Classical Statues & Prints

Engravings and prints of classical statues depicting mythological and historical figures in elegant drapery, celebrating ancient sculptural traditions.

Terpsichore, the Muse of Chorus and Dance, holding a lyre, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 5, 1757-1787, Naples.

Statue of a woman, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of a standing woman in classic robe. With one hand she holds her rug, a round disk in her other hand. The right sleeve of her robe is closed with three knots. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving monument, statue. classical history (+ full length). adult woman (+ front view). piece of sculpture, reproduction of a piece of sculpture

Southern Netherlands, Suavius, Lambertus, Sibyls, Sibyl holding a drapery in her left hand, verso - stamped, An elderly Sibyl, standing in a niche, holds up a drapery with her left hand., print, prent, prints, prenten, height 186 mm, width 87 mm, 1514 - 1564, print maker, prentmaker, 1520 - 1567, paper, papier, engraving, engraving (printing process)

A copper engraving from 1510-1525 by an unknown artist depicting Spes, the personification of hope, showing allegorical figure and symbolic composition.

Terpsichore, the Muse of Chorus and Dance, holding a lyre, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 5, 1757-1787, Naples.

Sculpture Van Diogenes, Anonymous, 1822 print He is wearing a gown and has a lantern in his right hand. Behind him is a ton. The sculpture, according to the caption, was made by Jacques Duméry (1777-1836). He won a first prize in Antwerp in 1822. paper Diogenes, carrying a lighted lantarn by daylight, trying to find an honest man, usually in a crowded market-place. sculpture

Older Sibille pointing with her right hand; Sibillen.an older sibille, standing in a niche, points to her right hand.

Statue of an abundantia with a horn of abundance, Etienne de Lavallée -Poussin, 1750 - 1793 drawing Statue of an abundantia with a horn of abundance, the left arm lifted to include a (missing) lance. paper. chalk brush piece of sculpture, reproduction of a piece of sculpture. Abundantia (abundance) as Roman personification. Abundance; 'Abondanza', 'Abondanza maritima' (Ripa). 'Cornucopia', Horn of Plenty

St. Bartholomew, from Christ, the Twelve Apostles and St. Paul Lambert Suavius Netherlandish 1525-76 View more. St. Bartholomew, from Christ, the Twelve Apostles and St. Paul. Lambert Suavius (Netherlandish, ca. 1510-by 1576). 1525-76. Engraving; second state of three. Prints

Aesculapius. Etching by G.P. Lasinio.

Statue of Aesculapius, Michel Natalis, After Joos de Pape, 1640 print Statue of Aesculapius with its staff -wrapped staff in his left hand. He wears a bowl in his right hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Aesculapius (Asclepius). monument, statue. piece of sculpture, reproduction of a piece of sculpture

Sculpture of a woman in Tunica, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a standing woman. She is wearing a tunic. Both of her forearms are missing. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. standing figure - AA - female human figure

A figure as a personification of self-esteem or self-esteem, whose arm is chained to own foot and resting the hands on the chest. On the left a rooster and a rabbit. Print from a series of 41 symbols.

Apostel Bartolomes met mes, Marcantonio Raimondi, after Rafaël, 1517 - 1527 print paper engraving the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Feather drawing with wash by an anonymous artist depicting a standing girl in ancient costume from the front, hands crossed on her chest, supplemented by wide stripes on both sides.

"Copper engraving by Marcantonio Raimondi around 1505-1515 depicting a Muse, showing the figure, attributes, and artistic context."

Woman as a personification of justice (justitia) with scales and sword standing in niche; Seven virtues ..

Venus, Cornelis Bloemaert (2), after saving Castellucci, c. 1642 print Image of Venus, goddess of love. She holds a fruit in her hand. Rome paper engraving (story of) Venus (Aphrodite). piece of sculpture, reproduction of a piece of sculpture

Woman as personification of caution (prudentia) with snake and mask, Marcantonio Raimondi, After Rafaël, 1510 - 1527 print paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Die römische Göttin Diana, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

ANUBIS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. ANUBIS DIOS EGIPCIO.

Statue of Abundance recto. Dated: probably c. 1754/1765. Dimensions: Overall: 16.5 x 10.7 cm (6 1/2 x 4 3/16 in.) support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in.). Medium: black chalk. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Die griechische Göttin Nemesis, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Origin...

Believe, Cornelis Massijs, c. 1543 - c. 1544.

Statue of Venus with the golden apple; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Venus with the apple of the paris judgment in her left hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Monument Wolfgang Amadeus Mozart (1756-1791) Monument on the Mozartplatz.

Woman with mirror; Paintings in the Sistine Chapel. Hiding woman with a mirror in hand. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 34.

Statue of sitting minerva; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a seated Minerva with staff (perhaps the fragment of a spear) in one hand and a shield in the other hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Pencil sketch by Johann Nepomuk Schödlberger (circa 1815) showing a standing girl by an oak tree, partially draped with cloth.

Ludwig Xiv., King of France Still image of Desjardin, engraved by Simon Thomassin

Muller, Jan Harmensz., Minerva, verso - stamped, Minerva with the helmet on her head, her hand resting on her shield with the head of Medusa., print, prints, height 515 mm, width 327 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1598 - 1602, paper, papier, engraving, engraving (printing process)

Aesculapius. Etching.

Vintage Photograph. Statue of Ceres Goddess of Agriculture.

Faith. Raphael, 1483-1520. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Statue of Roma, goddess of the city of Rome, wearing a helmet and seated on a throne with shield and quiver. From the Giardino Cesi. Copperplate engraving by Gio. Petrini after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Standing woman in classical dress, print maker: Wenceslaus Hollar, (mentioned on object), Parmigianino, (mentioned on object), Antwerp, 1645, paper, etching, h 120 mm × w 75 mm

Ancient Rome, Empress Messalina with little Britannicus, Valeria Messalina was the third woman of the Roman Emperor Claudius, Historical, digital reproduction of a 19th century original

Cleobulus from lindus; The seven ways of Greece. A man dressed in a long cloak, seen on the left, the right hand out. For him an altar with a statue of Minerva. A semi-closed curtain behind him. This print (at least their definitive state) is part of a series of eight prints: a title print and seven numbered portraits of Greek sages.

Antique statue of a Roman Senator, Etienne Baudet, 1677 print France paper engraving piece of sculpture, reproduction of a piece of sculpture. monument, statue Louvre Museum

Personification of architecture, print maker: Arnold Houbraken, Leonard Schenk, 1710 - 1719

Picture of a woman without arms, Jan de Bisschop, Anonymous, c. 1663 - in or after 1668.

Altgriechenland, Dame aus (Tanagra) zur Zeit Alexanders des Großen, mit Hut, Fächer, Chiton und Himation, Geschichte der Mode, Historisch, digitale Re...

Sculpture of a standing woman, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a standing woman with bare upper body. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. standing figure - AA - female human figure

Ethan Allen.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Allen, Ethan, 1738-1789 , Statues

Statue of Hermaphroditus or a woman who keeps her clothes pulled up, 1636 - 1647 print Statue of Hermaphroditus, where the male genitals are missing. Or statue of a woman who keeps her clothes pulled up, so that her lower body is bared (see explanation). On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving Indecency, Impudence; 'Sfacciatigine' (Ripa). piece of sculpture, reproduction of a piece of sculpture. (story of) Hermaphroditus

Vico, Enea, inventor: Raimondi, Marc Antonio;Rafael, work, Death of Lucretia, (1000 - 2004), etching, graphics, plate width 13 cm, plate height 20.8 cm, leaf width 17.2 cm, leaf height 26 cm

Statue of Ceres; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Ceres, dressed in classic robe. In her left hand she holds ears of corn, her right arm has been raised. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Draperie study of advancing wife, Bernard Picart, 1683 - 1733 drawing paper. chalk counterproof Drapery, Draped Garment, 'Course'

Jacob Matham (1571-1631); Michelangelo Buonarroti (1475-1564), Moses, About 1600

Die römische Göttin Diana, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

Charity in the Funerary Monument of Maria Christina of Austria, Domenico Marchetti, after Giovanni Tognolli, after Antonio Canova, c. 1805 print Sculpture of charity, a young woman who holds the arm of an old man with a child behind them, by the Italian sculptor Antonio Canova. Italy paper engraving / etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. piece of sculpture, reproduction of a piece of sculpture

Statue of Euterpe, muse of music in Greek mythology. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Psyche, A Daughter of Niobe from the Niobid Group, Uffizi, Florence, John Flaxman, 1755-1826, British, 1787, Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Pointing woman with child, Adamo Scultori, After Michelangelo, c. 1585 print Figures from Michelangelo's ceiling painting. Numbered below: 44. Print Maker: ItalyaFter Painting by: Vatican City paper engraving mother and child(ren), woman and child(ren) (family group)

Statue of the goddess Roma; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of the goddess Roma, personification of the city of Rome. On her head she wears a helmet, in her hand she holds a stick. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Master of the E Series Tarocchi, Melpomene, c 1465 Melpomene

Hope. Staal, Gustave (1817 1882)

Statue of Asclepius, ancient Greek God of Medicine. After a 17th century engraving by Luca Ciamberlano.

Sculpture Van Asklepios, Hubert Quellinus, 1646 - 1670 print Classic sculpture of a bearded man. The right arm of the sculpture is missing. His left hand in his side. At the bottom right: C. de print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Aesculapius (Asclepius)

Apostel Filippus, Lambertus sweeter, 1545 - 1548 print The Apostle Philip standing in a niche with a hand in the side and a hand above his head. Southern Netherlands paper engraving the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword

Melpomane, Muse of Tragedia and Clio, Muse of History, Felice Giani, Italian, 1758-1823, Black chalk on laid paper, Two women face forward. At left, Melpomane holds a dagger., Italy, ca. 1820, figures, Drawing, Drawing

Roman wedding ceremony, engraving by Lemaitre from Italie Ancienne, second part, by Duruy, Filon, Lacroix and Yanoski, L'Univers pittoresque, published by Firmin Didot Freres, Paris, 1851.

Erato, Frans van Mieris (II), 1708 print Erato, muse of lyricism and love poetry, standing with a winch in her hands. Leiden paper etching / engraving Erato (one of the Muses); 'Erato' (Ripa)

The Lapse of the Year - Spring, 1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Lazio Roma Rome Stimmate di San Francesco6. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Europa, Louis Desplaces, after Pierre Mazeline, after Nicolas Bertin, 1697 - 1739 print Paris paper engraving / etching Europe represented allegorically; 'Europa' (Ripa). piece of sculpture, reproduction of a piece of sculpture

Mulier impudica Galleria Giustiniana del Marchese Vincenzo Giustiniani I (series title), Statue of a woman holding her dress up. On the base the coat of arms of Vincenzo Giustiniani, Indecency, Impudence, 'Sfacciatigine' (Ripa), piece of sculpture, reproduction of a piece of sculpture, Johann Friedrich Greuter (mentioned on object), 1636, paper, engraving, h 368 mm × w 235 mm

TIBERIO 42 AC-37 DC - ESTATUA ENCONTRADA EN PIPERNO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Standbeeld Van Diana, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of Diana, the goddess of the hunt, dressed in classic robe to the knee. In one hand she wears an arc, in the other hand the fragment of an arrow. On her back she wears a arrow sleeve, next to her is a dog at a tree stump. On the stump the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving Diana hunting (+ variant). hunting dogs. monument, statue. piece of sculpture, reproduction of a piece of sculpture

Justice. A woman holds a sword in the right hand, with the left hand she supports a scales. Illustration counterprint for the Sotto Giustizia chapter from the book Documenti d'Amore.

St. John the Baptist 16th century Battista Angolo del Moro Italian. St. John the Baptist 362537

Umbria Perugia S. Giorgio Parish church5. Hutzel, Max 1960-1990 These photographs were formerly filed under Norcia. Prints of the two exterior views are lost or missing. Remaining coverage is of the church interior, mostly of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture of the Muze Polyhymnia, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. Polyhymnia (one of the Muses); 'Polinnia' (Ripa)

John Flaxman, 1755-1826, British, Ceres, Palazzo Barberini, Rome, 1787. Graphite, pen and ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum.

Around the great basin of the Tuileries, vintage engraving. Around the great basin of the Tuileries, vintage engraved illustration. Paris - Auguste VITU 1890. Copyright: xZoonar.com/PatrickxGuenettex 10648817

Christ, from Christ, the Twelve Apostles and St. Paul 1525-76 Lambert Suavius Netherlandish. Christ, from Christ, the Twelve Apostles and St. Paul. Lambert Suavius (Netherlandish, ca. 1510-by 1576). 1525-76. Engraving; third state. Prints

Faith, plate 40 from Genii and Virtues. Master of the S-Series Tarocchi; Italian, active c. 1470. Date: 1470-1480. Dimensions: 172 x 92 mm (image/plate); 173 x 94 (sheet). Engraving in black on buff laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Lambert Suavius, Saint Simon, 1545 Saint Simon

The Redhead Moon / First Year - N ° 41 / Sunday 16 September 1877 / Farewell! ..., by Gill

Menander (342/41-290 BC). Greek dramatist and the best-known representantive of Athenian New Comedy. Portrait. Engraving. Historia Universal, 1881.

Ajschines statue; 1880-1895 (1880-00-00-1895-00-00);

Statue of the Muze Urania, François Perrier, 1633 print paper etching piece of sculpture, reproduction of a piece of sculpture. Urania (one of the Muses); 'Urania' (Ripa)

Sculpture of abundance, Hubert Quellinus, 1646 - 1670 print paper engraving piece of sculpture, reproduction of a piece of sculpture. Abundance; 'Abondanza', 'Abondanza maritima' (Ripa)

St Philip. Plate 8. From: Christ and the Apostles, circa 1545, by Lambert Suavius. Gift of Sir John Ilott, 1971.

Juno auf Museum Campana. Tommaso Cuccioni (Italian, 1790 - 1864)

Juno. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 8 7/8 × 6 15/16 in. (22.5 × 17.7 cm). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.

Slow, Bernard Picart (Workshop of), after Philippe Magnier, 1709 print Statue in the gardens of Versailles. The female personification of spring, a basket with flowers in hand. In the margin a caption in French. Paris paper etching / engraving spring, 'Ver'; 'Primavera' (Ripa). piece of sculpture, reproduction of a piece of sculpture Castle of Versailles

Lyric according to the sculpture of Reinhold Begas was drawn by L. Heitland. Brend'amour, Franz Robert Richard (1831 1915), Begas, Reinhold (1831 1911), Heitland, L. (n.n.)

Moses with the stone tables, Jan de Bisschop, After Michelangelo, After Willem Doudijns, 1666 - 1671 print Northern Netherlands paper etching Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law

unknown, Italy, Dente, Marco, Antique statue of a dressed man, verso - stamped, An antique statue of a dressed man. He is leaning against a tree trunk. The arms of the statue are broken off., print, prent, prints, prenten, height, 282 mm, width mm, Italian, 1486 - 1527, print maker, printmaker, 1498 - 1532, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, publisher, uitgever

Portrait of Firmin as Faustus Sylla in the tragedy Sylla Firmin Portraits of actors of Parisian theaters , print maker: Alexandre Marie Colin, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Francisique Noël (et Cie.), (mentioned on object), Paris, 1824, paper, h 421 mm × w 289 mm

Two drapery studies of a running man, right.

The tomb of James Ward, Esq., R.A., Kensal-green Cemetery, London, 1864. Monument consisting of '...a monumental headstone, in a coved recess of which has been sculptured by Mr. J. H. Foley R.A., in high relief, a figure of the Muse of Painting. She stands in a pensive attitude. The head, encircled with a laurel corona, is inclined forward, the eyes fixed on the grave beneath. In her left hand she holds a palette and sheaf of brushes. The drapery is disposed with Greek simplicity, and the whole figure has an air of antique grace; yet the gesture is touching in its natural pathos' We do not r

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of the Royal Sovereignty, verso - stamped, A console with the female personification of the Royal Sovereignty: a seated woman with a scepter in her right hand and an eagle on her lap in front of her left breast. The print is part of an album., print, album leaf, prints, height 182 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Ferdinand Joseph Johann Nepomuk 8th Prince of Lobkowitz (13, 1797 in Hollabrunn, died December 18, 1868 in Vienna) was an Austrian nobleman and industrialist. Historical, digitally restored reproduction from an original from the 19th century.

Statue of a woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani. Vincenzo Giustiniani coat of arms under the statue. Print is part of a series of prints to sculptures in the collection of Giustiniani in Rome.

The ancient Greek represented here is a female basket-bearer at a sacrificial festival. Note that at the great Athenian festival in honor of Athena, the Panathenaic Festival, the honored position of basket bearer was given to unmarried young women, who were known as Kanephoros (also spelled Canephorae). Caryatids, columns in the shape of women with the column capitals on their heads, were based on them - there are several on the Acropolis's part of the Erechtheion. The illustration dates to 1882.

Demosthenes, 384 bis 322 v. Chr. Ein griechischer Staatsmann und Redner des antiken Athen, Griechenland, Historisch, digital restaurierte Reproduktion...

Two women in classic clothing, Anonymous, After Gerard de Lairesse, 1630 - 1706 print paper engraving adult woman (+ one person)

Saint Catherine ca. 1501-3 Jacopo de' Barbari Italian This is a rich early impression of which nothing remains but the figure and most of the ground below. Practically all of the blank background was skillfully added in the nineteenth century.. Saint Catherine 372232

Allegory of the 50th anniversary in 1827 of the Felix Meritis society in Amsterdam, founded in 1777. Father Time paints a scene for a seated female personification. Her chair is decorated with a beehive and the name Felix Meritis with the year 1777., Allegory to the 50th anniversary of Felix Meritis, 1827, print maker: Philippus Velijn, (mentioned on object), intermediary draughtsman: Louis Moritz, (mentioned on object), Netherlands, 1827, paper, etching, engraving, h 153 mm × w 109 mm

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