Classical Deities Artwork

A collection of engravings depicting classical deities, including the moon goddess Luna and representations of Venus and Mercury, characterized by graceful poses and intricate attire.

Middle, from the cycle: virtues and disadvantages; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1552 (1st edition) (1552-00-00-1561-00-00);

Luna; LVNA; Gods that sit on the seven planets. The moon godin Luna, in her one hand a lance, in her other the crescent names.

Copper engraving by Marcantonio Raimondi depicting a crouching Venus, created around 1508, showing the female figure in a classical pose.

Sebald Beham, Venus Venus

Mercurius; Marcvrivs; Antieke Goden.An image of the God of Trade Mercury, placed in a niche. Mercury bears his typical attributes the winged sandals and the winged helmet the petasus. In his hand he holds the caduceus, a staff with two hoses. Next to him a rooster. Roosters usually take the car from Mercury. With a caption in Latin.

Satyr carrying a nymph restraining her right arm ca. 1515-27 Marco Dente Italian. Satyr carrying a nymph restraining her right arm 342489

Middle, from the cycle: virtues and disadvantages; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1552 (1st edition) (1552-00-00-1561-00-00);

Sater and Nymph. A Sater is wearing a Nymph.

Saint Agatha tied to a tree, her breasts have been cut off, from the series 'Piccoli Santi' (Small Saints) ca. 1500-1540 Anonymous. Saint Agatha tied to a tree, her breasts have been cut off, from the series 'Piccoli Santi' (Small Saints) 342866

Silenus supported by a young Bacchant, Anonymous, After Marcantonio Raimondi, After Rafaël, After Giulio Romano, 1520 - 1575 print Drunk Silenus is supported by a Bacchant. Both hold grape vines. To the left next to them are a wine barrel against which an inverted drinking bowl leans. There is an empty text plate on a branch of the tree, Italy paper engraving Male Bacchant (es). (Story of) Silenus

Fortune; Fortuna; Virtues and vices. Personification from Fortune (Fortuna). A woman standing with one foot on a ball, a sail in her right hand with the wheel of fortune on it. Fourded from a series of fourteen with personnifications of virtues and vices.

Speculum Romanae Magnificentiae: Apolinis (Apolinis in uiridario Magni Ducis Etruriae) 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound

Summer (Aestas) personified by a naked man shown on his back holding a sheaf of wheat under his arm, with a landscape in the background in which farmers are mowing the wheat. Representation in an ornamental oval cartouche. At top the signs of the zodiac associated with summer: Virgo, Cancer and Leo, Personification of summer (aestas) Aestas (title on object) The four seasons (series title), print maker: Jacob Matham, publisher: Jacob Matham, Haarlem, 1588 - 1602, paper, engraving, h 166 mm × w 108 mm

Woodcut by Meister der Celtis-Illustrationen showing the coat of arms of Christoph Scheurl and Helena Tucher, produced after 1512. The print features detailed heraldic symbols and composition typical of early 16th-century German woodcuts.

Sculpture of Venus and Amor; Venus in Aedibus Card. Farnesii; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Sebald Beham (German, 1500-1550), Venus, engraving

Marcantonio Raimondi possibly after Raphael, Prudence, c 1513 1514 Prudence

Hercules, grasping Antaeus at the waist with both arms and lifting him off his feet, in background at right the ruins of a temple, at left a group of trees against which are posed a club and the skin of a lion ca. 1500-1550 School of Marcantonio Raimondi Italian. Hercules, grasping Antaeus at the waist with both arms and lifting him off his feet, in background at right the ruins of a temple, at left a group of trees against which are posed a club and the skin of a lion. School of Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). ca. 1500-1550. Engraving; only state. Prints

Artist: Albrecht Dürer, German, 1471-1528, The Three Putti with Helmet andShield, ca.1501-2, Engraving, 13.2 × 8.7 cm (5 3/16 × 3 7/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Man with an Arrow, c. 1515. Benedetto Montagna (Italian, c. 1481-1555/58). Engraving;

Fortuna, Hans Sebald Beham, 1541 print Winged woman as a personification of Fortuna (Fortuin) with the wheel of fortune and a hopeful figure on top of the wheel. paper engraving Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Jupiter, plate two from The Seven Planets with the Zodiacs Artist's working dates 1520-1550 Germany. Engraving in black on ivory laid paper . Hans Sebald Beham

Foolishness of lust. A fucked the naked lust (Venus), Unknowingly of the fact that the woman, with the help of Cupid, plant a dagger in his back. The print has a Latin caption that warns of the dangers of sensual desire.

The Infant Bacchus Astride a Wine Barrel. Dimensions: plate: 6.6 x 4.1 cm (2 5/8 x 1 5/8 in.) sheet: 9.1 x 6.4 cm (3 9/16 x 2 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gaetano Gandolfi.

Prudence. 1500 - 1550. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Respice Finem, 1529. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

Enious, Heinrich Aldegrever, 1552 print Personification of envy. Woman sitting on a monster, in her right hand a banner with an image of two snakes. At the top right a coat of arms with a scorpion, above it a bat. Under the show a two -line text in Latin. Second print from a series of seven. paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins

Depicts the historical figure Lucretia, created as a copper engraving print by Giacomo Francia in the first half of the 16th century, showing a narrative from Roman history.

Dialectica Dialectic. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Male Nude from Panel of "The Drunkeness of Noah", 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Saint Theodore as a hermit Sanctus Theodore , print maker: Christoffel van Sichem (II), (mentioned on object), Abraham Bloemaert, publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 155 mm × w 105 mm

Italian 16th Century, Allegory of Fortune Allegory of Fortune

Illustration for the title page of the book 'Meditationes in Magni Hippocratis', Willem ten Rhijne, 1670 - 1672 print An old man, with a few pieces of paper on his lap, sits on the edge of a piercing stable. He points to an anatomical model that stands on the pedestal on which it is. The model has an escula monkey, a symbol of doctors. The Hague paper etching / engraving anatomical model of the muscles, muscle-man, 'écorché'. attributes of Aesculapius: rod and serpent

Bacchus, Ceres and Venus. Ceres and Venus are sitting next to a cornucopia. Two putti play on the ground. Another putto gives a drinking scale for Venus. Bacchus eats a grape tray, leaning on a wine barrel. On the ground is a coffin with valuables, next to it are a crown and a scepter.

Venus Ent Amor, Odoardo Fialetti, 1617 print Venus sits with a tree with an arrow in her hand. Amor is behind her. Cross their eyes. Italian fresh in the lower margin. print maker: VeniceVeniceItaly paper etching Venus and Cupid (Cupid not being mere attribute)

Allegory on the power of women, 1565 - 1639 print Allegory of the power of women. Naked personification of the power of women. Two children, fruits of the land and weapons at her feet. She squirts milk from her chest in the mouth of one of the children. The caption refers to the competition under the bodyguards of the Persian king Darius about who is the most powerful (3 Esdras 4: 13-33). Part of a series of four allegories. paper engraving Womanhood. Zerubbabel, the third guardsman, says (writes) that women are strongest ~ contest of the three guardsmen. breasts giving milk - AA - female human figure

Image of Jupiter in the southern gallery of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print Image of Jupiter in the western part of the southern gallery of the Town Hall on Dam Square in Amsterdam. In his hands lightning bolts, an eagle and a ram at his feet. At the bottom of the middle: L. paper etching / engraving (story of) Jupiter (Zeus). attributes of Jupiter. attributes of Jupiter: eagle. attributes of Jupiter: thunderbolt City Hall of Amsterdam (1655-1808)

Hercules Farnese. Statue of Hercules, known as Farnese Hercules. Hercules, muscular and heavy construction, is naked in a niche and leans on his knots. The lion's skin is hanging over the club. The statue was carved in the third century after Christ from Marble to an antique sculpture by Glycon and is currently in Naples National Archaeological Museum. Previously it stood in Palazzo Farnese, from where it got its name. On a rock next to Hercules some words in the Greek. The print has a Latin caption.

Apollo ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Apollo. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Venus blinddoekt Amor, anonymous, after Odoardo Fialetti, in or after 1617 print Venus and Amor in a landscape. Venus puts Amor a blindfold. Italian fresh in the lower margin. print maker: Italyprint maker: Veniceafter print by: Venice paper etching Venus and Cupid (Cupid not being mere attribute). attributes of Cupid: blindfold

Cumean Sibyl, from the series of Sibyls ca. 1530 Lucas van Leyden Netherlandish. Cumean Sibyl, from the series of Sibyls 364729

Sebald Beham (German, 1500-1550), Jupiter, engraving

A copper engraving from 1515-1530 depicting a man with the base of a pillar, illustrating early 16th-century European architectural and figure study.

Young hero at an altar, Agostino Veneziano, After Rafaël, 1500 - 1536 print A young man with a helmet on the head stands by an altar. There are parts of armor and a fallen jug on the ground. paper engraving altar ~ Roman religion. armour

Lucretia, Hans Collaert (I), after Lambert Lombard, 1530 - 1580 print The naked Lucretia in a niche. She is about to get through with a dagger. The print is part of a series with designs of well -known people from the Bible, mythology and antiquity as the subject. print maker: Antwerpafter design by: Liège paper engraving (story of) Lucretia

Fall, Anonymous, After Hans Sebald Beham, After 1550 print paper Temptation and Fall (scenes with both Adam and Eve)

Copper engraving by Sebald Beham depicting the concept of Happiness, created in 1541, showing allegorical figure, posture, and symbolic elements.

Vellert, Dirck, The drunken drummer, verso lower left - stamped, Drummer with left foot on drum and can with drink in right hand., print, prints, height 94 mm, width 58 mm, South Netherlands, 1485 - 1547, print maker, printmaker, 1525-03-08 - 1525-03-08, second quarter 16th century, paper, papier, etching, etchings

Jacques Callot, Lust, probably after 1621 Lust

The Labors of Hercules: Hercules Shooting Nessus, 1542. Hans Sebald Beham (German, 1500-1550). Engraving;

Estius, Franco, Goltzius, Hendrick, Quis evadet, Allegory of Transience, verso - stamped, A putto sits on the ground and leans against a skull, while in his right hand he holds a pipe with which he has blown bubbles. In his left hand he holds a shell, Behind him a censer from which smoke rises. Below the representation a four-line text in Latin., print, prent, prints, height 208 mm, width 155 mm, print maker, printmaker, 1594 - 1667, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1558-01 - 1617-01-01, after a print by, writer

Faun Family. Dated: c. 1507. Dimensions: sheet (trimmed to plate mark): 27.6 x 21.7 cm (10 7/8 x 8 9/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Palumba.

Sebald Beham (German, 1500-1550), Jupiter, engraving

Copper niello engraving by Marcantonio Raimondi depicting Maria Magdalena, created between 1510 and 1527.

The Man of Sorrows. 1520. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venus sailing in a shell, Dirck Vellert, 1524 print Naked Venus in shell with sail, rowing chip and burning torch. In the sky cupido with arrow and arch. Missing corner to the bottom left and part of the bottom of original print, so the signature and part of the date has been lost. paper engraving Venus, standing on a shell, sails with her veil over the water (alternatively she is riding on a dolphin): Venus Marina. (story of) Cupid, Amor (Eros)

Saint Sebastiaan tied to column.

Astronomy; Astrologia; Seven liberal arts. Sitting woman as astronomy personification (astronomia), her arm rests on a sky globe and with her other hand she points to stars in heaven. There is a passer next to her. A putto looks at the stars with a sextant.

Sparkling child, Cornelis Schut (I), 1618 - 1655 print A child is sitting on a swing. Three other children watch. One of them holds a rope or ribbon that looks like the swing. paper etching swing

Venus; The seven planets. Seen Venus, nude and from the front, Cupid holds them at his left hand, in her other hand a cup. A kissing couple in the background. One from a series of seven prints with gods that depict the planets.

Under a canopy is a man who pours a wine bag empty; Flat decorations with grotesken; Grotesque. From top of a Sater, standing between two eagles, from below a Sater a wine bag empty. In den l.b. CB, in the R.B. 1548.The Canopy is Worn by Four Columns. On The Canopy is a Vase in Which a Sater Hangs, Flanked by Two Eagles. One or 4 blades from a Series or 6.

A deathbed: a man breathes his last, the devil flies down and grabs his soul (in the form of a baby) from his mouth. Engraving, 16--.

Modesty, from the cycle: Virtues and Vices. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Heinrich Aldegrever, Patience, 1552 Patience

The Engraved Passion

Rodanus river god; Rodanvs; River and sea uts; Semideorum Marinorum Amnicouque Sigillariae Imagines Peregantes. The Rodanus river god (the Rhone), seated on a stone block. The print is part of a seventeen-part series about river and sea uts.

Design for a vignette with two putti with the coat of arms of Holland, Gerard de Lairesse, 1668 - 1670, Proof of a map with the design drawing for a vignette drawn into the engraving. Design for a print., draughtsman: Gerard de Lairesse, print maker: anonymous, 1668 - 1670, paper, pen, brush, engraving, h 81 mm × w 150 mm

Month

Copper engraving from 1509-1550 depicting Apollo, showing the god of the sun, lyre, and mythological attributes in a classical composition.

Justice and caution. Naked justice sitting on a brochure of a column, blindfolded and with a sword and a scales in her hands. In addition to her viewed the caution on the back, with a mirror in one and a snake in the other hand. In the background classical architecture and a city.

Adam and Eve 1519 Hans Baldung (called Hans Baldung Grien) German. Adam and Eve. Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg). 1519. Woodcut. Prints

Beham, Hans Sebald, work, Suffering Christ at the foot of the cross, 1520, copper engraving, graphics, sheet width 8.8 cm, sheet height 13, 2 cm, image width 8.5 cm, image height 13 cm

Saint Onuphrius Humphrey. Etching after Annibale Carracci.

Venus, monogrammist AC (16th century), After Hans Sebald Beham, 1520 - 1562 print Venus and Cupido with arrow and arch and putto. Text above putto: Amica. Low Countries paper engraving (story of) Venus (Aphrodite). cupids: 'amores', 'amoretti', 'putti'

Homo bulla, Hendrick Goltzius (workshop of), after Agostino Carracci, 1590 print Putto sitting on a skull, calling with water from a shell. On the right a smoking barrel, on the left a vase with flowers. At the bottom of the show the words "Quis evadet" And under the performance eight lines of Latin. paper engraving (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

Sebald Beham's copper engraving 'The Hope' showing an allegorical personification of hope, executed with precise line engraving.

Jacopo Francia, Lucretia, c 1510 Lucretia

Venus with two putti. Venus, standing with a burning heart in her right hand and a horn in her left. One putto pulls on the canvas that she carries her medicine, a second putto is squat in the ground.

Lucas van Leyden, Temperancia (Temperance), 1530 Temperancia (Temperance)

Sculpture of Apollo, Hubert Quellinus, 1646 - 1670 print Classic sculpture from Apollo leaning on his winch. On his head a laurel wreath and a bay branch in his left hand. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Hercules Killing Nessus, Hans Sebald Beham, German, 1500-1550, Engraving on off-white laid paper, 1542-48, figures, Print, Print

Venus after the bath.venus sitting on the bathridge, dries her foot with a cloth. Next to her is Cupid.

Master IS (active c. 1534), Judgment of Paris, 1534, engraving

Barthel Beham, Naked Woman on an Armor (Prudentia), 1520s Naked Woman on an Armor (Prudentia)

Healthcare; Socordia; Virtues and vices. Personalization of healthcare unfortunate (Socordia). A woman with a card game in the left hand and a tiger board in the right hand, a ball game and a ring lying on her feet. Sixth print from a series of fourteen with personnifications of virtues and vices.

Waternimf Venus Acidalia; Acidalia; Stroom- en waternimfen; Nimpharum oceanitidum, ephydridum potamidum naiadum.The river godin Venus Acidalia, seated on a stone block. The print is part of a seventeen-part series about electricity and water nymphs.

Fortuna; The fortunes of life. Fortuna is in a shell in the water. A port in the background. Nr. 1 From series virtues and vices that determine the fortunes of human life.

Suicide of Lucretia, Enea Vico, After Marcantonio Raimondi, After Rafaël, 1541 print Lucretia is about to get through with a dagger. In the background a glimpse to a landscape. On the right a text in Greek. print maker: Italyafter print by: Italyafter design by: Italypublisher: Rome paper engraving / etching death of Lucretia: she commits suicide by stabbing herself. city-view, and landscape with man-made constructions

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Sculpture of amor; Cupid. Classic sculpture of a boy with curly hair and a cloth around his waist. He looks up and has his right hand in the air. Bottom right: D. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Jan Asselijn, Painter, Rembrandt van Rijn, c. 1647 print paper etching / drypoint portrait, self-portrait of painter

Hercules and Cerberus. 1550. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Judge Herkinbald (Archambauld) Stabbing his Nephew 1553 Heinrich Aldegrever German. Judge Herkinbald (Archambauld) Stabbing his Nephew 341208

Christ child with victory bodies. The Christ child holds a victory barrel. It is surrounded by putti and cherub.

Vatican City, Raphael, Italy, Villamena, Francesco, La Sacra Genesi, Paintings in the Loggia of Raphael, Eve offers Adam the forbidden fruit, verso - stamped, The naked Adam and Eve at the tree of knowledge of good and evil. The snake coils around the trunk of the tree. After Eve eats the forbidden fruit, she gives the fruit to Adam and tempts him to eat it too. Numbered lower right: 6. Reference to Bible text in bottom margin., print, prints, height 173 mm, width 187 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1626 - 1626, paper, engraving, engraving (printing process), etching, plate tone, 1483-04-07 - 1520-04-07, after painting by

The Woman And Dog - Bartsch 154 Lucas de Leyde (1494-1533). The woman and the dog - Bartsch 154. Burin. 1510. Museum of Fine Arts in the city of Paris, small palace.

St. Sebastian at the Column, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, The saint is shown full-length, facing the spectator, his figure turned slightly to the right. He is bound to the column, his hands tied behind his back. Four arrows have pierced his body. The monogram of the artist appears on a paper which is attached to a stone shaft, lower left., Germany, ca. 1495, religion, Print, Print

Copper engraving by Marcantonio Raimondi from 1510-1527 depicting a shepherd and a reclining nymph, showing human figures, landscape, and pastoral theme.

Loseliness, Heinrich Aldegrever, After Cornelis Anthonisz., 1549 print Personification of dissolute (Lascivia). A woman, in the right hand she holds a spring up, with her left hand she squirts milk from her chest, a bear sitting at her. Eighth print from a series of fourteen with personifications of virtues and vices. Germany paper engraving Licentiousness, Lasciviousness; 'Lascivia', 'Licenza' (Ripa) (+ abstract concept represented by female figure)

The Love of Glory dated 1528 Agostino Veneziano (Agostino dei Musi) Italian. The Love of Glory. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1528. Engraving. Prints

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