Classical Figures

Elegant engravings of mythological and historical figures, showcasing the beauty and grace of classical humanity through various artistic interpretations.

Calliope, the Muse of Epic poetry, holding a scroll, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 9, 1757-1787, Naples.

Venus Aphrodite. Etching by F. Perrier.

Calliope, the Muse of Epic poetry, holding a scroll, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 9, 1757-1787, Naples.

S Mary Magdalene, Pieter de Bailliu (I), Peter Paul Rubens, 1623 - 1660

Personalized Grace Grace (title on object) One and forty pieces, Verscheydene Sinnebbeelden (series title), A female figure on a pedestal with flowers in her hand as a personification of grace. Print from a series of 41 emblems, flowers, Elegance (abstract concept represented by female figure), Arnold Houbraken (mentioned on object), Amsterdam, 1710 - 1719, paper, etching, h 181 mm × w 80 mm

Marcantonio Raimondi's 1505-1515 copper engraving shows a muse, highlighting a graceful female figure with classical features and symbolic objects.

Study of the Sabine Statue from the Villa Medici, c. 1775-1780. Jacques-Louis David (French, 1748-1825). Pen and brown ink and brush and gray wash; sheet: 21.4 x 14.8 cm (8 7/16 x 5 13/16 in.).

Hoop, Hans Collaert (I), after Lambert Lombard, 1557 print In a niche the female personification of Hoop (Spes), one of the three theological virtues. She looks towards heaven with stored eyes. The print is part of a series with the seven virtues as the subject. print maker: Antwerpafter design by: Liègepublisher: Antwerp paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Statue of the Muze Thalia, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving Thalia (one of the Muses); 'Talia' (Ripa). piece of sculpture, reproduction of a piece of sculpture

Woman walking, to the left, anonymous, 1500 - 1600, draughtsman: anonymous, 1500 - 1600, paper, pen, h 250 mm × w 140 mm

Statue of Leda and the swan; Galleria Giustiniana del Marchese Vincenzo Giustiniani. Statue of Leda with the swan. On the base the coat of arms of Vincenzo Giustiniani. Print is part of a series of prints to sculptures in the collection of Giustiniani in Rome.

Hope. Raphael, 1483-1520. 1500 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Statue of a woman, Reinier van Persijn, after Joachim von Sandrart (I), 1640 print Statue of a woman, in classic robe, with a raised arm. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. adult woman

France, French crown, Paris, Henriet, Israel, Bella, Stefano della, Four seasons, L'este, Summer, verso - stamped, A female figure among the wheat (personification of summer) set in a cartouche., print, prints, height 94 mm, width 51 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Forteza (from the Tarocchi, series B: Cosmic Principles & Virtues, #36), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving, hand-colored with gold;

Ancient Statue of the Muse Thalia 1669 Claude Mellan French. Ancient Statue of the Muse Thalia 392510

The "Farnese Flora" at Stourhead. Dimensions: overall: 33.4 x 21 cm (13 1/8 x 8 1/4 in.). Medium: black chalk heightened with white on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: SAMUEL WOODFORDE.

John Baptist Jackson, Dancing Nymph with Bow and Arrows, 1752 1754 Dancing Nymph with Bow and Arrows

Statue of Clio, Greek muse of history and lyre playing, with lyre. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Wrath, Christiaan Lodewijk van Kesteren, Hendrick Goltzius, 1842 - 1897

Wendt Ulrich, Marienkirche in Lübeck. Altar. Altar, statue "Hope" (without date): View. Ink on cardboard, 25.6 x 16.9 cm (including scan edges) Wendt Ulrich : Marienkirche, Lübeck. Altar, Statue »Die Hoffnung«

personification of virtue Prudence with a mirror in one hand where she looks and in the other hand a snake, in the background a landscape, print maker: Cornelis Massijs (mentioned on object), Dating c. 1543 - c. 1544.

Muze with lute standing in Nis, Marcantonio Raimondi, After Rafaël, 1511 - 1520 print Muze, possibly terpisichore, with lute standing in niche. paper engraving (story of the) Muses; 'Muse' (Ripa)

Apollo, Minerva, Muses and five other figures according to Raphael, another young woman. Thirteenth issue of a 16-room suite (Bartsch 275) Marc Antoine Raimondi (1480-vers1534). Apollo, Minerva, Muses and five other figures according to Raphael, another young woman. Thirteenth issue of a 16-room suite (Bartsch 275). Fight, chisel. 16th century.

Judit; Helden en heldinnen van het Oude Testament.Judit with the head of Holofernes in one, the sword in the other hand. In the background the scene in which she browsing the army leader in his tent, while her service stands on hold.

Image of vigilantia (vigilance) on the rear of the town hall on the dam. Image of vigilantia, the personification of vigilance, right on the timpano on the rear (west side) of the town hall on Dam Dam in Amsterdam. On her head a helmet, a rooster at her feet. In her one hand a book, in her other hand a burning torch. Legal under numbered: XVI.

Sculptuur Van Priapus; Pole of the great images of the house d'Alexandria ; Antieke Sculpturen in Rome ; Are to be seen in the public places, and images were of the Ancient Rome, known as the city of statues . Onderschrift in het Engels . Prent maakt deel uit van list .

A 1505-1515 copper engraving by Marcantonio Raimondi depicting a classical muse, reflecting Renaissance artistic fascination with mythology.

Faith plate 40 from Genii and Virtues. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 186 x106 mm (sheet); 180 x 100 mm (plate). Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Running woman, Salvator Rosa, c. 1656 - c. 1657 print A woman walking to the left, keeping her skirt up with the left hand. Italy paper etching / drypoint walking - AA - female human figure

A woman's figure as a personification of time indicates the twelve signs of the zodiac and has a mirror in her left hand. To her feet a monstrous fabulier. In the background a ruin and a damaged classic image on a base. Print from a series of 41 symbols.

Sculpture of Apollo; Apollo Opus Timanlidis in Aedibus Farnesianis; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Flora; Vico, Enea (1523-1567); 1543-1567 (1543-00-00-1567-00-00);Flora (mitol.), Persephon (Mitol.), Prosepina (Mitol.), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Italy (state), Italian graphics, Renaissance (style), antique sculptures, Italian (culture)

Staande Vrouw, Anton Maria I Zanetti, After Paramigianino, 1724 print A standing woman, a vase on her head. Italy paper standing figure - AA - female human figure. carrying something on the head or on the shoulders

Delle antichità di Ercolano, Campana, Pietro, 1725 or 1727-ca. 1765, Morghen, Giovanni Elia, 1721-ca. 1789, Engraving, 1757-1792

Sculpture of a sibille; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Terpsichore, Muse of Dance, plate 9 from Parnassus Biceps. Johann Theodor de Bry (German, 1561-1623); after Jean-Jacques Boissard (French, 1533-1598). Date: 1601. Dimensions: 241 × 140 mm (image); 260 × 140 mm (plate); 282 × 163 mm (sheet). Engraving in black on ivory laid paper. Origin: Frankfurt an der Oder. Museum: The Chicago Art Institute, Chicago, USA.

Hygieia, Greek and Roman goddess of health and cleanliness, daughter of the god of medicine Asclepius. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Sculpture of a woman in a niche, Anonymous, After Gerard de Lairesse, 1630 - 1706 print In a niche is a sculpture of a woman in classic clothing. In the background is a man with bare torso. In the distance a pyramid or obelisk. paper engraving adult woman. piece of sculpture, reproduction of a piece of sculpture

Master of the E Series Tarocchi, Caliope (Calliope), c 1465 Caliope (Calliope)

Painting. Dated: 1740. Dimensions: plate: 16.9 x 14.2 cm (6 5/8 x 5 9/16 in.) sheet: 18.5 x 15.5 cm (7 5/16 x 6 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christian Wilhelm Ernst Dietrich.

Personification of Logic, Pierre Lombard, After L. Richer, 1623 - 1681 print paper engraving / etching Logic, 'logic'; 'Logic' (Ripa)

Female Allegorical Figure of Benignitas (Goodness), with Attributes of Abundance Standing in a Niche (recto); Architectural Sketches (verso) 1550-70 Circle of Giorgio Vasari Italian This bold, elegantly finished drawing is a careful copy after the Allegorical figure of the virtue Goodness, entitled "Benignitas," in the fresco by Giorgio Vasari that adorns a wall of the Sala dei Cento Giorni in the Palazzo della Cancelleria in Rome. Vasari painted this large reception hall in 100 days (hence the name of the room) for Cardinal Ranuccio Farnese in 1546, and relied on the heavy collaboration of assistants. The allegorical figure in the fresco is meant to represent a sculpture, painted therefore in monochrome. This drawing had been previously attributed to the circle of Francesco Salviati by Philip Pouncey (his note on the mount of the drawing, April 1965), before the connection to Vasari's fresco had come to light. Pouncey's preliminary suggestion of attribution was a reasonable hypothesis

Holy Agatha tied to Boom, Anonymous, After Marcantonio Raimondi, 1500 - 1575 print paper engraving the virgin martyr Agatha of Catania; possible attributes: breasts on dish, burning house, loaf, taper or candle, tongs

Clio, muse of history., Clio, draughtsman: Alexander Liernur, 1796, paper, h 241 mm × w 168 mm

Plate 20: bearded figure, half clothed 1756 Bartolomeo Crivellari. Plate 20: bearded figure, half clothed. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. Prints

Statue of Diana, Theodor Matham, after Joos de Pape, 1640 print Statue of Diana. On the pedestal the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Diana (Artemis)

Clélie. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 3/8 x 8 3/8 in. (33.9 x 21.2 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Niello work by Nicoletto da Modena depicting a woman holding an apple and a sword, illustrating human figure, posture, and symbolic elements.

Seated Woman Holding a Tablet late 17th, mid 18th century Possibly by Jean Antoine de Maroulles Italian. Seated Woman Holding a Tablet 390001

Offer ritual; Reliefs in the Loggia of Rafael. A women's figure makes a sacrifice. In her hands a bowl with fire and a wreath.

Geschiedenis bij obelisk; Titelpagina voor: Marcus Junianus Justinus en Johannes Georgius Graevius, Historiarum libri XLIV, 1668.A crowned woman, possibly history, stands at an obelisk with stars. On her shoulder she wears a laurel branch with crown and wreaths. There are a harness and weapons at her feet.

Amsterdam, Visscher, Claes Jansz. (II), Goltzius, Hendrick, Matham, Jacob, Heroes and heroines of the Old Testament, Jaël, verso lower left - stamped, Jaël with hammer and tent pin in her hand. In the background the scene in which Jael kills the general Sisera with this, by driving the tent pin through his head in his sleep in his army tent., print, prent, prints, prenten, height 274 mm, width 168 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1585 - 1589, paper, papier, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher

Ink and wash drawing by Joseph Klieber depicting Erato, the muse of lyric poetry, showing figure, posture, and drapery.

Shepherdin with shepherd's staff and hat with flowers, anonymous, 1650 - 1800 print paper herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Minerva protects the Dutch Virgin, 1815, Reinier Vinkeles (I), After Mattheus Ignatius van Bree, 1815 - 1816 print Allegorical representation in which Minerva protects the Dutch Virgin against the French eagle. Part of a group of illustrations of events around and during the battles at Quatre-Bras and Waterloo, 16-18 June 1815. Netherlands paper etching / engraving (story of) Minerva (Pallas, Athena). personifications of countries, nations, states, districts, etc.. predatory birds: eagle (+ animals used symbolically) Netherlands

Muse Thalia with mask standing in Nis; Gods and muses and young women.

Gray man in Lange Mantel, Girolamo Muziano (Possible), 1538 - 1592 drawing paper. chalk

. Personified moderation; A women's figure pours from a liquid in a glass. In the background a hilly river landscape.

Jaël, Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print Jaël with hammer and tent pin in her hand. In the background the scene in which Jaël kills the General Sisera, by hitting the tent pin in his sleep in his army tent. Haarlem paper engraving female persons from the Old Testament (with NAME) (not in biblical context). Jael (one of the nine worthiest women). story of Jael and Sisera

Image of a woman holding a bird, often identified as Leda, Image of a woman holding a bird, to the right Signorum Veterum Icones I , print maker: Jan de Bisschop, (mentioned on object), anonymous, Northern Netherlands, c. 1663 - in or after 1668, paper, etching, h 222 mm × w 84 mm

Photo collection Government information service. "The grieving barbarian". Roman statue of Thusnelda, wife of Arminius. undated. Florence, Italy

Frygic sibille; Sibylla phrygia; Sibilles. The frygic sibile sitting with a book in her hands. She is sitting on a stone with a relief sculpture at the front. On the relief two men with an altar. On the right the basement of a column and left a gate. This print is part of an album.

Costume of an ancient Roman noblewoman. She wears a hyacinth or red tunic, long toga, pallium or small cape, and sandals. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Garden Figure. Dated: c. 1939. Dimensions: overall: 55.8 x 34.5 cm (21 15/16 x 13 9/16 in.). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Robert Pohle.

TALIA MUSA DE LA COMEDIA - GRABADO REALIZADO POR SIMON BRIEVA - S XIX. Author: LUIS PARET Y ALCAZAR (1746-1799). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Statue of Diana Venatrix, Roman goddess of the hunt, with bow, arrow and quiver. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Amsterdam, Visscher, Claes Jansz. (II), Schonaeus, Cornelius, Goltzius, Hendrick, Matham, Jacob, Hope (Spes), A female figure with an anchor in a landscape as a personification of hope (spes)., print, prints, height 153 mm, width 105 mm, Work conception, Northern Netherlands, 1571-10-15 - 1631-01-20, after a print by, 1601 - 1652, paper, engraving, engraving (printing process), print maker, printmaker, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Justice. Raphael, 1483-1520. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Antonio da Trento after Parmigianino (Italian, c. 1508-1550 or after), Saint Simon, chiaroscuro woodcut

The coal drawing shows a figure engaged with a musical instrument, focusing on posture, hands, and expression, created around 1870.

Drawing by Christian Wilhelm Ernst Dietrich depicting Pan and Syrinx, executed with a leading handle and brush in gray-brown, laviert, around 1734.

Summer, a woman, crowned with corn, standing in a cornfield with corn in her right hand and a scythe in her left hand, within a cartouche topped with corn, from 'The four Seasons' (Les quatre Saisons) ca. 1638-43 Stefano della Bella Italian. Summer, a woman, crowned with corn, standing in a cornfield with corn in her right hand and a scythe in her left hand, within a cartouche topped with corn, from 'The four Seasons' (Les quatre Saisons) 410785

Anonymous (Italian). Astrology (Astrologia, no. 29), 15th century. From Astrologia. Engraving.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Asa, Ancestor of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Julia Agrippina, often referred to as Agrippina the Younger, AD 15 - AD 59. Empress of the Roman Empire.

Classical Niche with Figure of a Woman. Artist: Anonymous, 18th century. Dimensions: sheet: 9 5/8 x 4 1/16 in. (24.5 x 10.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Personification of Geometry, Lucas Kilian, 1640 - 1708 print paper engraving the liberal arts, 'Artes Liberales'. 'Geometria' (~ quadrivium); 'Geometria' (Ripa). measuring-instruments

Depicts Judith holding the head of Holofernes, created as a copper engraving print by Andrea Zoan at the end of the 15th century and beginning of the 16th century, illustrating the Biblical story.

Sculpture of a standing woman. Classic sculpture of a standing woman with bare upper body. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Heinrich Friedrich Füger Genius of peace. Chalk in black, white heighted on blue paper 1814 , 1814

Mrs. Abington as Thalia, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Richard Cosway, 1742-1821, British, 1783, Engraving, Sheet: 10 7/8 x 8 1/2 inches (27.7 x 21.6 cm), actress, performance, portrait, stage, theater (discipline), woman

Personifieviability; GraceHeyt; One-and-fourteigh pieces, shyded sinne images. A woman's figure on a base with flowers in her hand as a personification of grace. Print from a series of 41 symbols.

Master of the E Series Tarocchi, Justicia (Justice), c 1465 Justicia (Justice)

Statue of Diana, 1636 - 1647 print Statue of Diana, the goddess of the hunt, dressed in classic robe to the knee. She takes an arrow from the arrow sleeve on her back. Next to her a dog looking up at her. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Diana (Artemis). piece of sculpture, reproduction of a piece of sculpture

An Allegory of Fire. Robert Bonnart (1652-after 1729). Red chalk and wash. 24.5 x 17.5cm.

Heroines of the New Testament: The Woman of Samaria, c. 1595. Jan Saenredam (Dutch, 1565-1607), after Hendrick Goltzius (Dutch, 1558-1617). Engraving;

The Samaritan woman, Jan Saenredam, Balthasarus Schonaeus, Gerard Valck, 1661 - 1726

A standing woman with bared torso, wrapped around her waist in a generously draped robe, Woman with robe around her waist Abraham Bloemaert's drawing book , print maker: Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, Utrecht, c. 1650 - c. 1700, paper, engraving, h 213 mm × w 170 mm

The Lapse of the Year, Spring, 1900 After: Sir Edward Burne-Jones (d.1898) Publisher: Berlin Photographic Company, Paper, Flower, Photographic print, Photogravure, Female, Season, Spring, Nature, Full-length

Ceres, Palazzo Barberini, Rome, John Flaxman, 1755-1826, British, 1787, Graphite, pen and ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Drawing, The Cumaean Sibyl from Raphael's Fresco in St. Maria della Pace; After Raphael (Italian, 1483 - 1520); Italy; pencil, black crayon, white heightening on faded blue paper that is now grey; 40.1 × 24 cm (15 13/16 × 9 7/16 in.)

Studies for the Raising of the Daughter of Jairus. Dimensions: overall: 27.4 x 38 cm (10 13/16 x 14 15/16 in.). Medium: graphite with white wash on gray paper. Museum: National Gallery of Art, Washington DC. Author: British 19th Century.

Minerva. Dated: 1886. Dimensions: overall: 36.9 x 35.3 cm (14 1/2 x 13 7/8 in.). Medium: black and white chalks on red-brown wove paper. Museum: National Gallery of Art, Washington DC. Author: SIR EDWARD JOHN POYNTER.

Jacques Stella, Sibylla Agrippa, 1625 Sibylla Agrippa

Statue of a young gladiator, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture. the (nude) human figure; 'Corpo humano' (Ripa)

Statue of Minerva with helmet on her head, 1636 - 1647 print Statue of Minerva with helmet on her head. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

Statue of a woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman dressed in a long classic robe. She keeps her left arm for her body, with her right hand she holds her dress on her chest. She is wearing her hair in a braid. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

La Déesse Myrionime, Isis, Ou La Nature Personifiée; The goddess with the thousand names, Isis, or nature is personalized. Goddess with attributes, standing on the waves. Left of her the moon. Untitled in margin.

Design drawing for a stained-glass window with Saint Andrew. Draughtsman: Dirck Pietersz. Crabeth. Dating: c. 1545 - c. 1574. Place: Gouda. Measurements: h 282 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Sketchbook of Roman antiquities, Dupasquier, Antoine-Léonard, 1748-1832, pen and ink, pencil, wash, 1779, Drawings after antiquities in the Vatican, including Roman bas-reliefs and processional friezes, vases, classical busts, household utensils and instruments of worship and war

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