Classical Mythology Prints

Engravings illustrating scenes from mythology, featuring figures like Hercules and allegorical representations, rich in detail and historical significance with thematic elements.

Mars and Venus, Hendrick Goltzius, Gerard van Keulen, Octavio Spinola II, 1588

Hercules en Atlas, Heinrich Aldegrever, after anonymous, 1550 print Seen Hercules from the front, with the heavenly ball on his shoulders. Next to him is Atlas who points to the heavenly vault with a point of view. Under the show a two -line text in Latin. Ninth print from a series of thirteen with the works of Hercules. paper engraving Hercules carries the heavens on his shoulders

Atalanta and Meleager. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Artist and publisher: Johannes Meyssens (Flemish, Brussels 1612-1670 Antwerp). Dimensions: Sheet (Trimmed): 12 3/8 × 8 3/4 in. (31.5 × 22.3 cm). Date: ca. 1640-70. Museum: Metropolitan Museum of Art, New York, USA. Author: After Peter Paul Rubens.

Allegory of changeability, Arnold Houbraken, 1710 - 1719 print Allegorical representation with a globe, on a piercing stable with a bass relief, which is flanked by father Time (right), with an hourglass and wings on his back on his back and the Personified truth (left), with a sun on her head . Father Time points with one hand on the globe with his others on an all -seeing eye in the top left in the background. Behind the globe a third figure, the personification of the lie, who is dividing with a burning bunch of branches in his hand. Print from a series of 41 symptoms. Amsterdam paper etching / engraving Father Time, man with wings and scythe. Truth; 'Verití' (Ripa) (+ nude). globe. the all-seeing eye, triangle with eye ~ symbol of God the Father. Change (+ allegorical scene, i.e. two or more personifications involved in an action)

Abraham Bosse after Claude Vignon, Illustration to Jean Desmarets' L'Ariane, published 1639 Illustration to Jean Desmarets' L'Ariane

Medea gives Jason image of Ganymedes with eagle, Georg Pencz, 1539 print Medea gives Jason an impression that Gaymedes and the Eagle proposes. paper engraving Medea. (story of) Jason

Medea gives Jason image of ganymedes with eagle; Medea gives the penates back to Jason; Medea; Greek heroines. Medea gives Jason an image that gaymedes and the eagle represents.

Engraver: Giorgio Ghisi, Italian, 1520-1582, After: Francesco Primaticcio, Italian, 1504-1570, Three Muses and a Putto with aLyre, Engraving, platemark: 29 × 16.5 cm (11 7/16 × 6 1/2in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

Mars and Venus as loved ones, 1533 - 1567 print Mars and Venus lie on a bed, Venus is naked and mars dressed in full armor. Amor is next to Venus. In the foreground two pigeons, a cat and a dog. Left in the background is a figure with a feathered body and bird legs in a window frame. Italian text in two columns in STUDMARGE. paper engraving Mars and Venus as lovers

Mars and Venus, Hendrick Goltzius, Gerard van Keulen, Octavio Spinola II, 1588

Mars and Venus. Dated: 1588. Dimensions: plate: 44.1 x 33 cm (17 3/8 x 13 in.) sheet: 44.4 x 33.4 cm (17 1/2 x 13 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius, after Bartholomaeus Spranger.

Mars a Venus, Jacob Matham, After Hendrick Goltzius, 1592 - 1594 print Mars and Venus in an amorous embrace on a bed. Amor plays in the foreground with Mars' armor. Haarlem paper engraving Mars and Venus as lovers

Fortuna offers the horn of abundance to Hercules, 1617 print Vrouwe Fortuna kneels in a mountainous environment with the horn of abundance in the hands for Hercules, who leans on his club. print maker: Netherlandspublisher: The Hague paper etching 'Cornucopia', Horn of Plenty. (story of) Hercules (Heracles). Fortuna as Roman personification

Pietà 1612-16 Jacques Bellange French. Pietà 369047

Three Muses and a Putto with a Lier, Giorgio Ghisi, After Francesco Primaticcio, 1541 - 1582 print Three muses are bent over a book. A putto with a winch is floating upstairs. print maker: Italyafter design by: Fontainebleau paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Lyre, Cithara, Psaltery. Cupids: 'Amores', 'Amoretti', 'Putti'

Copper engraving from 1517-1520 depicting Pax, the allegorical figure of peace, shown with olive branches and symbolic gestures.

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Hercules and omphal. With caption in Latin.

Prophet Jona; Ionas; Paintings in the Sixtin Chapel. The Prophet Jonah sitting with the fish and two small figures on the right. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 33.

Lucretia En Sextus, Heinrich Aldegrever, 1553 print Lucretia naked sitting on her bed, is grabbed by the also naked Sextus Tarquinius, who has a sword in his right hand. He threatens to kill her if she doesn't give him to him. Under the show a rule of text in Latin. Germany paper engraving the rape of Lucretia: Sextus Tarquin threatens her with a dagger or a sword

Venice, Bertelli, Orazio, Italy, Veronese, Paolo, Carracci, Agostino, Mary with the Body of Christ (Pietà), verso - stamped, Mary stands with the body of Christ in her arms. An angel stands by and holds Christ's hand. In the foreground on the left is the crown of thorns., print, prent, prints, height 395 mm, width 287 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), 1528 - 1588-04-19, after, after painting by, Publication (Event), Publication, publisher, uitgever

Love overcomes envy; Seven virtues and seven vices. The personification of love (Caritas) is sitting with two small children on her lap and tramples the envy (Invidia). The print has a Latin caption and is part of a series of virtues and vices.

Hercules kills the dragon Ladon, Heinrich Aldegrever, after Anonymous, 1550 print In the garden of the Hesperides, Hercules kills the dragon Ladon who guarded the apples, with raised clubs and with one foot standing on the neck of the animal. Hercules picks the apples from the tree in the background. Eighth print from a series of thirteen with the works of Hercules. paper engraving Hercules kills Ladon, the dragon which kept the tree of the Hesperides

Reconciliation of Minerva and Cupido, Anonymous, After Marcantonio Raimondi, After Rafaël, 1517 - 1570 print Minerva standing next to olive tree, Amor shakes hands and receives olive branch from him. She holds a bare breast with her hand. paper engraving (story of) Minerva (Pallas, Athena). (story of) Cupid, Amor (Eros)

Italy, Raphael, Veneziano, Agostino, Sacrifice of Isaac, verso - stamped, Abraham is about to behead Isaac, who is sitting next to him, with his sword. An angel in the sky seizes the sword., print, prent, prints, height 285 mm, width 212 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Italy, Perino del Vaga, Caraglio, Giovanni Jacopo, Loves of the Gods, The Loves of the Gods, Amor and Psyche, verso - stamped, The naked Amor crawls into bed with the naked lifeless Psyche. He is about to kiss her awake. In the bottom margin Italian verse in two columns., print, prent, prints, prenten, height 218 mm, width 135 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, papier, engraving, engraving (printing process), Work conception, 1501 - 1547-10-19

Tamaris with the Head of King Cyrus, from the series The GreekHeroines. Artist: Georg Pencz, German, ca. 1500-1550

Germanic man and female, Figura V, Nicolaes van Geelkercken (attributed to), 1614 - 1616 print Germanse man en Vrouw. Afkomstig shipped, Philip Cluverius, Germany ancient books, Lowijs (i) Elzevier, Leiden, 1616. lib. 1, p. 148. Figure V. Netherlands paper etching extinct, 'historical' peoples (with NAME)

The Seven Vices: Envy, 1593. Jacob Matham (Dutch, 1571-1631), after Hendrick Goltzius (Dutch, 1558-1617). Engraving; sheet: 33.2 x 17.7 cm (13 1/16 x 6 15/16 in.); platemark: 32 x 16.3 cm (12 5/8 x 6 7/16 in.).

Two lovers, a man pulling a woman toward a bed, from 'The Loves of the Gods' 1531-60 Giulio Bonasone Italian. Two lovers, a man pulling a woman toward a bed, from 'The Loves of the Gods'. Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). 1531-60. Engraving. Prints

Reconciliation from Minerva and Amor. Minerva standing next to olive tree gives Amor a hand and gets an olive branch from him. She holds a crazy breast with her hand.

Aeneas and his family flights from Troy. Aeneas runs with his father Anchises on the back. In his right hand, Anchises carries the house gods (penates). His son Ascanius runs behind Aeneas. In the background the burning troy. Italian text in two columns in undermarge.

Imperial Court, Spranger, Bartholomeus, unknown, Sadeler, Aegidius, Hercules and Omphale, verso lower left - stamped, Hercules spins yarn with the distaff. He wears a dress. The Lydian queen Omphale sits next to him. She wears Hercules' lion skin and holds his club. Cupid flies above them and covers himself with a cloth. The print has a Latin caption., print, prints, Quem nec...potest, center bottom margin - engraved, height 440 mm, width 321 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Work conception, 1546-03-21 - 1611-08, after a design by, granter of privilege

Cornelis Galle I after Sir Peter Paul Rubens, Judith Beheading Holofernes, c 1610 Judith Beheading Holofernes

A blindfolded Cupido with a torch for a couple in festive clothing, 1595 - 1596 print A blindfolded Cupido holds a burning torch for a man and a woman in festive clothing standing in hand next to him. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and/or dressed figures are shown out. print maker: Leidenprint maker: Netherlandspublisher: Leiden paper engraving masquerade, masked ball. torch. cupids: 'amores', 'amoretti', 'putti'

Portrait of Amalia van Solms, 1639 Portrait of Amalia. She is in a departure with an orange branch in her right hand. The three graces offer her palm leaves. Two times two lines of French text in the lower margin. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching Portrait of Amalia. She is in a departure with an orange branch in her right hand. The three graces offer her palm leaves. Two times two lines of French text in the lower margin. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching

Artemisia drinks the axis of her man Mausolus; Arthimeesia. Artemisia is sitting at the armor of her deceased husband and has been scattered from a servant the axis of her husband in a drinking cup. In the background his body is burned by Artemisia near a building, which probably imagines the mausoleum to imagine his death.

Venus and Vulcan Surrounded by Cupids dated 1530 Agostino Veneziano (Agostino dei Musi) Italian. Venus and Vulcan Surrounded by Cupids. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1530. Engraving. Prints

The Holy Family. Hendrick Goltzius (Dutch, 1558-1617); after Bartholomaeus Spranger (Flemish, 1546-1611). Date: 1584-1594. Dimensions: 271 × 210 mm (image); 286 × 215 mm (plate); 304 × 229 mm (sheet). Engraving in black on laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

Fortitude 1636 Abraham Bosse French. Fortitude 386159

Decapitation of John the Baptist, An executioner places the head of John the Baptist on a scale that Salome holds. John's headless body is lying on the floor in front of her. In the margin a four-line text in Dutch, Salome is given the head of John the Baptist by the executioner, Adriaen Lommelin (mentioned on object), Antwerp, 1630 - 1677, paper, engraving, h 171 mm × w 114 mm

Witch Riding Backwards on a Goat Made 1500-1502 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Susanna and the elders. During her bath, Susanna has been harassed by two elders. She is sitting at a fountain while the men grabbed her rug.

Joseph and Potiphar's wife 1700-52 Johann Jakob Frey the Elder. Joseph and Potiphar's wife. Johann Jakob Frey the Elder (Swiss, active in Rome 1681-1752). 1700-52. Etching. Prints

De Scheling, Albrecht Dürer, 1512 print Christ, bound by a pillar, is beaten by two men with a branch forest and a scourge. This print is part of a series of 16 prints with scenes from the suffering story. Nuremberg paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Hercules or Heracles, classical hero. Shown holding a club and wearing the skin of the Nemean lion. With Omphale, queen of the kingdom of Lydia in Asia Minor. Copperplate engraving from Andrew Tookes The Pantheon, Representing the Fabulous Histories of the Heathen Gods, London, 1757.

Sibille van Erythrae; Eritraea; Schilderingen in de Sixtijnse kapel.The Sibrille of Erythrae with book and naked figures. One of the sibilles of Michelangelo's ceiling painting. Numbered at the bottom right: 29.

Swanenburg, Willem Isaacsz. van, Delft, Mierevelt, Michiel Jansz. van, Leiden, Oordeel van Paris, Iudicium Paridis, Paris and Mercurius, Michiel Jansz van, verso lower left - stamped, Paris sits under a tree. In his left hand he holds a shepherd's crook and in his right hand an apple with the inscription 'Detur pulchriori'. At his feet sits Mercurius. He wears a winged hat and holds a caduceus. Below the representation is a four-line Latin text describing the judgement., print, prints, height 244 mm, width 142 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1609 - 1609, paper, papier, engraving, engraving (printing process), Work conception, 1567-05-01 - 1641-06-27, after a design by, Publication (Event), Publication, publisher

The Holy Family with Saints 1540-1555 France. Here the Fontainebleau School etcher LÈon Davent brought his bold etching style to a traditional subject, the sacred conversation. The many figures surrounding the Virgin Mary, the Christ Child, and Saint Joseph engage with them in discussion, as well as worship. These include Saint John the Baptist (embracing Christ), Saint John the Evangelist, and Mary Magdalene. Davent made many prints after the influential Italian artist Primaticcio, who was active in Francis Iís service at Fontainebleau. This etching may derive from a Parmigianino drawing for Saint John the Evangelist, and a Lavinia Fontana drawing for other elements (both works are in the MusÈe du Louvre).. Etching in black with engraving on ivory laid paper, tipped onto cream wove paper . Léon Davent

Susanna and the elders. .

Allegory on perception. A glasses wearing artist paints a naked woman in the outdoors. The model is on her knees on the ground and looks at herself in a mirror that is stopped by a putto. Behind the donkey a doctor looking at a urinal and a two men with astrolabium and passer on a globe. On the right in the foreground are different measuring instruments. A corner and the right of the right a eagle. Under the show the Latin translation of: I know from experience that this makes the viewer both angry and pleasure.

Aminta and Thestylis. Torquato TASSO's characters amint and thestylis in classical clothing in a landscape. Under the show two rules in Dutch.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XXV. The half-naked Madame Catulla beats off the naked Richard Minutolo, with whom she has accidentally gone to bed., print, engraving, book illustration, prints, engravings, height 74 mm, width 80 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Priapus, god of fertility and protector of gardens, in a landscape. In his right hand he holds a sickle and the folds of his robe suggest his genitals in erection. Top right: f.f. Print from part 2 of a series of prints with allusions, in total consisting of three parts with 23, 17 and 20 prints respectively., Priapus Toneel van sinnebeelden geopent tot dienst van schilders beelthouders etc. (series title), print maker: Arnold Houbraken, publisher: Nicolaes de Vries, (possibly), print maker: Northern Netherlands, publisher: Dordrecht, 1688 - 1700, paper, etching, engraving, h 148 mm × w 81 mm

Frygic sibille; Frygic sibylla; Sibilles. The frygic sibille is sitting on a tree trunk. A book is open on her knees .. The print has a Latin caption and is part of a tachy series about the Sibilles.

Laocoön. 1538. Brosamer, Hans, approximately 1500-approximately 1554. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Italy, Raphael, Master of the Dice, Aeneas and his family flee from Troy, recto lower right - handwritten in brown ink, Aeneas walks with his father Anchises on his back. In his right hand Anchises carries the household gods (Penates). Behind Aeneas his son Ascanius walks. In the background, burning Troy., print, prent, prints, verso - stamped, 69, height 255 mm, width 189 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, papier, engraving, engraving (printing process), plate tone, Work conception, 1483-04-07 - 1520-04-07

Copper engraving by Hendrick Goltzius depicting the biblical story of Susanna and the two elders, showing figures in narrative composition, with detailed anatomy, gestures, and architectural elements, created between 1580 and 1617.

Pan with Drinking Cup and Bacchus as a child with grapesros, Marcantonio Raimondi, 1515 - 1516 print paper engraving (story of) Pan. (story of) Bacchus (Dionysus), Liber

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Male Nude Seated from Panel of "God Separating the Waters...", 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Depicts workers harvesting grapes, created as a copper engraving print by Marcantonio Raimondi around 1515-1520.

Offer van Isaak. Abraham is about to beheaded with his sword Isaac, who is next to him. An angel in the sky grabs the sword.

Red chalk drawing by an anonymous artist depicting a figure performing a religious act in Mariä, executed after 1721.

Old man and a courtesane; Ogni Cosa Vince l'Oro; Lascivie. A young woman sits half on a four-poster bed and echoes an old man. This touches in its substantial money pouch. Amor is on the bed and breaks his bow in half. A dog lies in front of the bed. A rebus that reads 'Ogni Cosa Vince L'Oro' in the undermarge (everything wins gold).

Toilet of Venus, Enea Vico, After Rafaël, 1546 print Venus dries off after a bath. Amor is on the right. Italy paper engraving toilet of Venus

Saenredam, Jan, Susanna in the bath, 1598, copper engraving, graphics, leaf width 16.8 cm, leaf height 25 cm

Perseus with two putti and Hercules, seen on the back, Battista Franco, 1520 - 1561 print Perseus with two putti and Hercules, seen on the back. Right half of a cut print. Italy paper etching cupids: 'amores', 'amoretti', 'putti'. (story of) Perseus. (story of) Hercules (Heracles)

Venus and Cupido.venus and Amor are next to each other. Amor has an arrow and his bow. The arm of Venus goes behind amor.

Autumn, from The Four Seasons. Jan Saenredam; Netherlandish, 1565-1607. Date: 1601. Dimensions: 220 x 158 mm. Engraving on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Jan Saenredam.

Kain kills Abel, Jacob Binck, 1510 - 1569 print paper engraving the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Peace and abundance. Female Personifications of Peace (Pax) with olive branch and abundance (abundantia) with cornucopia (cornucopia).

Bacchus watches how a man and woman and two children wear baskets with grapes for the preparation of wine; WINE PRICE.

Title Page of original and renowned Konstryk Drawbook, Frederick Bloemaert, After Abraham Bloemaert, 1650 - 1656 print A student sits, leaning against a chair, on the floor of a studio. He draws a cast of an image of a naked man. There are parts of other casts all around. In the sub -margin 'excellent pars', the number '1' and two columns with two lines each Latin text. Utrecht paper engraving working situations of artist

Drawing, Etching: Frontispiece or dedicatory page; Felice Giani (Italian, 1758-1823); Italy; paper

Cortona, Pietro da.

Schelte Adams Bolswert after Sir Anthony van Dyck, Drunken Silenus Drunken Silenus

Martin Schonguer (around 1450-1495). Passion: Flagellation (Bartsch 12). Engraving (chisel), 1475-1480. Museum of Fine Arts of the City of Paris, Petit Palais. 74736-21 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

after Peregrino da Cesena, Consecration of an Eagle, c. 1500-1525, niello print

Drunk Silenus supported by bacchants. The Drunk Silenus is supported by bacchants. Silenus has a wreath of wingerd leaves on the head.

Wszyscy Święci w MNK Wolfgang, Johann Georg (1662 1744), Vouet, Simon (1590 1649)

Jupiter and Antiope. Artist: Antonio Fantuzzi (Italian, active France, 1537-45); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 6 3/4 × 10 1/4 in. (17.1 × 26 cm). Date: 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Personification of poetry, Arnold Houbraken, 1710 - 1719 print A half -naked young man with a scroll in his right hand and leaves around his head and medium as a personifact of poetry. Behind him an eagle. Print from a series of 41 symptoms. Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). predatory birds: eagle (+ animals used symbolically)

The drunken Silenus is supported by bacchants. Silenus has a wreath of vine leaves on his head., Drunken Silenus supported by bacchants, print maker: Franciscus van der Steen, (mentioned on object), after: Anthony van Dyck, (mentioned on object), publisher: Gerard van Keulen, (mentioned on object), Amsterdam, 1643 - 1672 and/or 1688 - 1727, paper, engraving, h 324 mm × w 240 mm

Water Nymph Mareotis, Philips Galle, 1587

Depiction of Minerva defeating a volcano by Philipp Galle, executed in brown Feder with blue laved and white highlights in 1546, showing Minerva, volcano, and surrounding elements.

The Holy Family with John the Baptist, Gerard ter Borch (I), c. 1616, draughtsman: Gerard ter Borch (I), Zwolle, c. 1616, paper, brush, h 122 mm × w 100 mm

Sculptor is working on a statue of Hercules, 1596 print A sculptor is busy making an image of the God Hercules in his workshop. On a table there are already images of Mercury and an image of a woman. Frankfurt am Main paper engraving sculptor at work (+ in workshop or studio)

Justice and Goodness, Jacob de Wit, 1735 drawing Allegorical figures: justice and goodness. Design for a painting. paper. ink pen / brush Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Indulgence, Clemency; 'Clemenza', 'Clemenza & moderation', 'Indulgence' (Ripa)

After Heinrich Aldegrever, Mucius Scaeuola before Porsenna, 1855-1800, engraving on paper.

Leiden, Hackiana, officina, Noordelijke Nederlanden, Visscher, Jan de, Title print for: Cornelius Nepos 'Vitae excellentium', 1675, Northern Netherlands, verso - stamped, 1675. In the foreground a personification of History accompanied by Father Time and Fame. At the feet of Father Time lies an inverted cornucopia., print, prent, titelpagina, prints, enten, height 158 mm, width 100 mm, Noord-Nederlands, 1633 - 1692, print maker, prentmaker, 1675 - 1675, paper, papier, engraving, engraving (drukprocedé), Publication (Event), Publicatie, publisher

Hans Sebald Beham (1500-1550). "Cimon and Pero. (Hollstein; Pauli 79)". Chisel. 1544. Museum of Fine Arts of the City of Paris, Petit Palais. 123050-22 Chisel, 16th 16th XVI 16th 16th 16 Center

. A naked man, with tambourine in hand, offers a child a bunch of grapes. His foot is based on a fruit-filled cornucopia. In the background a Sater brings a sacrifice.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Litigium freed from his mother Chaos and thrown into the air, verso attachment sheet - stamped, Litigium is removed from the body of his mother (Chaos) by his father Demogorgon. Above, Litigium floats in the air. On the right is a goddess (Chaos). Below, a four-line verse in Italian. The representation is set in a decorative frame with caryatids., print, prints, height 136 mm, width 104 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

. Saturn, his feet, is under his feet, sits in front of a rock, where fascinated. Next to him is Jupiter, who points him to two putti, offering a crown and scepter to Saturn. Next to Jupiter flies his attribute, the eagle with lightning blasts in his beak. The at the scepter refers to the influential Roman family Barbarini and to the papacy of Urbanus VIII, which came from this family.

Copper engraving by Sebald Beham depicting the allegorical figure of Love, created in 1539, showing posture, gesture, and symbolic elements.

Aldegrever, Heinrich, Germany, Father kills his son, Herkinbald kills his nephew, Herkinbald (Archimbald) lying in bed, stabs his nephew in the neck with a knife. He was one of the ancestors of the Counts of Bourbon. Above the bed a cartouche with a three-line text in Latin., print, prent, prints, engravings, height 113 mm, width 78 mm, German, 1502 - 1561, print maker, printmaker, 1553 - 1553, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Holy Family with Saint John the Baptist, copy in reverse after Cantarini ca. 1640-1642 or after After Simone Cantarini Italian. Holy Family with Saint John the Baptist, copy in reverse after Cantarini 341417

unknown, Hoet, Gerard (I), Aminta and Thestylis, verso lower left - stamped, Torquato Tasso's characters Amint and Thestylis in classical dress in a landscape. Below the representation two lines in Dutch., print, prent, prints, prenten, height 202 mm, width 144 mm, 1648-08-22 - 1733-12-02, print maker, prentmaker, 1658 - 1733, paper, papier, etching, etsen

Venus and Adonis.venus discovers Adonis in the forest that accidentally killed on a hunt. Adonis is on the ground, Venus extends her arms to embrace his body. In addition to her three putti.

This 1540 copper engraving by Sebald Beham depicts patience, showing figures, gestures, and symbolic elements in a narrative composition.

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