Classical Figure Studies

Drawings and studies of figures in various poses and contexts, emphasizing anatomical details and emotional expressions in a classical art style.

Study for Hercules and Antaeus, Annibale Carracci, Italian, 1560-1609, Black chalk on paper, Hercules, wearing a flowing loin-cloth, lifts the giant, Antaeus, over his head. The figures are seen foreshortened from below., Italy, 1800-20, figures, Drawing, Drawing

Study for Hercules and Antaeus, Annibale Carracci, Italian, 1560-1609, Black chalk on paper, Hercules, wearing a flowing loin-cloth, lifts the giant, Antaeus, over his head. The figures are seen foreshortened from below., Italy, 1800-20, figures, Drawing, Drawing

Figure Studies 17th century Attributed to Anonymous, French, 17th century French. Figure Studies 337697

Study sheet with arms and legs. Study sheet with arms and legs in different positions. Left below 5 or 8 numbered.

Jean Baptiste Camille Corot, A Nude Reclining in a Landscape, 1825 1828 A Nude Reclining in a Landscape

Pietà (recto); Sketches of Kneeling Figures, Putto (verso) 1760-1806 Domenico Mondo Italian. Pietà (recto); Sketches of Kneeling Figures, Putto (verso) 339987

Drawing, Sketch of Figure with Drapery; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on tracing paper; 25.4 × 16 cm (10 × 6 5/16 in.); 1914-38-185

Landscape male nude.

Begging woman, Frederick Bloemaert, after Abraham Bloemaert, c. 1650 - c. 1656 print Standing woman, slightly bent forward. Two more sitting figures behind her. Utrecht paper etching adult woman. the ages of man (+ begging)

Stone drawing by Ignaz Unterberger depicting the Madonna with the Jesus child, Holy Katharina, and John the Baptist, showing figures and gestures.

Nude Woman Lying on a Pillow, Rembrandt van Rijn, c. 1661 - c. 1662 drawing Amsterdam paper. deck paint pen / brush lying figure - AA - female human figure. lying on one side, stretched out - AA - female human figure

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Perseus and jellyfish. Forty-eighth issue of a sequence of 52 pieces. (A. de Vesme 494; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Gray horse with half lifted hand, Hendrick Goudt, c. 1580 - c. 1648 drawing Gray horse with half lifted hand. paper. ink pen arm raised, with fingers spread out

Standbeeld van de godin Flora te Nijmegen.The goddess wears an lying branch. Leaf 7 Recto from a sketchbook with 47 sheets.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Study of three men on horseback. Fifth issue of a suite of 23 pieces. (A. de Vesme 463; Dutuit 123) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jean-Baptiste Carpeaux (1827-1875). Pietà. Black feather and ink on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. Chretian chretian, drawing, black ink, icon, new will, pieta, biblical scene, virgin, 19th 19th 19th 19th 19th 19th century, feather

Male Nude, Study for Samson and Delilah. Artist: Jacques Francois Amand (French, 1730-1769). Dimensions: Height: 11 5/16 in. (28.7 cm)Width: 17 1/16 in. (43.3 cm). Date: ca.1730-1769.Jean Franois Amand, a student of the successful history painter, Jean-Baptiste Marie Pierre (1714-1789) made this study of a male nude as he prepared his entry for the 1756 Prix-de-Rome competition. His winning submission, Samson and Delilah, is today in the Landesmuseum Mainz. In the painting, this figure, who ties Samson's feet with rope, is depicted clothed and with a plumed helmet. The attribution to Amand was first suggested by Benjamin Peronnet. Museum: Metropolitan Museum of Art, New York, USA.

Glaucus and Scylla. Date/Period: Ca. 1661. Drawing. Pen & ink, brush & ink wash on paper. Height: 20.30 mm (0.79 in); Width: 15.20 mm (0.59 in). Author: SALVATOR ROSA.

Hermaphrodite ca. 1780 or ca. 1810 Jacques Louis David French David based this drawing on the Sleeping Hermaphrodite (Musée du Louvre, Paris), a celebrated antique sculpture that he may have seen in the collection of the Villa Borghese in Rome or at the Musée Napoléon in Paris, where it was transferred around 1810, after Napoléon purchased it. The marble sculpture, probably a Roman copy of a bronze Greek original of the second century B.C, was unearthed in Rome in the early seventeenth century. In 1620 the sculptor Gian Lorenzo Bernini restored the work, creating the mattress and sheet. In rendering the back of the sculpture, David chose a low vantage point near the foot, creating a foreshortened figure with more defined musculature than that of the marble. The sculpture also inspired artists such as Rubens, who drew a copy of it, and Velásquez, who bought a bronze version for the court of Philip IV in Spain.. Hermaphrodite. Jacques Louis David (French, Paris 1748-1825 Brussels). ca. 1

Organist met toehoorders.A man is behind an organ and plays in the presence of a company men, women and children. One woman turns the sheet music. Leaf 9 Recto from a combined album Amicorum and sketchbook with a total of 39 sheets.

Jupiter and Antiope Smaller Plate 1626-1636 Holland. Etching on buff laid paper . Rembrandt van Rijn

Lying one.

Agostino Carracci depicted a male figure interpreting to the right using pen on blue paper, with a wide strip at the top.

A collection of sketches by George Minne from 1888 in pen and pencil showing varied figure poses and compositional arrangements with attention to detail.

Figure Studies for the Salon du Roi, Palais Bourbon. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 10 3/4 x 15 3/8 in. (27.3 x 39 cm). Date: ca. 1833-35. Museum: Metropolitan Museum of Art, New York, USA.

The Penitent Magdalene n.d. Adriaen van der Werff Dutch. The Penitent Magdalene 373784

Prometheus chained, Anthonie van den Bos, After Salvator Rosa, 1778 - 1838 print Prometheus is chained to a rock and an eagle picks up his liver. Prometheus received this punishment from Jupiter because he stole the fire and gave it to the people. Netherlands paper etching an eagle tears at Prometheus' liver

Lobsters. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 217 mm × w 330 mm. Museum: Rijksmuseum, Amsterdam.

A pencil drawing by Josef Tautenhayn the Elder depicting a mythological scene with three floating figures and one seated figure.

The Open Book, James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), 1861, Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper, Sheet: 12 7/8 x 9 5/8 inches (32.7 x 24.4 cm), Plate: 5 7/8 x 4 1/2 inches (14.9 x 11.4 cm), and Image: 5 7/8 x 4 1/2 inches (14.9 x 11.4 cm), belt, book, bow (costume accessory), buckle, buttons, chair, dress, genre subject, woman

Study of woman sitting, the front of the body lying on a table, the head in the arms. Jean-Baptiste Carpeaux (1827-1875). Study of woman sitting, the front of the body lying on a table, the head in the arms. Drawing, around 1872. Museum of Fine Arts of the city of Paris, small palace.

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and scribbles, Child with lamb (possibly John the Baptist), verso - stamped, print, prints, height 65 mm, width 43 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), The Open Book, 1861. Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper.

The Holy Cecilia in her death sleep, Pietro da Cortona, 1606 - Before 1625 drawing paper. chalk female saints (with NAME) - death, deathbed of female saint

Study of three characters (pp. 92 from the album). Jean-Baptiste Carpeaux (1827-1875). Study of three characters (pp. 92 from the album). Drawing between 1870 and 1875.

Figure Studies, Anonymous, 1700 - 1800 drawing France paper. chalk

George Frederic Watts, Study of Death for Time and Death, c 1868 Study of Death for Time and Death

Adoration of the Magi, after Rubens' 'Adoration of the Magi'. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 10 1/8 x 7 13/16 in. (25.7 x 19.9 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Three Figural Studies; Italy; black crayon on paper

Sleeping Woman, Daniel Nikolaus Chodowiecki, After Rembrandt van Rijn, 1759 print paper etching sleeping; unconsciousness

Reclining Male Nude, Foreshortened. Jacopo Robusti, called Tintoretto; Italian, 1518-1594. Date: 1562. Dimensions: 181 x 276 mm (max.). Charcoal, heightened with white chalk, on blue laid paper (faded to bluish gray). Origin: Italy. Museum: The Chicago Art Institute, FLORENCIA, USA.

Mary and the Christ child on a globe surrounded by angels, 1827 - 1891 Probably copied to a painting or sculpture. Figure studies. Page 3 Recto from a sketchbook with 11 sheets. paper. pencil Madonna: Mary (standing) with the Christ-child free-standing (or leaning against her) (+ angel(s)). standing figure

Interior with a woman sitting next to a cradle. In addition to the cradle a view through a window. Leaf 1 Recto from a sketchbook with 43 sheets.

Beggar seated warming his hands at a chafing dish, Francesco Novelli, after Rembrandt van Rijn, 1777 - 1836 print paper etching Begin

Saint Jerome seated on rocks and reading a book, a cross and a skull at left, after Reni (). Artist: Anonymous; After () Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 2 11/16 × 4 3/4 in. (6.9 × 12 cm). Date: 17th century.There are traces of gold leaf () around the edges of the sheet. Museum: Metropolitan Museum of Art, New York, USA.

Stefano Della Bella, A Young Man Pursued by Death A Young Man Pursued by Death

A drawing by Abraham van Diepenbeeck showing a Carmelite saint at a writing desk with a skull, executed in red and black chalk with brown wash and white highlights on dark brown tinted paper.

Eternal mother. Sterner, Albert, 1863-1946. 1930. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

George Romney, 1734-1802, British, Seated Nude Woman (Hygeia at Doctor Graham's), undated. Graphite on medium, slightly textured, cream laid paper.

Marys kiss (The Holy Family resting on their way to Egypt). Willmann, Michael (1630-1706), draughtsman, cartoonist

Francisco Bayeu / 'Allegorical Figure'. 1788. White chalk, Pencil on yellow paper. Museum: Museo del Prado, Madrid, España.

Charles Meryon, Seated Female Figure for San Francisco, probably c 1856 Seated Female Figure for San Francisco

The Fagot Gatherers. Alphonse Legros (French, 1837-1911). Drypoint;

The Education of a Dog n.d. After Jean Honoré Fragonard French. The Education of a Dog. After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). n.d.. Black chalk, brush and brown wash. Drawings

Benjamin Robert Haydon, 1786-1846, British, Study of Two Figures and Two Legs, undated. pen and brown ink and brown wash on medium, slightly textured, beige wove paper.

Study for an Evangelist, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on paper, Bust of a young man pointing with his left forefinger at an opened book. At right, a sketch of the right hand., Italy, ca. 1700, figures, Drawing, Drawing

River god, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, pen, h 177 mm × w 132 mm

Seated Women Holding Aloft a Sword, and Supported by Two Putti. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 10-1/16 x 8 in. (25.6 x 20.3 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Paul Cézanne, Hamlet and Horatio, 1873, Conté crayon on bistre paper.

Shepherdess Crowning a Shepherd with a Laurel Wreath, Casper Casteleyn (attributed to), c. 1665 - c. 1670 drawing Haarlem (possibly) paper. chalk lover crowned with a wreath. pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Virgin and Child (recto); Portion of Altarpiece Sketch (verso) 1641-1661 Italy. Red chalk (recto) on gray-brown laid paper . Flaminio Torre

A brown ink and wash study sheet by Daniel Gran from 1756 showing an adored angel in a devotional pose.

Depiction of a lying satyr showing body posture, limbs, and expression, drawn with lead pencil (Bleigriffel).

Naked man enclosed in a half-circle (MCB 148) Pierre Puis de Chavannes (1824-1898). Naked man enclosed in a semicircle (MCB 148). Graphite pencil on paper pasted in full on cardboard.

Putto in landscape. .

John Singer Sargent, Study for Astronomy, c 1921 Study for Astronomy

A pencil sketch by Emerich Alexius Swoboda from 1892 showing a figural monument with decorative elements in front of a balustrade, emphasizing form and composition.

Engel who visits a man and child, c. 1650 - c. 1799 The angel flies with raised arms on the man and the child, who are hiding backwards in wonder. Also a second study by the angel and a kneeling woman with a child and sitting man. Page 20 from a sketchbook with 72 pages. Italy (possibly) paper. pencil. ink pen / brush angels. kneeling figure - AA - female human figure

Drawing, Figure with fronds and putto; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Study sheet with figures, c. 1650 - c. 1799 Figure studies, including a man with laurel wreath. Also a composition study in a framework. Page 43 from a sketchbook with 72 pages. Italy (possibly) paper. pencil. ink brush / pen anatomy (non-medical)

William Blake, The Vision of the Lord of Spirits, c 1824 1827 The Vision of the Lord of Spirits

Prison Scene, George Romney, 1734-1802, British, undated, Gray wash over graphite on medium, moderately textured, cream laid paper, Sheet: 10 3/4 x 18 7/8 inches (27.3 x 47.9 cm), correctional institution, figure study, genre subject, men, nudes, prison, women

Bliżej Kultury Simmler, Józef (1823 1868)

Red chalk drawing by an anonymous artist depicting the birth of Christ.

Two studies of a lying girl. .

Man reclining in the grass with legs raised, Johan Daniël Koelman, 1841 - 1857, draughtsman: Johan Daniël Koelman, 1841 - 1857, paper, h 132 mm × w 197 mm

'Conversion of Saul'. France, Circa 1638. Dimensions: 12,5x9 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS POUSSIN.

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin sits behind a parapet, seen from the back, her head turned toward her left shoulder. Her left hand is resting in her right armpit, her right hand at the right hip of the Child who stands upon the parapet. He has an apple in his right hand, his left is resting on the left shoulder of the Virgin. The scenery is a town in a sunny landscape. Framing line., Rome, Italy, 1820-1850, Drawing, Drawing

Carriage horse in Amsterdam, at evening, 1886 - 1923 drawing Amsterdam paper. chalk city-view, and landscape with man-made constructions. urban housing. horse Amsterdam

Study for the figure of Mary in birth in the Prado, Madrid, and two study of a sleeping Christ child, c. 1597 drawing Left on the magazine a sketch of Mary, in full, in three -quarters to the right, in worship for the Christ child; On the right two sketches of a sleeping child. paper. chalk infant, baby

Study of Two Figures and Two Legs, Benjamin Robert Haydon, 1786-1846, British, undated, pen and brown ink and brown wash on medium, slightly textured, beige wove paper, Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)

Monkeys Wojtkiewicz, Witold (1879 1909)

On the Beach - At Berneval (Sur la plage - a Berneval), 1892, drypoint, Delteil, no. 5, State i/iii, Auguste Renoir (artist) French, 1841 - 1919

Man Stabbing Himself 1591-1666 Circle of Guercino (Giovanni Francesco Barbieri) Italian. Man Stabbing Himself 339021

Don Quixote, head, James Ensor, circa 1870-1880, drawing, Belgian Art

Awe. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wojtkiewicz, Witold (1879-1909), graphic artist

Ophelia, James Ensor, circa 1880-1890, drawing, Belgian Art

Angel leaves the family of Tobit.

Winslow Homer, Standing Man Looking Away from Two Drowning Figures (Study for Undertow), 1886, graphite on blue-gray wove paper.

Man with a wide -raced hat, Constantijn Huygens (II), 1667 drawing paper. ink pen male sex; man. anonymous historical person portrayed alone

Nude man seated on the ground with one leg extended. prints, etchings, works on paper

Sketch of a fragment of a young man bent to the right, in his left hand, raised up holds a hatSchlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) -, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship), Men, Studies to Pictures, Character Studies, Sketches of the characters

Studies of a Department Virgin Die De Stachel Pookt, Simon Andreas Krausz, 1770 - 1825 drawing Sketch magazine with studies from a maid who pokers the stove. paper. ink. pencil pen

Study for Ugolino 19th century Jean-Baptiste Carpeaux French. Study for Ugolino 334334

Bathers in a Forest Made 1895-1897 France. Graphite on tan wove paper, laid down on ivory Japanese paper . Pierre-Auguste Renoir

The Holy Family. Cairo, Francesco del (1607-1665), draughtsman, cartoonist

A 1777 drawing by Jacob Matthias Schmutzer depicting two putteners on clouds with mercury, roses, a flaming heart, pigeons, and a tambourine, executed in pencil and black and white chalk.

Standing Figure of a Man with a Staff. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: 12 1/2 x 7 in. (31.8 x 17.8 cm). Date: 1825-79. Museum: Metropolitan Museum of Art, New York, USA.

Sketch sheet with studies of a factory boy at work. Draughtsman: Anthon Gerhard Alexander van Rappard. Dating: 1868 - 1892. Measurements: h 352 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Standing Draped Female Figure. Artist: Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10-1675 Naples ()). Dimensions: 7-1/2 x 4-1/8 in. (19.0 x 10.4 cm). Date: 1612-75. Museum: Metropolitan Museum of Art, New York, USA.

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