Classical Thematic Illustrations

Etchings inspired by classical themes, featuring mythological figures and allegorical scenes. The imagery combines intricate details with a vintage aesthetic.

Golden Age, Battista Franco, After Giulio Romano, 1520 - 1561 print The golden era. On the left a river god that lets a river jump out of its nipple. Central a man who picks fruit from a tree. On the right a woman who is breastfeeding. print maker: Veniceafter design by: Italy paper etching Personification of the Golden Age; 'Age of gold' (Ripa)

Apollo en hyacinth, Carlo Cesio, after Annibale Carracci, 1656 print A painting, with a representation of Apollo and Hyacinthus, above a door portal. The painting is flanked on either side by a sculpture of a sater. print maker: Romeafter drawing by: Romeafter design by: Italypublisher: RomeVaticaanstad paper etching Apollo and blue. Satyr (s) (in general). Homosexual Love

Fries with triumphal tour of Quintus Fabius Maximus on Schouw in the mayor's room of the town hall on Dam Square (first part), Hubert Quellinus, after Artus Quellinus (I), 1663 print First part of Frisian with triumphal tour of Quintus Fabius Maximus on the fireplace in the mayor's room of the town hall on Dam Square in Amsterdam. From left to right: a river god with the horn of abundance, the Wolvin with Remus and Romulus, and women and children. Nummered in the bottom left: No. 1. At the bottom of the middle: O. paper etching / engraving conqueror triumphing, triumphal entry of victor. triumphs (allegorical and symbolic). triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. river-gods City Hall of Amsterdam (1655-1808)

Woodcut by Hans Schäufelin from around 1523 depicting a man in pain framed composition, showing figure, expression, and posture.

Woodcut by Aristide Maillol around 1905 depicting a girl playing music, emphasizing figure and posture.

Element earth; Terra; The four elements. The Earth element. Sitting naked female personification with horn of abundance. In a picture frame with animals, plants, flowers, fruit, vegetables and products of agriculture and livestock. In the caption a verse of 4 lines in Latin.

Golden Age, Battista Franco, After Giulio Romano, 1520 - 1561 print The golden era. On the left a river god that lets a river jump out of its nipple. Central a man who picks fruit from a tree. On the right a woman who is breastfeeding. print maker: Veniceafter design by: Italy paper etching Personification of the Golden Age; 'Age of gold' (Ripa)

Saint Casimir. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Umbria Perugia Trevi Collegio Etiopico Pontificio4. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Hendrick Goltzius produced a copper engraving in 1592 depicting Bacchus, the Roman god of wine, showing figure, gestures, and symbolic elements in classical composition.

A copper engraving and etching by Philipp Galle, circa 1587, depicting St. Francis of Assisi's life with figures, scenes, and detailed composition.

Hercules in Omphale, Michel Dorigny, After Simon Vouet, 1643 print France paper engraving / etching Hercules in love with Omphale; the hero is set to spin wool or to do other women's work among the servants, while Omphale wears his lion's skin and wields his club and bow. (story of) Cupid, Amor (Eros)

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

Appointment of Ferdinand as a governor about the Netherlands by Philip IV; entry from Ferdinand in Antwerp in 1635 (No 25); Apotheosis D. Isabellae Clarae Eugeniae (...) Media Pegmatis Tab. Maiori Form. The appointment of Ferdinand as a governor about the Netherlands by Philip IV. On the left the kneeling beaking Dutch virgin, in the sky Isabella Clara Eugenia. The central show on the triumphal arch of Isabella Clara Eugenia prepared in Clarenstraat. Signature at the top right: Pag. 96. Sheet no. 25 in a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Edel Geflschap, Joseph de Longueil, After Sigmund Freudenberger, 1780 print France paper etching / engraving sitting figure

Etchings by Pierre Brebiette (1618-1642) depicting the martyrdom of St. Georg and Saint Barnabas healing a sick person, showing figures and narrative.

Child between tamed lion and bird of prey on top of Cartouche with fresh, anonymous, After Boëtius Adamsz. Bolswert, After Abraham Bloemaert, 1611 - 1650 print A child or putto calms a lion and bird of prey. They are on top of a cartouche with a fresh in Latin. The shield is richly ornamented with curl, two cherubins and dolphins. According to the verse, this child shows by taming the animals that man is in charge of the animal kingdom through God. Netherlands paper engraving beasts of prey, predatory animals: lion. predatory birds: eagle. dolphin ~ ornament. man and (wild) animal

Pendentief Met temperance, Louis de Chatillon (attributed to), after Domenichino, 1649 - 1734 print Rome paper etching Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. cupids: 'amores', 'amoretti', 'putti'. unicorn. hoofed animals: camel. architectural detail

Arnold Houbraken etching from 1675-1719 depicts personifications and symbolic figures, illustrating allegorical themes in 17th-18th century Dutch engraving.

Pyramus and Thisbe. ThisBe finds her beloved Pyramus who died. She grabs the dagger, who loves Amor in his hand, to commit suicide. On the left the fountain.

Herman de Ruiter ready to throw the wick in the powder, 1570, 1817 print Herman de Ruiter fights with Spanish soldiers and about to put the burning wick in the powder barrel and to make Lovenstein explode, December 19, 1570. print maker: Netherlandsafter own design by: Netherlandspublisher: Rotterdam paper etching / engraving Slot Loevestein

Etching by Daniel Nikolaus Chodowiecki depicting two sitting women, a small L'Hombre game table, and Cléry's children, showing figures, furniture, and spatial arrangement between 1758 and 1799.

Fragments of painted walls from the pyramid of Cestius in Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Fragments of painted walls from the pyramid of Cestius in Rome. Explanatory list of letters in STUDMARGE. Numbered at the top right: Tom. III. / XLVIII. print maker: Romeprint maker: Italyafter own design by: Rome paper etching painting (including book-illumination, miniature-painting). ruin of a building ~ architecture Piramide van Cestius. Rome

Bacchus, Herman Löwenstam, after Hendrick Goltzius, 1858 print Bacchus with drinking bowl and grape bunches, on the right eats a small Sater from a grape chin. paper. engraving (story of) Bacchus (Dionysus), Liber

JUPITER IN JUNO, 1631 print Jupiter and Juno as a love couple, as an allegory of love. Next to them the eagle with a lightning bolt in his claws. The show is caught in an oval frame with square peripheral. paper counterproof / etching Jupiter and Juno as lovers

Relief of two saints and angels of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. angels. saints Basilica of San Marco

The Fall and Redemption of Man, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Wall carpet with four music -making women in landscape, Aristide Maillol, 1895 print paper more than one musician with instrument. cithern, mandolin, guitar, balalaika - CC - out of doors. tapestry

Hannibal Carraccio. Hercules ūnd Iole. Palazzo Farnese. Gustavo Reiger (Italian, active Rome, Italy 1860s)

Frontispiece Design for Het Groot Schilderboek, Philip Tidemann, After Gerard de Lairesse, 1702 drawing On the Banier Left: Perspective / Boúkúnde / Painting / Beeldhouunk / engraving art. On the banner on the right: the large / painting book / Van G Lairesse / Anno 1702. paper. ink pen / brush 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). scholar in his study. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). blindfold. blind, blindness

Evangelist Lucas, Jean Honoré Fragonard, After Giovanni Lanfranco, 1763 - print The evangelist Marcus on a cloud surrounded by five putti. A tableau in his hand. One putto holds the book. Italy paper etching St. Luke writing his gospel, usually a (winged) ox present

Vestigia delle Terme di Tito. Philosopher. Quadro from wall decoration in room 15. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Saint Luke ca. 1764 Jean Honoré Fragonard French This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. This composition derives from a pendentive in the church of Santi Apostoli in Naples by Giovanni Lanfranco (Italian, 1582-1647). Fragonard had visiting Naples in the company of Jean Robert Ango in March, 1761.. Saint Luke. Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). ca. 1764. Etching, first state of two. Prints

Emperors Matthias and Ferdinand II; Entry from Ferdinand in Antwerp in 1635 (no. 22). Statues of the emperors Matthias and Ferdinand II. Sixth leaf with two Austrian emperors in the columns of the emperors. With images of the gods Venus Victrix, Jupiter Conservator and Diana. Leaf no. 22 In a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Element fire as a young man with lightning bolt in frame with ornaments, Nicolaes de Bruyn, 1582 - 1635 print Element fire as a young man standing with lightning bolt in his hand in landscape with smoking volcanoes in the background. In oval frame within rectangular frame with ornaments: fire -breathing fantasy bowls, fish, birds and burning oil lamps. paper engraving fire (one of the four elements)

Copper engraving and etching by Lambert Lombard depicting Caritas, created between 1524 and 1570, showing allegorical representation of charity.

The Betrayal of Christ, plate three from The Passion of Christ 1598 Netherlands. Engraving in black ink on cream paper . Hendrick Goltzius

Sodoma. Alexander's Vermählung mit Roxane. Farnesina. Gustavo Reiger (Italian, active Rome, Italy 1860s)

, Dr, -Karl -Renner -Ring , Rathausplatz - Parliament - Construction Plastic - Relief Unity, Michael Frankenstein , Comp, Photo Studio

Etching by Léon Davent depicting Danae, Jupiter, and Semele, created between 1540 and 1545, illustrating mythological subjects in Renaissance engraving style.

. Allegory on the second centenary of the appetent of Leiden, October 3, 1774. The city mawn of Leiden sitting on a throne, accompanied by freedom, time and history. In the background Hercules and the Leiden relieved (1574).

Attack on Antemnaea / Romulus concludes peace with the Sabines, Giovanni Battista Fontana, 1568 print Leaf with two prints. Left, a rectangular manneric decorative frame with two text boxes below. In the central section the attack on the Antemnaea. Fight between men with spears. In the foreground on the right a man with arrow and bow. A city in the background. On the right, a rectangular manneric decorative frame with two text boxes below. In the central section Romulus that closes peace with the sabines at the Stadspoort. A forest in the background. In the text boxes text in Italian. print maker: Italypublisher: Venice paper etching (story of) Romulus and Remus

Alkmene likes Hercules, Jean Pesne, After Nicolas Poussin, 1678 print France paper etching / engraving birth of Hercules and his twin brother Iphicles; Juno delays the birth by sitting outside Alcmene's door with crossed knees and fingers

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Holbein, Hans (St.; Ca 1465 1524)

Vestigia delle Terme di Tito. Epeb in a former robe. Quadro with decoration in room 15; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, antiquity, purchase (provenance)

Mosaic with fish from Pompeii, c. 1875 - c. 1900 photograph National Museum cardboard. photographic support albumen print art (+ mosaic making). fishes. molluscs: squid National Museum

Etching by Pietro Santo Bartoli from 1650-1700 depicting a woman performing a sacrificial act under the theme of Concordia, illustrating classical symbolism and allegory.

Copper engraving and etching of Altargemar by Étienne Fessard, created in 1757, demonstrating traditional mid-18th-century engraving techniques.

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Allegorical figures surrounded by fourteen medals. Meeting of father time, minerva and writing art personification surrounded by fourteen in size different medals with performances from classical history.

Moses hits water from the rock, Battista Franco, 1508 - 1561 print Moses hits water from a rock so that the Israelites can drink. In the background a landscape with two cattle. Venice paper etching / engraving Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13)

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 16.1 x 32.3 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Judgment of Paris, Zacharias Dolendo (attributed to), 1580 - 1596 print In a forest landscape, Pallas, Juno and Venus are opposed to Paris with shepherd's staff and a ram next to him. Above them, Amor floats with a bow and arch on Paris. Mercury is hidden in a tree on the right. In the lower margin a four -line Latin text. Amsterdam paper engraving the Judgement of Paris (Mercury present)

Worried mother and the sick child, William Baillie, After Domenichino, 1753 - 1810 A woman bows over a sick child in her arms. Behind it several women and children. A mother helps a child to give a liquid from one jug to the other. A woman from a book reads behind it. The print is part of an album. paper etching A woman bows over a sick child in her arms. Behind it several women and children. A mother helps a child to give a liquid from one jug to the other. A woman from a book reads behind it. The print is part of an album. paper etching

st, Volksgarten - Grillparzerdenkmal - Relief The Ahn Frau, postcard, Kilophot K, producer

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Fisch, H. V. (1620 1645)

Print, The Graces and Cupid Decorating Two Crowned Chiffres; Print Maker: Jean Henry Prosper Pouget; France; etching on paper; Platemark: 11.8 x 16.8 cm (4 5/8 x 6 5/8 in.) Sheet: 20.6 x 18.3 cm (8 1/8 x 7 3/16 in.)

The two left Caratives from the Vierschaar of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print The two left Caratives from the Vierschaar in the Town Hall on Dam Square in Amsterdam. They symbolize guilt and repentance. De Vierschaar was a public court that was only used by Schout and Aldermen for pronouncing death sentences. At the bottom marked: D. paper etching / engraving caryatids ~ architecture City Hall of Amsterdam (1655-1808)

Léon & Lévy, Fontainebleau Castle (without Dat.): Fireplace of the Galerie Henri II .. Photo on cardboard, 35.3 x 28.6 cm (including scan edges)

Lazio Roma Rome S. Salvatore in Lauro3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting Object Notes: Founded in 12th century; remodeled in 15th century; destroyed in fire in 1591. Reconstruction initiated three years later by Mascherino. In 1669, church was acquired by confraternity of the Piceni. In 1727, building was under direction of Sassi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Facing brick with six figures, Anonymous, 1809 - 1899 print The figure on the right is in a chair. The figure in the middle has his hands together as a prisoner. paper tiles, bricks ~ building material

Hans and Grietje by Robert Cauer, Carl Heinrich Jacobi, 1850 - 1900 photograph photographic support. cardboard albumen print sculpture. tales and fairy tales

Photo production of a print of the Spinario, Libois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print 'Spinario', child pulling a thorn out of its foot

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Personification of Mathematics (Arithmetics), Lucas Kilian, 1640 - 1708 print paper engraving The Liberal Arts, liberal arts. "Arithmetic '(~ quadrivious); "Aritmetic '(Ripa). arithmetic

Old Montmartre Bas-relief Avenue des Tilleuls n ° 11 - 1886 - N ° 7. BAS-RELIEF, 11 Avenue des Tilleuls, 18th arrondissement, Paris Bas-relief, 11 avenue des Liméuses. Paris (18th arrest). Anonymous Photography. Draw on Albuminum, 1886.

Judgment of Paris. In a forest landscape, Pallas, Juno and Venus are opposite Paris with a shepherd's staff and a RAM next to itself. Above them, Amor floats that with Arrow and Arch focused on Paris. On the right, Mercury is hiding in a tree. In the undermaster a four-line Latin text.

Kracht, Ugo da Carpi (possibly), after Paramigianino, 1502 - 1532 print A female personification of the power (Fortitudo), sitting in a broken column. Italy paper Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Hoffmann Ludwig (1852-1932), (not yet recorded) (1902): Not yet recorded (L.H., new buildings of the city of Berlin, Vol. I). Pressure on paper, 52.7 x 39.2 cm (including scan edges) Hoffmann Ludwig (1852-1932): Kinderasyl in der Kürassierstraße, Berlin. (Aus: Neubauten der Stadt Berlin, Bd. I, 1902)

Etching by Jean Guillaume Moitte depicting various scenes, executed in dot manner during the mid-18th to early 19th century.

Holy Job, Holy Gangulphus van Varernes, Holy Epiphanius van Salamis, Maria in the middle of the Martelaren (Maria-ter Martelaren) (10-13 May), Jacques Callot, 1632-1636 print Sheet with four oval representations, each with inscription and date in Latin: at the top left of Job on the manure trap in conversation with a man and a woman, at the top right the Holy Gangulphus of Varernes at a source from which someone creates water, below the Sacred Epiphanius of Salamis who A devil exits a woman, below Maria in the midst of a large group of martyrs. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. Four scenes of one plate are always printed on one leaf. Including accompanying title page and frontispiece, it concerns a total of 124 plates (490 performances). The three plates with the last 12 scenes (the changeable Christian holidays) were cut into 12 small pictures in the third state, and with a separate title page. print mak

Panel of the bronze door of the Baptisterium in Florence, representing Christ on his way to Jerusalem, c. 1875 - c. 1900 photograph Florence cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). Christ. monumental door, porch, 'aediculum' Bond

GIPS models for sculptures on the Palais du Louvre: left "le travail manuel" and right "l'art" by Auguste Ottin, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Felicitas and sleep; Hübner, Julius (1806-1882); 1842 (1801-00-00-1900-00-00);Johann Ludwig (1773-1853), Johann Ludwig (1773-1853) -Emperor Octavianus, Silesian Museum of Fine Arts (Wrocław -1880-1945) -, Silesian Museum of Fine Arts (Wrocław -1880-1945) -Kolekcja, Teck, Ilustracje, romantyzm (styl), rysunki niemieckie

Burial relief from Athens with a sitting and two standing persons, 1898 photograph European Publisher: Munich cardboard. paper. printing ink collotype sculpture (+ relief ~ sculpture). gravestone, tombstone Athene

Card player and death, Hans Holbein (II), 1547 print Three men play a card game at a table and one of them is attacked by Satan or the Devil and death. paper card games. dance of Death; Death together with one or more human beings

A copper engraving by Philippe Thomassin from 1600-1650 depicting an ancient Roman statue in a niche, showing classical details and architectural context.

Lunette with putti, roosters and horns of abundance in the western gallery of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1655 print Lunette with two putti, two roosters and two inverted horns of abundance in the southern part of the western gallery of the town hall on Dam Square in Amsterdam. This is one of the two lunettes left and right of the image of Apollo. Marked in the middle: K. paper etching / engraving 'Cornucopia', Horn of Plenty. fowl (cock, hen, chicken, etc.). cupids: 'amores', 'amoretti', 'putti' Amsterdam. City Hall of Amsterdam (1655-1808)

Jakob fights with the angel, Pietro Sante Bartoli, After Perino del Vaga, After Rafaël, 1645 - 1700 print Jakob in fight with the angel. There are two sleeping figures on the left. On the right a woman is in a tent. Title and reference to Bible text in Submarga. Print maker: ItalyaFter Painting by: Vatican City Figter Design by: Vatican City paper etching / engraving Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Two Frisians with cherubs, c. 1617 - c. 1700 print In the upper Frisian there are two cherubs next to two dogs. In the bottom, four cherubs can be seen, the left of which is two with musical instruments. Amsterdam (possibly) paper engraving

Warsaw. Wilanów. Ascore from the facade of the Pało; Bu Hak, Jan (1876-1950); 1920 (1920-00-00-1920-00-00);

Photo production of a print of the Spinario, Libois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print 'Spinario', child pulling a thorn out of its foot

Umbria Terni Terni Palazzo Spada6. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Personification of maritime abundance; Numismata virorum illustrium ex Barbadica Gente. A console with a sitting woman as a personification of the abundance or wealth, the nautical. The right arm of the woman leans on the helm of a ship. Single ears of corn in her left hand. The print is part of an album.

Bliżej Kultury Kunstwerlag Anton Schroll & Co., Vienna, Stwosz, Wit (CA 1447 1533)

Etching by François Perrier from 1638 depicting Roman statues, illustrating classical sculpture forms, drapery, and proportions in a detailed composition.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Mercury falls in love with Heerse, Virgilius Solis, 1569 print Mercury falls in love with Heerse, who walks to the temple with freshly picked flowers together with her companions. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Mercury falls in love with Herse, when seeing her and her companions carry baskets full of flowers to the temple. scrollwork, strapwork ~ ornament

Etching by Johann Adam von Bartsch from 1798 showing three historical scenes based on lost woodcuts for Maximilian I, including figures, architecture, and events.

Jupiter, Mars and Minerva, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Jupiter, Mars and Minerva in a row. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving (story of) Jupiter (Zeus). (story of) Mars (Ares). (story of) Minerva (Pallas, Athena)

Maria sucks the Christkind, Valentin Lefèbvre, After Titian, 1682 print Maria sits outside a stable on the ground and gives the Christ child the breast. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

GIPSModel for sculpture on the Palais du Louvre: "La Goire et l'Ommortalité" by Augustin Alexandre Dumont, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Upper part Pilaster XII, from the Loggie Di Raffaele Nel Vaticano series; Volpato, Giovanni (1740-1803), Rafael (1483-1520), Teseo, Lodovico (1731-1782); 1776 (1776-00-00-1776-00-00);

Holy Simon de Zeloot and Holy Judas Taddeüs, Holy Narcissus van Gerona, Holy Marcellus van Tanger, Holy Quintinus of Saint-Quentin (28-31 October), Jacques Callot, 1632-1636 print Sheet with four oval performances, each with inscription and date in Latin: top left the apostles Simon de Zeloot and Judas Taddeüs who are tortured with a saw and a bat, right above the holy narcissus of gerona standing next to a table on which a miter lies, Bottom left the Holy Marcellus van Tanger who travels his weapons, below the Saint Quintinus of Saint-Quentin at a broken wheel with barbrees. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. Four scenes of one plate are always printed on one leaf. Including accompanying title page and frontispiece, it concerns a total of 124 plates (490 performances). The three plates with the last 12 scenes (the changeable Christian holidays) were cut into 12 small pictures in the third state, and with

Three reliefs in frames, anonymous, 1875 - 1930 photomechanical print Florence paper collotype sculpture. frame of painting, etc. Florence

Three Putti with Tambourines and Trumpets, Design for Lunette of the Sala delle Muse, Museo Pio-Clementino, Vatican, Tommaso Maria Conca, Italian, 1734 - 1822, Black chalk and black crayon on heavy cream paper, squared for enlargement, Design for a lunette. Two standing and one kneeling putti (to the right) with musical instruments (trumpets and tambourines), shown against the trapezoidal frame of an oculus, Italy, 1775-1800, interiors, Drawing, Drawing

Umbria Terni Terni Palazzo Spada9. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ceiling decoration with olympic gods, naked figures and ornament; Collection of gods at the Olympus.Part of the Ceiling Decoration by Giovanni Lanfranco in the villa Borghese in Rome, with two Lunettes with representations or God of the Olympus and Performances or Naked figures and ornament.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

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