Classical Etchings and Landscapes

A collection of historical etchings featuring mythological, architectural, and natural scenes, showcasing intricate details and classical figures.

Etching by Pierre François Basan depicting the first and second views of the Virons of Naples, showing cityscape, buildings, landscape, and coastal elements.

Etching by Jean Morin from 1625-1650 depicting three figures standing on a fountain within a ruined landscape, showing architectural remains, natural features, and figures in period clothing.

Xaver Langer created an 18th-century etching depicting the moon in the sky, showing celestial details and surrounding atmosphere.

Etching by Richard van Orley illustrating mythological scenes, created from 1663 to 1732.

Etching by Bernard Picart depicting Sleeping Venus with Amor and a satyr, created in 1697, using punctuation manner to render mythological figures and narrative detail.

Etching by Albert Christoph Dies depicting the Plauzio sepulcher near Tivoli, showing tomb architecture, inscriptions, and surrounding landscape, created in 1795.

Etching by Pierre François Basan depicting the first and second views of the Virons of Naples, showing cityscape, buildings, landscape, and coastal elements.

Etching and copper engraving by Louis Joseph Masquelier from 1780-1786 depicting the Retirement of Meaux, showing soldiers, urban buildings, streets, and town activity.

Etching by Richard Earlom from 1774 showing a view of Tivoli with the temple of the Sibylle and a scene of Odysseus handing Chryseis to her father, combining landscape and mythological narrative.

Etching and copper engraving by Yves Marie le Gouaz between 1762-1816 showing a harbor view titled 'The Wearing of This' from the east side with ships and coastal features.

Etchings of hunting scenes by Matthäus Merian the Elder, created between 1620 and 1636, showing riders and animals in landscape settings.

Jumping in the air, Paul Legrand, After Aubry, 1823 print print maker: Francepublisher: Parispublisher: Paris paper youth, adolescent. jumping up. pantomime, dumb show, masque

Nicolas de Son created 17th-century etchings of various landscapes. The works depict natural scenery, topography, and architectural features with detailed line engraving techniques.

Print (Germany)

Etching by Willem van Nieulandt featuring a landscape with shepherds tending a herd of animals and ships anchored in a bay, created between 1594 and 1635.

View of the Pesthuis (Buitengasthuis) near Amsterdam, Anonymous, 1693 - 1694 print View of the Pesthuis, also known as the Buitengasthuis, located outside the city walls of Amsterdam. In the foreground a field with cows and two figures, one of which is milking a cow. A banderole with the title at the top in the middle. paper etching / engraving hospital. public welfare. cow. milking Pesthuis. Outdoor guesthouse

Etching by Jean Le Pautre from 1625 to 1682 showing decorative frames with paintings, emphasizing ornament stitch technique and detailed compositional design.

Old Man overlooks a landscape, Reinier Vinkeles (I), 1809 print An old man sits in front of a house and looks out over the rolling landscape around him. There is a dog next to him. The print is an illustration for a book about the four 'eras' of the man, from the 'De Grouard' era. Amsterdam paper etching / engraving landscapes. old man. dog

Etching by Jan Frans van Bloemen depicting various views, including landscapes, architecture, and natural features, created 1682-1749.

Frans Post created etchings depicting views of Brazil and its surrounding area in 1645, illustrating landscapes, settlements, and natural features in a 17th-century European style.

Etching and copper engraving by Jean Moyreau depicting the Cavaliers Refreshment Bar, created around 1753. The artwork shows patrons, drinks, and interior details of the establishment.

Event of July 7, 1790. / Work of the Champ de Mars. (IT)

Etching and copper engraving by Jean Dambrun from 1782 showing a view of the Telmus theater, including seating, stage, and architectural features.

Etching by Ercole Bazzicaluva depicting landscapes, created in 1638.

Sketch for a Fountain in Park, Carlo Marchionni, Italian, 1702-1786, Graphite, brush and gray watercolor on laid paper, Double-flighted stairs connecting an upper and a lower levels. Fountain consisting, on the upper level, of a basin with high shaft; on the lower, a basin between rocky stones. At the edges, on front, two hermae on pedestals. The upper fountain and the stairs only slightly sketched, upon the pedestals at the lowest end of the balustrades are painted female statues. Two men standing before the fountain, a third mounts the steps. In the foreground, right and left trees and bushes., Italy, 1740, architecture, Drawing, Drawing

Etching from 1783 by various artists depicting Reggio Calabria and Scilla, including cityscape, coastline, and surrounding mountains.

Etching by Dietrich engraved by François from 1785-1841 showing twelve landscapes, based on original designs from the cabinet of Duke Albert de Saxe-Teschen, emphasizing natural and architectural features.

Boerin Melkt Koe, Leendert de Koningh, in Or Before 1826 - 1833 print On the right a river with a sailboat. Dordrecht paper cow. milking. river. sailing-ship, sailing-boat

Children on seesaw and musician children, Pierre Charles Canot, After Jean Baptiste Pillement, 1759 print Above: Two Chinese children are on a seesaw. There is a third child next to the seesaw. Under: Three Chinese children play on a string instrument, a wind instrument and a drum. Around both performances a frame with leaves and flowers. London paper etching children's games and plays. seesaw. more than one musician with instrument

Etching by Johann Wilhelm Baur from 1641 illustrating scenes from Ovids Metamorphoses, showing human and mythological figures in narrative composition.

Etching by Franz Edmund Weirotter depicting a small forest hut near Viterbo, Italy, created between 1766 and 1768.

Figures at Huis aan River, Nicolas Perelle, 1613 - 1695 print Paris paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone)

Etching and copper engraving by Jan van de Velde II depicting the times of day, Aurora and Noon, produced around 1622.

Etching by Jacques-Philippe Le Bas, created between 1725 and 1783, illustrating a view of Flanders with rural landscapes, villages, waterways, and architectural features.

Versailles / Sie V / 515 Historical Gallery / Tip of Bommel Ile / 28 Dec 1794. (IT)

Etching by Franz Gabet depicting a landscape with ruins and a crane with winch amid rock formations, created between 1785 and 1847, illustrating natural and architectural features.

Joseph in Egypt 1668-1671 France. Etching on ivory laid paper . Sébastien Bourdon

Baders at Antique Monument in mountainous landscape, Jacob van Liender, 1706 - 1759 drawing paper. pencil. ink pen / brush

Etching by Jan de Visscher depicting shepherds gathered at a water point, created between 1650 and 1712.

Etching by Richard Earlom from 1810 depicting a fantasy view of Rome alongside a shepherd couple in a landscape, created using Schaubkunst techniques.

Etching by Jean Morin from 1625-1650 depicting rural scenes with meadows, a shepherd with livestock, farmhouse buildings, farmers, and wagons in 17th-century landscape.

Fight on water and land, Reinier Vinkeles (I), After Jacobus Buys, 1771 print A number of warriors are about to throw and shoot arrows to the crew of a ship. Amsterdam paper etching / engraving ships (in general). archer's weapons: bow and arrow. warfare; military affairs (+ sailing-ships). warfare; military affairs (+ land forces)

Etching and copper engraving by Peter Paul Benazech, created between 1750 and 1783, depicting the return of fishermen with boats, nets, and catch.

Two faces at Westhove Castle, 1743, Hendrik Spilman, After Cornelis Pronk, 1754 - 1792 print Above a face at Westhove Castle near Oostkapelle on Walcheren. Under a face on the same castle, seen from a different side. Both in the situation around 1743. paper etching castle Castle Westhove

Etching by Willem van Nieulandt showing two landscapes: one with a hostel and another depicting the mythological figures Merkur, Argus, and Io, executed between 1594 and 1635.

Johannes Glauber created a title leaf etching around 1721, demonstrating printmaking techniques and detailed design for book or series frontispiece.

Arriva der Sclauonier zu Venedig, sambt derer Schiffen und Galleren. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

An etching by Gabriel Huquier from around 1742 showing a flute player with a child and a woman accompanied by two children near a carillon.

Simson carries the gates of Gaza; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Simson carries the gates of the city of Gaza on his shoulders. In the background the city of Gaza. Under the show a reference in Latin to the Bible text in RI. 16. This print is part of an album.

Part of the Remains of Llanphor, near Pembroke, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales. Paul Sandby; English, 1731-1809. Date: 1773-1775. Dimensions: 177 × 252 mm (image); 238 × 314 mm (plate); 355 × 528 mm (sheet). Etching and aquatint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Jean François Millet depicting ancient ruins within an Italian landscape. Created between 1660 and 1679, it shows architectural remains, hills, trees, and surrounding natural scenery.

Etching by Stefano della Bella depicting the second scene of Selva di Diana and the third garden scene of Venus, created in 1637.

An etching by Francois Joullain titled 'Summer Approvals,' created around 1732, depicting figures and outdoor scenes associated with leisure and seasonal activities in early 18th-century European art.

Etching by Pierre Jacques Duret, created between 1749 and 1799, depicting the arrival of fishermen, showing boats, nets, and figures engaged in coastal activity.

Relief of Leiden, 1574, Simon Fokke, 1776 print The relief of Leiden, October 3, 1574. Food is distributed to the inhabitants of the city from the Geuzenbootjes. On the left a city gate. At the bottom of a card of the region and two examples of the paper emergency money brought into circulation during the siege. paper etching raising the siege with outside assistance, relief. battle. canals, waters (in city) (+ city(-scape) with figures, staffage) Leiden

Etching by Jan de Visscher created between 1653 and 1701 titled 'Vesper,' depicting a landscape at evening with figures, animals, and natural surroundings.

View of the garden of Palace Het Loo with the monogram of Willem III Prince of Orange in the foreground, 1696 - 1718 View of the garden of Palace Het Loo with the monogram of William III (Prince of Orange and King of England, Scotland and Ireland) in the foreground. Print is part of an album. Amsterdam paper etching Palace Het Loo View of the garden of Palace Het Loo with the monogram of William III (Prince of Orange and King of England, Scotland and Ireland) in the foreground. Print is part of an album. Amsterdam paper etching Palace Het Loo

Etching by Franz Edmund Weirotter from 1760-1763 depicting a harbor landscape with ships, water, docks, and surrounding buildings.

Etching by Pietro Parboni from 1810 showing a vision of Elijah, including figure, gesture, and surrounding landscape elements.

Seventeenth century French painting. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Painting, French

$Sint Elisabeth flood, 1421; Breakthrough of the Groote Zuidhollandsche Waard, in the year 1421. The consequences of a dyke fracture during the flood in the night of 19 November 1421. The polder the great worth behind the dike has been attached. Some figures are saved with a boat.$

Sigcies at HEREFLE it an open Rivieover, Carl Al Alier Lon Honfenjinz's Cuenzo's Cuviéstoren (Salviés, 1745 print Two landscapes in a frame with Thyrsi and flags and weapons. Upstairs: Four figures on a hill, on the road in front of them a man with a woman walks on a horse towards a city in the background. Below: Two figures are on a bank of a river with architecture on the right with arches. Germany paper etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). river

Etchings by various artists featuring multiple scenes created between the mid-17th and 18th centuries.

Rest on the flight to Egypt, Henri Mauperché, 1639 - 1656 print paper etching rest on the flight into Egypt. rest on the flight into Egypt - BB - landscape predominant

Location for sloops in Batavia, Paulus Lauters, After Charles William Meredith van de Velde, c. 1847 print Understanding at the top left: pl. Iv. Amsterdam paper sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat Batavia

Etching by Charles Nicolas Varin from 1773-1788 showing a village festival with figures, tents, decorations, music, and communal activities.

Village face with wooden bridge, Isaac Major, after Pieter Stevens (I), after Pieter Stevens (II), 1586 - 1630 print paper engraving public road in village. bridge

Etching by Nicolas Colibert depicting the Flanders campaign alongside nymphs bathing, executed in the punctuation manner between 1700 and 1812. It shows human figures, gestures, landscape elements, and composition.

Copper engraving and etching by Aegidius Sadeler d. J., circa 1606, depicting ancient Roman ruins within a detailed landscape composition with figures and architectural elements.

View of a palace and statues on the Waterkant in Genoa, Anonymous, After Melchior Küsel (I), After Johann Wilhelm Baur, c. 1700 - c. 1710 View of a palace and statues on the waterfront in Genoa. Various ships sail on the water. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Knee View of a palace and statues on the waterfront in Genoa. Various ships sail on the water. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Knee

Copper engraving and etching by Aegidius Sadeler the Younger showing landscapes with natural elements. Created between 1590 and 1629.

Four scènes uit de idyllen van Salomon Gessner, Daniel Nikolaus Chodowiecki, 1771 print Show the scenes: Daphnis looks out the window on a winter morning; Landscape with the house of Phillis in the background; Milon and Chloë; Tityrus and Menalkas. paper etching Literature. pastorals, Arcadian scenes. Daphnis (in Greek mythology a shepherd who invented pastoral poetry

Flood of the Rijndijk in Gelderland, 1770, Reinier Vinkeles (I), After Jacobus Buys, 1789 print Flood due to the flood of the Rijndijk in Gelderland, January 1770. In the foreground a desperate family with household goods. Amsterdam paper etching / engraving Dike-Break Gelderland

Design for a New Order of Architecture, Samuel Ireland, active 1760-died 1800, British, after William Hogarth, 1697-1764, British, May 1, 1799

Etching by Barend Hendrik Thier from 1780 depicting a landscape with a covered wagon. The print shows natural terrain, a wagon with a canopy, and figures in period attire, emphasizing perspective and composition typical of 18th-century landscapes.

Two gentlemen in a departure, and two gentlemen in nature. Two representations of one plate. Left: Two men sit at the table in a room where through the open windows and doors is sight on a garden. One of the men smokes a pipe, a second pipe is on the table. Print at the top left: I. Right: Two gentlemen are in nature and have a conversation where one of them points into the distance with its walking stick. Print at the top right labeled: II.

A 1781-1822 etching by Harmanus Fock depicting a landscape with a woman carrying a basket on her head and the ruins of a castle, showing terrain, vegetation, and human activity.

Etching by Giovanni Battista Fontana depicting St. Peter crossing a river, created between 1540 and 1587.

Print, Design for Two Cartouches; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 35.5 x 23 cm (14 x 9 1/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Etching and copper engraving by Jeanne Françoise Ozanne around 1780 depicting Cap François in the Isle of St. Domingue, showing harbor, buildings, and ships.

An etching by Pierre François Basan titled 'Foolish on a Village Street', created between 1740 and 1803, depicting a humorous village scene.

Etching by Étienne Claude Voysard showing a Flemish quartet and people playing the little keel game, created between 1766 and 1812, illustrating 18th-19th century leisure and music.

Etchings by Richard Earlom in 1777 depicting landscapes with Erminia and shepherds, and Parent with the Muses, showing figures and narrative scenes.

Drawing, Design for Stage Curtain: Hercules Receives Gifts from Nymphys after his Victory over the River God Achelous; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and bistre on paper.; 27.1 x 24.3 cm (10 11/16 x 9 9/16 in.)

Etching by Jan de Visscher depicting a landscape with shepherds and a fortress, created between 1650 and 1712.

Duplicate entry: Adolf van der Laan etching from 1717-1740 depicts sea scenes with whaling, illustrating ships, crew, and 18th-century Dutch maritime engraving.

An etching by Jakob Gauermann depicting the biblical story of Abraham's victim, created in 1808, showing figures and narrative composition.

Four episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with four performances from national history. From left to right: conquest of the silver fleet by Piet Heyn; Siege and intake of Maastricht under the leadership of Frederik Hendrik, Prince of Orange; Ernst Casimir, count of Nassau-Dietz dies during the siege of Roermond; Den Bosch captured by Frederik Hendrik, Prince of Orange. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life)

Etching by Jan de Visscher depicting travelers at a hut, created between 1653 and 1750. The print shows figures interacting near a rural hut in detailed landscape composition.

Sorious, Isaac, Series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672, 't Slot te Kroonen-borgh, Het slot Kronenburg, destroyed by the French in 1672, verso middle bottom - stamped, The ruins of the slot Kronenburg, situated on the Vecht between Loenen and Nieuwersluis. Eleventh print in a series of thirteen images of the villages and castles in the province of Utrecht destroyed by the French in 1672., print, prent, historieprent, prints, prenten, height 153 mm, width 255 mm, print maker, prentmaker, 1672 - 1676, paper, papier, etching, etchings, engraving, engraving (printing process)

Harvest, Jan van Noort (1756-1837), 1766 - 1837 print Harvesting in a landscape. A farmer hits the scythe and a woman binds the sheaves. On the right is a drinking man under a tree. A hay wagon drives in the background. Leiden paper etching hay-wagon. harvest. agricultural implements: scythe

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Tumulus Regius in campo Bravallino Smolandiæ ubi Laudur frater Regis Angantyr prælio caesus tumulatus est, Tumulus Humbli, ubi hujus nominis Hunnorum Rex in Campis Bravallinis occisus sepultusque est, Burial mounds on the Bravalla heath, The print is part of an album., print, album page, prints, height 252 mm, width 151 mm, 1655 - 1727-05-18, print maker, 1707 - 1707, paper, etching, Swedish, 1625-10-10 - 1703-01-16, "supervision

Prospect zu rom in dem Lustgarten Dess card. Mont Alto; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Rome (Italy), Album Factis, German graphics, iconography, German (culture), relay, city views, band

Leaf with two vignettes, Dirk Janszoon van Santen, 1700 print Leaf with two vignettes. Upstairs: Paul takes care of Eutychus. Below: Judas throws himself from a rock. Sheet in the second part of the Prent Bible with the New Testament, published by Pieter Mortier, Amsterdam 1700. paper. deck paint. etching Eutychus is raised from the dead by Paul. Judas is disemboweled after a fall

This 1660-1695 etching by Adam Perelle depicts a landscape with a decaying structure surrounded by natural scenery and human activity, executed in fine etching lines.

Copper engraving by Hendrik Hondius the Elder depicting the seasons of summer and winter, created between 1642 and 1644.

Prince Johan Willem Friso drowns at Moerdijk, Anonymous, 1716 print paper etching death by drowning (non-violent). sailing-ship, sailing-boat Moerdijk

Rebus with four performances that together the text NON! Morny N'est Pas Mort Car Il Noce Encore forms; Rebus: NON! Morny N'est Pas Mort Car Il Noce Encore. Four performances are part of a rebus and together form the text NON! Morny N'est Pas Mort Car Il Noce Encore. First image: Rock by the sea with boats, second image: cottages on piles on beach, third image: coffin at altar, fourth image: Banquet at round table in circle, which has the shape of a trumpet.

Esau sells his first burrow to Jacob; Avrea Aeneis Permutata; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. In a house against a hill, Esau is dressed as a hunter at the table. Jacob is opposite him. He buys with the lentil soup board for him the first borrower law of Esau (Gen. 25:31). In the landscape hunters and hunting dogs. The print is part of an album.

W ADYS WARNE Tomb of Górków in Poznań; Raczyk Ski, Athanasius (1788-1874), Meyer, Ludwig (Fl. Ca 1800-1850), printing house of the or Downner (Poznan); 1843 (1843-00-00-1843-00-00);

Thalkrigen Bey München; Kobell, Wilhelm von (1766-1853), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937); 1918 (edition); 1818 (matrix) (1918-00-00-1918-00-00);

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