Classical Family Scenes

Etchings depicting familial and nurturing moments from classical themes, including children and divine figures in various settings.

French crown, Paris, Audran, Carracci, Annibale, France, Gérard, Death of Francis of Assisi, verso - stamped, print, prints, height 550 mm, width 363 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, papier, engraving, engraving (printing process), etching, etchings, Italian, 1560-11-03 - 1609-07-15, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

London, Rowlett, Thomas, Cleyn, Franz, Septem Liberales Artes, The Seven Liberal Arts, Grammar, verso - stamped, print, prints, height 128 mm, width 106 mm, 1582 - 1658, print maker, printmaker, 1645 - 1645, paper, papier, etching, etsen, Publication (Event), Publication, publisher

Love (Caritas), verso - stamped, one of the divine virtues, sits at a monument and is surrounded by four children. One of the children is breastfeeding them., print, prints, height 123 mm, width 103 mm, print maker, printmaker, 1600 - 1700, paper, papier, etching, engraving, engraving (printing process)

Trown Maria with Kind and Johannes, On either side H. Catherina and H. Johannes, Jean Mariette, After Annibale Carracci, 1670 - 1742 print paper engraving / etching Mary and the Christ-child with John the Baptist (as child). the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Italy, Cantarini, Simone, Rest on the Flight into Egypt, verso - stamped, The Holy Family rests in a landscape during the flight into Egypt. The Christ Child sits on Mary's lap and has a fruit in his hand. Joseph sits in the background on the right and looks at two angels on the left., print, prent, prints, prenten, height 222 mm, width 167 mm, Italian, 1612-08-21 - 1648-10-15, print maker, prentmaker, 1622 - 1648, paper, papier, etching, etsen

. .

This 1602 copper engraving by Hendrick Goltzius depicts an old man with a young girl, emphasizing contrast in age and detailed figurative representation.

French crown, Paris, Audran, Carracci, Annibale, France, Gérard, Death of Francis of Assisi, verso - stamped, print, prints, height 550 mm, width 363 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, papier, engraving, engraving (printing process), etching, etchings, Italian, 1560-11-03 - 1609-07-15, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Maria with Child and the young Johannes de Boper, Anonymous, After Guido Reni, 1585 - 1642 print Italy paper etching Mary and the Christ-child with John the Baptist (as child)

Rome, Orlandi, Giovanni, Italy, Carracci, Ludovico, Holy Family under an Arch, verso - stamped, Joseph, Mary and the Christ Child resting under a stone arch., print, prent, prints, height 267 mm, width 327 mm, 1555 - 1619-11-13, print maker, printmaker, 1585 - 1590, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, Italian, publisher, uitgever

Maria with Child and Johannes de Baptist, Anonymous, 1500 - 1599 print Maria embraces the Christ child. On the left is the young John the Baptist who gives the Christ child a bunch of grapes. Italy paper engraving Mary and the Christ-child with John the Baptist (as child). bunch of grapes

A drawing by Crispin van den Broeck showing the adjoining of kings, executed in brown ink with lavated shading.

Two young love couples in an interior. On the left, a man plays the lute; on the right, a woman is kissed on the mouth. In the background, a fool holds his hand in front of his face and observes the scene through his spread fingers, Young love couples and a fool in an interior, print maker: Johann Liss, 1600 - 1629, paper, etching, h 171 mm × w 212 mm

Artist: Sisto Badalocchio, Italian, 1585-1647, Marriage of St.Catherine, Etching, sheet: 16.8 × 17.2 cm (6 5/8 × 6 3/4in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Three putti near a tree, godliness. Design for a decoration, Three putti on a tree., draughtsman: anonymous, draughtsman: Jacob de Wit, (rejected attribution), c. 1705 - c. 1754, paper, pen, brush, h 251 mm × w 130 mm

Allegory on Education (Grammar), Jacob Matham (attributed to), 1611 - 1615 print Grammar: Woman sitting in a spacious hall, surrounded by different children, of whom one reads in a book. In the background a young man for a king on a throne, reading from a book. Haarlem paper engraving 'Grammar' (~ trivium); 'Grammar' (Ripa). reading

Old man and a courtesane, agostino Carracci, c. 1590 - c. 1595 print A young woman is half on a four -poster bed and ways an old man. This touches in its hefty money pouch. Amor stands on the bed and breaks his bow in half. There is a dog in front of the bed. In the lower margin a rebus that reads 'Ogni Cosa Vince l'Oro' (everything wins gold). Italy paper engraving courtesan, hetaera. old man. rebus

Haarlem, Matham, Jacob, Allegory of Education (Grammar), bottom center in the margin - engraved, Grammar: a woman sitting in a spacious hall, surrounded by several children, one of whom is reading a book. In the background a young man in front of a king on a throne, reading from a book., print, engraving, prints, verso bottom left - stamped, Disce libens..., height 439 mm, width 318 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1611 - 1615, paper, papier, engraving (printing process)

Urania; The nine muses. The sitting urania, the muse of the astronomy, holds a globe in her hand. Next to her are an armillarium and a book.

Italy, Two putti seated in embrace, verso - stamped, print, prent, prints, prenten, height 141 mm, width 119 mm, print maker, prentmaker, 1600 - 1699, paper, papier, etching, etchings

Rurik, Sinens and Trowor decide to distribute their fathers death bed the rule over the rich Novgorod, Daniel Nikolaus Chodowiecki, 1786 print paper etching deathbed. curtains. father and son(s) (family group). Literature

The Coronation of Saint Catherine by the Child. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Pieter de Jode I (Netherlandish, Antwerp 1570-Antwerp 1634). Dimensions: Sheet (Trimmed): 16 7/8 × 12 11/16 in. (42.9 × 32.3 cm). Publisher: Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Date: ca. 1600-34. Museum: Metropolitan Museum of Art, New York, USA.

Madonna with the Pear Made 1511 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Love overcomes envy; Seven virtues and seven vices. The personification of love (Caritas) is on her lap with two small children and presses the envy (invidia) with her foot. The print has a Latin caption and is part of a series of virtues and vices.

Coypel, Charles-Antoine, France, Caylus, Anne Claude Philippe, Group of children with a boy seated on a chair and a girl kneeling before him, verso - stamped, print, prent, prints, prenten, height 230 mm, width 170 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1753, paper, papier, etching, etchings, stippelwerk, engraving, engraving (printing process), French, 1694-07-11 - 1752-04-16, intermediary draughtsman, after a drawing by, writer

Drunk Silenus supported by Bacchants, Frans van der Steen, After Anthony Van Dyck, 1643 - 1672 print The drunk Silenus is supported by Baccians. Silenus has a wreath of wingerd leaves on the head. Antwerp paper engraving (story of) Silenus. (story of) Silenus - offspring, companion(s), train etc.

unknown, Berti, J. de, Antwerp, Moermans, Jacques, Rubens, Peter Paul, Witdoeck, Hans, Holy Family with John the Baptist and Elizabeth, verso lower left - stamped, print, prints, height 391 mm, width 300 mm, Southern Netherlands, 1615, print maker, printmaker, 1625 - 1653, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, 1602-05-01 - 1653-10-21, publisher, granter of privilege

Kuyper, Jacques, Amsterdam, Claessens, Lambertus Antonius, The Fugitive Amor, verso - stamped, Illustration for a story attributed to the Greek poet Moschus. Amor, here the son of Venus, has run away. Venus is in panic, she asks everyone to go in search of Amor. She promises a kiss to anyone who finds him., print, engraving, book illustration, prints, engravings, height 135 mm, width 95 mm, Noord-Nederlands, 1763-11-21 - 1843-10-06, print maker, printmaker, 1803 - 1803, paper, papier, etching, etchings, 1761-06-29 - 1808-06-01, intermediary draughtsman

The Family of Saint John the Baptist. Nicolas Bernard Lépicié; French, 1735-1784. Date: 1766-1776. Dimensions: 525 × 303 mm. Black and white chalk, with stumping, on blue laid paper, squared with black chalk, laid down on cream laid card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Saint Cecilia playing the organ surrounded by putti ca. 1640-59 Schelte Adams à Bolswert. Saint Cecilia playing the organ surrounded by putti. Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). ca. 1640-59. Engraving; third state of three. Gillis Hendricx (Flemish, active 1640-1677). Prints

Vision of Saint Philip Neri 1617-1799 Italy. Red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper . Guido Reni

Bliżej Kultury Shot

Annibale Carracci, The Holy Family with Saint John the Baptist, 1590 The Holy Family with Saint John the Baptist

Eloquence, Bernard Picart, 1698 print The female personification of eloquence, crowned and a caduceus (symbol of eloquence and reason). She is accompanied by two putti. Above her on a drapery the title in French. print maker: Parispublisher: Amsterdam paper etching / engraving Power of Eloquence; 'Forza sottoposta all'Eloquenza' (Ripa). caduceus (staff with two snakes, attribute of Mercury)

The Virgin Giving the Child a Pear. This print was probably made after a third painting by Lucas of the Virgin and Child, the present whereabouts of which is unknown. The composition of the painting is seen in reverse in the print. Originally, Mary will have been depicted in the same direction as in the other paintings. The folds of her gown differ, however; they are more luxurious than those in the other prints of this subject

Astronomy 1650-1695 Flanders. Etching printed in black on paper . Eloy Bonnejonne

Parmigianino, The Boy and Two Old Men The Boy and Two Old Men

Eleazar, Ancestor of Christ, Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, after Michelangelo, 1474/1475-1564, Italian, 1550 to 1585, Engraving on medium, slightly textured, cream laid paper

Franca wild vonine, Heilige.

Juno and other goddesses; Oval ceiling paintings in the d'ulysse gallery in Fontainebleau. The goddess Juno, two other goddesses and a putto on clouds.

Schut, Cornelis (I), Antwerp, Witdoeck, Hans, Mary with Christ Child with outstretched arm, verso lower left - stamped, print, prints, images, height 278 mm, width 183 mm, South Netherlandish, 1615, print maker, printmaker, 1625 - 1642, paper, papier, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29

Copper engraving print 'The Encounter by Joachim and Anna' by Lucas Hugensz. van Leyden, 1520, showing two figures meeting with detailed drapery, posture, and facial expression.

Maria and Joseph with the child, Antoine Cardon, After Adriaen van der Werff, 1795 print Maria lies with the child in her arm and a bare chest on her said. Joseph plays with a branch of a cherry tree above the child's head. The Christ child grabs the fruits. London paper etching Holy Family (alone), 'Trinitas terrestris'. Christ-child holding something in his hand, e.g. apple, bird, cherries, crucifix, grapes, paper wind-mill ~ Madonna-representations

A Seated Muse, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and gray wash on paper, A muse seated in a landscape with one hand resting on a bust of a warrior. Beside her, a genius presents a relief panel. In the right background, a classical temple. Ink framing line., Rome, Italy, 1800-1825, Drawing, Drawing

Woman Soaking a Cloth in a Bowl Held by a Girl (copy from Guercino's Saint Sebastian Tended by Irene). Artist: After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 10 1/8 x 8 7/8 in. (25.7 x 22.5 cm). Date: 1591-1666.This sheet is clearly related to the two female figures - Irene with a young girl - seen at the far left of the "Saint Sebastian Tanded by Irene" painted by Guercino in 1619 (now Bologna, Pinacoteca Nazionale inv. 6483). However the Museum's drawing is in reverse of the figures in the Bologna canvas and may be a studio counterproof copy of an original drawing by Guercino. Museum: Metropolitan Museum of Art, New York, USA.

Holy Family with a Rosary, copy after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 5 1/16 × 3 5/16 in. (12.9 × 8.4 cm). Date: ca. 1640-1642 or after. Museum: Metropolitan Museum of Art, New York, USA.

A black and red chalk drawing by Willem van Mieris depicting a seated girl dressed as Flora, with another child and a young woman behind, in shades of gray and brown.

Summer; L'Esté / De Soomer. Allegorical representation of the summer. A woman with bare bosom is sitting on a couch in the shadow of the parasol holding a putto for her. On the ground there is a bundle of choirs and a sickle and a glass with wine on the couch.

Left part of a print with the visit of Alexander the Great and Hephaestion to the captured family of the Persian King Darius III after the Battle of Issos. The woman of Darius, surrounded by female members of the family, points to her son. A monkey in the foreground. Drawing three lines of Latin.

A Love Letter. Artist: After François Boucher (French, Paris 1703-1770 Paris); Simon Charles Miger (French, Nemours 1736-1820 Paris). Dimensions: sheet: 15 3/16 x 10 7/8 in. (38.5 x 27.6 cm). Museum: Metropolitan Museum of Art, New York, USA.

Maria puts Kind, Pierre Daret, After Jacques Sarazin, 1614 - 1657 print Statue of Maria with child. Maria is seated on a pedestal and the Christ child holds a flower wreath. print maker: Parisafter sculpture by: Francepublisher: Paris paper engraving Madonna: i.e. Mary with the Christ-child. sculpture

Two Boys with a Puppy mid-17th century Cornelis Visscher Dutch. Two Boys with a Puppy 358048

The Virgin of the Fish ca. 1500-1550 Marcantonio Raimondi Italian. The Virgin of the Fish 342799

Portrait of Johanna Koerten, print maker: Jacob Houbraken, (mentioned on object), Amsterdam, 1716 - 1718, paper, engraving, h 151 mm × w 103 mm

A graphite drawing by Joseph Antoine David depicting the Holy Family resting during their flight into Egypt, executed with brown and gray wash.

Madonna with the Swaddled Infant Made 1520 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and sepia ink on paper, Sitting in clouds, her feet upon a globe' seen frontally. The Child, in her lap, leans forward addressing himself to the beholder. Beside are cherubim. In the background a glory of light. Framing line., Rome, Italy, 1820-1850, Drawing, Drawing

Age adorned by folly with the clothes of youth 1745 Louis Surugue. Age adorned by folly with the clothes of youth. Louis Surugue (French, Paris ca. 1686-1762 Grand Vaux). 1745. Engraving. Prints

Holy Family with Saint John the Baptist kissing the infant Christ's hand. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet: 4 15/16 × 3 7/16 in. (12.5 × 8.8 cm). Date: ca.1642. Museum: Metropolitan Museum of Art, New York, USA.

Seduction between men and women, Benoît Audran (II), After Jean Antoine Watteau, 1708 - 1772 print France paper etching conversation, dialogue; conversation piece. sensuality. garden of Love, court of Love, 'fíªte galante'

Mars, Venus and Cupid. Unknown Artist; French, 18th century. Date: 1700-1725. Dimensions: 254 × 194 mm. Black chalk, with stumping, heightened with white chalk, on blue laid paper with blue fibers, laid down on ivory laid paper, edge mounted on cream card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Prophet with two angels at a globe; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. A prophet standing in front of a balustrade, with arm raised. There are two young naked figures on the balustrade (angels) At a globe.

Smith, John, inventor: Pieter Paul Rubens, work, Shepherd in love, (1000 - 2000), mezzotinto, graphic, plate width 17, 6 cm, plate height 23.2 cm

The Virgin holding the infant Christ, a circular composition, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Anonymous, 17th century. Dimensions: Sheet (Trimmed): 7 3/8 × 6 5/8 in. (18.8 × 16.9 cm). Date: ca. 1600-1640.Copy disinguished by inscription in plate at lower left. Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Resting Cupid. At a resting bed lying amortje grinds the tip of an arrow. Copy to the print of the same name from I. de Jouderville, before attributed to Rembrandt.

Clair-obscur woodcut by Bartolomeo Coriolano depicting Mary with Jesus and John the Baptist as a child, created in 1641 with three plates, showing figures, composition, and religious symbolism.

Three music figures. A violin player, a lucing player and a singer make music together around a table.

Allegory on painting. Sitting woman figure in classic robe and with laurel wreath on the head indicates a man's portrait that she has on his lap and that is supported by a putto. On the right a putto with painting attributes.

Protection Against Cold Artist's working dates 1757-1806 Germany. Etching on cream laid paper . Johann Eleazar Schenau

Virgin and Child Seated by a Tree 1513 Albrecht Dürer German. Virgin and Child Seated by a Tree 387962

A female figure holding a pair of scales, resting her foot on a footstool; representing justice. Etching, c. 1736.

Virgin and Child sic Saints and Angels, by Fra Filippo Lippi. Caldesi & Montecchi (British, active 1850s)

Madonna with child in a landscape, Frans Crabbe van Espleghem, 1490 - 1552 print Low Countries paper etching Mary sitting on the ground, the Christ-child in her lap or on her knee (Christ-child to Mary's left)

Christ Appearing to Mary Magdalen Master of the Drapery Studies German Formerly attributed to Anonymous, German German ca. 1490 Although the Master of the Drapery Studies has not yet been identified by name, it is clear from his surviving stained-glass windows and drawings that he was a critical figure in Upper Rhenish art during the last quarter of the fifteenth century and in the history of early German drawing in general. He was active in Strasbourg, where he also appears to have received his training. There are about one hundred and fifty extant drawings by this artistthe largest corpus by an early northern European masterand these, like his stained-glass windows, are highly distinctive in style. As is seen in this sheet, the use of a fine tipped pen for the outlines and hatching, as well as the gray wash modeling, are typical of his late style. Judging from the complete state of the composition and the spirited pen work, this drawing may be among the rare independent creations by

Venus after the bath, Johannes Wierix, after Marcantonio Raimondi, After Rafaël, 1563 print Venus sits on the edge of the bath and dries her feet with a cloth. Amor watches. Signed "æ 14" at the top right. Antwerp paper engraving toilet of Venus

Presentation of the head of John the Baptist to Salome. In an oval list: De Beul presents the head of John the Baptist to Salome, which holds a dish. To a painting by Adam Elsheimer.

Mary with Christ Child, John the Baptist and St. Anthony of Padua. Draughtsman: anonymous. Draughtsman: Gregorio Lazzarini. Draughtsman: Salvator Rosa (rejected attribution). Dating: 1600 - 1699. Measurements: h 102 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Copper engraving by Marcantonio Raimondi from 1510-1527 depicting a woman carrying a child, showing maternal figure, child, and drapery details.

Print made by Charles Turner, 1774-1857, British, The Penn Family, 1819. Mezzotint (second state) on thick, moderately textured, beige, wove paper.

Man with Hands Clasped 1600-1699 Flanders. Oil paint, on laid paper, laid down on Japanese paper . Style of Thomas Willeboirts

Juan Simón Navarro (Attributed to) / 'Charity'. Second half of the XVII century. Grey-brown wash, Pencil, Red chalk on yellow laid paper. Museum: Museo del Prado, Madrid, España.

Title page for: J. Hazeu, History of the revolutions in Patriotic conversations for children, 1796.Title Page for: J. Hazeu, History of Revolutions in Patriotic Conversations for Children, 1796. Title with Emblem of History (Historia) Writing in a book, Three Children Watch.

A group of five young women playing music in a landscape One plays the flute, another the lute and a third holds a tambourine, Musician girls in a landscape Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Federico Zuccaro, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 225 mm × w 130 mm

Portrait of Mary Stuart n.d. Romeyn de Hooghe Dutch. Portrait of Mary Stuart. Romeyn de Hooghe (Dutch, Amsterdam 1645-1708 Haarlem). n.d.. Etching. Mary II, Queen of England, Ireland, Scotland and Wales (British, London 1662-1694 London). Prints

The Face, Anonymous, After Jan Saenredam, After Hendrick Goltzius, 1575 - 1657 print The female personification of the face, accompanied by a man who holds her a mirror and touches her chest with two fingers. Northern Netherlands paper engraving sight, looking (one of the five senses)

Saint Anne, in an album with prints after Guercinos drawings. Bartolozzi, Francesco (1727-1815), graphic artist, Guercino (1591-1666), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

Virgin and Child with the Apple. Dated: c. 1470/1475. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Rome, Lafreri, Antonio, Vatican City, Michelangelo, Italy, Beatrizet, Nicolas, Hieremias, Prophet Jeremiah, verso - stamped, The prophet Jeremiah seated. To the left and right of the prophet are small nude figures., print, prent, prints, height 427 mm, width 292 mm, French, 1515 - 1565, print maker, printmaker, 1547 - 1547, paper, papier, etching, etchings, engraving, engraving (printing process), Italian, 1475-03-06 - 1564-02-18, after a painting by, Publication (Event), Publication, 1512 - 1577, publisher

Haarlem, Matham, Jacob, Sovius, Simon, Veronese, Paolo, Gauw, Gerrit, Adoration of the Shepherds with angels, verso - stamped, Adoration of the Shepherds. In the air three angels with a banderole., print, prints, Christmas Eve Veronese, verso above - handwritten, height 315 mm, width 250 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1621 - 1621, paper, engraving, engraving (printing process), - 1638-01-26, Italian, 1528 - 1588-04-19, after, after painting by, writer, Publication (Event), Publication, publisher

Georg Pencz (German, c. 1500-1550), Music, engraving

Vatican Pietà 1566 Adamo (Ghisi) Scultori Italian. Vatican Pietà 383736 Artist: Adamo (Ghisi) Scultori, Italian, Mantua ca. 15301587 Rome, Artist: after Michelangelo Buonarroti, Italian, Caprese 14751564 Rome, Vatican Piet, 1566, Engraving, sheet: 14 3/8 x 11 1/8 in. (36.5 x 28.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958 (58.642.3)

Italy, Bella, Stefano della, Maria met kind, verso - stamped, Maria with the Christ child in her arms. In the background on the right a curtain., print, prent, prints, prenten, height 84 mm, width 90 mm, Italian, 1610-05-18 - 1664-07-27, print maker, prentmaker, 1620 - 1664, paper, papier, etching, etchings, Expression creation

Agrippina the older mourning with the axis of Germanicus, Valentine Green, After Benjamin West, 1774 print London paper etching death of Germanicus Caesar: he is lying on his deathbed, his wife Agrippina grieving at his bedside, and his friends swearing to avenge his death

Young Couple Threatened by Death (The Promenade) Made 1498 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Vatican Pietà. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530-1587 Rome). Dimensions: sheet: 14 3/8 x 11 1/8 in. (36.5 x 28.3 cm). Date: 1566. Museum: Metropolitan Museum of Art, New York, USA.

Writing woman with hourglass, Caspar Luyken, 1704 print A woman writes in a book and hereby leans on a large hourglass. Next to her on the floor, a nude child cuts a fox off his tail. In the background a statue of the personalized truth (Veritas). Nuremberg paper etching author, poet writing. hourglass. Truth; 'Verití' (Ripa). beasts of prey, predatory animals: fox

Mary with Christ Child, John the Baptist and St. Anthony of Padua, Gregorio Lazzarini, 1600 - 1699, draughtsman: Gregorio Lazzarini, draughtsman: anonymous, draughtsman: Salvator Rosa, (rejected attribution), 1600 - 1699, paper, pen, brush, h 102 mm × w 200 mm

Cecilia H., Willem Panneels, Frans van den Wijngaerde, c. 1610 - 1634

Umbria Perugia Bettona Palazzo Podesta0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Madonna on the Crescent Crowned by Two Angels Made 1470-1475 Germany. Engraving on paper . Martin Schongauer

Venus resting on a bed, Jan Saenredam, After Hendrick Goltzius, 1596 - 1652 print In an oval cartouche the goddess Venus, who lies naked on a bed. On the floor next to her amor with arrow and arch. Two angels keep the canopy from the bed up. Around the Carouche in the corners four putti with the four elements (from left to right below: fire, air, water and earth). The print has a Latin caption. paper engraving bed. toilet of Venus. the four elements, and ether, the fifth element. cupids: 'amores', 'amoretti', 'putti'. Venus and Cupid (Cupid not being mere attribute). canopy, baldachin

of 3