Classical Sculptural Studies

Drawings of classical sculptures depicting figures like muses, with detailed attire and poses inspired by ancient art.

He wears a toga and holds a lantern in his right hand Behind him lies a barrel The sculpture was made, according to the caption, by Jacques Dum, print maker: anonymous, 1822, paper, h 295 mm × w 185 mm

Flora Farnese, seen from the front, Nicolas Poussin (Possible), 1604 - 1665 drawing paper. ink pen / brush piece of sculpture, reproduction of a piece of sculpture. (story of) Flora

Man on a staircase, seen on the back, Anonymous, 1700 - 1800 drawing Man on a staircase, seen on the back; A second man in the background. paper. chalk

Jacques Louis David, Roman Statue of a Muse (Anchyrrhoe) Roman Statue of a Muse (Anchyrrhoe)

John Flaxman, 1755-1826, British, Study of Niobe With Her Youngest Daughter, from the Niobid Group, Villa Medici Gardens, Rome, 1787. Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper bound in vellum.

Flora. Etching by R. Dalton, 174-.

Statue of a FemaleSaint. Artist: Giovanni Domenico Campiglia, Italian, 1692-1775

Drawing, St. Clare on façade of S. Silvestro in Capite; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Giuseppe Mazzoni; France; red chalk on paper

Drawing, Drapery Study for the Angel of the Annunciation; Attributed to Battista Franco (Italian, ca. 1510-1561); Italy; red chalk on dark cream laid paper; 27.3 x 12.3 cm (10 3/4 x 4 3/4 in.); Bequest of Joseph F. McCrindle; 2009-4-1

He wears a toga and holds a lantern in his right hand Behind him lies a barrel The sculpture was made, according to the caption, by Jacques Dum, print maker: anonymous, 1822, paper, h 295 mm × w 185 mm

Female statue sat on rocking, Claude Mellan, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture

Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Study for the Figure of Stratonice 1834-40 Jean Auguste Dominique Ingres French. Study for the Figure of Stratonice. Jean Auguste Dominique Ingres (French, Montauban 1780-1867 Paris). 1834-40. Graphite, black chalk, and rubbed charcoal; some contours incised for transfer. Drawings

Allegory of Peace. Dimensions: Overall: 29.7 x 14.8 cm (11 11/16 x 5 13/16 in.) support: 38 x 23.9 cm (14 15/16 x 9 7/16 in.). Medium: pen and brown ink and wash on blue laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century after Giorgio Vasari.

Standing man at a table ..

Eutichio Ajello / 'Terpsichore'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Woodcut by Domenico Beccafumi depicting an apostle using chiaroscuro technique, created around 1544-1547.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Italy, Zuccaro, Jacopo, Villamena, Francesco, Personifications of virtues, Temperance, verso - stamped, Personification of Temperance (Temperantia) with fruits and a drinking bowl., print, prints, height 207 mm, width 145 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1576 - 1624, paper, papier, engraving, engraving (printing process), Work conception

Flora, Abraham van Strij (I), 1763 - 1826 drawing Working drawing for a painting. paper brush (story of) Flora

Statue of a woman with a cornucopia; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman, in classic robe, a cornucopia in the hand. In her other hand a stir. Possibly a statue of Fortuna. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Engel holds a wreath above the head of a non, Guillaume Joseph Vertommen, 1825 - 1863 print paper etching angels. garland, wreath. nun(s)

Bogini Diana Terrified

Statue of a figure without a head, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper monument, statue

Young woman with a crucifix, seen on the back, Guido Reni, After Parmigianino, 1585 - 1642 print Italy paper etching adolescent, young woman, maiden. adolescent, young woman, maiden (+ back view). crucifix ~ personal devotion

Study by Albrecht Dürer of an apostle, executed with a lead-tin grip and highlighted with white chalk on green-primed paper, with needle holes at top, right, and bottom, dated 1523.

Draped Figure Standing. Origin: United States. Date: 1870-1873. Drawing; black and white chalk and pastel on brown paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Studie van een jongeman in een mantel en details.Study magazine with a young man, dressed in a cloak, seen on the back while he gives up a staircase, and details.

Standing Male Figure ca. 1480 Filippino Lippi Italian Considered one of the most gifted draftsmen of the Florentine Renaissance, Filippino was the illegitimate son of the Carmelite friarand famous painterFra Filippo Lippi (ca. 1406-1469) and the pupil of Sandro Botticelli (ca. 1445-1510). This drapery study, acquired by the Museum in 1998 as by an anonymous Italian artist, is certainly by the young Filippino, complementing therefore the Museum's other two major drawings by the artist (nos. 36.101.1 and 68.204). Made with a metalpoint on colored prepared papera demanding technique that Filippino mastered with ease the drawing is datable to circa 1475-80 and it shows an abbreviated handling of the draperies and a sculptural conception of the standing figure that are typical of the artist's earliest career. (Carmen C. Bambach, 1998, rev. 2014). Standing Male Figure 335191

Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 15 1/16 x 9 1/8 in. (38.4 x 23.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Red chalk drawing by Francesco Bartolozzi of a standing female figure in frontal view holding a cornucopia, symbolizing abundance.

Portrait bust of painter Andrea Appiani on a pedestal, print maker: Luigi Rados, (mentioned on object), intermediary draughtsman: Eugenio Rados, (mentioned on object), Italy, 1783 - 1840, paper, engraving, etching, h 400 mm - w 272 mm

Female Personification of Laziness. In a niche stands a barefoot and bare-breasted woman. On her shoulder crawls a snail. Beside the niche two emblems, one with a donkey, the other with a woodlouse. Below the depiction two lines of Latin, Sloth, print maker: Paul Tetar van Elven, (mentioned on object), Jacob Matham, (after), Hendrick Goltzius, (after), print maker: Netherlands, Haarlem, Haarlem, 1840, paper, engraving, h 335 mm × w 229 mm

Statue of woman with flower in her hand; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of a woman in Roman clothing. In her left hand she holds a flower. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Statue of a woman with right arm raised; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman with right arm raised. Possibly a muse. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Image of Temperantia (moderation) on the rear of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Image of temperantia, the personification of moderation, left on the tympanum on the rear facade (west side) of the town hall on Dam Square in Amsterdam. In her hands reins. At the bottom right marked: X. paper etching / engraving Temperance, Moderation; 'Misura' (Ripa). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues City Hall of Amsterdam (1655-1808)

Royalty-born citizens Anonymous. Free citizens. Print (colored aquatint).

Spring (Printemps), from 'The Four Seasons'. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence); Ornament etched by Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 3 15/16 × 2 5/16 in. (10 × 5.8 cm). Publisher: Published by Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'The four Seasons' (Les quatre Saisons). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

Night according to the sculpture. A clip from a German magazine unknown

Gustav garlic (1833-1916), female sculpture (without dat.): View. Pencil on cardboard, 30.9 x 19.5 cm (including scan edges) Knoblauch Gustav (1833-1916): Weibliche Skulptur

Sketch sheet with a standing woman.

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858); black chalk landscape sketch on verso of support. Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 15 7/8 x 9 7/16 in. (40.4 x 24.0 cm); support: 18 3/4 x 12 1/4 in. (47.7 x 31.1 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Saint Apollonia of Alexandria. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 7-5/8 x 3-11/16 in. (19.4 x 9.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Polyhymnia, muse of hymn poetry or dance, Polyhymnia, draughtsman: Alexander Liernur, 1796, paper, h 241 mm × w 168 mm

A Vestal virgin. Etching by F. Perrier.

Athena wearing Corinthian helmet , Antiquities, Drawings, Athena Greek deity. Nicholas Catsimpoolas Collection

. Erato, muse of the lyricie and love poetry, standing with a winch in her hands.

Allegorical figure of Justice with fasces, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Allegorical figure of Justice. Robed woman, head bent slightly to right. Left arm up, bent at the elbow, and right arm down, hand resting on a fasces., France, ca. 1759-70, figures, Drawing, Drawing

Drawing, Seated female figure in robes; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Statue of goddess with cornucopia; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. a statue of a goddess with a cornucopia filled with fruits in her hand. With her other hand she leans on a helm. Possibly the goddess Ceres. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory 18th century Anonymous, French, 18th century French. Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory 346327

Southern Netherlands, Suavius, Lambertus, Sibyls, Sibyl seen from behind, verso - stamped, A Sibyl, seen from behind, standing in a niche with braided hair., print, prints, height 187 mm, width 84 mm, 1514 - 1564, print maker, printmaker, 1520 - 1567, paper, papier, engraving, engraving (printing process)

Alexandre le grand, Recueil des marbres antiques qui se trouvent dans la galerie du roy de Pologne, Lindemann, Christian Philipp, 1700-ca. 1754, Werner, Anna Maria, 1688-1753, Engraving, 1733, Christian Philipp Lindemannafter Anna Maria Werner

Bookplate of dr Richard Bernt. Lipinsky, Sigmund (1873-1940), graphic artist

. Roman's Bas-relief from Ceres, the goddess of agriculture, with corners in hand. A putto balances on her other hand. In the middle of Vincenzo Giustiniani coat of arms. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Term in the Form of a Woman with Musical Instrument 1535-55 Jean Mignon French. Term in the Form of a Woman with Musical Instrument 336811

Bliżej Kultury Kucharzewski, Ludwik (1838/1842 1889), Unknown

A pencil sketch by Heinrich Reinhold showing a gentleman wearing a curly wig, a hat with a clasp, and a wide coat.

Decorative Panel, Bacchus; France; block-printed paper; 90 x 40.5 cm (35 7/16 x 15 15/16 in.)

Antique statue Charles Girault (1851-1932). Ancient statue. Lead mine on paper.

Full-Length Figure of a Woman. Italian, Sienese; Early/mid-16th Century. Date: 1550-1599. Dimensions: 189 x 88 mm. Pen and iron gall ink on ivory laid paper, formerly laid down on album p. 21. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Unknown Sienese.

Design for a statue of Christ, for at the entrance of a cemetery., Design for a statue of Christ, draughtsman: Louis Royer, 1803 - 1868, paper, h 154 mm × w 86 mm

Apollo. Ca Opostaciowe, emerging in the background. Board No. 9.; unknown, cock, hieronymus (Ca 1510-1570), Floris, Frans (Ca 1519-1570; st.); 1550 (1758-00-00-1783-00-00);

Copper engraving and etching by Jean Lenfant from 1657-1660 depicting John the Baptist, showing detailed portraiture and Baroque religious imagery.

Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Statue of a woman, 1636 - 1647 print Statue of a woman, in classic robe, with a raised arm. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. female persons from classical history

Study of Figure with Raised Arm, Walter Shirlaw, American, b. Scotland, 1838-1909, Graphite on cream laid paper, Three-quarter length study of standing woman. The woman is shown frontally in classical attire with raised left hand and hanging right arm., USA, 1875-80, figures, Drawing, Drawing

Female term with headscarf and cloak, anonymous, after hugues sambin, 1572 print Numbered at the top right: 11. According to the explanation on page 12, this is the Tuscan order. Numbered in the bottom right: B2. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments)

Relief of a woman with a chalice and a cross in her hand, Adolphe Giraudon (Possible), 1850 - 1900 photograph Vatican CITY photographic support. cardboard albumen print adult woman. chalice

Allegory of the Medicinal Arts, print maker: Christian Bernhard Rode, 1788, paper, etching, h 135 mm - w 107 mm

Copper engraving and etching by Henri Guillaume Chatillon around 1818 depicting Hercules, emphasizing heroic posture, musculature, and classical iconography.

Sibylla Delphica by Sir Edward Burne-Jones. Sibylla Delphica by Sir Edward Burne-Jones. Sir Edward Coley Burne-Jones' Greek mythology painting Sybilla Delphica was painted in 1868. It is a female portrait, as many ofSir Edward Coley Burne-Jones' paintingsare. This one is set in ancient Greece. It features the figure of an orange-robed priestess discerning her readings from laurel leaves. A tripod altar burns behind her, on the left, incense smoke rising high. TheDelphic Sibylwas a woman from before theTrojan Wars(c. 11th century BC) mentioned byPausaniaswriting in the 2nd century AD about stories he had heard locally. The Sibyl would have predated the realPythia, the oracle and priestess of Apollo, originating from around the 8th century BC. Sir Edward Coley Burne-Jones (18331898) was aBritishartist and designer associated with the phase of thePre-Raphaelite movement, who worked withWilliam Morrison decorative arts as a founding partner inMorris, Marshall, Faulkner & Co.

Crespi, Giuseppe Maria, Italy, Mattioli, Lodovico, Historie van Bertoldo, Bertoldino en Cacasenno, Bertoldo puts the agent in the bag, verso bottom center - stamped, Bertoldo has put the agent in the bag and is tying the bag shut. Below the image a three-line rhyme in Italian. Print from a series of six with the adventures of Bertoldo, part of a series of twenty prints., print, prints, height 224 mm, width 151 mm, 1665 - 1747-07-16, print maker, printmaker, 1710 - 1715, first quarter 18th century, paper, papier, etching, etchings, Italian, 1662-01-02 - 1747-10-20, prentmaker, Work conception

unknown artist, Study of Homer with a Lute. Graphite.

John Flaxman, 1755-1826, British, Roma, in the Villa Medici Gardens, Rome, 1787. Graphite, pen and ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum.

Standing woman with vase (in box with 43 drawings), Louis Fabritius Dubourg, 1703 - 1775, paper, ink, brush, h 75 mm × w 43 mm

st, University ring - Burgtheater - inside, Klythia by J, Benk, postcard, Carl Karl Ledermann jun, Producer

Drawing, Frieze detail of winged figure; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Terracotta sculpture of a muse, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). single Muses

Fragment of statue of a king of the portal of Notre-Dame.

Classical Figures, Girolamo da Carpi, Italian, ca. 1501 - 1556, Pen and brown ink on laid paper., Recto:three sculptural figures (a herm, the statue of Athena Giustiniani, a standing male nude); Verso: a standing senator on left, a losely sketched reclining nude below, and an armless and headless torso of Minerva., Ferrara, Italy, ca. 1550, figures, Drawing, Drawing

Anatomical study of the exterior of the top muscles of the right arm. At the top right numbered T. 66.

Pen and brush drawing by Joseph Werner from 1675 showing an Amazon looking backwards, holding her helmet with both hands, executed in gray lavated lines with stitch-technical character.

A bacchante holding a pitcher in her right hand and carrying in her left hand an oval dish containing three figs, set against a black background inside a rectangular frame 1795-1820 Aloysio Cunego Italian From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti.. A bacchante holding a pitcher in her right hand and carrying in her left hand an oval dish containing three figs, set against a black background inside a rectangular frame 669055

'Rinaldo or Aeneas', 1757, (1928). Artist: Giovanni Battista Tiepolo.

Figurehead: "Janus". Dated: c. 1938. Dimensions: overall: 48.8 x 36.1 cm (19 3/16 x 14 3/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ingrid Selmer-Larsen.

A pencil sketch by Rudolf Weyr on a sketch sheet, showing preliminary studies of figures, objects, and compositional arrangements.

Standing saint Cecilia, draughtsman: Garofalo, after: Rafaël, 1491 - 1559, paper, h 276 mm × w 123 mm

Pencil and deck white drawing by Josef Danhauser on blue paper depicting praying hands, emphasizing gesture, form, and detail.

. Statue of a consul, in classic robe, with a roll of paper in hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Détail des Nymphe de Jean Goujon , Nymphe, Fontaine des Innocents, Paris; Charles Marville (French, 1813 - 1879); Paris, France; about 1856; Albumen silver print or albumenized salted paper print; 48.4 x 19.8 cm (19 1,16 x 7 13,16 in.)

Sitting woman with a vase. Carrier-Belleuse, Albert Ernst (1824-1887), draughtsman, cartoonist

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Sculpture of flora; Flora. Classic sculpture of a woman, Flora (or Fortuna) personification. She holds her rug with her right hand. In her left hand she has a horn of plenty, among others. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Ivory statue of one of the Sybilles of the grave of Philibert van Savoy in the Royal Monastery of Brou, Alphonse Leroy, 1847 - 1887 photograph. cabinet photograph cardboard. photographic support albumen print monument, statue Broth

Pallas Athena in armor. Leaf 12 recto from a sketchbook with 30 sheets.

Image of standing man in Toga with Schrifrol, Pieter de Bailliu (I), After Joos de Pape, 1631 print paper engraving piece of sculpture, reproduction of a piece of sculpture. other liturgical vestments (with NAME)

Christoph Nathes circa 1799 drawing depicts an allegory of Nemesis as a relief in a landscape with a pigeon, using brown pen and brushes over pencil traces with brown edging lines.

April; Persons of the months. Personification of the month April: standing man with falcon on hand; A bull is at his feet.

Album n � 4; Stained glass project for Fleurbaix: Resurrection of Christ Gsell-Laurent workshop. Album n � 4; Stained glass project for Fleurbaix: Resurrection of Christ. Black stone, watercolor.

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