Classical Mythology Prints

Engravings and woodcuts illustrating scenes from classical tales, featuring figures like Psyche and Cupid, and themes of temptation and transformation.

Germany, Cranach, Lucas (I), Temptation of Anthony with attack by demons, verso lower left - stamped, Saint Anthony is attacked by demons in a hallucination during his stay in the desert. He floats in the air among strange creatures that seem to be composed of all kinds of animal body parts. At the bottom right, Anthony's cave is depicted next to a tree and a view of a town on a river in a landscape. At the top of the tree hang two shields with the electoral and ducal arms of Saxony., print, prints, height 407 mm, width 278 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1506 - 1506, first quarter 16th century, paper, woodcut

Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius 1530-60 Master of the Die Italian This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.. Plate 14: Psyche kneeling in the foreground as Cupid flees from her, from the Story of Cupid and Psyche as told by Apuleius. The Story of Cupid and Psyche as told by Apuleius. Master of the Die (Italian, active Rome, ca. 1530-60). 1530-60. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). Prints

Woodcut by Hans Schäufelin from 1523 depicting the harvest and the blood culinary scene from Revelation 14, verso type pressure.

Fall of Phaëthon. Phaëthon falls with his car and are four horses from the sky. At the bottom left is a river god and on the right are sisters, the helias, which turn into poplars.

The Temptation of St. Anthony. 1506. Cranach, Lucas, 1472-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Leto na de geboorte Van Apollo en Diana, Diana Mantuana, After Giulio Romano, C. 1557 - c. 1612 print Leto after the birth of her children Apollo and Diana on the island of Delos where she was banned by Juno. print maker: Italyafter design by: Italypublisher: Rome paper engraving birth of Apollo: Latona gives birth to Apollo and Diana on the island of Delos. island

Scene from The Apocalypse, depicting The Scarlet Woman and the Great Beast.

Rome, Rossi, Giovanni Battista de', Pacifico, Orazio, Italy, Romano, Giulio, Mantuana, Diana, Leto after the birth of Apollo and Diana, verso sheet - stamped, Leto after the birth of her children Apollo and Diana on the island of Delos to which she was banished by Juno., print, prent, prints, height 261 mm, width 387 mm, Italian, 1547 - 1612, print maker, printmaker, 1557 - 1612, paper, papier, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, 1580 - 1637, publisher, uitgever, 1601 - 1678

The resurrection of the dead; The credo. Printed of two blocks. Ornamental picture frame around representation with two trumpeting angels and three figures that are getting up.

Florence, Sarto, Andrea del, Rome, Alberti, Cherubino, St. Philip Benizi of the Servites punishes the blasphemers, verso - stamped, Three men in the foreground on the left watch as a jet of fire strikes a tree. A group of people flee from the tree. Two people lie wounded on the ground under the tree. Below the image is a text in Latin., print, prent, prints, prenten, height 301 mm, width 486 mm, 1553 - 1615, print maker, prentmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), Italian, 1488 - 1531, after a painting by

Germany, Cranach, Lucas (I), Temptation of Anthony with attack by demons, verso lower left - stamped, Saint Anthony is attacked by demons in a hallucination during his stay in the desert. He floats in the air among strange creatures that seem to be composed of all kinds of animal body parts. At the bottom right, Anthony's cave is depicted next to a tree and a view of a town on a river in a landscape. At the top of the tree hang two shields with the electoral and ducal arms of Saxony., print, prints, height 407 mm, width 278 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1506 - 1506, first quarter 16th century, paper, woodcut

Gray ink drawing by Werner Kübler the Younger illustrating 'Jakob's Dream' around 1600-1610, showing Jacob, angels, and ladder in a dream scene.

Application of Antonius with attack by demons. Saint Antonius is attacked by demons in a hallucination during his stay in the desert. He floats in the air between strange beings that seem composed of all kinds of animal body parts. At the bottom right, the cave of Antonius is shown next to a tree and a view with a city on a river in a landscape. At the top of the tree two shields hang with the judicial and ducal weapon of Saxony.

The Angel with the Key of the Bottomless Pit, from The Apocalypse Made 1496-1498 Germany. Woodcut in black on buff laid paper . Albrecht Dürer

Print, The Lamentation; Albrecht Dürer (German, 1471-1528); Germany; woodcut on laid paper; 39.6 x 28.4 cm (15 9/16 x 11 3/16 in.); 1950-30-10

The wild boar attacks Atalanta, Meleager arrives just in time to save her and kill the boar, Meleager kills the wild boar Landscapes with mythological and biblical scenes (series title), Hans Bol, print maker: Philips Galle, (rejected attribution), print maker: anonymous, Southern Netherlands, c. 1550 - c. 1650, paper, etching, h 125 mm × w 185 mm

Mythological representation with a slept woman, Anonymous, 1500 - 1599 print In a landscape a fell asleep lies against a tree. A warrior in armor is approaching her, followed by two men with a horn of abundance (Cornucopia). Left in the foreground a river god and in the air Diana as a moon goddess pulled into a car by horses. On the right on a rock party is a shepherd with his herd. Italy paper engraving 'Cornucopia', Horn of Plenty. Diana as moon-goddess, i.e. Luna (Selene). river-gods. herd, flock. cupids: 'amores', 'amoretti', 'putti'. city-view, and landscape with man-made constructions

Albrecht Dürer, The Apocalypse: The Apocalyptic Woman, 1497, woodcut on paper.

Netherlands, Cock, Jan Wellens de, Temptation of Saint Anthony, verso lower left - stamped, Landscape with various scenes from the temptation of Saint Anthony., print, prints, 1522, height 267 mm, width 384 mm, Southern Netherlands, Northern Netherlands, 1480 - 1528, print maker, printmaker, 1522 - 1522, first quarter 16th century, paper, woodcut

. Landscape with in the foreground love and death that share their arrows. On the right an old man who seduces a young woman. In the background men and women who were shot by death with arrows, moonling couples and a funeral procession. In the air Jupiter on a cloud.

Psyche is going to search the golden wool; Story of Amor and Psyche. Venus wears psyche to collect wool from a herd of sheep with a golden coat. Links Venus Psyche points to the sheep across the street from a river. Right psyche at the sheep and between the reeds that advised her whispering about how to collect the wool. Italian text in two cartouches in undermarge. Twice numbered bottom left: 23.

Merciful Samaritan provides the wounds; Parable from the Merciful Samaritan. The Merciful Samaritan supports the robbery and injured man and pour oil over his injuries. The priest, reading in a book, and the Levite, praying for an image, the injured man passed by. Under the show the text: Sacerdos et Leviota Misero Relicto Transennt Samaritanus Autem Vulnerera Obligat Luc 10. Second print from a series of four.

The Last Judgment, from Hymmelwagen auff dem, wer wol lebt... 1517 Hans Schäufelein German. The Last Judgment, from Hymmelwagen auff dem, wer wol lebt... 670508

The Knight and Man-at-Arms. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 15 1/4 x 11 3/16 in. (38.7 x 28.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Triumph of David, Anonymous, After Nicolaes de Bruyn, 1637 - 1671 print David shows, right, the head of Goliat, standing with a foot on a book and next to him a dead lion and bear. His victory over Goliat can be seen in the background. David takes Goliat's sword to discover him. In the background, the Philistines flee, while the soldiers of Saul on the right use the chase. Under the show a title in Latin, three four -line verses in Dutch, English, French and two two -line verses in French. In the middle a reference to the Bible text in 1 Sam. 17. Amsterdam paper engraving David with Goliath's head

Ezra, Engel and appearance of a woman, Romeyn de Hooghe, 1705 - 1715 print Ezra lying down, with angel (uriel) who points to an appearance of a woman. Four performances surrounding the main performance with other episodes from the apocryphal book Ezra. In three frameworks references to the passages from Ezra 4. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Ezra and the archangel Uriel (2 Esdras 4:1). Ezra's vision of the eagle and the lion (2 Esdras 11-12)

Cupid Fleeing from Psyche 1530-1540 Italy. Engraving in warm brown ink on cream laid paper . Master of the Die

Simson a Delila, Lucas van Leyden, 1502 - 1509 print Delila cuts the hair from Simson asleep on her lap. Number of armed men are ready to attack. Low Countries paper engraving Samson's hairlocks are cut off by Delilah

Triumph van Venus with Polyphemus on the bank, Jaspar de Isaac, 1564 - 1654 print France paper engraving triumph of Venus Marina. Polyphemus. sheep

Rebecca and Eliezer at the Well, Adriaen Collaert, Eduwart van Hoeswinckel, 1582 - 1586

Christoph Murer, The Four Horsemen of the Apocalypse, published 1630 The Four Horsemen of the Apocalypse

Copper engraving by Albrecht Altdorfer from around 1515 depicting Mary with the blessing child in a landscape, showing figures, gesture, and natural surroundings.

People sacrifice in the forest. People sacrifice in the forest. Is part of the eight illustrations in: Johan Picardt, short desk finging of some forgotten and hidden antiques ... in the antique-rijcke landscape Drenth, Tymon Houtbak, Amsterdam 1660, fol. 67.

Adam and Eva in Paradise, Romeyn de Hooghe, 1673 print Amsterdam paper etching Adam and Eve in paradise (before the Fall)

The rich man led to hell through devils, Heinrich Aldgrever, 1554 print Three devils stand in a rock at the entrance of hell, three others come flying in with the rich man. Under the show The text: Divitem Epulonem Apud Ineros Sepultum Hec Tabella refers Luc 16. Fourth print from a series of five. Germany paper engraving Dives dies; his soul is brought into hell by devils

Italy, Titian, Rota, Martino, Last Judgement, verso - stamped, Christ sits as a judge on the rainbow, his feet resting on clouds. He is surrounded by saints, angels and cherubim. Below, the damned are drawn into hell by devils. Dedication in Latin in bottom margin., print, prints, height 321 mm, width 235 mm, Italian, 1795 - 1583, print maker, printmaker, 1576 - 1576, paper, engraving, engraving (printing process), Work conception, 1488 - 1576-08-27

Daniel in the lion's owl; Landscapes with biblical, mythological scenes and yacht scenes. Heuven landscape. In the foreground a cave with lions, with Daniel in the middle. The spectacle is shown to the prophet habakuk by an angel, holding him with his hair. The print has an ornament list with flowers and birds. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Jean Duvet, Saint John Sees the Four Horsemen, 1546 1556 Saint John Sees the Four Horsemen

Revelation of St. John: The Woman of Babylon, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

Antwerp, Hoeswinckel, Eduwart van, Bol, Hans, Collaert, Adriaen, Landscapes with biblical, mythological scenes and hunting scenes, Rebecca and Eliezer at the well, verso center bottom - stamped, Hilly landscape with a river and a city. on the right on a hill a castle. In the foreground Rebekah giving Eliezer water to drink from a jug. On the left a fountain. On the right a caravan of camels. In ornamental border with flowers and fish in the middle top and bottom. Birds in the corners. The print has an ornamental frame with flowers and animals. It is part of a twenty-four part series of landscapes with biblical, mythological scenes and hunting scenes., print, prent, prints, prenten, height 140 mm, width 210 mm, Zuid-Nederlands (voor 1775), 1560 - 1618-06-29, print maker, printmaker, 1582 - 1586, paper, papier, engraving, engraving (drukprocedé), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publicatie, publisher

Bileam, on his way to King Balak to put a curse on the Israelites, is stopped on the way by an angel. The angel, invisible to Bileam, blocks the way for Bileam's donkey and threatens it with a sword, Bileam and His Donkey Landscapes with Mythological and Biblical Representations (series title), Hans Bol, print maker: Philips Galle, (rejected attribution), print maker: anonymous, Southern Netherlands, c. 1550 - c. 1650, paper, etching, h 125 mm × w 185 mm

Jakobs Ladder, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with a river. In the foreground on the left the sleeping Jacob. He dreams that angels from heaven climb and down a ladder. Tetragram at the top of the clouds. The print has an ornament list with flowers and turtles. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. river. flowers ~ ornament. tortoises, turtles (+ ornamental variants of animals). tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Flood. The flood flooded the country. Noah's ark floats on the water. In the foreground people try to put itself in safety. The print is part of an album.

The First Four Trombones, from The Apocalypse 1523-24 Hans Burgkmair German Plate 7 from a series of 21 woodcuts with scenes from the Apocalypse for Martin Luther's translation of the New Testament. Four editions were published in Augsburg by Silvan Otmar between March 1523 and April 1524.. The First Four Trombones, from The Apocalypse 430642

Copper engraving by Marcantonio Raimondi around 1504-1505 depicting Saint George, showing him in traditional armor and posture, emphasizing religious and heroic attributes.

Saint George Killing The Dragon. Saint Joris is sitting with raised sword on a triggering horse. In the foreground a dragon with broken arrow through its head. In the background, Emperor Constantijn kneels the Great

The Egyptians Crossing the Red Sea, from Das Buch Granatapfel 1511 Hans Baldung (called Hans Baldung Grien) German. The Egyptians Crossing the Red Sea, from Das Buch Granatapfel 416724

Vellert, Dirck, Calling of Peter and Andrew, verso bottom center - stamped, Landscape with river. Peter and Andrew in boat with fishing net. Christ on the shore., print, prent, prints, height 147 mm, width 112 mm, South Netherlands, 1485 - 1547, print maker, printmaker, 1523-05-30 - 1523-05-30, first quarter 16th century, paper, engraving, engraving (printing process)

Hunt for Ostrich, from the series Hunting Scenes, in OrnamentalFrames. Engraver: Harmen Jansz. Muller, Dutch, ca. 1538/39-1617 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Hieronymus Cock, Flemish, ca. 1510-1570

Psyche Going to Seek the Golden Wool 1530-1540 Italy. Engraving in warm brown ink on cream laid paper . Master of the Die

Huber, Wolfgang, Pyramus and Thisbe, verso lower left - stamped, Thisbe finds her beloved Pyramus dying. He lies on the ground near two trees with a knife stuck in his chest while she stands next to him in shock. On the left is the lioness who in the story tears Thisbe's veil to pieces, this veil lies on the ground. A city is visible between the trees., print, prent, prints, prenten, height 119 mm, width 92 mm, 1490 - 1553, print maker, prentmaker, 1500 - 1553, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, papier, houtsnede

A 1607 etching by Sisto Badalocchio depicting Moses striking a rock to produce water, showing Moses, rock, water, and surrounding figures.

Luna, the moon, holding a hunting horn, is seated in a chariot, pulled in the sky by two girls. The sign of Cancer indicates those who belong to the Moon's sphere of influence. The people born under this sign all do something with water. In the foreground fishermen are working and someone is swimming. In the background, ships are being sailed by sailors. At the bottom in the margin a text in Latin about the children of Luna, Luna, the moon, and her children The seven planets (series title), print maker: Harmen Jansz Muller, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Hieronymus Cock, (mentioned on object), Antwerp, 1566 - 1570, paper, engraving, h 213 mm × w 249 mm

Venice, Rossetti, Domenico, Fight on a bridge in Venice (middle part), recto attachment sheet - stamped, A large group of men fighting on a bridge in Venice. Several figures fall from the bridge into the water. In the background figures on gondolas on the water., print, prints, verso - stamped, height 590 mm, width 441 mm, Italian, 1650 - 1736-04-13, print maker, printmaker, 1660 - 1736, paper, papier, engraving, engraving (printing process), etching

St. Jerome, from Les Pénitents et Pénitentes (The Penitents) ca. 1632 Jacques Callot French. St. Jerome, from Les Pénitents et Pénitentes (The Penitents). Les Pénitents et Pénitentes. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1632. Etching; first state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

A man carrying sack striding to the left ca. 1515-20 Nicoletto da Modena Italian. A man carrying sack striding to the left 400842

Luyken, Jan, Twenty-four scenes from the New Testament, Last Judgement, recto - manuscript in pencil, print, prints, verso - stamped, 23, height 120 mm, width 69 mm, print maker, printmaker, 1681 - 1762, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1649-04-16 - 1712-04-05

Copper engraving by Andrea Zoan from late 15th to early 16th century depicting the robbery of the Amymons, showing figures, action, weapons, and landscape elements.

Nuremberg, Solis, Virgil, Personifications of the Seven Planets on Triumphal Chariots, Iupiter, Jupiter, verso - handwritten in brown ink, print, prints, verso - stamped, 53, height 50 mm, width 84 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

Landscape with a man who drains a snake; The snake.

Monogrammist AF (Italian, active ca. 1500). Winged Genius on Horseback, ca. 1515. Engraving.

Birth of Adonis. Dated: c. 1515/1520. Dimensions: sheet: 16.5 x 11.4 cm (6 1/2 x 4 1/2 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Benedetto Montagna.

Sowing and plowing figures in a field. The scene is framed by an ornamental frame with implements, bags of seeds, vines and at the top the constellation Libra., September Suite des Mois de l'Annee (series title) Twelve months (series title), print maker: Etienne Delaune, Franse kroon, (mentioned on object), France, before 1566, paper, engraving, h 175 mm × w 237 mm

Venus and Amor riding in a chariot in the sky, pulled by two birds. The signs of Libra and Taurus indicate which people belong to Venus' sphere of influence. The people, born under this constellation, indulge in a pleasurable life and eroticism. In a landscape they make love, bathe, play music, walk in pairs or eat around a set table. Below in the margin a text in Latin about the children of Venus, The planet Venus and her children The seven planets (series title), print maker: Harmen Jansz Muller, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Hieronymus Cock, (mentioned on object), Antwerp, 1566 - 1570, paper, engraving, h 217 mm × w 251 mm

A group of travelers are walking through a forest. The two front travelers choose the road that leads directly to a village in the distance. However, the wind blows down a tree that threatens to block the path. The falling tree might even pose a danger to the two men. The three back travelers point to a path through the wilderness. Although this path clearly takes a detour, no dangers threaten here.', Careful Travel Life Lessons from Nature (series title), print maker: Marcus Gheeraerts (I), (attributed to), print maker: Pieter van der Borcht (I), (rejected attribution), publisher: Gerard de Jode, Antwerp, after 1585 - 1608 and/or after 1649, paper, etching, w 119 mm × h 70 mm

Landscape with a road. At various points in the landscape apostles, traveling in pairs to proclaim the wrath of Christ. The print has an ornamental frame with flowers, butterflies and animals. It is part of a twenty-four-volume series of landscapes with Biblical, mythological scenes and hunting scenes., Dispatch of the Apostles Landscapes with Biblical, Mythological Scenes and Hunting Scenes (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Eduwart van Hoeswinckel, (mentioned on object), Antwerp, 1582 - 1586, paper, engraving, h 142 mm × w 208 mm

Round frame summer landscape with summer scenes. August is the harvest month. The harvesting of grain is therefore central. Harvest wagons bring the grain to the barn. Some farmers are just about to have their rest. At the top center is the constellation Virgo. The print is part of a twelve-part series on the twelve months, August Avgvstvs The twelve months (series title), print maker: Adriaen Collaert, Hans Bol, publisher: Claes Jansz. Visscher (II), print maker: Antwerp, Antwerp, publisher: Amsterdam, 1578 - 1582, paper, engraving, h 143 mm × w 145 mm

Apollo and Diana kill the children of Niobe, Crispijn van de Passe (I), 1602 - 1607 print Apollo and Diana shoot arrows at Niobe's children to punish her. She tried to prevent theban women from the worship of Leto, the mother of Apollo and Diana. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Apollo and Diana kill Niobe's children

Haarlem, Numan, Hendrik, Representation of a story from the Aesop's fables, verso lower left - stamped, A lion defends its prey against two men., print, engraving, folk print, prints, engravings, height 97 mm, width 79 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, houtsnede

Bronze century, Philips Galle, After Gillis Coignet (I), 1573 print In a round list the bronze century of Minerva. The earth is processed and built in the foreground. Graan is mowed and utils cultivated. Landmet is done in the background. The print refers to the mythologically inspired idea that during the bronze century man had to work more and more to keep themselves alive. Moreover, ownership was central to life. The print is part of a series about the four eras and has a Latin, French and Dutch caption. Antwerp paper engraving / letterpress printing the bronze age, 'Aetas aenea'; characterized by Minerva and building activities

Noah leaves the ark after the flood; Paintings in the Loggia of Rafaël. Noah and his family leaving the ark together with all animals.

Parable of De Zaaier, 1629 print A man scatters seed in his field. The seed that falls on the road is eaten by birds. Another part does not find good land on the stones. A third part falls between the thorn bushes and is suffocated. Only the seed in the field ends up on good ground. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing the sower ~ parable of Christ (Matthew 13:3-9; Mark 4:3-9; Luke 8:5-8)

Emblem with man who doubts about the choice between life in virtue or life in sin, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print A man has doubts about his walk in a split of two roads. One way of a life in virtue leads to eternity and the other way of a life in sin leads to hell. He must consider whether he will regret his choice after his death, according to the meditation rule in the publication. Antwerp paper engraving the life of man

SaintGuntramus. Artist: Leonhard Beck, German, 1480-1542

Woodcut by Hans Brosamer depicting the creation of Eve, created in 1550.

Copper engraving by Giovanni Antonio da Brescia depicting Neptune controlling the winds, showing figures, gestures, and flowing drapery, created around 1509-1525.

Christ Sleeping During the Storm on Lake Tiberias, from The Story of Christ. Artist: Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Dimensions: Sheet: 1 1/2 × 2 1/4 in. (3.8 × 5.7 cm). Series/Portfolio: The Story of Christ. Date: 1534-35. Museum: Metropolitan Museum of Art, New York, USA.

Engel sneaks away from sleeping child, 1628 print The print is part of an album. paper flight, running away; pursuing

The Fall and Redemption of Man: Descent into Hell, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, Antwerp, Solitudo Sive Vitae Patrum Eremicolarum, Male hermits, Church Father Jerome as a hermit, verso lower left - stamped, St. Jerome as a hermit in the wilderness. He is kneeling in prayer before a table with a bible and a crucifix. Next to him is the lion. On the floor next to the table are a cardinal's hat and mantle., print, prints, height 168 mm, width 205 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1583 - 1588, paper, papier, engraving, engraving (printing process), 1560, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

Karl Josef, Archduke of Austria.

Albrecht Dürer (German, 1471-1528), The Knight on Horseback and the Lansquenet, c. 1496-1497, woodcut

Maria Theresia (Roman-German Empress), Ridinger, Johann Elias, Augsburg, Four Seasons with Hunting Dogs, Summer, verso - stamped, print, prints, height 469 mm, width 347 mm, German, 1698-02-16 - 1767-04-10, print maker, printmaker, 1740 - 1767, paper, papier, etching, etchings, Work conception, after own design by, Austrian, 1717-05-13 - 1780-11-29, with permission from

Specklin, Veit Rudolf, Holbein, Hans (II), Abraham sacrifices his son Isaac, Isaac lies tied up on an altar and Abraham is about to kill his son. An angel stops him. In the margin above the image is the text Genesis XXII., print, book illustration, prints, height 60 mm, width 85 mm, height 85 mm, width 110 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

Jozef thrown through his brothers in the well, Anonymous, After Johann Sadeler (I), After Maerten de Vos, after Nicolaes Pietersz Berchem, 1630 - 1702 print Joseph's brothers lower him in the well. On the left a sheep and on the right goats and a dog. In the background a landscape with mountains and water. On the left in the background the group of merchants. Under the show the title in Latin, a four -line verse in Dutch, French, German and English and a reference to the Bible text in Gen. 37:24. Amsterdam paper engraving Joseph is thrown into a pit (usually depicted as a well or cistern)

Picart, Bernard, Amsterdam, Allegorical representation with the muses warming themselves at the fire of bad books, verso lower left - stamped, On Parnassus the muses warm themselves at the fire of a book burning. On the left in the background Pegasus throwing off a writer. With an empty margin., print, prints, height 152 mm, width 83 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by

Woodcut by Albrecht Dürer depicting seven trombone angels, from the Apocalypse series, created around 1496/97, showing figures, instruments, and composition.

Samuel Ointment Saul as King, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1549 print A landscape with classic ruins. In the right corner, Samuel de Jonge Saul is king king of Israel. paper etching the anointment of Saul by Samuel. landscape with ruins. ruin of a building ~ architecture (+ classical art). pyramid (historical grave form)

Title page for Ulisse et circé, in Le Théâtre Italien de Gherardi, Paris 1700., Franz Ertinger, 1694 - 1700 print Scene from a play. Soldier with lady in a garden with wild animals. A ship in the background. Title page for the play Ulisse et Circé, published in Le Théâtre Italien de Gherardi, by Evaristo Gherardi in 1700. Paris (possibly) paper etching / engraving 'commedia dell'arte'. Ulysses' companions are changed into all kinds of animals

Albrecht Altdorfer (German, 1480 or before-1538), Abraham's Sacrifice, in or after 1520, woodcut

Saint George Killing The Dragon.The Saint Joris sits with raised sword on a prancing horse. In the foreground a dragon with broken arrow through its head. In the background, Emperor Constantijn kneels the Great

De Vis spits Jonah on the land, Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1637 print After surviving three days and nights in the belly of the fish, the fish jonah spits on the land. God looks at Jonah from a cloud. The water at sea is quiet. In the margin a two -way caption in Latin. Antwerp paper engraving after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed

Emperor Augustus and the Tiburtine Sibille. The Tiburtijnse Sibille shows Emperor Augustus the appearance of Mary and the Christ child in heaven. On the left in the landscape a minnender shepherd couple at a stream. On the left in the background a church.

Rome, Lafreri, Antonio, Italy, Salviati, Francesco, Fagiuoli, Girolamo, Birth of Adonis, verso - stamped, Adonis is born from a cleft in the trunk of a tree (half woman half tree). The tree is his mother Myrrha, who was turned into a tree after an incestuous relationship with her father Cinyras. Around the tree are Myrrha's nurse Lucina and the nymphs who care for Adonis. In the lower margin verse in Latin., print, prints, height 313 mm, width 429 mm, Italian - 1573, print maker, printmaker, 1544 - 1544, paper, engraving, engraving (printing process), Work conception, Italian, 1510 - 1563-11-11, after a design by, Publication (Event), Publication, 1512 - 1577, publisher

Sense face; Five senses. Woman as a personification of sense face sitting in landscape, she looks in a mirror while a bird of prey stands with spread wings next to her. In the background a scene from Genesis is shown: God shows Adam and Eva De Boom of knowledge of good and evil. In margin among two Latin lines.

Nuremberg, Solis, Virgil, Personifications of planets, Mars, Mars with an Aries and Scorpio (signs of the zodiac), verso - handwritten in brown ink, print, prints, verso - stamped, 52, height 63 mm, width 111 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Giovanni Battista Fontana, The Flight into Egypt The Flight into Egypt

Wood engraving, England, by Thomas Bewick.

Andrea Mantegna (1432-1506), "Gravlaeggelsen", 2nd half of 15th century

The Annunciation. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Dimensions: Sheet: 11 3/16 × 7 13/16 in. (28.4 × 19.8 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

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