Classical Portrait Studies

Study drawings of classical sculptures and busts, emphasizing the details and characteristics of notable historical figures in various artistic styles.

Buste of a Roman lady, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture

Study of the River - Korea, Laws; God, Olga (1865-1940); 1878 (1878-00-00-1878-00-00);Juvenilia, lenses, antique sculptures, purchase (provenance)

Cosimo I. de 'Medici, Grand Duke of Tuscany.

Two portrait busts of Roman emperors, 1636 - 1647 print Two portrait busts of Roman emperors. On both busts the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving male persons from classical history (+ head, bust, etc.). piece of sculpture, reproduction of a piece of sculpture

Medallion puts Portret van Lazare Carnot, Achille Collas (Possible), Pierre Jean David d'Angers, 1820 - 1840 print France paper historical persons. ornament ~ medallion

Buste of a Roman lady, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture

Head of Venus. Head of Venus, with a pearl necklace around the neck, used back.

Testa di Alessandro - Museo Barracco , Antiquities, Sculpture, Kings, Alexander, the Great, 356 B.C.-323 B.C.. Nicholas Catsimpoolas Collection

Portretus van Ninobe Amphionis, 1510 - 1562 print Numbered below: 13. print maker: Italypublisher: Rome paper engraving historical persons - BB - woman

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Buste, possibly of Dionysos with grapes in the hair, in the Vatican Museums in Vatican City, Italy, Anonymous, 1851 - 1890 photograph Vatican CITY cardboard. paper albumen print chest, bust. sculpture Vatican Museums

Done warrior, Christian Bernhard Rode, After Andreas Schlüter, in or Before 1759 print A mascaron with a man with hair band and scarf, turned to the left. Berlin paper etching mask, mascaron ~ ornament. the soldier; the soldier's life

Twee PortretBousT Vani Domni Street, 1636 - 1647 print Two Roman portrait busts from Giulia Domna and Giulia Mamea. On the basis of the lower bust the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture

Buste van J.W. By Goethe Door A. von Trippel, Sophus Williams, 1884 photograph. cabinet photograph Part of album with 38 photos of a trip through the Harz. Germanypublisher: Berlin paper. photographic support. cardboard albumen print travelling; tourism. piece of sculpture, reproduction of a piece of sculpture Germany

Bas -relief with three figures, 1636 - 1647 print Bas-relief with three figures that make a sacrifice. In the middle of the coat of arms of Vincenzo Giustiniani, who owned this Bas-relief. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. sacrifice ~ non-Christian religions. column, pillar ~ architecture

Academy study with helmeted head. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 622 mm × w 475 mm. Museum: Rijksmuseum, Amsterdam.

Olympias, Queen of Macedonia.

Medallion creator Pierre Jean David d'Angers

Chalk drawing by Samuel Blesendorf depicting a satyr's head, showing facial features and mythological figure study.

Two portrait busts of Roman women, 1636 - 1647 print Two portrait busts of Roman women, perhaps Faustina and Crispina. On both busts the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture

Musée de l'Acropole d'Athènes, 1331, tête d'Alexandre le Grant Léochares , Sculpture, Antiquities, Kings, Alexander, the Great, 356 B.C.-323 B.C.. Nicholas Catsimpoolas Collection

Trajan, Roman emperor.

Lazio Viterbo Tarquinia Palazzo Vitelleschi3. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the high

Kopf der Athena vom Denkmal des Eubulides, Athen - Tête d'Athéna (monument d'Eubulides) - Head of Athena from the monument of Eubulides , Antiquities, Sculpture, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Heads of two soldiers in helmets: one bearded in a simple bowl helmet, one clean-shaven youth in bowl helmet with peak. From an antique gem. Copperplate engraving by Etienne Picart after Giovanni Angelo Canini from Iconografia, cioe disegni d'imagini de famosissimi monarchi, regi, filososi, poeti ed oratori dell' Antichita, Drawings of images of famous monarchs, kings, philosophers, poets and orators of Antiquity, Ignatio deLazari, Rome, 1699.

Saint Tugdual. Medium: gypsograph. Museum: National Gallery of Art, Washington DC. Author: Pierre Roche.

Bustes from Agrippina and Livia; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bustes from Agrippina and Livia. Under the upper bust the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Au milieu, dans un rond, une tête de femme vue de profil à droite. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Knoblauch Eduard (1801-1865), female bust (06.1826): View. Coal on paper, 50 x 37.1 cm (including scan edges) Knoblauch Eduard (1801-1865): Weibliche Büste

Francisco Bayeu / 'Male Head'. XVIII century. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Bust of the young emperor Augustus; Young August, Vatican. Part of photo album with recordings of sights and artwork in Rome.

Artist: Stefano Della Bella, Italian, 1610-1664, Head of aSultana, Etching, sheet: 10 × 7.5 cm (3 15/16 × 2 15/16in.), Transfer from the Yale School ofArt, Italian, 17thcentury, Works on Paper -Prints

Anonymous, bust of the composer Lesueur for the home of the Palais Garnier (current Paris National Opera), 9th arrondissement, Paris. (Dummy title). Albumin paper draw. Carnavalet museum, history of Paris. Bust of the composer Lesueur for the home of the Palais Garnier (current Paris National Opera), Interior, 9th arrondissement, Paris. Sculpture.

Francisco Bayeu / 'Head of a Woman'. XVIII century. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

France, Louis XVI (King of France), Paris, Chéreau, Jacques-François, Parizeau, Philippe Louis, Roubillac, IIe Cahier de Principes du Dessin d'après Nature, Principles of drawing from nature, part two, Title print with two women's faces, mouth and eye, Composition with various details of a woman's head., print, frontispiece, prints, height 373 mm, width 244 mm, French, 1739, print maker, printmaker, 1780 - 1780, paper, papier, crayonmanier, etching, etchings, 1740 - 1801, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher, uitgever, 1754-08-23 - 1793-01-21, verlener van privilege

Gibson, Tête Idéale. James Anderson (British, 1813 - 1877)

Teodor Lubieniecki 1696 drawing of a head cartridge on a ruinous, partially overgrown wall, executed with black pen.

Four physiognomies. Drawings, c. 1789.

Vipsania Agrippina, 14 BC 18 October 33 AD often called Agrippina maior the Elder for short, was a member of the Julio-Claudian dynasty and mother of the Roman Emperor Caligula, Historical, digitally restored reproduction of a 19th century original

Etching by an unidentified engraver from 1605-1650 depicting Roman Emperor Nero with detailed portrait, facial features, hairstyle, and classical attire.

Female Greek head in bronze, Stephen Thompson, c. 1869 - in or before 1874 photograph photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. head (human) - AA - female human figure

Augustus, Julius Caesar.

Tête d'homme , Alphonse Legros (1837-1911)

Medallion creator Pierre Jean David d'Angers

Study to a plaster head. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 408 mm × w 361 mm. Museum: Rijksmuseum, Amsterdam.

Olympia - head of Zeus , Antiquities, Sculpture, Gods, Zeus Greek deity. Nicholas Catsimpoolas Collection

Etching by an unknown engraver depicting Titus Vespasian, created between 1605 and 1650

Sancta Caecilia. Saint Cecilia Christian martyr patroness of church ron of music and musicians, lived around 2nd century AD. Old 19th century engraved illustration, El Mundo Ilustrado 1881

Arthur Hallam. Henry Herschel Hay Cameron (English, 1852 - 1911)

Six coins with portraits of men and women from the antique: Letter H.Six Coins With Portrait Bustles of Men And Women from the Antique. Among Others The Philosopher Socrates.

Two studies. Two studies. Above: the head of a warrior, and profil turned to the right, with richly decorated helmet. Below: the head of a young man, and profil turned to the left, boots. In addition to the head, a helmet is shown.

Six coins with portraits of men and women from classical antiquity: Letter BL C, Richard Collin, after Joachim von Sandrart (I), 1675 - 1680 print Six coins with portrait busts of men and women from classical antiquity. Among others Alexander the Great and Phaedra. paper engraving coin

Laureate head of Napoleon I of France. Culture: Italian, Rome. Dimensions: Overall: 1 15/16 x 1 1/2 in. (4.9 x 3.8 cm); visible cameo (confirmed): 47 x 35.7 x 11 mm. Maker: Possibly by Pietro Pestrini (active first half of the 19th century); Possibly by Clemente Pestrini (Italian, active first half of the 19th century). Date: ca. 1810.Much like their ancient prototypes, the rival emperors are wreathed in laurel. The pinkest blush in Alexander's onyx (40.20.25) hints at corporeality, while the drab ocher sardonyx of Napoleon, by contrast, suggests a rather joyless military man. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Jan de Bisschop depicting various busts of Roman persons, created around 1671.

Arthur Hallam. Henry Herschel Hay Cameron; English, 1852-1911. Date: 1888-1898. Dimensions: 25 × 18.3 cm (image); 45.2 × 36.3 cm (album page). Photogravure, plate 6 from the album "Lord Tennyson and his Friends" (1893), edition 138/140. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Raffaello Schiaminossi from 1605-1610 depicting the Roman Emperor Nero, showing his portrait with detailed facial features, hairstyle, and attire in classical style.

Physical pain, Jean Audran, After Charles Le Brun, 1727 print Paris paper etching morphology of facial expression. pain

Anonymous / 'Roman Emperor'. Ca. 1550. Veined Carrara marble. Museum: Museo del Prado, Madrid, España.

Studies of heads of a general and a woman, Bernard Picart, 1683 - 1733 print paper etching / engraving postures of the head. armour

Francisco Bayeu / 'Head for the Figure of Prudence'. Ca. 1770. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

fine arts, Duerer, Albrecht (1471 - 1528), ""Head of an Angel"", drawing, 1506,

Bust of Patroclus; William Henry Fox Talbot (English, 1800 - 1877); Reading, England; negative August 9, 1843; Salted paper print from a paper negative; 14.5 × 14.3 cm (5 11,16 × 5 5,8 in.)

Two heads of Niobe, Augustinus Terwesten (I), 1672 - 1711.

Wood Engraving, Vignette; engraving and etching; 28 x 20 in (71.1 x 50.8 cm); 1945-200-255

Luca Ciamberlano, Print from Drawing Book, c 1610 1620 Print from Drawing Book

Admiration and surprise, Jean Audran, After Charles Le Brun, 1727 print Paris paper etching morphology of facial expression. Admiration

Hera still image. 1872 - 1887. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Juno (Roman deity), Hera (Greek deity), Headdresses , To 499, Hairstyles , Rome , To 499, Busts , Rome , To 499

Jupiter Zeus. Stipple engraving by F. Bartolozzi after G. Hussey, 1774.

Caesar, Gaius Julius .

Buste of Lucius Cornelius Sulla in the Vatican Museums in Vatican City, c. 1875 - c. 1900 photograph Vatican Museums cardboard. photographic support albumen print historical persons (+ (full) bust portrait). sculpture Vatican Museums

. Design for a print, possibly a Calque.

Laudomia de' Medici early 19th century, crystal bust possibly 17th or 18th century Italian or French Laudomia de' Medici was the wife of Piero Strozzi, Marechal of France.. Laudomia de' Medici 197003

CONJ. 39707. CAMAFEO STAUFICO DE LA CORONA DE SANCHO IV. TALLA SURITALICA 28 MM. Location: CATEDRAL-INTERIOR. Toledo. SPAIN.

Campania Caserta Capua Museo Campano86. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Théodore Pavie (1811-1896), Orientalist, friend of the artist 1832 Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of cre

John I of Castile (1358-1390). King of Castile and Leon. House of Trastamara. Engraving, 1879.

Bust of Trajan at the Civic Museum of Lucera.

Woman with veil, Jean Prud'Hon, After Pierre Prud'Hon, 1788 - 1824 print Paris paper etching woman (showing herself) undressed, quasi-nude. chest, bust - AA - female human figure. veil

Design for a watermark of a banknote: a hand with torch, women's heads and horse's head. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 249 mm × w 325 mm. Museum: Rijksmuseum, Amsterdam.

Head of a Boy, c. 1460. Italy, Florence, 15th century. Marble; overall: 23.6 x 19.7 x 3.9 cm (9 5/16 x 7 3/4 x 1 9/16 in.).

Heads of a bald man and woman with turban; Varie figurae et probae; Caricatures, heads and malformations to Leonardo da Vinci. .

Bust of English King George I, by David Marquand

Portrait bust of Hendrik Conscience, Carel Christiaan Antony Last, 1842 - 1887 print The pedestal on which the bust stands consists of a book with its name and three knight orders. print maker: Netherlandsprinter: The Hague paper. historical persons (+ (full) bust portrait). sculpture. knighthood order

Tiberius Claudius Caesar Augustus Germanicus or Claudius I 10 BC -54 AD Roman emperor of the Julio-Claudian dynasty from the book Crabbs Historical Dictionary of 1825, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Greek IV century B.C. 33385. Bust of a young athlete. The Metropolitan Museum of Art , Sculpture, Antiquities, Athletes. Nicholas Catsimpoolas Collection

Two heads of images of the Theater van Tarente dug up in the presence of the artist, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk brush

John Sullivan, Primitive Bust, c 1939 Primitive Bust

Female head , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

White House furnishings, artifacts. Marble bust of George Washington by an unknown artist, ca. 1790, modeled after a bust by Jean-Antoine Houdon, ca. 1786. The bust measures 27 x 18 x 10.25 inches and was a gift of Mary Woodward (Woodard) Lasker. White House, Washington, D.C.

Sculpture of Napoleon's head (in Roman Emperor), photographed on a fabric, after the destruction of the Vend�me column during the municipality of Paris by the Communards on May 16, 1871. Statue of Antoine-Denis Chaudet (1763-1810 ) Sculpture of Napoleon's head (in Roman Emperor), photographed on a fabric, after the destruction of the Vend�me column during the municipality of Paris by the Communards on May 16, 1871. Statue of Antoine-Denis Chaudet (1763-1810 )

Roman portrait busts of wife and husband. Line engraving with etching by H.L. Garnier after J.M.N. Bralle.

Photograph of painting: Eugeniusz Zak (1884-1926), Kobieta siedząca w fotelu Woman in armchair, 1913. Druet, Eugene (1867-1916), photographer

Mascaron with men's head, Christian Bernhard Rode, After Andreas Schlüter, 1759 print paper etching mask, mascaron ~ ornament Armory

Two heads of images of the tarantist theater excavated in the presence of the artist; Bustes de Terre Cuite Déterrés and Ma Présence Dans Le Thétre de Taranto; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

Joseph Louis Gay-Lussac, French physician and scientist (1778-1850) 1830s Pierre Jean David d'Angers French Pierre-Jean David dAngers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819-1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830-1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David dAngers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign

Two portrait busts of Emperor Tiberius, Reinier van Persijn, after Joachim von Sandrart (I), After Giovanni Citosibio Guidi, 1640 print Two Roman portrait busts of Emperor Tiberius, in Toga. On the bustes the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture

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