Classical Statues and Sculptures

A collection of engravings depicting classical statues of women and goddesses, highlighting their draped garments and attributes, showcasing ancient art.

Portrait of Giovanni Battista Piranesi, 1790, Francesco Piranesi; Artist: after a statue by Angelini, Italian, 1748(56) - 1810, 20 x 12 3/4 in. (50.8 x 32.39 cm) (image), Engraving, Italy, 18th century

Plate XVII (17): A Muse. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium) 1734 Carlo Orsolini. Plate XVII (17): A Muse. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium). Carlo Orsolini (Italian, 1703-1781). 1734. Engraving and etching. Prints

Sculpture of Securitas; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Statue of a woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman in classic robe. With her one hand she holds her garment, a round disk in her other hand. The right sleeve of her robe is closed with three knots. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

Statue of a woman with staff, 1636 - 1647 print Statue of a standing woman, dressed in classic robe, with a staff in her right hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. female persons from classical history

Statue of goddess with cornucopia; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. a statue of a goddess with a cornucopia filled with fruits in her hand. Possibly the goddess Ceres. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Statue of a woman with Roman clothing, 1636 - 1647 print An image of a woman in Roman clothing. She holds a coil in her hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Flora farnese, seen from the front ..

Portrait of Giovanni Battista Piranesi, 1790, Francesco Piranesi; Artist: after a statue by Angelini, Italian, 1748(56) - 1810, 20 x 12 3/4 in. (50.8 x 32.39 cm) (image), Engraving, Italy, 18th century

Personification Van Vuur, Arnold Houbraken, 1710 - 1719 print A female figure as a personification of fire with a candle holder with a flame in her left hand and a rolled sheet of paper in her right hand. At her feet a medallion with a column with fire on it. Print from a series of 41 symptoms. Amsterdam paper etching / engraving Flame. 'Fire', 'Carro del Fuoco' (Ripa). Fire (One of the Four Elements)

Southern Netherlands, Kiliaan, Cornelis, Antwerp, Galle, Philips, Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio, Ratio, Reason, verso - stamped, A standing woman with a rod in her right hand and a left hand the bridle of a horse. Reason keeps the feelings of man in check, as the rod the children and the bridle the horse. Below the image two lines of text in Latin. The print is part of an album., print, prent, albumblad, prints, height 152 mm, width 89 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1585 - 1590, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, graveren (drukprocedé), 1530 - 1607-04-15, schrijver

Statue of the Egyptian goddess Isis with the attributes of Flora in basalt. Copperplate engraving from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Plate XIX (19): Diana. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium) 1734 Genaro Gutiérrez. Plate XIX (19): Diana. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium). Genaro Gutiérrez (Spanish, active Madrid, ca. 1793). 1734. Engraving and etching. Prints

Image of Temperantia (moderation) on the rear of the town hall on the Dam. Image of temperantia, the personification of moderation, on the left on the timpaan on the rear (west side) of the town hall on Dam Dam in Amsterdam. In her hands of reins. Legal under numbered: XV.

Foedus, from Proposopographia ca. 1585-90 Philips Galle Netherlandish. Foedus, from Proposopographia. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). ca. 1585-90. Engraving. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Prints

Statue of Hygieia, 1636 - 1647 print Statue of Hygieia, dressed in classic robe, a diadem in the hair. Around her right arm the holy snake of her father Asclepius, whom she gives from the bowl in her left hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving Hygieia (daughter of Aesculapius). snakes. piece of sculpture, reproduction of a piece of sculpture

Pride (Superbia), Edouard Taurel, Franco Estius, 1834 - 1880.

S sebastyan statue of the idea of Andrzej Pruszyński Unknown, Pruszcz Ski, Andrzej (1836 1895)

Statue of an Amazon, Claude Mellan, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) the Amazons

Moschion .

Sculpture of the Nymph Aegeria, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. Egeria (Roman fountain-deity)

Judit with the head of Holofernes, Giovanni Battista Mola, 1598 - 1665 print Judit stands next to a wall with the just severed head of Holofernes. On the right the clerk of Judit with a sword. Italy paper etching Judith and Holofernes (Judith 8-16). Judith with Holofernes' head and the sword

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), painting, sculpture, architecture, music. (Title given by the author). Gray wash on paper. Carnavalet museum, history of Paris.

Standing Man, Pointing with Right Hand 1700-1799 Italy. Red chalk on ivory laid paper, tipped onto tan laid paper . Raphael

Copper engraving and etching by Jean Jacques Avril around 1818 depicting Euterpe, muse of music, with musical instruments and classical composition.

Statue of Laurens Jansz. Coster, Isaac Weissenbruch, After Louis Royer, 1856 - 1912 print Netherlands paper monument, statue

A daughter of Niobe. Etching by F. Perrier, 1638.

Sculpture of a consul, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a standing man dressed in a Himation. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture

Sandrart, Joachim von, France, Audran, Charles, Old man with mask and banderole, verso - stamped, Possibly the playwright Sophocles or Euripides or another figure from antiquity is depicted in this print. Numbered 108 at bottom right., print, prent, prints, prenten, height 369 mm, width 230 mm, 1594 - 1674, print maker, printmaker, 1604 - 1674, paper, papier, engraving, engraving (printing process), 1606-05-12 - 1688-10-14, intermediary draughtsman

Figure of Apollo with lyre, Society of Dilettanti drawings, prints, and letters, 1806-1880, Howard, Wash on paper, between 1809 and 1935, Drawing for the publication Specimens of antient sculpture, issued by the Society of Dilettanti between 1809 and 1935. Annotated: Ancient Sculpture, Plate 62, Apollo Musagetes. LXII. Drawing by Mr. Howard belonging to the Society of Dilettanti. 1000.

Statue of a standing woman, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of a standing woman, dressed in classic robe. With her right hand she seems to make a gesture. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). monument, statue. piece of sculpture, reproduction of a piece of sculpture

Plate LXII (62): Flora. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium) 1734 Girolamo Rossi the Younger. Plate LXII (62): Flora. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium). Girolamo Rossi the Younger (Italian, 1680-ca. 1762). 1734. Engraving and etching. Prints

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), history, medicine, chemistry, botany. (Title given by the author). Gray wash on paper. Carnavalet museum, history of Paris.

Statue of a muse; Galleria Giustiniana del Marchese Vincenzo Giustiniani. Statue of a muse with mask and wind instrument in her hands, possibly thalia. On the base the coat of arms of Vincenzo Giustiniani. Print is part of a series of prints to sculptures in the collection of Giustiniani in Rome.

Thalia, muse of comedy, Thalia, draughtsman: Alexander Liernur, 1796, paper, h 241 mm × w 168 mm

A study of a woman carrying a basket with flowers on the main; Thoma, Hans (1839-1924); around 1890 (1885-00-00-1895-00-00);

Flora sculpture, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Flora

Standbeeld van Diana; Galleria Giustiniana del Marchese Vincenzo Giustiniani I.Statue of Diana. On the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Agrippina. Etching by F. Perrier.

Copper engraving and etching by Jeremias Falck from 1649 depicting Piety as an allegorical figure, showing devotional and symbolic elements.

Statue of a standing woman pointing with the left hand; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman pointing with the left hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Design for Magazine Cover, Kenyon Cox, American, 1856-1919, Graphite on paper, Sketch of a magazine cover with a seated female figure holding a cornucopia., USA, ca. 1900, graphic design, Drawing, Drawing

Statue of a standing woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman in Roman clothing. With her left hand, she points up .. In the middle of the basic coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Artist: Lambert Suavius, Netherlandish, ca. 1510-1574/76, Saint JudasThaddeus, Engraving, platemark: 20.2 × 9.8 cm (7 15/16 × 3 7/8in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Apostel Bartolomeüs, Ferdinand Ruscheweyh, After Rafaël, After Marcantonio Raimondi, 1827 print paper etching the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff. the twelve apostles (as a group), usually with books or scrolls (not in biblical context)

Bliżej Kultury Schübeler, Julian (before 1865 1890), Buchbinder, Józef (1839 1909), Cengler, Juliusz Faustyn (1828 1886)

Sculpture of comedia; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Sitting young woman; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 56.

Thalia, Muse of Comedy, plate 14 from Parnassus Biceps. Johann Theodor de Bry (German, 1561-1623); after Jean-Jacques Boissard (French, 1533-1598). Date: 1601. Dimensions: 232 × 140 mm (image); 258 × 140 mm (plate); 280 × 163 mm (sheet). Engraving in black on ivory laid paper. Origin: Frankfurt an der Oder. Museum: The Chicago Art Institute, FLORENCIA, USA.

Feather drawing on yellowed paper by an anonymous artist depicting John the Baptist standing, brown ink applied.

Urania. Etching.

Statue of a woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman dressed in draperies. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

"Copper engraving by Marcantonio Raimondi around 1505-1515 depicting a Muse, showing the figure, attributes, and artistic context."

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Felicity of France. Unknown Artist; French, early 19th century. Date: 1810-1814. Dimensions: 456 × 352 mm (image); 545 × 398 mm (plate); 572 × 420 mm (sheet). Engraving with etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

This copper engraving by Jacopo de' Barbari from the late 15th to early 16th century depicts Judith with the head of Holofernes, showing figures, gestures, and composition.

Peltro W. Tomkins, 1760-1840, British, Dr. Johnson, undated. Engraving.

Copper engraving by Gilles Rousselet circa 1647 depicting Lucretia, illustrating the figure, posture, and classical attire in detailed composition.

Design for wall painting in the Beurs van Berlage: Standing woman who pushes a curtain aside, Antoon Derkinderen, 1869 - 1925 drawing tracing paper. pencil

Design for wall painting in the Beurs van Berlage: De Winter, Antoon Derkinderen, 1869 - 1925 drawing tracing paper. pencil Winter, 'Hyems'; "INVERNO '(RIPE). Winter, 'Hyems'; "INVERNO" (RIPE)

A copper engraving and etching by Jeremias Falck from 1649 depicting the allegorical figure of Concordia, representing harmony and unity, with symbolic elements.

Minerva sculpture; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Statue of Ceres; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of a young woman with ears of corn in her hand. Probably the goddess of agriculture, Ceres. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Saint JudasThaddeus. Artist: Lambert Suavius, Netherlandish, ca. 1510-1574/76

Muze of Music (Euterpe), Hendrik Bary, After Bloemaert, 1657 - 1707 print A muse of music, perhaps Euterpe, with a wreath in the left hand and a flute in the other hand. paper engraving Euterpe (one of the Muses); 'Euterpe' (Ripa). single Muses

Statue of Venus, 1636 - 1647 print Statue of Venus, standing, holding her draperies together. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Venus (Aphrodite). piece of sculpture, reproduction of a piece of sculpture

Sculpture of Mercury takes care of the young Bacchus, Pieter Gerardus Bernhard, after Louis Royer, 1823 - 1880 print The sculpture is on a pedestal. Mercury has his staff in his left hand. He looks at Bacchus that he wears on his right arm. To a sculpture by Louis Royer. print maker: The Hagueprinter: Rotterdam paper. (story of) Mercury (Hermes). early life, prime youth of Bacchus. sculpture

Rome, Comin, Joan, Galleria Giustiniana del Marchese Vincenzo Giustiniani, Statue of a Muse, recto lower right - handwritten in brown ink, Statue of a Muse with mask and wind instrument in her hands, possibly Thalia. On the base the coat of arms of Vincenzo Giustiniani. The print is part of a series of prints after sculptures in the collection of Giustiniani in Rome., print, prints, verso - stamped, 21, height 370 mm, width 221 mm, Dutch, print maker, printmaker, 1636 - 1636, paper, engraving, engraving (printing process)

Pape, Josse de, Rome, Persijn, Reinier van, Galleria Giustiniana del Marchese Vincenzo Giustiniani II, Bas-relief of Ceres, verso - stamped, Roman bas-relief of Ceres, the goddess of agriculture, holding ears of corn in her hand. A putto balances on her other hand. In the middle below is the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints after the sculptures in the collection in the Galleria Giustiniani in Rome., print, prent, prints, prenten, height 239 mm, width 218 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1640 - 1640, paper, papier, engraving, engraving (printing process), Zuid-Nederlands - 1646, intermediary draughtsman

Eskulap (from the collection at the Paris museum) Normand, Charles (1765 1840)

Personification of Architecture, Arnold Houbraken, 1710 - 1719 print A female figure as a personification of architecture, with a building plan in her right hand and in her left hand and drawing instruments. In the background the construction of the tower of Babel. Print from a series of 41 symptoms. Amsterdam paper etching / pen 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). building-site. the building of the Tower of Babel; Nimrod may be present, supervising or assisting the construction. square (drawing-instrument). drawing, measuring, calculating

Justice, Jacques de Gheyn (II) (workshop or), After Jacques de Gheyn (II), 1591 - 1595 print Justice, in the form of a blindfolded woman with a scale in the left hand and a sword in the right hand. At the top of the show the word 'Ivstitia' (justice). This print is part of a series of seven round performances of the virtues, each personified by a female figure with typical attributes, and with Latin inscription. Netherlands paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

H. Catharina, anonymous, 1600 - 1650 print France paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

The soul points to the starry sky, Ernst Willem Jan Bagelaar, after Jan Luyken, 1798 - 1837 print A kneeling man, the personification of the soul, points to the starry sky. This print depicts a detail of a drawing by Jan Luyken entitled: Jesus and the soul consider the starry sky. Netherlands paper etching / brush Christ and the Soul. stars in the firmament

Geometry, Anonymous, After Maerten de Vos, 1594 - 1625 drawing Antwerp paper. ink pen / brush

This 1505-1515 copper engraving by Marcantonio Raimondi depicts a muse, focusing on a female figure with symbolic attributes and classical artistic composition.

Odoratus. 1501 - 1583. Hornick, Erasmus, -1583. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Study of a man at the foot end helping to carry away a body, Jean Grandjean, 1765 - 1781, draughtsman: Jean Grandjean, 1765 - 1781, paper, h 492 mm × w 376 mm

Polyhymnia, Alexander Liernur, 1796 drawing Polyhymnia, Muse of the Himmning Versel of Dance. paper. pencil Polyhymnia (one of the Muses); 'Polinnia' (Ripa)

. Work drawing for a painting.

Study of a man who helps the foot to get away from a body, Jean Grandjean, 1765 - 1781 drawing paper. chalk

Clio, Muse of History, plate 7 from Parnassus Biceps. Johann Theodor de Bry (German, 1561-1623); or Robert Boissard (French, c. 1570-after 1597); after Jean-Jacques Boissard (French, 1533-1598). Date: 1601. Dimensions: 235 × 139 mm (image); 257 × 139 mm (plate); 276 × 160 mm (sheet). Engraving in black on ivory laid paper. Origin: Frankfurt an der Oder. Museum: The Chicago Art Institute, Chicago, USA.

Statue of a woman with freedom hat, Anonymous, 1620 - 1720 print Netherlands paper engraving Freedom, Liberty; 'Libertà' (Ripa). piece of sculpture, reproduction of a piece of sculpture

Pope Clement I standing in a niche, Paolo Farinati (attributed to), 1535 - 1606, draughtsman: Paolo Farinati, (attributed to), Verona, 1535 - 1606, prepared paper, pen, brush, h 264 mm × w 147 mm

Profit Joe, c. 1585 The prophet Joël sitting with a scroll. Behind him two small figures, one with a book under the arm. One of the prophets of Michelangelo's ceiling painting. Title in Submarga and Numbered Bottom: 28. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The prophet Joël sitting with a scroll. Behind him two small figures, one with a book under the arm. One of the prophets of Michelangelo's ceiling painting. Title in Submarga and Numbered Bottom: 28. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Astrology; unknown, cock, hieronymus (Ca 1510-1570), Floris, Frans (Ca 1519-1570; st.); 1550 (1758-00-00-1783-00-00);

Clair-obscur woodcut of three plates by Domenico Beccafumi around 1540-1545 depicting an apostle, showing figure, robes, gestures, and religious symbols.

Economie, Daniel Nikolaus Chodowiecki, 1773 print The economy has been presented as a sitting woman with a wreath of corners on her head, a scepter in her left hand and a passer in her right hand. Her left arm leans on a rudder with which she sends the economy. In the background on the left beenks, a plowing farmer on the right. paper etching Economy; 'Economy', 'Providence of the Annona' (Ripa). Bee-Hive. ploughing

Seated mother with girl, mother and baby or young child, Anthony Andriessen, 1756 - 1813, paper, ink, pencil, brush, h 134 mm × w 100 mm

Bartolomeo Coriolano or Giuseppe Maria Moretti after Guido Reni, Sibyl Sibyl

Judith of Bavaria.

Eleanor of England (1160-1214). Daughter of King Henry II of England. Queen consort and regent of Castile. Wife of Alfonso VIII of Castile. Engraving by Coderch. Historia General de Espana by Father Mariana. Madrid, 1852.

Statue of a sitting consul; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a sitting consul with a scroll in his hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Statue of Ceres; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Ceres, dressed in classic robe. In her left hand she holds ears of corn, her right arm has been raised. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

Honoré Daumier (French, 1808 - 1879). Attendez donc au moins que j'aie eu le temps..., 1869. From Actualités. Lithograph on newsprint paper. Image: 247 mm x 203 mm (9.72 in. x 7.99 in.). First of two states.

Statue of the Muse Urania, Gerard ter Borch (I), c. 1609, draughtsman: Gerard ter Borch (I), (mentioned on object), Rome, c. 1609, paper, h 230 mm × w 130 mm

A 1517-1527 copper engraving by Marco Dente depicting Jakob Major, highlighting religious portraiture and devotional representation.

Clio. Draughtsman: Alexander Liernur. Dating: 1796. Measurements: h 241 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Sibille, Bartolommeo Coriolano, After Guido Reni, c. 1609 - 1676 print A sibille sitting with a writing tablet in hand. On the right a table with an ink jar. Italy paper sibyls

The Roman goddess Diana, marble statue from ancient Rome, Italy, digital reproduction of an original from the 18th century, original date not known, Europe

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