Classical Decorative Art

Richly adorned wall and textile designs featuring mythological figures, foliage, and decorative elements in intricate, vibrant styles.

Orphrey; silk and metallic yarns on linen

Wall painting with cupids, tigers, foliage, satyrs, and herons from the Casino of the Palazzo del Te, Mantua, 16th century. Handcoloured lithograph by Dettmers after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Sidewall, Block printed on handmade paper, Arabesque paper with Priestess of Venus pouring libations, under bower supported by doves and suspended crossed arrows. The figure stands on a lambrequin, with floral scrolls, floral swags and bead swags, and floral bouquets. Printed in twelve colors on green ground., Paris, France, 1789, Wallcoverings, Sidewall

Orphrey; silk and metallic yarns on linen

A 1772 copper engraving and etching by Giovanni Volpato depicting Loggies of Raphael in the Vatican, series I/6, illustrating Renaissance frescoes and architectural decoration.

Ornament Design, Paterae and Roman Standards. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Window Shade (USA); paper, hand painted

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, graphite on paper mounted on tan illustration board; Image: 10.5 x 5.6 cm (4 1/8 x 2 3/16 in.) Sheet: 12 x 7.1 cm (4 3/4 x 2 13/16 in.)

'Stained Glass of Hans Philipp Offenbürger'. Switzerland, 1575. Dimensions: 39x30,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous master.

This 1774 colored copper engraving and etching by Giovanni Volpato depicts a section of Raphael's Loggias in the Vatican, showing architectural elements and decorative frescoes.

Job Goudlekin, gilt punched fond with painting of rumors of seed beads and S and C-voluten within which floral vases, flower and fruit branches and garlands. The gold punched fond is painted with refreshments of seed beads and S and C-Volutes, within which Flower vases. Fruits and flower branches are still applied at the bottom of fruits and flower garlands with birds. The painting is executed in different shades of gray, red, green and blue.

Schonert Erich, colored composition (28.02.1905): View. Tusche watercolor on paper, 68.6 x 43.5 cm (including scan edges) Schonert Erich (geb. 1881): farbige Komposition

AZULEJO DE LA VIRGEN DEL PRADO - AÑO 1747. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN.

Design for a dining-room wall, France, (1928). 'About 1715-1720...Ascribed to Claude Gillot 1673-1722, born in Paris...known as Jean-Antoine Watteau's teacher'. After a water-colour. Plate XCV, fig 188, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Design for a Panel Decoration with Trophy Weapons. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Painted Ceiling, Jan Schtchukin, Russian, 1759 - 1828, Graphite, pen and black ink, brush and watercolor on paper, Vertical rectangle decorated with five ovals; the center oval is outlined with a floral garland and shows two men with a female satyr. This is surrounded with grotesque decorations., England, 1884, interiors, Drawing, Drawing

Italian No 4 Plate LXXXIX From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

Greetings Card, 1857-1865. From a collection of Valentine, Christmas and Birthday cards

A 1772 colored copper engraving by Giovanni Ottaviani depicting Pilastro II of Raphael's Vatican loggias, featuring a horse saddled on the left.

Textile; silk on cotton; Bequest of Marian Hague; 1971-50-143

Murals from the Palazzo Imperiale (Ducal Palace), Mantua, Italy, painted in the 17th century. Handcoloured lithograph by Berth from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Design for wallpaper featuring rinceaux and carouches framing figures. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 12 3/8 x 9 7/16 in. (31.4 x 23.9 cm)image: 5 5/16 x 2 13/16 in. (13.5 x 7.1 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Decorated Initial D. Date/Period: First quarter of 11th century. Folio. Tempera colors, gold, silver, and ink on parchment. Height: 232 mm (9.13 in); Width: 179 mm (7.04 in). Author: Attributed to Nivardus of Milan.

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on paper; Sheet: 14.3 x 8.6 cm (5 5/8 x 3 3/8 in.); 1943-33-1-22

Fragments of mosaic pavement found in 1811 in the bath of a Roman villa at Bognor Bignor, Sussex Dosso, Euheli Del. Fraillery. still image. 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Architectural decorations & ornaments, Fountains, Nymphs (Greek deities), Mosaics, Patterns (Design elements), Floors, Ganymede (Greek mythology), Mosaic pavements, Eagles in art, Antiquities , Roman+, Villas, Bignor (England)

Doflein Karl (1856-1943), window for the house of the architect association in Berlin. Monthly competition January 1881 (2nd competition) (01.1881): View. Ink on cardboard, 57 x 37.7 cm (including scan edges) Doflein Karl (1856-1943): Fenster für das Haus des Architekten-Vereins zu Berlin. Monatskonkurrenz Januar 1881 (2. Wettbewerb)

Call letter with decorative frame. Greeting letter with unwritten cartouche inside a decorative frame with above two performances from the life of Christ and among two street faces with winter entertainment. Approx. 1800-1850.

Warsaw. Fragments of wall paintings in the Ballroom of the Palace on the Isle in the Royal Łazienki Park - two views in the scale of 1:10. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Depicts Series III/2 of Raphael's loggias in the Vatican, engraved and etched by Giovanni Volpato in 1774, showing interior architecture and decorative details.

Pair of panels 18th century French. Pair of panels 189398 French, Pair of panels, 18th century, Wood, painted white and gilded, Overall .119a (confirmed, depth approximated): 111 3/4 x 21 1/4 x 2 in. (283.8 x 54 x 5.1 cm) Overall .119b (confirmed, depth approximated): 112 x 20 7/8 x 2 in. (284.5 x 53 x 5.1 cm) Overall (historic dimensions, superceded): 111 7/8 x 21 in. (284.2 x 53.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.119a, b)

Vitrail d'une chapelle de l'église des cordeliers de Rieux à Toulouse.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Decorated arch capital in a small bathroom in the Fugger Houses, Maximilianstrasse, Augsburg, 17th century. Gewoelbekappe aus dem kleinen Badezimmer im Fuggerhause, Augsburg (XVII Jahrh). Chromolithograph by L. Mauss from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

LIBRO DEL TOISON DE ORO - EMBLEMA DE CARLOS EL TEMERARIO - MANUSCRITO - SIGLO XVI. Author: SIMON BENING (1483-1561). Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Painted decorative box showing the Judgment of Paris from the late 15th century. Paris in gold suit of armour lies before Mercury in red robes and three naked goddesses Hera, Athena and Aphrodite. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by B, lithographed by H. Petersen. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Frieze (USA); Manufactured by Frederick Beck & Co.; embossed paper; 76 x 51 cm (29 15/16 x 20 1/16 in.)

Album n � 4; Stained glass project for Isle Adam; Unique traveled window: let the little children come to me Gsell-Laurent workshop. Album n � 4; Stained glass project for Isle Adam; Unique span window: let the little children come to me. Pencil, black stone on layer.

Calendrier belgique, curieux et utile, contenant les evenemens historiques sur les jours de l'an, et les travaux à faire dans les jardins en chaque mois de l'année, la description des tableaux remarquables, que l'on trouve dans la ville de Gand, avec les noms des peintres pour l'annėe MDCCLXXII 1772 Pierre de Goesin White leather painted and gold-stamped binding. Each cover has three small paintings encased in ornamental frames. Inside the front cover is a mirror; inside the back cover, a pocket for calling cards.Calendar containing historical information, monthly gardening advice, names of local painters, and general information regarding the city of Ghent.. Calendrier belgique, curieux et utile, contenant les evenemens historiques sur les jours de l'an, et les travaux à faire dans les jardins en chaque mois de l'année, la description des tableaux remarquables, que l'on trouve dans la ville de Gand, avec les noms des peintres pour l'annėe MDCCLXXII 681349

Ceiling border, Block-printed paper, Wallpaper roll. Ceiling medallion, with large circular medallion having four corners, containing pink and blue flowers. Two square medallions between circles. Printed on tan ground., USA, 1875-1906, Wallcoverings, Ceiling border

Ornament Design, Tripod between Roman Standards. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Canon Table Page; T'oros Roslin (Armenian, active 1256 - 1268), T'oros Roslin (Armenian, active 1256 - 1268); Hromklay, Armenia; 1256; Tempera and gold paint on parchment; Leaf: 26.5 × 19 cm (10 7,16 × 7 1,2 in.)

Ceiling of a gentlemens room in the Lent House, Berlin, 1882. Architecture by Hermann Ende and Wilhelm Boeckmann, painted by Jewish decorator M.J. Bodenstein. Decke eines Herrenzimmers Villa Lent 1882, Berlin. Ende und Boeckmann Arch. M. J. Bodenstein Maler. Chromolithograph after from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Textile, Medium: silk Technique: 7&1 satin with supplementary warp and supplementary weft, Neo-classical design with long repeat. Blue, white and yellow. Both selvages present. Condition poor., ca. 1800, woven textiles, Textile

Overdoor (France); block-printed; 32 x 28 cm (12 5/8 x 11 in.)

A series of arabesques, painted in fresco by a number of Italian artists, from designs by Raphael in the Vatican, Rome Date: 1868

. Rectangular plaque of multi-colored padded faience, with a triangular frontone with a wearing eye at the top. In the middle, a woman and a child are modeled and painted in the colors green, red, yellow and blue. The modeled edge is blue painted with flower and leaf drinks in the colors yellow, green and red. The plaque is a copy.

Monuments of Paris 1816 Louis Hippolyte Lebas French. Monuments of Paris 222598

Arabesques : faïences murales : panneau représentant la kaabah et ses alentours (XVIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Faience tiles, Tiles, Islamic

Middle Ages: illuminated manuscripts, 15th century. Flowers and foliage in the French and Flemish schools from a Book of Hours of the Marquis of Paulmy 1-10, manuscript belonging to the Comte de Bastard 11,12, Hours attributed to Israel van Meckenen Bibliotheque Nationale MS 1173 13,14, and other manuscripts 15-18. Moyen Age. Hand-finished chromolithograph by F. Durin from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Ikona: Ogniste wstąpienie proroka Eliasza na niebo. nieznany warsztat rosyjski (1700-1970), factory

Canon Table Page; T'oros Roslin, Armenian, active 1256 - 1268; Hromklay, Armenia, Asia; 1256; Tempera and gold paint on parchment; Leaf: 26.5 x 19 cm (10 7/16 x 7 1/2 in.)

Fragment (China); silk

Banniere de Maximillien Sforza, Heraldry - Flags & Banners

Sketch for an introductory lounge of the Paris City Hall: Gait�. Caraldole Martial-Eugene Simas (1862-1939). Gait�. Farandole. Sketch for an introductory lounge of the Paris City Hall. Oil on canvas, 1892.

Design with a crowned w and JB on either side. .

. Fragment of an aurifries, with embroidery. The fragment has a medallion within a wide edge within which an image of "the assignment in the temple". Under the medallion, a Renaissance ornament of a vase with flowers is embroidered. The fragment belongs to Invnr. BK-NM-11712-b.

Embroidered Sampler 1795 Elizabeth Easton. Embroidered Sampler. American. 1795. Silk on wool (), embroidered. Made in Newport, Rhode Island, United States

Pen and watercolor drawing by Joris Hoefnagel depicting a grotesque composition with vases and fountains, using brown ink, gold, and cover colors on brownish prepared paper with black-brown framing lines, dated 1594/95 with later additions.

Design for Wallpaper with Alternating Vertical Rows of Pairs of Ornamental Frames of Two Sizes Framed by Interlacing Garlands of Laurel Leaves Tied by a Bow 1870-1900 () Anonymous, French, 19th century Rectangular sheet of paper with a design for a wallpaper from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of desig

Carved and painted oak wardrobe from Luneburg town hall, 15th century. With figure of the sun, the moon with a man's face Lunae burgum, and figures holding heraldic shields. Armoire en chene sculpte et peint a l'Hotel de Ville de Lunebourg (Hanover). Chromolithograph by Thurwanger after an illustration by H. Soltau from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Organization. Design for a painting.

Ornament Design with Ewer. Date: 1777. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Boite d'evangeliare. The magnificent Apollo gallery in the Parisian Louvre holds in addition to the French Kronjuwelen some of the most precious art objects of the Grande Nation. For the publication Le Trésor Artistique de la France, which is published from 1878, the photographer Léon Vidal releases the exquisite treasures. Also in the printing process one leaves on the expertise of the learned engineer. The method developed by Vidal photochromy technique, a method presented for the first time, makes it possible to transmit the color of the collection pieces in a quality reproduction. Similar to the chromolithography, three layers are printed separately into strong, translucent colors. As a base, Vidal takes a photomechanical image, which contributes the deep black tones to the colored image result; The degree forms a fine rivis layer. In the shiny figures, not only the radiance of the art objects, the expensive produced, elaborate copies are today masters today. (Annika Sellmann)

Emrik & Binger, Silk fabric from the 12th century, Silk fabric, 12th century, Silk fabric with griffins pattern, 12th century., print, picture, historical object representation, book illustration, prints, pictures, Frederik Muller Historieplaten, height 375 mm, width 292 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, papier, chromolithografie, printer, drukker

. Tile tile of twelve blue painted tiles (4 x 3) with the Roman Held Marcus Valerius Corvus in harness on the back, standing on a ground between plants. He is under a bow with a mask and in the swing of flours. At the bottom of the inscription: .anno. 16.34.

Study for the Boston Public Library Murals: Design for anArchway. Artist: John Singer Sargent, American, born Italy, 1856-1925, LL.D. 1916

Catalan Modernism. Original desing of tile of Arrimadero 31. Subsequently were manufactured by the factory of ceramic products (Hijos de Jaime Pujol y Bausis). (Founded in 1850). Artist Antonio Gallissa Soque (1861-1903).

Valentine - Wood

Schäfer Carl (1844-1908), Restoration Heidelberg Castle. Friedrichsbau (1900): View glass window with motifs: Industria. Ink, pencil watercolor on the box, 74.7 x 58.2 cm (including scan edges) Schäfer Carl (1844-1908): Restaurierung Heidelberger Schloss. Friedrichsbau

Job Goudlekin, gilt punched fond with painting of rumors of seed beads and S and C-voluten within which floral vases, flower and fruit branches and garlands. The gold punched fond is painted with refreshments of seed beads and S and C-Volutes, within which Flower vases. Fruits and flower branches are still applied at the bottom of fruits and flower garlands with birds. The painting is executed in different shades of gray, red, green and blue.

Hall on the upper floor with paintings by Benjamin and Jakob Orth, detail mural, St., Sankt, Saint

Sidewall (France); block-printed, stamped foil, applied chromolithograph

Gallen-Kallela, Akseli, Decorative page before the first chapter, watercolor, category: painting, 24.6 cm x 17 .7 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Capital Letter T James Tissot (French, 1836-1902). Capital Letter T, 1886-1894. Ink on paper mounted on board, Sheet: 4 1/2 x 4 1/2 in. (11.5 x 11.5 cm). European Art 1886-1894

Four designs for painted borders to decorate a room. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Matthäus Günther, German (1705-1788), Worshippers at the Tomb of Saint Peter, 1740-1741, pen and gray ink and pen and brown ink with gray, yellow, and gold wash, heightened with white and pink, over graphite on gray prepared paper, squared in graphite

Sidewall. Date/Period: Ca. 1860. Sidewall. Block-printed, stamped foil, applied chromolithograph. Height: 730 mm (28.74 in); Width: 5,150 mm (16.89 ft). Author: UNKNOWN.

Arabesques painted in fresco on a partially-coloured ground from the Palazzo Ducale, Mantua. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Wish letter with Neptunus, c. 1700 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with representations of putti, sword fighters, a hunting scene and allegorical figures with palm branch and blindfold. The figures largely consist of curls (calligraphy). Netherlands paper etching cupids: 'amores', 'amoretti', 'putti'. hacking and thrusting weapons: sword. fighting. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

Frieze (France); block-printed paper; 77 x 55 cm (30 5/16 x 21 5/8 in.)

Italy, Ravenna, Basilica of Sant'Apollinare Nuovo Ceiling (Large format sizes available)

Examples of Pompeian decorations on black and red background depicting marine creatures, birds, winged creatures and candelabra, drawing and chromolithograph by V Loria, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume IV - Supplement, plate 31, 1854, Naples.

Ex Libris of Christian young men Vereeniging Excelsior, Carel Adolph Lion Cachet, 1916 print A figure with helmet, sword and shield. paper printing block helmet. hacking and thrusting weapons: sword. protective weapons: shield. Christian religion Amsterdam

Summer Oscar (1840-1894), wall painting (without date): View. Pencil watercolored on paper, on cardboard, 65 x 49.1 cm (including scan edges) Sommer Oscar (1840-1894): Wandbemalung

The Marble Palace in the New Garden in Potsdam, Brandenburg, Germany, Europe

Embroidered Sampler. Culture: American. Dimensions: 13 1/2 x 10 1/4 in. (34.3 x 26 cm). Maker: Mary Munro (born 1776). Date: 1788.Mary Munro was a student at Miss Balch's School (1785-1847/8), the best-known girls' academy in Providence. Samplers like this one and later silk-embroidered needlework pictures made by Mary Balch's students form the largest body of schoolgirl needlework that can be attributed to a specific school. Although Miss Balch's school is not actually named in stitching on any examples, some say "Providence," and accurate depictions of well-known buildings in the city appear on others. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for Page Illustration; Made by Mabel T. Stout (American, active 1896 - 1904); 1951-25-2

Copper engraving and colored etching by Giovanni Volpato depicting Tor A of Raphael's Loggies in the Vatican, highlighting frescoed walls, architectural elements, and perspective.

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, watercolor on paper; Sheet: 19.3 x 12.4 cm (7 5/8 x 4 7/8 in.); 1943-33-1-12

Armenian Design, Designs & Patterns from History

Reinaert comes as a pilgrim to his wife Hermelijn, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (fol. 14): Van den Vos Reinaerde; Reinaert comes as a pilgrim, with Cuwaert de Haas, with his wife Hermelijn paper. cardboard. ink. pencil. chalk pen / brush fable of Reynard the Fox

Elias (fragment) from The Transfiguration of Christ. Franco-Flemish. Date: 1460-1470. Dimensions: 127.5 × 228.7 cm (50 3/16 × 90 1/16 in.). Wool and silk, slit, single and double dovetailed tapestry weave. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Dado (France); block-printed on handmade paper; 84 x 51.5 cm (33 1/16 x 20 1/4 in.)

Coloured bas-reliefs in the sanctuary of Wadi es-Sebua, Nubia, Egypt, coloured engraving by Bigant and Allais, from Antiquites de la Nubie, ou Monumens inedits des bords du Nil (Antiquities of Nubia or Unknown monuments on the banks of the Nile), Plate 46, by Francois-Christian Gau, 1822, Paris.

Character screen, two -slags, covered with twice three sheets elevated gold leather with a symmetrical Louis XIVe pattern, anonymous, c. 1700 - c. 1710 House screen, double-slags, covered with twice three sheets of elevated gold leather with a symmetrical Louis XIVe pattern with garden vase under canopies with antique portrait medallions, tire and napping work and a palmet. Painting in brown-red and green on gray soil. Northern Netherlands wood (plant material). leather. House screen, double-slags, covered with twice three sheets of elevated gold leather with a symmetrical Louis XIVe pattern with garden vase under canopies with antique portrait medallions, tire and napping work and a palmet. Painting in brown-red and green on gray soil. Northern Netherlands wood (plant material). leather.

Italian ornament

Portrait Cartes-de-visite album of Eminent Victorians; Camille Silvy (French, 1834 - 1910); England; about 1860 - 1862; Albumen silver print

Hope January 1, 1864 Freeman Gage Delamotte British. Hope 363571

Window with coat of arms with a passer and caption "Johannes Cohus stridiorus ... lecturer theologia anno 1699", Anonymous, 1699 Window with coat of arms with a passer and caption "Johannes Cohus Stridiorus ... lecturer theologia in 1699". glass. lead (metal). Window with coat of arms with a passer and caption "Johannes Cohus Stridiorus ... lecturer theologia in 1699". glass. lead (metal).

Crowd standing in front of decorated facade or monument. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 369 mm × w 290 mm. Museum: Rijksmuseum, Amsterdam.

of 3