romagna, Italy.

Bacchus and Ceres. Gran, Daniel (1694-1757), painter

Episode of a Plague, by Bressanin Vittorio Emanuele, 1887, 19th Century, fresco. Italy, Veneto, Rovigo, Santa Maria del Soccorso Church, La Rotonda. Whole artwork. Plague victims religious men illness death angels.

interiors of Palazzo Pitti, Florence, Italy FLORENCE, ITALY, OCTOBER 28, 2015 : interiors and architectural details of Palazzo Pitti, october 28, 2015 in Florence, Italy Copyright: xZoonar.com/patrickxmichelettix 22113258

Child's Bacchanal, Amours I, by G.I. Ugrumov, 1783, 1764-1823, Russia, Moscow, Tretyakov Gallery

SALA GASPARINI-HERCULES CONDUCIDO ANTE JUPITER DT. Author: ANTON RAPHAEL MENGS. Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

Andrieu, Pierre (n.1821-12-12-D.1892-01-30), sketch for the King's Salon of the Bourbon Palace: Agriculture. The war (main title), 1849. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris. Sketch for the King's Salon of the Bourbon Palace: Agriculture.

Stucco and ceiling fresco by Cosmas Damian Asam, Basilica of St. Martin in Weingarten, Baden-Wuerttemberg, Germany, Europe

Library of Wiblingen abbey, bavaria, germany WIBLINGEN, BAVARIA, GERMANY, JUNE 08, 2022 : Rococo and baroque decors of the library in Wiblingen abbey, near Ulm city, by architects Christian and Johann Wiedemann, 18th century Copyright: xZoonar.com/patrickxmichelettix 22092397

Göttin Flora, Gartengestaltung, Nürnbergische Hesperides, Nürnberger Hesperidengärten von Johann Christoph Volkamer, 1710, Nürnberg, Bayern, Deutschla...

Goldsmith's art, Italy, 18th century. Reliquary of Saint Mary of Egypt in gilded bronze, ebony and pietre dure, 1704. Height cm. 68. Detail.

Library of Wiblingen abbey, bavaria, germany WIBLINGEN, BAVARIA, GERMANY, JUNE 08, 2022 : Rococo and baroque decors of the library in Wiblingen abbey, near Ulm city, by architects Christian and Johann Wiedemann, 18th century Copyright: xZoonar.com/patrickxmichelettix 22092390

France,Paris,Louvre,Ceiling Artwork

Pisa 14th century frescoes in the Campo Santo in the Campo dei Miracoli Pisa Tuscany Italy Europe

PAÑO DE LA ORDEN DE ALCANTARA-DET DE SANTIAGO. Location: ALCAZAR / MUSEO DEL EJERCITO-COLECCIÓN. Toledo. SPAIN. Apóstol Santiago el Mayor. APOSTOL SANTIAGO EN CLAVIJO. APOSTOL SANTIAGO-SANTIAGO MATAMOROS.

The Gathering of Manna Aurelio Lomi Italian Aurelio Lomi, Orazio Gentileschis older brother, was active in Pisa, Florence, and Genoa. This monochromatic sketch of the biblical scene of the Gathering of Manna, with prophets reclining over the curves of a lunette, may have been done in preparation for a mural painting, perhaps in the cathedral in Pisa where Lomi worked in the first decade of the seventeenth century.. The Gathering of Manna. Aurelio Lomi (Italian, Pisa 1556-1622 Genoa (?)). Oil on canvas. Paintings

Enchanted garden by Vasilii Alexandrovich Kotarbinsky, watercolor on paper, 1880s, 1849-1921, Private Collection, 46x80

TAPIZ SERIE CACERIA DE MAXIMILIANO - CACERIA DEL CIERVO. Location: MUSEO DEL LOUVRE-TAPICES. France. MAXIMILIANO I DE AUSTRIA EMPERADOR. MAXIMILIANO I DE HABSBURGO.

Jan Brueghel de Velours (1568-1625), Jan I Brueghel (after). "Angels bringing flowers to the Holy Family, Saint John the Baptist and Sainte Anne". Copper oil. Museum of Fine Arts of the City of Paris, Petit Palais. 24955-4 Angel, flower, mother father father, New Testament, Saint John the Baptist, Saint Anne, Sainte Famille, Biblical Scene

The Vision of St John the Evangelist, the Evangelists and the Doctors of the Church, by Allegri Antonio known as Correggio, 1520 - 1524, 16th Century, fresco. Italy, Emilia Romagna, Parma, San Giovanni Evangelista church, dome. Detail. Putto cherub monochrome baby naked: nude child wings winged lion ribbon.

Bacchic Scene. Dating: 1780 - 1807. Measurements: h 96.5 cm × w 140 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter Joseph Sauvage (possibly). Johannes van Dregt (rejected attribution).

Finding of Moses, by Bonifacio de' Pitati (1487-1553), oil on canvas, 175x355 cm. Detail.

Artist: Giovanni di Lorenzo Larciani (Master of the Kress Landscapes), Italian, 1484-1527, Pietà, ca.1520, Oil on wood, 195 × 166 cm (76 3/4 × 65 3/8in.), Made in Florence, Italy, Italian,Florence, 16thcentury, Paintings

Joan Carles Panyó /Cardboard of Saints Juliana and Semproniana, 1779. Author: JOAN CARLES PANYÓ I FIGARÓ.

Hell, Mannozzi, Vincenzo, 1643.

DETALLE DE LA BOVEDA DEL ZODIACO - PINTURA AL FRESCO 1490. Author: FERNANDO GALLEGO. Location: ESCUELAS MENORES-MUSEO UNIVERSITARIO. SALAMANCA. SPAIN.

Hieronymus Bosch (c.1450-1516). Dutch painter. The Garden of Earthly Delights, 1500-1505, Triptych. Detail of the central panel. Prado Museum. Madrid. Spain.

Villa zileri motterle: frescoes by giambattista tiepolo, monteviale, Italy.

Illustration, 'Silversmith's workshop' by Onofre Vilarl, 18th century. 'Llibres of Passsanties', Silversmith's Guild. Museum: Museo de Historia, Barcelona.

The Spanish; El Espanol. Manuel Samaniego y Jaramillo (1767-1824). Oil on canvas. 38.4 x 46.4cm.

ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Work placed at the Pilgrim Hall. Renaissance art. Quattrocento. Fresco.

Lamego, Portugal, Shrine of Our Lady of Remedies, azulejo

Louis XIV Receives Cardinal Flavio Chigi, 1664 1671-76 Charles Le Brun (1619-1690 French)

Elisabethkemenate Glas Mosaik der Elisabethkemenate, mittelalterliches Frauengemach in der Wartburg in Eisenach, Thüringen, Deutschland Glass Mosaic at the Elizabeth Kemenate, medieval women s chamber of the Wartburg castle in Eisenach, Thuringia, Germany *** Elizabeth Kemenate Glass Mosaic of the Elizabeth Kemenate, medieval women s chamber of the Wartburg castle in Eisenach, Thuringia, Germany Glass Mosaic at the Elizabeth Kemenate, medieval women s chamber of the Wartburg castle in Eisenach, Thuringia, Germany

ARTE S. XX. ESPAÑA. NOUCENTISME. TORRES GARCIA, Joaquín (1874-1949). Pintor uruguayo. FRESCOS DEL SALON DE SANT JORDI (1911-1916) (detalle), encargo del Presidente Prat de la Riba. PALACIO DE LA GENERALITAT. BARCELONA. Cataluña.

Juno and OtherDeities. Artist: Unknown

Garden Of Eden Newberry Library, Chicago

January and February, Everaert Leyniers, c. 1650 - c. 1680 Wall carpet with an allegorical performance of the month of January and the month of February, from a series of ten with the months, seasons and elements, within an architectural accompaniment. Maker: Brusselsdesigner: Antwerpmaker: Antwerpmaker: Antwerp Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry Wall carpet with an allegorical performance of the month of January and the month of February, from a series of ten with the months, seasons and elements, within an architectural accompaniment. Maker: Brusselsdesigner: Antwerpmaker: Antwerpmaker: Antwerp Ketting: Wool. Entry: Wool. Entry: Silk. Elements: Metal Thread tapestry

Abraham and the angels, 1726-1739, by Giovanni Battista Tiepolo (1696-1770), fresco. Patriarchal Palace, Guest Hall, Udine.

The Prophet Isaiah Michelangelo Buonarroti (1475-1564/Italian) Fresco Sistine Chapel, Vatican

Blue and white azulejo tiles pictures related to geometry and mathematics, University of Evora, Portugal, Europe

PUERTAS DEL TESORO- PINTURAS- APOTEOSIS DE SAN LUZAN. Location: SEO DEL SALVADOR, LA. SARAGOSSA. Saragossa Zaragoza. SPAIN.

The Legend of the Cross of the Adamites, the Death of Adam, by Pietro di Benedetto dei Franceschi known as Piero della Francesca, 1452 - 1462, 15th Century, fresco. Italy, Tuscany, Arezzo, San Francesco church, Major Chapel, right wall, summit lunette. Whole artwork. Lunette with Adamites and death of Adam before restoration.

Spain. Galicia. Santiago de Compostela Cathedral. Chapel of Piety or Chaple of the Holy Cross or Chapel of Mondragon. Terracotta relief of Lamentation over Dead Christ, sculpted by Renaissance sculptor Miguel Perrin (1498 -1552) in 1526. Detail.

PISA, ITALY, SEPTEMBER 17, 2023, Inferno fresco at the famous Camposanto cemetery near the cathedral in Pisa

H. Siemiradzki / Orpheus in Underworld

PORCELANA DEL BUEN RETIRO "NOLI ME TANGERE"- S XVIII. Location: MUSEO DE HISTORIA DE MADRID-PORCELANAS. MADRID. SPAIN. MARY MAGDALENE. CRISTO RESUCITADO.

Russia, St. Petersburg, Catherine's Palace (aka Bolshoi Yekaterinsky Dvorets), interior. Ceiling painting. (Editorial Usage Only)

The Fall of Phaeton. After a design based on an etching by Antonio Tempesta (1555-1630), The Fall of Phaeton (Phaetontis casus) from Ovid's Metamorphoses; Possibly woven at the workshop of Gabriel Babonneix (born 1756) at the Manufacture Royale d'Aubusson; France, Aubusson. Date: 1776-1800. Dimensions: 351.2 × 286.3 cm (138 1/4 × 112 3/4 in.). Wool and silk, slit and double interlocking tapestry weave. Origin: Aubusson. Museum: The Chicago Art Institute, Chicago, USA.

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Hell, Song XXXIII) by Franz von Bayros, detail

Edward Francis Burney, 1760-1848, British, Homage to Nelson, undated. Watercolor and pen and black ink on medium, slightly textured, cream wove paper.

Perfume-burner supported by amorini and serpents and garlanded with flowers 18th century French Painter French One of a pair with 07.225.457a.. Perfume-burner supported by amorini and serpents and garlanded with flowers 189711

Triumph of Amphitrite ca. 1509 Pinturicchio One of twenty-two panels (14.114.1-.22) forming the ceiling from the Palace of Pandolfo Petrucci, called Il Magnifico, Siena. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art- especially sarcophagi.. Triumph of Amphitrite. Pinturicchio (Italian, Perugia 1454-1513 Siena). Italian, Umbria. ca. 1509. Fresco, transferred to canvas and attached to wood panels. Paintings-Decorative

Textile, Scenes of a wedding; Designed by Delmes; Produced by Favre Petitpierre (France); France; cotton; Warp x Weft: 99 x 85.7 cm (39 x 33 3/4 in.) Repeat H: 52.4 cm (20 5/8 in.); Bequest of Elinor Merrell; 1995-50-192

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