Classical Themed Etchings

Etchings illustrating classical themes such as Bacchanals, landscapes, and biblical scenes, characterized by detailed figures, natural settings, and historical contexts.

17th-century etching by an unknown engraver depicting a hunting scene with a prince couple, showing hunters, dogs, and aristocratic leisure.

This etching by Giovanni Benedetto Castiglione shows a Bacchanal scene in front of a herme, produced between 1648 and 1660. The composition includes figures in celebration and classical ornamentation.

Etching by Giovanni Francesco Grimaldi depicting a landscape with three boys along a river course, produced between 1630 and 1680.

This etching by Camillo Procaccini, 1580-1629, shows the Holy Family resting during their flight to Egypt, depicting figures, gestures, attire, and landscape.

Etching by Claes Cornelisz Moeyaert depicting the biblical figures Eliser and Rebekka and the story involving Hagar, created between 1610 and 1655.

Copper engraving by Antonie Wierix II depicting the Baptism of Christ, showing figures, gestures, water, and surrounding landscape, created in 1585.

Copper engraving by Philipp Galle from 1574, titled 'The Triumph of Time' or 'The Triumph of Saturn', showing allegorical figures representing time and Saturn in a symbolic composition.

An 18th-century etching by Christian Wilhelm Ernst Dietrich showing the surroundings of Dresden with landscape and architectural details.

Copper engraving by the Wierix family, 1577, depicting an allegory on the suffering and liberation of the Netherlands, showing figures, landscape, and symbolic elements.

Etching by Battista Agnolo del Moro depicting the discovery of the infant Moses, produced between 1514 and 1573.

17th-century etching by an unknown engraver depicting a hunting scene with a prince couple, showing hunters, dogs, and aristocratic leisure.

Etching by Jacob Coelemans from 1690-1709 depicting Joshua commanding the sun to stand still, a biblical scene with detailed figures and dramatic sky elements.

Lithography by Friedrich Gauermann created between 1825 and 1862 representing a landscape study, focusing on natural elements such as trees, water, and terrain.

Etching by Jan de Visscher showing a ford across a river, created between 1653 and 1712, depicting figures, animals, and a natural water crossing.

Etching by Johann Phillip Lembke depicting the Annunciation to the shepherds and a falconer with a horse, created between 1646 and 1711, showing biblical and pastoral scenes.

Etching by Johann Wilhelm Baur created in 1641 depicting scenes from Ovids Metamorphoses with human and mythological figures arranged in narrative composition.

Gabriel Perelle created an etching of Narcissus between 1620 and 1666. The work illustrates the mythological figure with detailed line engraving typical of 17th-century French Baroque art.

Etching by Giovanni Benedetto Castiglione from 1645 depicting Theseus discovering his father's weapons, illustrating mythological narrative and human figures.

Copper engraving and etching by Yves Marie le Gouaz from 1760-1816 showing a fisherman during daytime with equipment on a riverbank or coastal setting.

Requirement of Christ, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered below: 11. Print is part of an album. Augsburg paper etching 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness

Etching and copper engraving by Anne Philiberte Coulet, created between 1767 and 1797, titled 'The Happy Passage'.

Etching by Gerrit Claesz Bleker depicting an angel speaking to Abraham and his son Isaac, created in 1638.

Etching by Gerard de Lairesse showing putti playing on a fountain, created 1661-1709, depicting figures, water, and classical decorative elements.

Copper engraving by Schelte Adamsz. Bolswert around 1638 depicting a rural landscape with cows being milked and figures engaged in hunting, showing agricultural and pastoral activities.

Copper engraving by Cornelis Danckerts I depicting Mercury and Argus, a satyr, nymphs, dancing children, and putti in mythological scene, produced between 1620 and 1656.

Etching by Stefano della Bella depicting a military map of the conquest of Piombino in 1650, showing fortifications, troop movements, and terrain features.

Etching by Comte Anne Claude Philippe de Caylus created between 1712 and 1765 depicting bathing nymphs in a classical mythological setting.

Copper engraving and etching by François Chauveau from 1630-1676 depicting the Judgment of Paris, showing mythological figures, gestures, and symbolic objects.

Etching by Bartolomeo Biscaino depicting the mythological figure Galatea, created between 1650 and 1657, showing her in a marine setting with flowing drapery and symbolic attributes.

Etching by Augustin Hirschvogel from 1778 depicting a hunter and deer, showing figures, animals, gestures, and landscape elements.

Etching by Dirck Volkertszoon Coornhert depicting the Flight into Egypt, created between 1540 and 1590, showing Mary, Joseph, and the infant Jesus traveling, in Northern Renaissance style.

Etching by Simone Cantarini da Pesaro depicting Jupiter, Neptune, and Pluto honoring the coat of arms of Cardinal Barberini, created between 1630 and 1648.

Etching by Battista Agnolo del Moro depicting a landscape with dairy cows, created between 1515 and 1573.

Copper engraving and etching by Abraham Blooteling depicting a deer hunt scene, created between 1656 and 1690.

A copper engraving and etching by Jacob Folkema illustrating the story of the Melecers, created in 1714.

Etching by Antoine Bouzonnet Stella from 1676 depicting the mythological story of Remus and Romulus, showing the twin figures, setting, and symbolic elements of Rome's foundation.

Jacob Coelemans' copper engraving and etching, 1674-1765, depicts Salmakis and Hermaphroditos, showing mythological figures and detailed composition.

Etching and copper engraving by Jean Jacques Aliamet from 1746-1788 titled 'The Morning,' depicting a morning scene with figures and natural light.

A 1771 etching after Christian Wilhelm Ernst Dietrich depicting the first view near Bechin in Bohemia with landscape and architectural features.

Etching by Dirck Volkertszoon Coornhert, 1540-1590, depicting Job suffering from ulcers, showing figure, posture, and composition in a biblical scene.

Copper engraving and etching by Cornelis Visscher depicting Abraham leaving Haran, created between 1638 and 1662.

Jean-Jacques Flipart's copper engraving (1782) depicts Herakles and Theseus fighting the Centaurs, showing mythological figures, combat, and landscape elements.

Copper engraving by Philipp Galle depicting Apollo and Diana killing the Niobes. Created in 1557, illustrating a mythological scene from Roman mythology.

Copper engraving by Boëtius Adamsz. Bolswert showing the Holy Family resting during their flight to Egypt, created between 1595 and 1633, depicting figures and landscape.

Jacques Callot (1592-1635). "The great miseries of war, the revenge of the peasants. Seventeenth number of a series of 18 pieces" (Lieure 1355, Meaume 580). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-28 Etching, engraving

Etching by Constant Bourgeois from 1785-1841 depicting Italian scenery with urban and rural landscapes, buildings, and natural surroundings.

An etching by Johann Wilhelm Baur from 1641 depicting scenes from 'The Metamorphoses', including human and mythological figures.

Copper engraving and etching by Hendrick Goltzius, 1582, depicting an escape scene with human figures, movement, landscape elements, and narrative action.

Lithography by Josef von Führich illustrating 'Hryymír von Neumetely,' created between 1820 and 1863, showing figures, medieval attire, and narrative elements from a book.

Etching by Matthäus Merian the Elder showing landscapes with rivers, hills, forests, and settlements, created between 1622 and 1624.

Etching by Bartolomeo Pinelli showing historical landmarks and events of Rome, created in 1818.

Copper engraving and etching by Alexis Loir from 1744-1797 illustrating the mythological figures Venus and Aeneas, showing interaction, drapery, and classical motifs.

PANURGE MANGE SON BLED EN HERBE, LIVRE III, Ch. II; Bracquemond, Félix (1833-1914), Salmon, Alfred (1825-Ca 1894), Lemerre, Alphonse (1838-1912); 1882 (1882-00-00-1882-00-00);PANURGE (lit.), Rabelais, François (1493 -1553), Rabelais, François (1493 -1553)-iconography, Rabelais, François (1493 -1553). Garganta et pantagruel, French (culture), illustrations, literature, literary characters, purchase (provenance)

Johann Wilhelm Baurs 1641 etching illustrates a scene from Ovids Metamorphoses, depicting mythological figures, transformations, and narrative elements in detailed line work.

Etching by Jan van Ossenbeeck showing a mountain landscape with four figures, created between 1639 and 1674.

Copper engraving and etching by Pierre Aveline the Elder from 1671-1722 showing Christ healing the sick with figures including patients, apostles, and observers in a biblical setting.

Etching and copper engraving by Jacob Coelemans from 1730-1735 depicting Parnassus with figures, muses, and detailed classical composition.

Etching and copper engraving by Jean Jacques Avril between 1764 and 1831 depicting travelers reacting in fear to a rolling barrel.

Etching by Bartolomeo Pinelli depicting Italian costumes in their cultural environment, created in 1820, showing figures, traditional attire, and characteristic settings.

Etching by Francesco Londonio depicting a shepherd family standing at a stone arch, created between 1743 and 1783, illustrating pastoral life and architectural elements.

Photo production of a painting by a woman by a fence and a dog by William Powell Frith, Howlett & Co. Cundall, After William Powell Frith, c. 1853 - in or before 1858 photograph This photo is part of a cover with eight photos, two text magazines and a wrapper. photographic support albumen print adult woman. fence, wall, paling. dog

Copper engraving by Cornelis Galle the Elder from 1590-1650 depicting King Solomon and the Queen of Sheba, showing detailed figures, gestures, and allegorical composition in a book illustration.

Etching by Jan Gerritsz. van Bronckhorst from 1623-1661 depicting Venus and Amor with sleeping nymphs and Jupiter portrayed as a satyr.

Jean-Baptiste Camille Corot's 1871 autograph lithograph 'Kuhweide', printed on Chinese paper, depicts a pastoral meadow landscape, emphasizing natural scenery and composition.

Etching by Gerard de Lairesse showing Venus giving Aeneas weapons, depicting mythological figures and classical narrative, created between 1661 and 1709.

Event of December 13, 1789, a frightful revenge of a name, watchmaker in Senlis (Title Title) | Historical engravings of the main events since the opening of the United States of 1789 (TS)

Dramatis personae, Frederick Saint John Gore, c. 1890 - in or before 1895 photomechanical print India paper collotype mule. riding a horse, ass, or mule; rider, horseman. manservant, footman

Bartolomeo Pinelli's 1820 etching illustrates Italian costumes within characteristic settings, capturing traditional attire and daily life in Italy during the early 19th century.

Etching and copper engraving by Jan van de Velde II showing a raid on a carriage, depicting figures, horses, and movement, created between 1613 and 1641.

View of a fresco with an image of Bacchus and Ariadne in Pompeii, anonymous, c. 1862 - in or before 1867 photograph Pompeii cardboard albumen print (story of) Ariadne and Bacchus. painting, drawing and the graphic arts Pompeii

Print, LA THÉOLOGIE; Designed by Pierre-Clément Marillier (French, 1740 - 1808); Print Maker: Jacques Le Roy; Published by Louis-Joseph Mondhare (French, 1734-1799); France; etching and engraving on laid paper

Copper engraving by Johann Sadeler depicting a city situated in a rocky landscape, showing buildings, streets, terrain, and surrounding nature, created between 1570 and 1600.

Copper engraving and etching by Charles Nicolas Cochin the Younger depicting the death of the mythological figure Hippolyt, created after 1727.

Etching by an unidentified engraver depicting a farmhouse on a field within a flat landscape, created in the late 17th to early 18th century.

Etching by Marie Rosalie Bertaud from the second half of the 18th century, depicting fishing with a line.

Ferdinand Piloty the Elder's lithograph from 1800-1844 depicts the creation of Adam and women before a king, illustrating figures, gestures, and compositional arrangement.

Etching and aquatint by Frederick Christian Lewis the Older depicting a natural landscape in Claude Lorrains style, showing trees, water, sky, and classical arrangement.

Etching by Johann Wilhelm Baur depicting scenes from The Metamorphoses, created in 1641, featuring narrative sequences, classical figures, and transformations.

An etching created in 1783 by various artists depicting allegorical scenes and decorative vignettes with symbolic imagery.

Falstaff on the Battlefield (Shakespeare, King Henry IV, Part I, Act 5, Scene 4). Artist: After Robert Smirke (British, Wigton, Cumberland 1752/53-1845 London). Dimensions: Plate: 10 1/16 × 7 13/16 in. (25.5 × 19.8 cm)Sheet: 17 3/16 × 11 5/8 in. (43.7 × 29.5 cm). Engraver: Charles Heath, the elder (British, London 1785-1848 London). Publisher: Hurst, Robinson & Co. (London); Robert Jennings, London. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1825. Museum: Metropolitan Museum of Art, New York, USA.

An etching by Christian Wilhelm Ernst Dietrich from 1763 depicting Christ healing the sick, highlighting gestures, expressions, and interaction between figures in a biblical context.

Photo production of an engraving of falls by Richard van Orley II, to the painting by Peter Paul Rubens, Jean Louis Bargignac, after Richard van Orley (II), after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print the fall of the damned ~ Last Judgement

Photo production of a print of a scene from Hermann und Dorothea, representing Hermann who meets Dorothea, Anonymous, After Wilhelm von Kaulbach, c. 1875 - c. 1885 photograph photographic support albumen print lovers' meeting. animal traction, animal-drawn vehicle (carriage etc.)

Photo production of an engraving of reconciliation by Maria De'Medici and Louis XIII by Jean-Marc Nattier, to the painting by Peter Paul Rubens, Descamps, etc., After Jean-Marc Nattier, After Peter Paul Rubens, c. 1859 - in or before c. 1864 photograph photographic support albumen print reconciliation

Hand-acting women; Conversazione Famigliaare. Conversation between hand-acting women. PRENT Nr. 24 on leaf 13 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

An etching by Johann Oswald Harms from 1678-1680 showing a draft stage design for a Planet Ballet featuring Luna, with allegorical figures and theatrical elements.

Etching by Karel Dujardin depicting a fight scene with fallen figures, created between 1642 and 1678.

Etching and copper engraving by Jean-Baptiste Tilliard, 1782, showing the entrance to the Antiparos cave, including rock formations, landscape, and figures.

Etching by Giovanni Battista Tiepolo depicting Strength and Peace (La Force et la Paix), created in the 18th century, illustrating allegorical concepts and personifications.

Woodcut by Christophe Jegher depicting the Christ child and Saint John playing with a lamb, showing a biblical scene with symbolic elements from the early 17th century.

Etching by Jean Jacques Le Veau depicting a coastal scene at dawn, showing sea, sky, figures, and light effects, created between 1750 and 1786.

Etching by Francesco Giovane from 1630-1669 depicting the Adoration of the Shepherds, highlighting biblical figures and detailed composition.

Etching and copper engraving by Jean Moyreau from 1754 depicting the departure of riders, showing figures, horses, and 18th-century engraving techniques.

Etching by Georg Friedrich Schmidt from 1769 depicting Timoclea before Alexander, showing 18th-century printmaking, narrative composition, and figure representation.

Copper engraving and etching by Johann Jakob Frey in 1747 depicting the mythological story of Echo and Narcissus, showing figures and landscape in classical style.

Tomb with grotesque vase, 1767 - 1770 print Tomb crowned with a grotesque vase worn by figures. Part of Group Prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets. paper etching landscape with ruins. vase ~ ornament. grave-building, monumental tomb

Etching by Johann Elias Ridinger from 1730-1760 depicting the curse of the field, showing agricultural landscape, laborers, and symbolic elements.

A pencil drawing on yellow-tinted paper by Martin von Molitor from 1780-1812 depicting the Felstal area with small huts, showing terrain and rural architecture.

Etching by Giovanni Cesare Testa depicting the prophecy of the basil, produced between 1630 and 1687.

An 18th-century etching by François Boucher depicting various figures, emphasizing decorative arrangements and stylized forms.

Etching by Jan Luyken created between 1721 and 1778 depicting Herod addressing robbers, showing human figures in conversation and historical clothing in 18th-century biblical context.

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