Classical Art Depictions

A collection of classical-style engravings featuring mythological themes with figures in intimate or tender poses, rich textures, and detailed backgrounds.

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, Loves of the gods, Mars and Venus, verso - stamped, Mars and Venus in an amorous embrace on a bed. In the foreground Cupid plays with Mars' armor., print, prints, height 274 mm, width 191 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1592 - 1594, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

. After Odysseus Penelope has told his adventures, he fell asleep. Penelope is still awake and wonders if the man is truly oudsseus in addition to her.

Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left ca. 1540 Giorgio Ghisi Italian. Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left 367344

Lunet with Caritas and a female personification with sword and passer ..

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, Loves of the gods, Mars and Venus, verso - stamped, Mars and Venus in an amorous embrace on a bed. In the foreground Cupid plays with Mars' armor., print, prints, height 274 mm, width 191 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1592 - 1594, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

France, La Font de Saint-Yenne, De, Paris, Duchange, Gaspard, Coypel, Noël-Nicolas, Trochon, Antoine R., Sleeping Venus spied on by a satyr, verso - stamped, print, prints, height 281 mm, width 278 mm, French, print maker, printmaker, 1700 - 1757, paper, papier, etching, etchings, stippelwerk, 1690-11-17 - 1734-12-14, after, after painting by, Work conception, after print by, Publication (Event), Publication, 1662-04 - 1757-01-06, publisher, uitgever, schrijver

Enea Vico after Parmigianino, Venus and Mars Embracing with Vulcan at his Forge, 1543 Venus and Mars Embracing with Vulcan at his Forge

. Venus and Amor, accompanied by Ceres and Bacchus. Imagination of the saying "Sine Cerere et Baccho Friget Venus" (without bread and wine freezes love).

Callisto, one of Diana's nymphs, is seduced by Jupiter. He has disguised himself as Diana in order to get close to her. With them two putti, one of them holds a burning heart, Jupiter seduces Callisto., print maker: Pieter van der Plas (II), Northern Netherlands, 1687 - 1708, paper, engraving, etching, h 168 mm × w 124 mm

Bacchus, Venus, and Ceres, Hendrik Goltzius, Netherlandish, 1558 - 1617, Jan Saenredam, Dutch, 1565 - 1607, Engraving on paper, Venus is shown seated between Bacchus and Ceres before a tent. Cupid in the foreground., Netherlands, 1600, Print, Print

Mars and Venus. Jacob Matham (Holland, Haarlem, 1571-1631). Holland, circa 1590. Prints; engravings. Engraving

Italy, Parmigianino, Bonasone, Giulio, Mystical Marriage of Saint Catherine, verso - stamped, Mary sits with the Christ Child on her lap. Christ slides a ring on the finger of Saint Catherine who kneels before him. In the foreground on the right a piece of the wheel of Saint Catherine. In the foreground on the left a man., print, prent, prints, height 203 mm, width 146 mm, Work conception, Italian, 1510 - 1576, after a print by, 1501 - 1580, paper, papier, etching, etchings, engraving, engraving (printing process), print maker, printmaker, 1503-01-11 - 1540-08-24

Copper engraving by Hendrick Goltzius depicting the allegorical figures Strength and Patience, created around 1582, showing symbolic virtues in classical style.

This copper engraving from 1516-1520 depicts Venus and Amor, presenting classical mythological figures using Renaissance engraving techniques and detailed line work.

Bacchus and Ariadne, Anonymous, After Arnold Houbraken, 1700 - 1750 print A mourning Ariadne, abandoned by Thoseus on the island of Naxos, under a canopy, is comforted by Bacchus who offers her a glass of wine. Bottom right: A.A. Copy to the print of Houbraken from part 2 of a series of prints with emblems. Northern Netherlands paper etching / engraving (story of) Ariadne. Bacchus finds Ariadne on Naxos. glass of wine

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth ca. 1515-27 Marco Dente Italian. Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth 342504

Venus, Bacchus en Ceres, Raphael Sadeler (1), after Gillis Coignet (1), after Gillis Coignet (2), 1570 - 1632 print The goddess Venus and Amor between Bacchus (left) and Ceres (right). unknown paper engraving (story of) Venus (Aphrodite). (story of) Bacchus (Dionysus), Liber. (story of) Ceres (Demeter)

Cupido binds Mercury and Venus watches, 1589 - 1637 print Venus is leaning against a tree and points to Mercury who is kneeling in front of her. Amor binds his hands and feet with a cord. On the ground the attributes of Mercury and the arrow and arch of Amor. A temple dedicated to Mercury in the background. paper engraving (story of) Mercury (Hermes). (story of) Cupid, Amor (Eros). Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa)

Jan Pietersz Saenredam, after Hendrik Goltzius, Venus and Cupid, 1596 Venus and Cupid

In a landscape beholds Prudentia (Prudence) herself in her hand mirror. Her free arm twists a snake. On the ground for her are a skull, books, ink and a quill, print maker: Hendrik van Limborch, Dating 1691 - 1759.

. Interior with a fireplace and a candlestick with burning candle, at night. Thetis is squatted at the fireplace and fired the fire where they want to keep Achilles to make him immortal. Achilles leans on her knee. On the right in the background, Peleus watches. In the middle of: 4. Fourth prints from a series of fourteen with scenes from the life of Achilles.

Jupiter and Antiope 1540-45 Antonio Fantuzzi Italian. Jupiter and Antiope 336758

Sitting young man with two children, Adamo Scultori, After Michelangelo, c. 1585 print Figures from Michelangelo's ceiling painting. Numbered below: 49. Print Maker: ItalyaFter Painting by: Vatican City paper engraving father and child(ren), man and child(ren) (family group)

Two lovers on a bed, from 'The Loves of the Gods' ca. 1531-76 Giulio Bonasone Italian. Two lovers on a bed, from 'The Loves of the Gods'. The Loves of the Gods (Amorosi diletti degli dei). Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). ca. 1531-76. Engraving. Prints

Jupiter an Alcmene, c. 1537 - c. 1555 print Jupiter seduces Alcmene in the form of her husband Amphitryon. Alcmene gets pregnant and later gives Hercules. Jupiters Adelaar is sitting on the ground next to Jupiter and Alcmene. Print from a series of 10 prints that illustrate Jupiter's love life. unknown paper engraving Jupiter, in the guise of Amphitryon, and Alcmene, mother of Hercules

Two Van Diana's Nymphs at a stream, Jan Saenredam, After Hendrick Goltzius, 1616 print Two nymphs from the result of Diana. They are next to a stream. One of the nymphs empties her water jug into the stream. The print is part of a three -part series by Diana and her nymphs. Assendelft paper engraving container of ceramics: jar, jug, pot, vase. brook. companions, nymphs of Diana; 'Ninfe di Diana' (Ripa)

Two children with grapesros, Jan van Munnickhuysen, after Gerard de Lairesse, 1664 - 1721 print Two naked children at a fire pot. One child tries to steal grapes from the grapes of the other. Under the show a two -way verse in Dutch, which indicates that grapes are fiercely coveted in the winter time. paper engraving bunch of grapes. cupids: 'amores', 'amoretti', 'putti'. children's bacchanal. warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Venus and Adonis. Venus and her beloved Adonis loves each other. They are crowned by Amor. Venus holds Adonis' Arrow and Arch. This print is part of an album.

Nymphs and Diana Bathing, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1787, Engraving

William Wynne Ryland after François Boucher, Jupiter and Leda, 1758 Jupiter and Leda

Venus and Cupid. Artist: Sadeler, after Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: H. 7-3/8 x W. 5-3/16 in. (18.7 x 13.3 cm.). Date: 1571-1650. Museum: Metropolitan Museum of Art, New York, USA.

Sculpture group with Mercury and a goddess; Mercury Mechanic Amplexantis Statua in Aedibus Farnesianis; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Annibale Carracci, Venus and a Satyr, 1592 Venus and a Satyr

Venus en Vulcan, Enea Vico, after Parmigianino, 1543 print On the left, Venus is on a bed and Vulcanus is working in his blacksmith. paper engraving Vulcan in his smithy. Venus asleep

Venus crowning love

Pan Taming Eros. Dated: 1599. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: AGOSTINO CARRACCI.

Apollo and the Invention of Music, Gerard de Lairesse, 1675 print With a burning torch, Apollo stands next to a muse dressed in a rug decorated with musical notes. Her arm supports a column on which a viola lies. The relief of the column shows music playing muses. On the left in the background are cyclopen with hammers around an anvil, on the right is a figure to make music. paper etching (story of) Apollo (Phoebus). (story of the) Muses; 'Muse' (Ripa). the Cyclopes forging

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Venus and Cupid, Venus reaches for a bowl which Cupid is holding above his head., print, prints, height 135 mm, width 126 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, after design by, Publication (Event), Publication, 1627 - 1691, publisher

Father time revealed the truth. Father time and a putto reveal the personification of the truth. The truth is on a stone in the outdoors.

Italy, Cantarini, Simone, Holy Family with the young John the Baptist, verso - stamped, Mary and Joseph are sitting. The Christ Child is standing on Mary's lap. In the background is the young John the Baptist with a banner., print, prent, prints, height 130 mm, width 82 mm, Italian, 1612-08-21 - 1648-10-15, print maker, printmaker, 1622 - 1648, paper, papier, etching, etsen

Etching by Augustin Hirschvogel from 1548 depicting a satyr with a wife and child under a tent, showing mythological figures in domestic interaction.

An angel appearing to Hagar 1727-72 Pietro Monaco Italian. An angel appearing to Hagar 396200

Venus Kamt Haar Haren, Giles Sadeler (2), after Bartholomew Spranger, 1580 - 1629 print Venus is naked in a departure and combs her very long hair. Cupido stands next to her and raises his arrow. On the ground on the left is his arrow sleeve; On the right are a water jug and scale on the ground. unknown paper engraving toilet of Venus. comb, brush and other tools (care of the hair). Venus and Cupid (Cupid not being mere attribute)

Muse erato with putto and tambourine, Albert Ardail, after François Boucher, 1890 print print maker: Franceafter painting by: Franceprinter: Paris paper etching / engraving Erato (one of the Muses); 'Erato' (Ripa). woman (showing herself) undressed, quasi-nude

Charity breastfeeding a baby, a child and an elderly man by her side. Engraving by L. Desplaces after C. Le Brun.

Bacchanale 1767 Jean Michel Moreau the Younger Moreau was from a family of artists and began his training young, entering the studio of Louis Joseph le Lorrain. He was granted a prestigious series of appointments in the royal household and is responsible for a prodigious output of works on paper, chronicling court events and creating designs for fashion plates and book illustrations. His work was frequently exhibited at Salons both before and after the French revolution. Unlike many of his surviving drawings, this large watercolor bacchanal was likely executed as an autonomous work, rather than as a model for a print.. Bacchanale. Jean Michel Moreau the Younger (French, Paris 1741-1814 Paris). 1767. Pen and black ink and watercolor, over traces of black chalk, heightened with white. Drawings

Meyssens, Joannes, Dyck, Anthony van, Schuppen, Pieter van, H. Sebastiaan, verso lower left - stamped, Saint Sebastian is tied to a tree. Two angels free him from his chains and remove an arrow from his body. On the ground lie Sebastian's armor and cloak. In the margin a Bible text from Jer. 30 and a dedication to the Maastricht Canon Matthias Laurix., print, prints, height 436 mm, width 325 mm, French, South Netherlandish, 1627-09-05 - 1702-03-07, print maker, printmaker, 1638 - 1670, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after a painting by, Publication (Event), Publication, 1612-05-17 - 1670-09-18, publisher

Title print for a series of chimney pieces with saters and nymphs, ca. 1700, 1690 - 1710 print Title print for a series of four chimney pieces with performances of Saters and Nymphs, ca. 1700. Lying naked woman spied by a satap that is grabbed by a cupid at a horn. Northern Netherlands paper etching satyr(s) spying upon

Two children playing: Spring and Autumn, Hendrik Bary, After Anthony Van Dyck, 1659 - 1677 print Two children playing, on the left autumn with a fruit and grain, on the right spring with a flower wreath. Under the performance one verse of two lines in Dutch. paper engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (+ allegorical or symbolical representation of seasons and months). spring, 'Ver'; 'Primavera' (Ripa) (+ allegorical or symbolical representation of seasons and months)

This 1520-1539 copper engraving by Giovanni Giacomo Caraglio depicts Cupido and Psyche, showing mythological figures, interaction, and classical motifs.

Neptunus and Amphitrite Kissing, John Smith (Print Maker/ Publisher), After Giovanni Jacopo Caraglio, After Perino del Vaga, After Titian, 1708 print London paper (story of) Neptune (Poseidon). (story of) Amphitrite - love-affairs. fishes

Venus Reclining with Vulcan at His Forge. Dated: 1543. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Enea Vico after Parmigianino.

Study for the rest of Apollo and Muses: Terspichore and Erato

Rome, Rossi, Giovanni Giacomo de', Italy, Testa, Pietro, Giovanni Cesare, The body of Christ mourned by angels, verso - stamped, The body of Christ lies on a rock. Behind the body are two mourning angels. Behind the angels are Mary and John. In the background a soldier with a lance on horseback and a foot soldier., print, prent, prints, prenten, height 195 mm, width 255 mm, Italian, 1625 - 1660, print maker, prentmaker, 1637 - 1691, paper, papier, etching, etsen, Work conception, 1612 - 1650, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

. Venus, in conversation with Amor, is spied by a Sater. Avching her a plaque with seven rules in French. Title print of part 2 of a series of prints with symbols, in total consisting of three parts with 23, 17 and 20 prints respectively.

Summer, Anonymous, After Jan Broedelet, 1690 - 1750 print Allegorical representation of the summer. A woman with bare bosom sits on a couch in the shade of the parasol who holds a putto in front of her. On the floor are a bundle of grain and a sickle and on the couch is a glass of wine. Netherlands paper engraving summer, 'Aestas'; 'Estate' (Ripa). agricultural implements: sickle. vine. parasol, sunshade

Pero sucks chain cimon in prison, Hans Sebald Beham, 1544 print paper engraving But Suckling Cimon ('Roman Caritas')

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Bloemaert, Abraham, Haarlem, Jupiter and Danaë, verso lower left - stamped, Jupiter descends on Danaë in the form of a rain of gold coins. Danae's old servant holds up her apron to catch the gold., print, prints, height 196 mm, width 254 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1610 - 1610, paper, papier, engraving, engraving (printing process), Work conception, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher, uitgever, 1552-07-18 - 1612-01-20, verlener van privilege

Print made by Bernard Lens, 1659-1725, British, Bacchus, undated. Mezzotint on medium, slightly textured, cream laid paper.

Odour, Jacob de Backer, 1570 - 1590

. Diana rests with her nymphs after hunting and is spied by three saters. The killed animals are on the ground for them.

Autumn, Magdalena van de Passe, After Crispijn van de Passe (I), 1617 - 1634 print Landscape with a few during the grape harvest. The woman wears a basket with grapes on her head and the man holds a bowl and a jug. In the background a young man who squeezes grapes. In the margin a two -way caption in Latin. Utrecht paper engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (+ ways of representing seasons and months). pressing grapes

Wine leads to lust; Consequences of drunkenness. The drunkard sits at a table and drinks from a cup of wine. Bacchus is standing next to him and points to the presence of the naked Venus and Cupid: wine turns to lust. The print is part of a four-part series about the consequences of drunkenness.

Plate 10: nymphs assisting Psyche to dress her hair, from 'The Fable of Psyche' 1530-60 Master of the Die Italian. Plate 10: nymphs assisting Psyche to dress her hair, from 'The Fable of Psyche' 396419

Jupiter andAntiope. Engraver: Girolamo Faccioli (Fagiuoli), Italian, active by 1539, died 1574 After: Francesco Primaticcio, Italian, 1504-1570

The Muse Erato 1890 Albert Ardail French. The Muse Erato 394340

Susanna and the elders, Antonie Wierix (II), 1579 - Before 1604 print Susanna is touched by two elders when bathing in a fountain. She tries to ward off them. A garden in the background. In the context under the show a two -way caption in Latin. print maker: Antwerppublisher: Amsterdam paper engraving the elders making advances towards Susanna

Toilet of Psyche with nymphs, master of the dice, after rafaël, c. 1530 - c. 1560 print In a bedroom, Psyche makes toilet with three assisting nymphs. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 10. Italy paper engraving Psyche is attended by invisible hands; the toilet of Psyche. nymphs (in general); 'Ninfe in commune' (Ripa)

Danae. Engraving by G. Duchange after P. de' Pietri after A. Allegri, il Correggio.

William Strang, 1859-1921, British, The Feast of Bacchus. Etching on wove paper.

Apollo seduces leucothea; Metamorphoses from Ovid. Leucothea, the daughter of the Babylonian king Orchamos, is seduced by Apollo, in the form of her mother. If the king hears this he leaves his daughter buried alive. In the background it is changed by Apollo in an incense bush. In the margin a four-line caption, in two columns, in Latin.

Two young women at a source. A young woman with a bare top leans on a jar that flows out, a source. In addition to her, a woman is standing with bare edging. The two women may be nymphatic possible.

Two Terms, a Nymph at left Silvanus at right ca. 1530-50 Giulio Bonasone Italian. Two Terms, a Nymph at left Silvanus at right 392734

Nessus raping Deianeira. Etching.

Mercury gives Paris the golden apple. Mercury and Paris in a landscape. Mercury floats in the air and gives Paris the golden apple.

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Apollo Abusing Leucothoe, c 1615 Apollo Abusing Leucothoe

A young painter and his model, Alexandre Chaponnier, After Jean Frédéric Schall, 1781 - 1805 print In a painter's studio, a young painter kisses his naked model. In his hand he holds a palette with brushes. On the right is a painting box and a painting on a donkey with two naked female figures. paper engraving artist's model, sitter. painter working from nude model. (lovers) kissing each other

Venus and Cupid with a mirror, Anonymous, 1650 - 1800.

Lot and his daughters. Draughtsman: Gerard ter Borch (I). Dating: in or after c. 1620 - 1630. Place: Zwolle. Measurements: h 170 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

Three Grates with a medallion with the portrait of Balthazar de Vias, Claude Mellan, 1660 print print maker: Franceafter own design by: Francepublisher: Paris paper engraving Graces (Charites), generally three in number; 'Gratie' (Ripa). ornament ~ medallion. historical persons

Venus Giving Nectar to Cupid 18th century Pierre François Basan French. Venus Giving Nectar to Cupid 394215

Shepherd and shepherdess in landscape, pastorals, Arcadian scenes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., Cornelis van Dalen (II) (mentioned on object), Amsterdam, 1648 - 1664, paper, engraving, h 212 mm × w 260 mm

Vertumnus and Pomona. Vertumnus, the Italian god and protector of gardens and orchards, and pomona sit in intimate attitude at a fountain in a garden. There are two goats behind them.

Cupid and Psyche. Date/Period: Between 1690 and 1699. Historical subject. Mezzotint on medium, slightly textured, cream laid paper. Height: 241 mm (9.48 in); Width: 330 mm (12.99 in). Author: BERNARD LENS.

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Isaac Promises Esau a Second Blessing, verso - stamped, Isaac lies in bed and promises his son Esau, who is standing at the foot of the bed, a second blessing. Jacob and Rebecca are in the background on the left., print, prent, prints, prenten, height 166 mm, width 183 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Vertumnus en bossa, Jan Network (i), After Caspar Netscher, 1681 - 1726 print Vertumnus, the Italian God and protector of gardens and orchards, and Pomona are in an intimate position at a fountain in a garden. There are two goats behind them. paper Vertumnus and Pomona. goat

Fall, Jan Saenredam, after Cornelis Cornelisz. van Haarlem, 1605 print Eva offers Adam an apple from the tree of knowledge of good and evil. Around a branch of the tree, the snake is wrinkled that provides Eva another apple. Around the tree some animals (cat, dog, frog, parrot and fox). In the background the creation of Eva from a rib of the sleeping Adam. The print has a Latin caption with assignment. paper engraving Eve offers the fruit to Adam. Eve emerges from Adam's body

A man and a woman engaged in sexual intercourse on a chair; folding screen in the background. Etching, ca. 1780.

The Three Graces ca. 1630-74 Pieter de Jode II. The Three Graces. Pieter de Jode II (Flemish, 1606-ca. 1674). ca. 1630-74. Engraving; first state of two. Prints

Personification of Astrology. A woman, sitting on a boulder and in her hand a staff with a cloth tied around it. Next to her a globe with the constellations and a skull. A copy in mirror image. Astrology, print maker: anonymous, Parmigianino, (mentioned on object), c. 1520 - c. 1590, paper, etching, drypoint, h 158 mm × w 108 mm

Jupiter and Leucothoe Possibly by Robert Willemsz de Baudous Netherlandish. Jupiter and Leucothoe 398702

The Deposition, Richard Cosway, 1742-1821, British, undated, Black ink, gray ink, graphite and watercolor on medium, slightly textured, cream wove paper, Mount: 13 3/4 x 11 3/8 inches (34.9 x 28.9 cm) and Sheet: 9 x 7 inches (22.9 x 17.8 cm), apostles, disciples, flags, horses (animals), lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns), lanterns (lighting devices), pennants, religious and mythological subject, robes, sandals, soldiers, standards

A woman representing Charity, with three children. Engraving by C. Caukercken after A. Van Dyck, 16--.

Deposition. Valentine Green (England, 1739-1813)Lodovico Carracci (Italy, Bologna, 1555-1619). England, 1775. Prints; mezzotints. Mezzotint

Diana Als Jageres, Paulus Pontius, 1616 - 1657 print The naked goddess Diana sleeps under a tree. Her arrow sleeve is next to her. Antwerp paper engraving / etching (story of) Diana (Artemis). sleeping; unconsciousness

Nine fantastic female figures, Johannes Josephus Aarts, 1897 print Bottom left a woman with wings, to the right of the middle a gorgin, a woman with snakes instead of her. Above the middle a woman on a throne. paper Gorgons. woman (showing herself) undressed, quasi-nude. fabulous beings with wings

Thetis lubricates Achilles with ragweed, print maker: J. Alexander Janssens, Victor Honoré Janssens, c. 1700.

A woman in a window with drawing tools in front of her, drawing toward the Capitoline Venus in front of her in the window sill. Behind her a man with a sculpted head in his hands. Below the window a relief with putti., Woman drawing in a window, print maker: Johannes de Mare, (mentioned on object), after: Adriaen van der Werff, (mentioned on object), 1827, paper, engraving, etching, h 436 mm × w 320 mm

Tarquin and Lucretia. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona); Johann Peter Pichler (Austrian, Bolzano, 1765-1807). Dimensions: sheet: 14 1/8 x 17 1/4 in. (35.8 x 43.8 cm). Date: 1792. Museum: Metropolitan Museum of Art, New York, USA.

An anonymous drawing depicting the Grave of Christ, executed in red chalk.

Psyche is convinced by her sisters; Story of Amor and Psyche. Psyche is convinced by her two sisters that she didn't sleep with Amor but with a toxic snake. At the top right of the two sisters that are brought to Psyche by Zephyrus (Westwind Personification). Italian text in two cartouches in undermarge. Twice numbered bottom left: 12.

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