Classical Male Nudes

A collection of drawings and engravings depicting nude male figures, showcasing various poses and expressions influenced by classical art traditions.

Nederlanden, Tetrode, Willem Danielsz. van, Flagellation of Christ, Man with two whipping rods, verso lower left - stamped, A naked man, seen from the front, with a whipping rod in both hands. He is holding his left arm in the air., print, prints, height 509 mm, width 317 mm, print maker, printmaker, 1550 - 1625, paper, papier, engraving, engraving (printing process), Northern Netherlandish, after a statue by

Seated male nude, seen from the side (3rd prize 1797), Jacobus Wijsman, 1797 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Sculpture of a Faun; Fauni image in Aedibus Cuiusdam Nobilis Romani; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

A Nude Man Who is Frightened by Seeing the Moon and the Sun in the sky at the SameTime. Artist: Adamo Scultori, Italian, 1530-1585

Nederlanden, Tetrode, Willem Danielsz. van, Flagellation of Christ, Man with two whipping rods, verso lower left - stamped, A naked man, seen from the front, with a whipping rod in both hands. He is holding his left arm in the air., print, prints, height 509 mm, width 317 mm, print maker, printmaker, 1550 - 1625, paper, papier, engraving, engraving (printing process), Northern Netherlandish, after a statue by

Sculpture of one of the Dioscuren on the Quirinal in Rome, Anonymous, 1584 One of the two statues of the Dioscuren (Castor and Pollux), two naked men with horses. Previously interpreted as the artists Pheidias and Praxiteles. The images are on the Piazza del Quirinal in Rome. Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Quirinaal One of the two statues of the Dioscuren (Castor and Pollux), two naked men with horses. Previously interpreted as the artists Pheidias and Praxiteles. The images are on the Piazza del Quirinal in Rome. Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Quirinaal

. The naked Apollo looks over his right shoulder.

Standing male nude, Jan Kamphuijsen, 1780 - 1800 drawing paper. chalk standing figure

Christ met Kruis en andere passiewerktuigen ; Graphices examples of various artists.

Sitting male nude, seen on the back (3rd prize 1785), Hendrik de Flines, 1785 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Standing male nude, looking down, the hands on a wooden beam, Anonymous, 1700 - 1800 drawing paper. chalk

Man with a Vase by Raphaël. Charles Marville, photographer (French, 1813 - 1879) 1855-1870 Photograph of a drawing. (Recto, mount) inscribed in pencil at lower right corner: "60 underlined" (Verso, mount) inscribed in pencil at lower right corner: "Marville 15."

Standing male nude, seen from the front (3rd prize 1768), Johannes van Dregt, 1768 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude, seen on the back (1st prize 1771), Cornelis Buys, 1771 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Standing male nude with a stick above the head. Male nude, a stick above the head raised, right. At the bottom right: 130.

Christ with cross and other instruments of the passion Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Michelangelo, (mentioned on object), intermediary draughtsman: Jacob Matham, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 234 mm × w 111 mm

Sitting male naked, to the left, Jacob de Wit, 1747 drawing paper. chalk sitting figure

Standing Man in Pensive Pose. Dated: c. 1743. Dimensions: plate: 49.6 × 34.5 cm (19 1/2 × 13 9/16 in.) plate: 39.4 × 29 cm (15 1/2 × 11 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carle Van Loo.

Hercules on the back seen.Hercules seen on the back with knots and lion skin.

Male nude. Thoma, Hans (1839-1924), draughtsman, cartoonist

Kneeling male naked, arms around a block.

Saturn devours his child; Gods and Goddesses. Saturn, Roman God of agriculture, devours one of his children. In the niche is attribute, a zeis. Under the print, the inscription Divorvm Genitor SVMMI SATVRNVS Olympi is located. Copy to a print of Giovanni Jacopo Caraglio.

Neptune before a niche with Amphitrite (). Neptunus voor een nis met Amphitrite (). Draughtsman: Francesco Salviati. Dating: 1520 - 1563. Measurements: h 318 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.

Standing male naked with a sword and a cut head. Draughtsman: Dirk Versteegh (mentioned on object). Dating: 8-Nov-1784. Measurements: h 510 mm × w 351 mm. Museum: Rijksmuseum, Amsterdam.

Sitting naked; Paintings in the Sixtin Chapel. Sitting naked man, turned to the right. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 16.

Sitting male nude, half to the left, seen on the back. .

Biblical Story, The Risen Christ, Michelangelo Buonarroti, Historic, digitally restored reproduction from a 19th century original.

Sitting male nude, seen on the back (1st price 1820), Abraham Lion Zeelander, 1820 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Standing male nude with cornucopia and trumpet. Draughtsman: Jacob Smies (mentioned on object). Dating: Feb-1803. Measurements: h 558 mm × w 312 mm. Museum: Rijksmuseum, Amsterdam.

Hercules and Lichas; Sculptures by Antonio Canova. Sculpture of Hercules and Lichas by the Italian sculptor Antonio Canova.

Standing male nude, seen from the front, Jan Veth, 1874 - 1925 drawing paper. chalk

Standing male nude, downstairs, hands on a wooden bar ..

Sketchbook - Study for Atlas in Atlas Turned to Stone, 1875. Sir Edward Burne-Jones

Standing male nude, seen on the back, A. Waterloo (attributed to), c. 1813 drawing paper. chalk

Naked man with stick. Draughtsman: Jan Brandes (possibly). Dating: 1787 - 1808. Place: Skälsebo. Measurements: h 514 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

Statue of Mercury, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving (story of) Mercury (Hermes). piece of sculpture, reproduction of a piece of sculpture

Standing male nude, the arms on the back, Jan Willem Pieneman, 1789 - 1853 drawing paper. chalk

Naked young man. Naked young man on a rock. His gaze is directed to the left. He points to the right with his left hand.

Ajax; Aiace; Sculptures by Antonio Canova. Sculpture of the Greek hero Ajax by the Italian sculptor Antonio Canova.

Seated Male Nude ca. 1530-35 Francesco Salviati (Francesco de' Rossi). Seated Male Nude. Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). ca. 1530-35. Red chalk. Drawings

Artist: Louis de Boullogne the younger, French, 1654-1733, Study of a MaleNude, Black chalk heightened with white, image: 37.5 × 27 cm (14 3/4 × 10 5/8 in.), Made in France, French, 17thcentury, Works on Paper - Drawings andWatercolors

Ink and feather drawing of a man cleaning himself after using the restroom, depicting posture and gesture, laved for tonal effect.

Standing Academy. Andrea Boscoli; Italian, c. 1560-1608. Date: 1585-1589. Dimensions: 417 x 226 mm. Red and black chalk, on buff laid paper, laid down on cream laid paper, tipped onto cream board. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Statue of the shepherd youth Ganymede, abducted by Zeus, with an eagle. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

A second-half 15th-century anonymous copper engraving showing Hercules and Antaeus in mythological struggle with detailed figures and composition.

Plaster study of a seated slave ..

Image of Hercules Farnese in Rome, 1622 - 1665 print paper engraving (story of) Hercules (Heracles)

Study of male nude, lying back on the back.

Male nude, standing, seen from the back, Louis Fabritius Dubourg, 1693-1775

Nude study of a sitting man, seen on the back, Annibale Carracci (attributed to), 1570 - 1609 drawing paper. chalk

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Male Nude from Panel of "Creation of Eve", 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Antonio González Ruiz / 'Life study'. 1744. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766-1831, Black and white chalk on brown paper, A young male nude is seen standing, frontally, with his head tilted downward, and his right hand behind his head. His left arm hangs by his side, and his left hand makes a fist., northern Italy, Italy, 1805, figures, Drawing, Drawing

Statue of meleager; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Meleager with hunting horn in hand next to Caledonian boar cup. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Academic study of male nude with a hand his chin supporting; Six figures academiques. .

Statuette of Neptune. John Baptist Jackson (England, circa 1701-1780)Giovanni da Bologna (Italy, Douai, Flanders, 1529-1608). England, circa 1738. Prints; woodcuts. Chiaroscuro woodcut from 4 blocks

Kneeling male nude, to the right the arms around a column.

Standing male nude.dood male nude, bottom right: no. 44.

Roman soldier with shield and lance on his back, Leendert van der Cooghen, c. 1664 - c. 1666 print paper etching the soldier; the soldier's life. ruin of a building ~ architecture

Statue of the satyr Marsyas tied to a tree and flayed alive after a music battle with Apollo. Roman copy from a Greek original of the 4th century BC, now in the Capitoline Museums. Marsyae statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Etching by Rembrandt van Rijn titled 'The Woman with the Arrow', created in 1661, showing a female figure with an arrow in a flat tonal composition.

Sitting male nude with raised leg. Draughtsman: Jan Hoogsaat. Dating: 1664 - 1730. Measurements: h 196 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Sitting male nude, seen on the back.

Sitting male nude, to the right, seen on the back.

Hercules and Telephos, Nicolaes de Bruyn, Hendrick Goltzius, Frederik de Wit, after c. 1592 - in or after c. 1605.

Naked man with sun and moon. A naked man with arms raised. Above him at the same time the sun and the moon are visible at the same time.

Saint John theBaptist. Artist: Filippo Evangelisti, Italian, 1684-1761

Two sword fighters, Cornelis Bos (Possible), After Maarten van Heemskerck, 1552 print Two naked sword fighters. The print is part of a series about two sword fighters in a two -camp. paper etching / engraving athletics, gymnastics

A second-half 15th-century copper engraving by Andrea Zoan depicting Saint Sebastian tied to a post, showing detailed human figure and devotional composition.

Pencil studies by Ferdinand Georg Waldmüller featuring figures, landscapes, and compositional sketches for 19th-century art studies.

John Flaxman, 1755-1826, British, Perseus, Loggia dei Lanzi, Florence, 1787. Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper bound in vellum.

Netherlands, Tetrode, Willem Danielsz. van, Flagellation of Christ, Christ at the Flagellation Column, verso lower right - stamped, print, prints, height 500 mm, width 315 mm, print maker, printmaker, 1550 - 1625, paper, engraving, engraving (printing process), Northern Netherlands, after image of

Speculum Romanae Magnificentiae: Marsias (Marsias apud nobile quende) 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. I

Study of a Male Nude. Domenico Maggiotto (Italy, Venice, 1713-1794). Italy, no date. Drawings. Black and white chalk on gray-blue prepared paper

Narcissus on the Waterkant, Pieter Jan de Vlamynck, after Joseph-Denis Odevaere, 1820 print Belgium paper engraving / etching (story of) Narcissus

Tied naked man and naked figure with giving up arm, Marco Zoppo (attributed to), 1453 - 1478 drawing Study of a naked man bound to a scenal pole (Marsyas); On the left a sketch of a naked figure with raised arm. prepared paper. ink pen / brush

Adam stand; Beham, Sebald (1500-1550); 1524 (1st edition) (1524-00-00-1550-00-00);

Two wrestlers; Wrestlers. Two naked wrestlers. The print is part of a series of two wrestlers in battle.

Seated male nude, seen from the front (1st prize 1807), Johan Christiaan Willem Safft, 1807 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Standing male nude, seen from the front (3rd prize 1810), Willem Grebner, 1810 drawing paper. chalk standing figure (+ nude human being). standing figure (+ nude human being)

Drawing, A nude man; Italy; red crayon on brown-grey paper; 51.8 x 39.7 cm (20 3/8 x 15 5/8 in.); 1896-16-13

Kneeling Nude Youth with Raised Clasped Hands. Artist: Étienne Jeaurat (French, Vermenton 1699-1789 Versailles). Dimensions: 18 3/8 x 13 5/8 in. (46.7 x 34.6 cm). Date: ca. 1730-36. Museum: Metropolitan Museum of Art, New York, USA.

Sitting male naked, to the right, seen on the back. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 511 mm × w 353 mm. Museum: Rijksmuseum, Amsterdam.

Different views of a leg and three arms, Roubillac, After Philippe Louis Parizeeau, c. 1780 print publisher: ParisFrance paper etching drawing, sketch. legs

Three studies of seated male figures. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Men , Anatomy

Standing male nude, the left knee on a rock, the right arm raised.

Herdersjongen, Carl Wilhelm Kolbe (I), 1838 print A standing shepherd boy with staff and jug. paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Statue of young Marcus Aurelius, Michel Natalis, After Joachim von Sandrart (I), 1640 print Statue of the young Marcus Aurelius, a cloak over the shoulders, with a bullet in his left hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving classical history (+ full length). shot-putting. adult man. monument, statue. piece of sculpture, reproduction of a piece of sculpture

Etching by Edme Bouchardon dated 1738 depicting a male nude figure with detailed anatomical accuracy and 18th-century European engraving technique.

Sitting male naked, seen on the back, Chrétien Dubois, 1799 drawing paper. chalk

Thinking outlet; Spinario. View of the antique bronze sculpture that is known as the spinario (sparrot puller). The sculpture is on a base and presents a seated young man who removes a thorn from his foot.

Sitting naked from the Sixtine Chapel, Cherubino Alberti, Philippe Thomassin, After Michelangelo, 1585 - 1622 print Sitting male naked, partly turned to the side. print maker: Italyafter painting by: Vaticaanstadpublisher: Rome paper engraving the (nude) human figure; 'Corpo humano' (Ripa) Sixtine Chapel (Vatican)

Bronze statue of a drunken faun from the house of the Patrician, Regio IX, Insula VIII. Now in the Museum of Naples. Illustration drawn by Miss Amy Butts and lithographed by J.G. Bach from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Hermes's statue according to the sculpture of Praksyteles was drawn by Julius Ehrentraut . Sharpening from the Russian magazine of Newwa, 1883, No. 23, p. 364 Käseberg, Hugo (1847 1893), Oertel, Kaspar Erhardt (1840 18 ..), PracticeTeles (IV W.), E.), Ehrentraut, Julius (1841 1923)

Ticky example of a naked man, Pieter de Jode (I), 1629 print Naked young man, with eyes closed, lying on a stone. paper engraving lying figure

Study of naked man Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Study of naked man. Black Stone, White Enhanced on blue laid paper.

Pleisterstudie van Atalante en Hippomanes, Cornelis Joseph d'HEUR, 1717 - 1762 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture. during the foot-race Hippomenes drops the three golden apples; Atalante stops to pick them up, and is thus beaten

Figure study of a standing man, seen from the front. Draughtsman: August Allebé. Dating: Dec-1826. Measurements: h 548 mm × w 374 mm. Museum: Rijksmuseum, Amsterdam.

Head, neck and trunk of a seated male écorché, shown from behind. Pencil drawing by J.C. Zeller ca. 1833 () after B. Genga, 1691.

Hercules Capitolinus Cornelis Bloemaert (2), after Palo Baldini, 1640 - 1646 print Image of Hercules with the apples of the Hesperides in his left and his club in his right hand. paper engraving (story of) Hercules (Heracles). piece of sculpture, reproduction of a piece of sculpture

of 3