Classical Themes in Engravings

Engravings depicting classical themes, including mythological narratives and sensual representations, showcasing intricate details and dramatic compositions.

Psyche Carried Off by the Zephrys, 1824, Jean-Baptiste Aubry-Lecomte; Artist: after Pierre-Paul Prud'hon, French, 1758-1823, 11 1/2 × 9 1/4 in. (29.21 × 23.5 cm) (image)15 5/8 × 11 1/2 in. (39.69 × 29.21 cm) (sheet)16 5/16 × 11 13/16 in. (41.43 × 30 cm) (mount), Lithograph, France, 19th century, Called the 'prince of lithographers,' Hyacinthe Aubry-Lecomte was one of the leading practitioners of the new medium of lithography in Restoration Paris. He produced skillful prints after admired paintings by contemporary artists, including works by Anne-Louis Girodet (his teacher), François Gérard, and Pierre-Paul Prudhon.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Lo corse ad abbracciare, e a targli festa, / Trattasi la celata ch'avea in testa, 1773. Engraving.

Lo corse ad abbracciare, e a targli festa, / Trattasi la celata ch'avea in testa, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1773, Engraving

Diana in Actéon, Louis Decas, After Carlo Marathta, 1692 - 1739 print Paris paper etching / engraving Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Young Woman Seated on a Bed, 1764-67. Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770). Chalk-manner etching and engraving printed in black and white on blue paper; sheet: 46.5 x 32.7 cm (18 5/16 x 12 7/8 in.); platemark: 43.6 x 30.2 cm (17 3/16 x 11 7/8 in.).

Etching by Simon Henri Thomassin depicting Venus after the bath in the Dotier manner, created in 1712, showing a female figure with drapery and classical elements.

Seated allegorical female figure, draughtsman: Hendrik van Limborch, 1691 - 1759, paper, pen, brush, h 145 mm × w 92 mm

Penalty Maria Magdalena in Landscape, Jacob Matham, After Hendrick Goltzius, 1600 - 1604 print Haarlem paper engraving the penitent St. Mary Magdalene (often before a cave, possibly at La Sainte-Baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven

Coming in Slapende Amor, Gerard de Lairese, 1675 - 1680 print Venus is naked under a tree and looks at the sleeping amor next to her. The arrow sleeve and bow of Amor hang on a branch in the tree. The print is part of a four -part series of prints with scenes from the mythological story of Venus. Left in the margin numbered: 2. paper etching Venus and Cupid (Cupid not being mere attribute). sleeping; unconsciousness

Venus Childing Cupid, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Sir Joshua Reynolds RA, 1723-1792, British, 1784, Stipple engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 17 1/16 × 12 7/8 inches (43.3 × 32.7 cm), Plate: 14 3/8 × 11 inches (36.5 × 27.9 cm), and Image: 9 3/8 × 7 7/8 inches (23.8 × 20 cm), arrows, children, clouds, goddess, scroll, teasing, wings, woman

Psyche Carried Off by the Zephrys, 1824, Jean-Baptiste Aubry-Lecomte; Artist: after Pierre-Paul Prud'hon, French, 1758-1823, 11 1/2 × 9 1/4 in. (29.21 × 23.5 cm) (image)15 5/8 × 11 1/2 in. (39.69 × 29.21 cm) (sheet)16 5/16 × 11 13/16 in. (41.43 × 30 cm) (mount), Lithograph, France, 19th century, Called the 'prince of lithographers,' Hyacinthe Aubry-Lecomte was one of the leading practitioners of the new medium of lithography in Restoration Paris. He produced skillful prints after admired paintings by contemporary artists, including works by Anne-Louis Girodet (his teacher), François Gérard, and Pierre-Paul Prudhon.

Venus and Adonis, Jacob Matham, 1599 - 1600 print Venus and Adonis as loved ones in a hug. Behind a tree amor with its bow and in the distance Atalanta, the beloved of Meleager, while she is killed by a wild boar. Haarlem paper engraving Venus and Adonis as lovers

Frontispiece, 'Wheatstone's National Melodies', Francesco Bartolozzi, Italian, active England, 1727-1815, Engraving on paper, England, 1798, Print, Print

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini, between 1768 and 1776. Etching and line engraving.

Venus with the weapons of Mars, Pieter Tanjé, after Aert Schouman, after Theodoor van Thulden, 1757 print Venus shows the helmet of Mars. She is surrounded by her servants, who hold other parts of Mars's armor. Two putti fly at the top, one with a winch. The performance is an imagination of the victory of love over Twist. In the middle of the margin the coat of arms of Willem V, Prince of Oranje-Nassau. Amsterdam paper etching / engraving (story of) Venus (Aphrodite). offspring, companion(s), train etc. of Venus. attributes of Mars

Zephyrus in Flora, Bernard Picart, After Antoine Coypel, 1701 print The Jongwarred Flora, the flower goddess, and Zephyrus, the god of the west wind of spring, with a flower basket and garlands on the banks of a river. Above them, Amor floats with a burning torch. Under the show a four -line verse in French. To the painting in the collection of the Philip I of Orléans. Paris paper etching / engraving Flora in her realm: a garden full of flowers, given to her by Zephyrus. (story of) Zephyrus (Favonius), the west wind; 'Favonio o Zeffiro' (Ripa). (story of) Flora - love-affairs

Bathing Nymphs March 1, 1787 Francesco Bartolozzi. Bathing Nymphs. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). March 1, 1787. Etching; second state of two. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Prints

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Euphrosine. Engraving.

Amor in a net. Venus keeps amor up in a net. The young Amor plays with his bow. Father time speaks Mars Verhazing. In the margin a six-line poem, in two columns, in Dutch.

Personification of perfection, Arnold Houbraken, 1710 - 1719 print A naked female figure as a personification of perfection, with a sphere in her hands that she measures with a passer. On the piece of drapery around her some signs of the zodiac. Print from a series of 41 symptoms. Amsterdam paper etching / engraving / pen Perfection, Completeness; 'Perfettione', 'Operatione perfetta' (Ripa). sphere, globe ~ stereometry. measuring-instruments. circle symbolizing God's perfectness

Copper engraving and etching by Jean Charles Le Vasseur from 1754-1816 showing Mars and Venus in a detailed mythological scene.

Jupiter and Io, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Correggio, ca. 1489/94-1534, Italian, 1784, Engraving

Batseba takes a bath; BatheSeba in the Badt. Batseba takes a bath in the palace garden of King David. Two maids help her. One presents her a towel, the other hangs a cloth on the washing line. From his balcony David looks at the scene.

Venus punishes amor; L'Amour Chatié. On the left, Amor is lifted by a boy. Behind them Venus that is about to be amor with a branch forest. On the right is crying a young child. Title and assignment in undermarge.

Copper engraving and etching by Pierre Viel in 1787 representing peace bringing abundance.

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos 1797-1799 Spain. Hovering between the grotesque and the comical, Francisco de Goyaís series Los caprichos (Whims or Fantasies) consists of 80 etchings satirizing Spanish society during the late 18th century. For this iconic image, which may have been intended as the title page of the series, Goya represented himself as an artist who has fallen asleep at his drawing table. In the background are his nightmares, the macabre tormenters that pervade the rest of these prints.. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Jupiter en Semele, Thomas Cook, after Benjamin West, 1771 print London paper etching / engraving Jupiter kills Semele by coming to her with his lightning and thunderbolts

Ticket: For the Benefit of Mr. Salpietro, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Francis Vieira, 1765-1806, 1799, Etching and stipple engraving on moderately thick, moderately textured, cream wove paper, Sheet: 4 1/4 x 5 9/16 inches (10.8 x 14.1 cm) and Image: 4 3/16 x 4 13/16 inches (10.7 x 12.3 cm), banner, boy, branches, child, clouds, event, fire, historical subject, man, music, musician, mythology, putto, ruins, torch, trumpet, violinist, wall, wings

Charles Reuben Ryley, 1752-1798, British, Bacchanalian with Maiden.

Jupiter and Leda; Ryland, William-Wynne (1732-1783), Boucher, François (1703-1770), Buldet, Denis Charles (1724-1797); 1758 (1758-00-00-1758-00-00);Jupiter (Mitol.), Leda (Mitol.), Ovidius Naso, Publius (43 A.C.-Ca 17). Metamorphoses, acts, female acts, eroticism, mythology, swans (zool.)

Allegory of Autumn, 1589, Jacob Matham; Artist: Hendrick Goltzius, Dutch, 1558-1617, 11 3/8 x 10 3/4 in. (28.89 x 27.31 cm) (sheet), Engraving, Netherlands, 16th century

Sleeping Venus; Venus. Venus lies naked under a canopy to sleep. Two birds are leaving to the foot of her bed.

Klytia is turned into a sunflower, Louis Surugue, After Charles-Antoine Coypel, 1720 print paper engraving / etching Clytie changed into a sunflower: on account of Apollo's contempt the Oceanid Clytie changes into a sunflower (heliotrope) (Ovid, Metamorphoses IV 268). flowers: sunflower

Relief with personification of the element of water above arch in the civilian hall of the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 - 1668 print Relief with personification of the element of water above the right (southern) arch on the east side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In her hands she holds a ship, there is a shell crown on her head. To the left of her a rudder, rowing chip and enterhaak. To the right of her the head of a fish between the reeds. At her feet a fish, lobster and crab. Marked under the right of the middle: C (crossed out). Numbering at the bottom right added by hand: XCIX N. 1. Amsterdam paper. chalk. ink etching / engraving / pen water (one of the four elements). ships (in general). parts of ship's exterior: rudder. fishes. crustaceans: crab. crustaceans: lobster. plants and herbs: reed Burgerzaal. City Hall of Amsterdam (1655-1808)

La Bonne Mere n.d. After Jean Honoré Fragonard French. La Bonne Mere 369390

Ticket for the Benefit of Madame Banti, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Edward Francis Burney, 1760-1848, British, 1795, Etching and line engraving on moderately thick, slightly textured, cream laid paper, Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm), Plate: 4 3/8 x 5 1/2 inches (11.1 x 14 cm), and Image: 4 1/8 x 4 1/2 inches (10.5 x 11.4 cm)

The death of General Wolfe.. Marchant, Nathaniel (1739-1816). Stereographs, Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Wolfe, James, 1727-1759

Vertumnus en bossa, Jan Network (i), After Caspar Netscher, 1681 - 1693 print Vertumnus, the Italian God and protector of gardens and orchards, and Pomona are in an intimate position at a fountain in a garden. There are two goats behind them. paper Vertumnus and Pomona. goat

Les nymphes scrupuleuses. Dated: 1784. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Geraud Vidal after Nicolas Lavreince.

Jupiter a danais, Jean Baptists the poily, Afen Giulio Romano, 1679 - 1728 print Numbered in the bottom right: 62. paper etching / engraving Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 180 x 120 mm (image); 212 x 150 mm (plate); 303 x 198 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Relief with personification of the Water element above the arch in the Burgerzaal of the Town Hall on Dam Square, Relief with personification of the Water element above the right (southern) arch on the east side of the Burgerzaal in the City Hall on the Dam in Amsterdam. She is holding a ship in her hands and a shell crown on her head. To her left is a rudder, oar and entertainment hook. To her right is the head of a fish among the reeds. Fish, lobster and crab at her feet. Numbered bottom right: XCIX. N. 1., water (one of the four elements), ships (in general), parts of ship's exterior: rudder, fishes, crustaceans: crab, crustaceans: lobster, plants and herbs: reed, Burgerzaal, Stadhuis van Amsterdam (1655 -1808), Hubert Quellinus, Amsterdam, 1663 and/or 1719 - 1783, paper, engraving, h 322 mm × w 212 mm

Smell 1730-65 Etched by Anne Claude Philippe de Tubières, comte de Caylus. Smell. The Five Senses(Les Cinq Sens). Etched by Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris). 1730-65. Etching and engraving. François Joullain (French, Paris 1697-1778 Paris). Prints

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini, between 1768 and 1776. Etching and line engraving.

Woman gives milk from her chest at a seated warrior. A woman gives milk from her chest on a stone column. Next to her is a man with his arrow and bow next to him. He supports his head with his hand. Bottom right: bl. 97.

Copper engraving and etching by Pierre Chenu from the 18th century depicting Prometheus, showing the figure and mythological context.

Black Peace Min, 1713, 1713 print Black peace min. Jupiter and Antiope in an allegory on the peace negotiations for the Peace of Utrecht, 1713. Jupiter as Sater (Koning Louis XIV) spied the sleeping antiope (Queen Anna). Verses in Dutch and French in the record. Part of a group of 28 new and old records adapted to illustrate the Peace of Utrecht in 1713. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Venus and the sleeping amor; History of Venus. Venus lies naked under a tree and looks at the sleeping amor next to her. Arrows cooker and bow of amor hanging on a branch in the tree. The print is part of a four-part series of prints with scenes from the mythological story of Venus. Left in the margin numbered: 2.

Adam and Eve, seated on a rock, with a serpent coiled around a tree at left and a lion and a lamb at right 1803-09 Jean Antoine Pierron. Adam and Eve, seated on a rock, with a serpent coiled around a tree at left and a lion and a lamb at right. Jean Antoine Pierron (French, active Paris 1780-1812). 1803-09. Engraving. Prints

Copper engraving and etching by Claude Augustin Duflos, created between 1725 and 1794, showing Venus resting with Amor, a mythological scene rendered with fine detail.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Madame Banti, 1795. Etching and line engraving on moderately thick, slightly textured, cream laid paper.

Venus and Amor Paintings by Francesco Albani (series title), The goddess Venus and Amor. Venus has the bow and arrow of Amor. Decoration of a pendentief., Venus and Cupid (Cupid not being more attribute), Giovanni Girolamo Frezza (mentioned on object), 1704, paper, engraving, h 360 mm × w 281 mm

Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker 1766-67 Formerly said to be after Jusepe de Ribera (called Lo Spagnoletto) Spanish Genesis (40.1-23) tells how Joseph, unjustly imprisoned in Egypt by Potiphar, correctly interprets the dreams of pharoah's baker and butler. This will eventually lead to his release and appointment as chief minister to the pharoah. Joseph stands here between the baker who leans on his elbow and looks at a basket of bread, and the butler who squeezes a bunch of grapes into a cup. When the print was made, the related painting was attributed to Ribera, known as 'Lo Spagnoletto' (the Little Spaniard).The presence of this engraving at the front of the Walpole Album indicates that the related painting entered the collection of Robert Walpole, 1st Earl of Orford (1676-1745) after Horace Walpole had finished his description of where works were installed at Houghton Hall. Formerly part of the De Piles collection in France, the painting came up for

La Douce Reverie 1793-1843 after Alexandre Evariste Fragonard French. La Douce Reverie 369330

Samuel Ireland, active 1760-died 1800, British, Three etchings laid down on one sheet: Two Mythological Figures.

Woman with bare upper body, Salvator Rosa, c. 1656 - c. 1657 print A standing woman with bare upper body, hit her arms. Italy paper etching / drypoint woman (showing herself) undressed, quasi-nude

Actaeon en Diana, Bernard Lens (II), 1669 - 1743 print London paper etching Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Sitting naked; Paintings in the Sixtin Chapel. Seated naked man, turned to the right, with a garland from acorns over his shoulder. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 12.

Painting (Pictura) accompanied by the three graces, Antoine François Dewel, After Louis Jean François Lagrenée (I), c. 1779 print print maker: Francepublisher: ParisFranceFrance paper engraving / etching 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). Graces (Charites), generally three in number; 'Gratie' (Ripa). tools, implements of painter

Print, Prudence and Beauty, 1782; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Battista Cipriani (Italian, 1727-1785, active England, 1755-1785); Italy; stipple engraving in sanguine ink on paper; 17.5 × 21.3 cm (6 7/8 × 8 3/8 in.); Bequest of George Campbell Cooper; 1896-3-316

Allegory on the music, dance and poetry depicted by three putti. .

Scene from Voltaire's La Pucelle d'Orléans 1810-1820 France. Lithograph in black on cream wove paper . H. Guérin

'Angelica and Medoro' is a 1771 copper engraving and etching by Nicolas Joseph Voyez l'âiné, illustrating scenes from the epic poem with detailed figures and compositional elements.

John the Baptist in the wilderness. John the Baptist stands with a water source and catches water with a bowl.

Figure (recto and verso), from Premier livre de figures d'Academies gravées en Partie par les Professeurs de l' Académie Royale. Gabriel Huquier (French, 1695-1772); after Edme Bouchardon (French, 1698-1762); Pierre Aveline (French, 1702-1760); after Charles-Joseph Natoire (French, 1700-1777); printed by Gabriel Huquier (French, 1695-1772); published by Jombert Père (French, 18th century). Date: 1737. Dimensions: 281 × 189 mm (recto plate); 270 × 181 mm (verso plate); 299 × 227 mm (sheet). Etching (recto and verso) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sater spends a sleeping nymph. .

Christ, John the Baptist and two putti, Franciscus Bernardus Waanders, after Peter Paul Rubens, 1840 - 1843 print Christ and John the Baptist sit like children, accompanied by two putti, under a wine vine with a lamb. Fruits are lying on the right in the foreground. The Hague paper. Cupids: 'Amores', 'Amoretti', 'Putti'. vine. lamb

Oordeel Van Paris, Savior Legros, After François, 1789 print paper etching the Judgement of Paris (without Mercury)

Photo production of Fresco Venus, Ceres and Juno by Rafaël in the Farnesina in Rome, Domenico Anderson (attributed to), After Rafaël, c. 1870 - c. 1890 photograph This photo is part of an album. Farnesina Villa paper albumen print picture, painting Farnesina Villa

Goetterdoemmerung. Siegfried et les Filles du Rhin (1re planche) , Fictitious characters, Heroes, Siegfried Legendary character, Wagner, Richard, 1813-1883. Ring des Nibelungen. Götterdämmerung. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Vertumnus and Pomona. Vertumnus, the Italian god and protector of gardens and orchards, and pomona sit in intimate attitude at a fountain in a garden. There are two goats behind them.

Anatomical study of a fetus, Pieter van Gunst, After Gerard de Lairesse, 1685 print Anatomical study of a fetus. T. 57 at the top right. Amsterdam paper engraving fetus. cake

Three playing putti on clouds ..

Title Page: Atlantic Souvenir, 1829. Artist and engraver: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: plate: 6 1/4 x 4 1/4 in. (15.8 x 10.8 cm)sheet: 9 5/16 x 6 1/8 in. (23.6 x 15.5 cm). Publisher: Carey, Lea, & Carey (Philadelphia, Pennsylvania). Date: 1829. Museum: Metropolitan Museum of Art, New York, USA.

Woman with a Young Bull. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Portrait of Jean Godard Müller by Philippe Louis Parizeau, executed in red chalk in 1772.

Photo production of Fresco Psyche and Venus by Rafaël in the Farnesina in Rome, Domenico Anderson (attributed to), After Rafaël, c. 1870 - c. 1890 photograph This photo is part of an album. Farnesina Villa paper albumen print picture, painting Farnesina Villa

Woman embraces wife with brush, Simon Fokke, 1759 print In a space illuminated by an oil lamp, a woman sits on a couch. She embraces a second woman with a brush in her hand, seen on the back. A putto points the woman with brush on the shade on the wall on the right. paper etching / engraving (lovers) embracing each other, 'symplegma'

Etching by Andreas Geiger in 1817 titled 'The Genius of Glory,' depicting an allegorical figure representing glory.

Venus with Cupido and a Sater, John Smith (Print Maker/ Publisher), After Luca Giordano, 1662 - 1742 print Text in English in the lower margin. London paper Venus taking care of Cupid. satyr(s) (in general)

La Nimphe Badine, 1714 print Erotic print. Sitting naked woman with her hand in her crotch. A waterfall in the background. Image in Ovaal, including four lines of French text about Philis. paper etching / engraving

Leda and the swan.

Venus Surrounded by Cupids August 12, 1788 Francesco Bartolozzi Italian. Venus Surrounded by Cupids. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). August 12, 1788. Etching and stipple engraving, printed in color; third state of three. Emmanuel Matthias Diemar (British, born ca. 1720, active 1782-93). Prints

Sitting man with jug at Waterfall, Jean Baptiste de Poilly, After François Verdier, 1679 - 1728 print France paper etching / engraving adult man. waterfall

Cupido begs Venus to return his arrows, Louis Marin Bonnet, After François Boucher, 1768 print Lying naked Venus, with the arrow cooker from Cupido in her left hand. Folded with his hands next to her cupid. Under the show a text in French. print maker: Francepublisher: Paris paper etching Venus and Cupid (Cupid not being mere attribute)

Bellona Seated on Her Trophies. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Léon Davent after Francesco Primaticcio.

H. Sebastiaan. Saint Sebastiaan is tied to a tree. Two angels liberate him from his buoys and get an arrow out of his body. On the ground lie the harness and the mantle of Sebastiaan. In the margin a bible text from Jer. 30 And an assignment to the Maastricht Kannunik Matthias Laurix.

Phrosine etMelidore. Artist: Pierre-Paul Prud’hon, French, 1758 -1823

Cupid and Psyche 1793 France. Etching, with black chalk, graphite, and estompe on ivory laid paper . Pierre Lelu

Erigone leaning over a platter of grapes and lifting a piece of cloth with both hands, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Cornelius Vermeulen (Dutch, ca. 1644-1702). Dimensions: Sheet: 14 1/8 × 16 7/16 in. (35.9 × 41.8 cm)Plate: 12 1/2 × 13 9/16 in. (31.8 × 34.5 cm). Series/Portfolio: Cabinet Crozat. Date: ca. 1700.After a figure in The Toilette of Venus, a painting by Reni. Published in the Cabinet Crozat; plate made earlier. Museum: Metropolitan Museum of Art, New York, USA. Author: after Guido Reni. Engraved by Cornelius Vermeulen.

Print made by Abraham Blooteling, 1640-1690, Dutch, Shepherd and Shepherdess, 1676. Mezzotint on medium, moderately textured, cream laid paper.

Lot and his daughters, Willem van der Leeuw, after Peter Paul Rubens, 1630 - 1718 print Lot lies under a canopy against a large pillow and is drunk drunk by his two daughters. One of the daughters is next to him, the second daughter is naked and pours Lot wine. paper etching / engraving Lot and his daughters (Genesis 19:30-38)

Erigone.

Bliżej Kultury Hanfstaengl, Fr.

Copper engraving and etching by Pierre Audouin depicting a satyr discovering sleeping Venus, created around 1801, illustrating mythological scenes in early 19th-century French engraving.

Ornament with two putti. Draughtsman: anonymous. Dating: 1650 - 1750. Measurements: h 132 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam.

Washing Woman, Louis Marin Bonnet, After François Boucher, 1768 - 1769 print A naked woman is doing the laundry in a river. France paper laundering

Jupiter and Antiope. Pierre Audouin (French, 1768-1822). Etching;

Drunk farmer in Herberg, Bernhard Schreuder, After Adriaen Brouwer, 1775 print A farmer is sitting on a low sofa in an inn, with a jug in his hand. Three men at a table in the background. The print is loose in an album, see page 25. Amsterdam paper etching inn, coffee-house, public house, etc.. drinking. jar, jug (used as drinking-vessel)

Gerhard Ludvig Lahde (1765-1833); Guercino (1591-1666), Terpsichore et KalliPe, (1791)

Celadon and Amelia, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), 1782, Stipple engraving and etching in black ink on medium, slightly textured, cream laid paper, Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm), Plate: 9 1/4 x 7 1/4 inches (23.5 x 18.4 cm), and Image: 7 7/8 x 6 3/8 inches (20 x 16.2 cm), button, cloak, dress, hose (hosiery), lightning, literary theme, lovers, man, meteorology, mountains, oval, portrait, rocks (landforms), sash, science, shoes, storm, trees, vest, woman

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