Classical Etchings and Drawings

Artistic prints and sketches featuring religious themes, beggars, and men with dogs, highlighting classic techniques like etching and aquatint.

Olwene roams the forest, Karel Frederik Bombled, 1852 - 1902 print Olwene, a young, Celtic dressed woman, wander around in a forest. She clings to a few rocks. Illustration in the fifth singing of the epic praise Aeddon. paper etching forest, wood. Despair; 'Disperatione' (Ripa). extinct, 'historical' peoples: Gauls (+ women). tales and fairy tales (AEDDON)

Juan José Martínez de Espinosa (Engraver) (After Murillo, Bartolomé Esteban); Calcografía Nacional (Printer); Sociedad de Artistas / 'The Immaculate Conception'. 1874. Etching, Aquatint on laid paper; 1874. Etching, Aquatint on laid paper. Museum: Museo del Prado, Madrid, España.

Beggar, warms up at a gapchoor.

A man with a dog.

The rest on the flight into Egypt: a night piece, Rembrandt van Rijn, c. 1644 print paper etching / drypoint rest on the flight into Egypt

A man with a dog, Adam Elsheimer (Possible), After Antonio Tempesta, 1588 - 1700 drawing paper. ink pen dog

Coquette. Dated: 1900. Dimensions: plate: 13.8 x 10.7 cm (5 7/16 x 4 3/16 in.) sheet: 45.1 x 31.9 cm (17 3/4 x 12 9/16 in.). Medium: etching in black on Van Gelder Zonen wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Les Adieux (The Parting). Dated: 1879/1880. Dimensions: plate: 17.5 x 11.5 cm (6 7/8 x 4 1/2 in.) sheet: 23.4 x 16.5 cm (9 3/16 x 6 1/2 in.). Medium: etching, drypoint, roulette, and aquatint (spirit ground) in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Rest on the flight into Egypt: a night piece, Rembrandt van Rijn, c. 1644 print paper etching rest on the flight into Egypt

Olwene roams the forest, Karel Frederik Bombled, 1852 - 1902 print Olwene, a young, Celtic dressed woman, wander around in a forest. She clings to a few rocks. Illustration in the fifth singing of the epic praise Aeddon. paper etching forest, wood. Despair; 'Disperatione' (Ripa). extinct, 'historical' peoples: Gauls (+ women). tales and fairy tales (AEDDON)

Hendrik Goltzius, Standing Young Man with a Cane, probably c 1588 Standing Young Man with a Cane

A Fisherman Drinking Beside His Canoe 1894 France. Wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso) . Paul Gauguin

Riot. Sterner, Albert, 1863-1946. 1934. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Gueux with wooden leg said Capteyn Eenbeen Harmensz van Rijn Rembrandt (1606-1669). Girl with wooden leg said Capteyn Eenbeen (B 179 - 1st state), around 1630.

Suicide of Dido; Dido. Dido passes her own heart with a dagger. Behind her are the flames visible from the stake.

Pencil drawing by Hans Makart showing a man and woman as a lecture study on the right side of his first 'Pest in Florence' painting, on yellowish paper around 1868, focusing on figure composition and proportions.

Beggar seated warming his hands at a chafing dish, anonymous, after François Vivares, after Rembrandt van Rijn, 1719 - 1780 print paper Begin

Italy, Billy, Nicolo, Testa, Pietro, Archangel Michael, verso - stamped, The Archangel Michael with a large cross tramples a monstrous creature, half devil half serpent., print, prints, height 280 mm, width 185 mm, Italian, 1612 - 1650, intermediary draughtsman, after a drawing by, 1650 - 1750, paper, papier, etching, etchings, print maker, printmaker

Rembrandt van Rijn, Jacob's Ladder, 1655 Jacob's Ladder

Return of the Prodigal Son. Dated: 1916. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Christian Rohlfs.

Young woman in a chair browses through a print folder, Willem Geets (attributed to), 1848 - 1910 print paper etching adolescent, young woman, maiden. the graphic arts

Ceres Searching for Her Daughter n.d. Hendrick Goudt Dutch. Ceres Searching for Her Daughter. Hendrick Goudt (Dutch, The Hague 1583-1648 Utrecht). n.d.. Engraving. Prints

Etching by Rudolf Jettmar showing a scene of rain, emphasizing atmospheric effects and natural elements on brown paper, created in 1901.

Treasure Chamber, Marius Bauer, 1902 print Two men descend a staircase to a room with different objects in it. Light falls into the space through the doorway. paper etching depository (of valuables)

This late 15th-century copper engraving by Israhel van Meckenem depicts Samson tearing a lion, showing action, figures, expression, and composition.

Marcus saves a slaved man from his torture, John Baptist Jackson, after Jacopo Tintoretto, 1745 print paper slavery; serfs and the enslaved. St. Mark rescues a slave from martyrdom by coming down from heaven; the instruments of torture break

Albert Besnard, The Orgy (L'orgie), French, 1849-1934, 1900, etching in black on Van Gelder Zonen wove paper

Young Man Standing in Fluttering Dress. Dated: probably c. 1588. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

St. Jerome in Penitence, c. 1497. Albrecht Dürer (German, 1471-1528). Engraving; image: 32 x 22.5 cm (12 5/8 x 8 7/8 in.); sheet: 32 x 22.5 cm (12 5/8 x 8 7/8 in.).

St. Andrew. Conte Anton Maria Zanetti; Italian, 1680-1767. Date: 1740. Dimensions: 169 x 101 mm (image/sheet, trimmed to block). Chiaroscuro woodcut in brown and black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

The Flight into Egypt, 1470-1475, Martin Schongauer, German, c. 1440/53-1491, 9 3/4 x 6 9/16 in. (24.77 x 16.67 cm) (image), Engraving, Germany, 15th century

Three Men in a Landscape near Sculptures. Artist: Martin Johann Schmidt (Austrian, Grafenwörth 1718-1801 Stein). Dimensions: sheet: 12 5/16 x 7 15/16 in. (31.3 x 20.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, The Finding of the Bodies of St. Peter and St. Paul; Print Maker: Giovanni Benedetto Castiglione (Italian, 1609-1664); Italy; etching on paper; 32.2 × 22.7 cm (12 11/16 × 8 15/16 in.); 1896-31-51

LOr du Rhin. Scène 1re. Les Filles du Rhin , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Saturn looks at the fight, Daniel Nikolaus Chodowiecki, 1792 print Berlin paper etching (story of) Saturn (Cronus). attributes of Saturn: scythe. curtains. war

Galilée très-surpris du nouvel aspect qu'offre la surface de la terre (Actualités), from Le Charivari, 1867, Honoré Daumier, French, 1808-1879, 9 9/16 x 8 3/8 in. (24.29 x 21.27 cm) (sheet)18 x 14 in. (45.72 x 35.56 cm) (mat), Lithograph, France, 19th century

St. Christopher Crossing the Water with Christ on his Shoulders, 1513. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

The weather strike

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Mocking of Ceres, Hendrick Gold, After Adam Elsheimer, 1610 print The goddess Ceres, looking for her daughter Proserpina, rests with a hut. She drinks from a jug given to her by an old woman. A small naked boy next to the old woman points to Ceres and laughs her out. The print has a Latin caption. To a painting by Adam Elsheimer. paper engraving a little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house

Sketch sheet with some figure studies and landscape; La Planche Aux Croquis.

Perseus Returning the Eye to the Graiai, 1790-1800. Henry Fuseli. Graiai/Graeae: Three sisters of fate who shared one eye and tooth in Greek Mythology

Who would have thought that!, Francisco de Goya, 1797 - 1799 print Two naked witches in fight with each other. Two hairy samples come from the dark. Sixty -two print from the Los Caprichos series. Spain paper etching / drypoint witch, sorceress. fighting

Fantasy: Left Two figures with hats to the right, right a cracked appearance with plumage. Links Two figures with hats to the right, right a cracked appearance with plumage.

Two winged figures with crowns, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Two winged figures, each holding a crown. The figures are perpendicular to each other. Their heads are close together., France, ca. 1759-70, figures, Drawing, Drawing

Modes and manners of today, 1922, pl. 6: La Chasseresse, 1923 A hunter is bent against a tree with the head. She wears a cape with a large raised collar at a striped top and checkered skirt. Several animals around her, including a deer, squirrel, two rabbits, bird and dog. The print is part of a series of 12 woodcuts by Fernand Siméon, with lyrics by Paul Valery, for the seventh part (10th Année 1922) by Modes et Manières d'Aujourd'hui. Each edition had a circulation of only 300 pieces and was exclusively devoted to one artist who designed 12 prints around a certain theme. This series focuses on 'life of the fashionable woman in society'. paper fashion plates. coat (+ women's clothes). head-gear: hat (+ women's clothes). forest, wood. dog. rodents: rabbit. rodents: squirrel. hoofed animals: deer. hunter - CC - female hunter, huntress

Seated Youth ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Seated Youth. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Design for a sepulchral monument with a portrait bust; verso: Design for a reliquary (). Artist: Pieter Verbruggen the Younger (Flemish, Antwerp 1648-1691 Antwerp). Dimensions: sheet: 7 1/2 x 4 5/16 in. (19.1 x 11 cm). Former Attribution: Formerly attributed to Anonymous, Flemish, 17th century; Formerly attributed to Michiel van der Voort (Flemish, 1667-1737) (). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Dans une tranchée, des soldats allemands se rendent, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and black ink over pencil with white highlights;

Usury 1851 France. Zincograph in black on tan wove paper, laid down on ivory wove paper . Charles Rambert

Decorative Design, Walter Shirlaw, American, b. Scotland, 1838-1909, Black and red crayon on grey paper, A circular niche, framed by two hanging leaves, upon which two figures are shown playing musical instruments and two others sing from a book. Two putti crouch over the niche., USA, 1875-80, figures, Drawing, Drawing

Mocking of Ceres, The goddess Ceres, looking for her daughter Proserpina, resting at a hut. She drinks from a jug given to her by an old woman. A small naked boy next to the old woman points to Ceres and laughs at her. The print has a Latin signature. After a painting by Adam Elsheimer, a little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house, Hendrick Goudt (mentioned on object), Rome, 1610, paper, engraving, w 246 mm × h 311 mm

Floating people, fantasy firms and cats; Samples in the air. Among them a flat landscape with links buildings and a river in the middle.

"Clair-obscur woodcut by Ugo da Carpi around 1524-1525, reissued by Andreani 1602-1610, depicting apostles Peter and John with three plates and detailed composition."

Quast Ferdinand von (1807-1877), Two women of the Dayak/Dajak on Borneo (without date): Genres scene in front of a pile dwelling (through drawing according to J.G. Wood, Natural History of Man II, 463, London 1868). Ink on transparent, 27.9 x 18.3 cm (including scan edges) Quast Ferdinand von (1807-1877): Zwei Frauen der Dayak/Dajak auf Borneo

Stefano Della Bella (Italian, 1610 - 1664). La Mort entrainant un veillard, 1648. From The Dance of Death (Les cinq Morts). Etching. Second of three states.

Albert Besnard, The Duel (Le duel), French, 1849 - 1934, 1900, etching in black on Van Gelder Zonen wove paper

Four putti under a tree, Jurriaan Andriessen, After Jacob de Wit, 1798 drawing paper. ink. graphite (mineral) pen / brush picture, painting. drawing, sketch

The crossbearing. Draughtsman: Rembrandt van Rijn (rejected attribution). Draughtsman: Hendrick Goudt. Draughtsman: Adam Elsheimer (rejected attribution). Dating: 1580 - 1650. Measurements: h 148 mm × w 104 mm. Museum: Rijksmuseum, Amsterdam.

Death with cut head; Allegory on death. A figure with a skull at a chopped head with open mouth and semi-approaching eye. At the bottom of a rectangular vignette of a skull with winged helmet.

Italy, Parmigianino, Monogrammist FP (Italy; 16th century), Christ and the Apostles, Saint James the Greater, print, prints, height 121 mm, width 64 mm, Italian, print maker, printmaker, 1500 - 1590, paper, papier, etching, etchings, Work conception, 1503-01-11 - 1540-08-24

Woman Crying atLake. Artist: Heinrich Vogeler, German, 1872-1942

Issachar, from The Twelve Sons of Jacob”, set of 12 prints after can Mander. Engraver: Jacques de Gheyn II, Dutch, 1565-1629 After: Karel van Mander III, Dutch, 1608-1670

Rubens, Peter Paul, Goupil & Cie, Lille, La mort de la Madeleine, Photographic reproduction of a painting by Peter Paul Rubens, depicting the death or ecstasy of Mary Magdalene, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 122 mm, width 89 mm, maker, producer, 1862 - 1872, paper, papier, Woodburytypie, French, printer, printer's, South Netherlands, 1577-06-28 - 1640-05-30

Holy Family with Saint Catherine. Attributed to Luca Cambiaso; Italian, 1527-1585. Date: 1570-1590. Dimensions: 420 x 282 mm (max.). Pen and brown ink, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Old woman with a coal pot and two children, Christian Friedrich Boëtius, after Charles François Hutin, after Peter Paul Rubens, 1753 - 1757 print Numbered in the bottom right: 49. paper etching / engraving armorial bearing, heraldry

Copper engraving by Sebald Beham from 1520 depicting the man of sorrows at the foot of the cross, showing detailed anatomy and devotional posture.

Flight to Egypt, Roeland van Bolten, c. 1580 - c. 1608 print Maria and Child are sitting on a donkey, led by an angel. Joseph is next to it. Two angels in the trees offer Christ child apples. In the background the ruin of a building. The print has a Latin caption describing the flight to Egypt. Zwolle paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. cupids: 'amores', 'amoretti', 'putti'

Two Warriors in Classical Costume Bending over Two Figures mid-18th-early 19th century Heinrich Friedrich Füger German. Two Warriors in Classical Costume Bending over Two Figures 334854

La Mort dans le poirier , Death, Skeletons, Pear trees, Pears, Alphonse Legros (1837-1911)

Two drunk men in a window opening, Cornelis Dusart, 1685 print paper etching drinking. drunkenness

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side. Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1813-1823. Dimensions: 470 x 302 mm (plate); 500 x 332 mm (sheet). Etching and aquatint on ivory wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Antonio Fontanesi, Fishing (La pesca), 1864 Fishing La pesca

The Witches. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 14 7/16 × 10 3/16 in. (36.6 × 25.9 cm). Date: 1510. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Baldung (called Hans Baldung Grien).

Marie-Catherine Cadière sees appearances, Jacques Gabriel Huquier (attributed to), c. 1735 print Marie-Catherine Cadière sees appearances of Devils. Part of the series of 32, often erotic tinted, prints dedicated to the scandal around Marie-Catherine Cadière and the Jesuit Jean-Baptiste Girard in 1730-1731. paper etching sexual abuses of monks. witch, sorcerer with the devil and/or demons

The temptation of Saint Antonius, John Arnoldus Boland, After David Teniers (II), c. 1860 - c. 1900 print Amsterdam paper etching St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

The sleeping shepherd.

Rest on the Flight intoEgypt. Artist: Simone Cantarini, Italian, 1612-1648

Satyrs and Nymphs. Dated: c. 1765. Dimensions: overall: 14.5 x 9.1 cm (5 11/16 x 3 9/16 in.). Medium: pen and brown ink with correction in lead white. Museum: National Gallery of Art, Washington DC. Author: Martin Johann Schmidt.

Portrait of Rembrandt and Saskia, Abraham Jacobi, after Rembrandt van Rijn, 1824 - 1871 print Portrait of Rembrandt with feathered hat and sword, with a lifted glass in the left hand, and Saskia, sitting on his lap, seen on the back, looking over her left shoulder. Print to Rembrandt painting from around 1635. Rotterdam paper etching

Unknown, Saint Jerome in Penitence, late 16th century, engraving on laid paper.

Saint John the Evangelist, from Christ and hisApostles. Etcher: Master F. P., Italian, active 16th century After: Parmigianino, Italian, 1503-1540 Artist, formerly attributed to (wrongly): Andrea Schiavone (Andrea Meldolla), Italian, ca. 1510-1563

Lithography by Otto Hettner depicting water carriers, executed in 1918, showing figures, containers, posture, and arrangement within the composition.

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La Valkyrie: acte I, Sieglinde et Siegmund (The Valkyries: Act I, Sieglinde andSiegmund). Artist: Henri Fantin-Latour, French, 1836-1904

Depicts the expulsion from Paradise, executed as a colored woodcut between 1460 and 1480, showing Adam, Eve, the angel, and the Garden of Eden.

Rodin Sculptant. Eugène Carrière (France, 1849-1906). France, 1900. Prints; lithographs. Lithograph

Emile Bernard (1868-1941). Following original etchings, in the 1st state on Japan, for "the end of Satan. First state of etchings. N ° 7." Terrible world and full of prodigious beings ". Etch and aquatinte. 1935. Paris, house of Victor Hugo. 101108-19 Years thirty 1930 30, aquatinte, fantastic creature, drawing, etching, elephant, illustration, litter work

St. Anthony Tormented by the Devils, 1475-1500. Master FVB (German). Engraving;

Engraving by Jacob Männl, 1670-1712, depicting the goddess Diana after a hunt, showing classical attire, bow, quiver, and mythological setting.

The Virgin sits at left, seen from the front, holding the Child in her lap. The scenery is a vaulted room. Joseph near two large logs. At left is apparently a smaller one and the branch of a tree. Framing line. Date: 1820-1850. Brush and dark brown watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

The Lord Answering Job out of the Whirlwind. Dated: 1825. Medium: engraving on India paper. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Zuzanna and old people from the portfolio: Xięga of idolatry SCHULZ, Bruno (1892 1942)

The flight into Egypt: a sketch: St Joseph, Rembrandt van Rijn, c. 1628 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Crossing at Fakkellicht, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Andreas with Andreas Hans Baldung Green, 1519 print Strasbourg (France) paper the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

The Rape ofEuropa. Artist, possibly by: Leonard Bramer, Dutch, 1596-1674

The Legend of Cupid and Psyche: Woman Weeping Beside a Brook, 1865-1868. Workshop of William Morris (British, 1834-1896), after Edward Burne-Jones (British, 1833-1898). Wood engraving;

The Image Seen by Nebuchadnezzar, Rembrandt van Rijn, 1655 print paper etching / drypoint King Nebuchadnezzar dreams of a great statue

Feather drawing by Guercino depicting the evangelist Mark seated with a lion supporting the folio, showing figure, lion, and reading posture, circa 1618-1619.

Bead Stringers, 1880. James McNeill Whistler (American, 1834-1903). Etching;

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