Classical Women Statues

Engravings of female figures from classical history, showcasing muses and sculptures in detailed, draped garments, representing art and mythology.

Standing man in gown, draughtsman: Jean Honoré Fragonard, (manner of), 1750 - 1800, paper, h 363 mm × w 226 mm

Calliope, muse of epic poetry, holding a scroll and wearing a wreath of ivy. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Sibylle, Richard Collin, After Joachim von Sandrart (I), 1676 print Image of an image of a sibylle placed in a niche. paper engraving piece of sculpture, reproduction of a piece of sculpture. sibyls

Statue of a woman with a lifted right arm, 1636 - 1647 print Statue of a woman with a lifted right arm. Possibly a muse. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. female persons from classical history

Kariatide met roeispan.A carius, standing with crossed legs and supporting a rowing man, symbolizes the maritime trade.

Statue of woman with flower in her hand, 1636 - 1647 print Image of a woman in Roman clothing. She holds a flower in her left hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Statue of a woman dressed in a cloak, 1636 - 1647 print Image of a woman dressed in a Roman dress and cloak. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Minerva still image. 1743. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Athena (Greek deity), Minerva (Roman deity), Goddesses , Greek, Sculpture

Thalia, Roman muse of comedy, holding a comic mask and shepherd's staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Image of prudentia (caution) on the facade of the town hall on the Dam. Image of prudentia, the personification of caution, left on the timpaan on the facade (east side) of the town hall on Dam Dam in Amsterdam. In her one hand a mirror, in her other hand a snake. Leged numbered: XII.

Standing man in gown, draughtsman: Jean Honoré Fragonard, (manner of), 1750 - 1800, paper, h 363 mm × w 226 mm

Portrait of Lucinde Paradol as , print maker: Alexandre Marie Colin, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Francisique Noël (et Cie.), (mentioned on object), Paris, 1824, paper, h 422 mm × w 289 mm

Female Figure with Anchor 18th century Anonymous, French, 18th century French. Female Figure with Anchor 356281

Sculpture by Mercury takes care of the young Bacchus. The sculpture is on a base. Mercury has his staff in his left hand. He looks at Bacchus he wears on his right arm. To a sculpture by Louis Royer.

Statue of Vrouw, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture

Engel with Lans and Spijkers, Petrus Clouwet, After Peter Paul Rubens, 1639 - 1670 print The print shows an angel. In his hands two tools of the passion of Christ: De Lans and the Spijkers. The series consists of prints based on paintings by Peter Paul Rubens. paper engraving nails ~ instruments of the Passion (+ angel(s)). lance ~ instruments of the Passion (+ angel(s))

Urban VIII., papa .

Prudence personified by a woman standing in a niche, holding a shawl in her right hand, a snake coiled around her, left from 'The Virtues'. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 8 11/16 x 4 1/4 in. (22.0 x 10.8 cm). Date: ca. 1515-25. Museum: Metropolitan Museum of Art, New York, USA.

Terpsichore, muse of dance, holding a cithara or lyre. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

Standing female figure carrying a vessel 1645 Wenceslaus Hollar Bohemian A female figure walking towards the viewer with head turned to right, looking down, pointing to the ground with her left hand, carrying a vessel in the left, wearing a loose robe. After Parmigianino.. Standing female figure carrying a vessel 360762

Apollo. Draughtsman: Alexander Liernur. Dating: 1796. Measurements: h 240 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

A caryatid, sculpted female figure serving as a column or pillar. Caryatis vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Statue of the Roman goddess of wisdom Minerva Callimorphos, with helmet. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Statue of the goddess Roma, 1636 - 1647 print Image of the goddess Roma, personification of the city of Rome. She wears a helmet on her head, she holds a stick in her hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving personification of a city, town-patron(ess). piece of sculpture, reproduction of a piece of sculpture

Trade, Jean Prud'hon, After Pierre Prud'hon, 1810 - 1823 print paper etching / engraving trade, commerce and finance

Venus genetrix. Standing female figure.

Eutichio Ajello / 'Roman Woman'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Flora with a blossom branch in her hand, Jan de Bisschop, 1638 - 1671 print Image of flora with a branch in her hand. Northern Netherlands paper etching (story of) Flora

Leda and Zeus or Jove in the form of a swan. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Title page for "Poems by H. Tollens Cz., Part 1 ', 1808, Reinier Vinkeles (I), After Jacques Kuyper, 1808 print Title page with a harp playing woman. Amsterdam paper etching / engraving harp

Eugène Giraud (1806-1881). Heba model executed on stage by Mélingue during the representation of Benvenuto Cellini, Meurice, 1852. pencil enhanced with gouache on blue paper. Paris, Carnavalet museum. 77657-19 Amphora, pencil, jug, drawing, Greek divinte, white gouache, model, mythological, base, mythology

Amor and Psyche; Sculptures by Antonio Canova. Sculpture by Amor and Psyche by the Italian sculptor Antonio Canova.

Antonio Daniele Bertoli's Tondo depicts the allegory of peace, executed with gray brush and limited round brushwork.

Vauban, Sébastien de.

Jacopo de' Barbari (Italian, ca. 1460/1470 - ca. 1516). Judith with the Head of Holofernes. Engraving.

Laurens Jansz. Coster, full-length, holding a book and a printing letter. Statue in the hortus of the Stedelijk Gymnasium in Haarlem. The statue was made in 1722 by Gerrit van Heerstal to a design by Romeyn de Hooghe, Statue of Laurens Jansz. Coster Statue de Laurens Koster a Harlem , print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Franciscus Andreas Milatz, (mentioned on object), publisher: Evert Maaskamp, (mentioned on object), Amsterdam, 1794 - 1828, paper, etching, h 127 mm × w 93 mm

Department of the statue "Strategy" from New Illustrated Tidning on 19/7 1873.

Statue of a young gladiator, Claude Mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture. the (nude) human figure; 'Corpo humano' (Ripa)

Konrad II., Roman-German Emperor.

Standbeeld van Diana, Claude between, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture. Diana hunting

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Terpsichore. Vatican. Probably James Anderson (British, 1813 - 1877)

Freedom (IT)

Statue of a Vestal Virgin, Claude Mellan, 1636 - 1637 print Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. Vestal virgin(s)

Statue of Diana with arrow sleeve on her back, 1636 - 1647 print Statue of Diana, goddess of the hunt. She takes an arrow from the arrow sleeve on her back. In her hair the maulst. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Diana (Artemis)

Statue of a woman with staff; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman dressed in classic robe, with a staff in her right hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

STATUE OF LORD PALMERSTON AT SOUTHAMPTON, UK

A Muse n.d. Bernard Picart French. A Muse. Bernard Picart (French, Paris 1673-1733 Amsterdam). n.d.. Red chalk; faintly squared in red chalk. Framing lines in black chalk. Horizontal line in graphite at lower margin. Drawings

Woman of Slavonia or Dalmatia, 16th century. She wears a long pleated robe with silk bands at the hem, short-sleeved jacket in damask or satin called a ghellero. Femme Dalmate ou Esclavonne. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

The statue of Niobe with his daughter (according to the ancient Roman statue repeating the Greek original from the Hellenistic times, d. Considered the work of Praksyteles; from the collection of Florentine Galleria dgli uffizi). Piroli, Tommaso (1750 1824), Piranesi, Francesco (1758 1810)

Sculpture by Ultrogothe, Queen of the Francs; Historical gallery of Versailles. .

An Architectural Detail: A Herm Figure Placing or Removing a Column from Under an Entablature (after Stucco Frame by Daniele da Volterra from Orsini Chapel, Santa Trinita dei Monti). Artist: Anonymous, Italian, first half of the 18th century. Dimensions: sheet: 6 5/16 x 2 1/2 in. (16 x 6.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Statue of a woman, Allegoria with the scepter and book, by the sculptor Georges Diebolt (1816-1861) Statue of a woman, allegory to the spectrum and book, by the sculptor Georges Diébolt (1816-1861). 1839-1870. Photography attributed to Edouard-Denis Baldus.

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Stability, verso - stamped, A woman seated on a high pedestal or capital of a column of the Ionic order. The woman holds a laurel wreath and a spear in her hands. The print is part of an album., print, prent, albumblad, prints, prenten, height 184 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Image of Caligula in Naples, Anonymous, 1850 - 1900 photograph Naples photographic support. cardboard albumen print sculpture. male persons from classical history (CALIGULA) Naples

Phyllis in an architectural garden, Pierre Adrien Le Beau, 1787 print France paper etching / engraving Story of Phyllis. French or architectonic garden; formal garden

Statue of Standing Minerva with helmet and shield, 1636 - 1647 print Statement of Standing Minerva with helmet and shield. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

Hope, Crispijn van de Passe (I), 1600 print The female personification of Hoop (Spes), one of the three theological virtues, with an anchor. Print from a series with theological virtues. Cologne paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Marcantonio Raimondi after Raphael (Italian, c. 1480 - c. 1534), Justice, engraving

Euterpe, muse of flute playing, Euterpe, draughtsman: Alexander Liernur, 1796, paper, h 241 mm × w 169 mm

Amerika, Louis Desplaces, after Jean Cornu, after Nicolas Bertin, 1697 - 1739 print Paris paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. Africa represented allegorically; 'Africa' (Ripa). crocodiles

Saint Mark the Evangelist. Engraving. "Los Héroes y las Grandezas de la Tierra". Volume I. 1854.

Juno sculpture, Museo Vaticano, Libreria Spithöver, c. 1850 - c. 1870 photograph paper. photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture Vatican Museums

Marble image of a woman dressed in warrior suit with a helmet in her one hand and the other a palm branch.; 22. Le Nouvel Opéra de Paris. Statues Decoratives.; Le Nouvel Opéra de Paris with 50 photos ..

Flora with a blossom branch in her hand. Image of flora with a branch in her hand.

'GOOD NIGHT,' BY JOSEPH DURHAM, A.R.A., 1867

Mascarade à la Grecque: Bergère à la Grecque (Plate 4), 1771. Benigno Bossi (Italian, 1727-1792). Etching ; sheet: 41.9 x 28.1 cm (16 1/2 x 11 1/16 in.).

The tea service star, ca. 1695-1697; The general joy to the intake of names through Stadholder Willem III, King of England, September 1695. A dancing tea service player, with a pot of tea in hand. Perhaps this representation relates to the Peace of Rijswijk in 1697. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

Image of a running woman, possibly a hunter, claude mellan, 1677 print print maker: Franceafter drawing by: Franceprinter: Parispublisher: Paris paper engraving piece of sculpture, reproduction of a piece of sculpture. hunter. running

Félicity / France

Rome, Sculpture on the Palatine Hill, representing an enthroned Magna Mater, photograph, photo, page, photos, photographically illustrated books, height 150 mm, width 100 mm, photographer, 1863 - 1873, photographic paper, photo paper, albumen print, albumine print

A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame ca. 1795-ca. 1820 Engraved by Antonio Ricciani Italian From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti.. A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame 669057

This engraving by Claude Mellan from 1620-1688 represents an antique statue, showing drapery, body posture, and detailed features of the figure.

Standing male angel looking up and holding a flute; after Fontaine des Quatre-Saisons (Paris). Artist: After Edme Bouchardon (French, Chaumont 1698-1762 Paris); Anonymous, French, 18th century (). Dimensions: Sheet (trimmed): 11 in. × 8 1/16 in. (28 × 20.5 cm). Date: possibly mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Esculape. Vatican. Probably James Anderson (British, 1813 - 1877)

Sculpture Augustus from Prima Porta, Anonymous, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. Vatican CITY photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. ruler, sovereign

Johannes Jelgerhuis in De Rol van Rhamnes, Johannes Jelgerhuis, 1805 - 1836 print The actor Johannes Jelgerhuis as Rhamnes, dressed as a Roman soldier with helmet and sword. Print from a series of ten with Dutch actors and actresses in different roles. Amsterdam paper etching actor (on the stage)

Woman at a Wastobbe, Pieter Bartholomeusz. Barbiers, 1809 - 1837 print A woman is bent over a table with a tub on it. She has her hands in the Tobbe with laundry. Haarlem paper laundering. wash house, home laundry, laundry room

This illustration of Terpsichore dates to 1898. It shows the statue in Florence. Terpsichore was the goddess of the dance and chorus. In Greek and Roman mythology, the Muses were nine daughters of Zeus and Mnemosyne (goddess of memory). There were honored as the patrons of arts and sciences. Calliope was the head muse, and Apollo, the god of prophecy and song, was their leader.

Holy Genoveva van Paris, Pierre Nicolas Géraut, After Pierre Narcisse Guérin, After Beberar, 1796 - 1851 print Numbered in the top left: Liv. 2nd and numbered at the top right: pl. 5. Paris paper. etching / engraving the virgin Genevieve (Genofeva, Genovefa); possible attributes: angel, book, candle (or taper), crown, crook, demon, distaff, medallion

Antique bust of Ceres, Etienne Baudet, 1677 print France paper engraving Ceres, patroness of agriculture. chest, bust - AA - female human figure. classical antiquity (historical epoch) Tuileriep-palpal

Statue of standing woman, 1636 - 1647 print Statue of a standing woman, dressed in a classic robe to the knee, at a tree trunk. She holds a stick in her right hand. On the tree trunk the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving female persons from classical history (+ full length). piece of sculpture, reproduction of a piece of sculpture

Sculpture August from Prima Porta; Caesar Augustus, Vatican. Part of photo album with recordings of sights and artwork in Rome.

Statue einer Karyatide, eine Skulptur, die eine Frau darstellt. Sie wird in der Architektur anstelle einer Säule oder eines Pfeilers bei Portalen und ...

Roman women in various styles of costume

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Romagna, verso - stamped, A console with an armored woman on it. She wears a helmet and a wreath of flax with the flowers still on it. In her right hand a pine branch. In her other hand, among other things, some pods and ears of corn. The print is part of an album., print, prent, albumblad, prints, prenten, height 182 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Jacques Louis David, A Distraught Woman with Her Head Thrown Back, 1775 80 A Distraught Woman with Her Head Thrown Back

Urania. Urania, muse of astronomy.

Ceres, Louis Desplaces, after Michel Anguier, 1692 - 1739 print print maker: Parispublisher: ParisFrance paper engraving / etching (story of) Ceres (Demeter). piece of sculpture, reproduction of a piece of sculpture

Anatomie du gladiateur combattant applicable aux beaux arts, ou Traité des os, des muscles, du mécanisme de mouvemens, de proportions et des caractères du corps humain (Anatomy of the Fighting Gladiator), Paris (Salvage), 1812 1812 Written and illustrated and published by Jean-Galbert Salvage French. Anatomie du gladiateur combattant applicable aux beaux arts, ou Traité des os, des muscles, du mécanisme de mouvemens, de proportions et des caractères du corps humain (Anatomy of the Fighting Gladiator), Paris (Salvage), 1812 343455

Sardanapalo or Ashur-bani-apli, Assur-bani-apli, Assurbanipal, Ashurbanipal, was king of the Assyrian Empire from 27 October 669 B. C. to 631-627 B. digital reproduction of an 18th century original, original date not known

Power, Johannes Wierix, 1609 print Landscape with the female personification of power. She stands next to a column and holds the capital under her arm. print maker: Antwerppublisher: Delft paper engraving / letterpress printing Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Déesse de la Vallée d'Oueil (allégorie) , Goddesses, Sheep, Allegories, Alexandre Benois Collection

Antique cameo from the time of Charles V (1338-1380) called the Wise, King of France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Teodor Lubieniecki drawing depicting a head cartridge among ruins, executed in black pen, 1696.

Tiberius CLAUDIUS Drusus Nero Germanicus, Roman emperor Date: 10 BC - 54

Ink and wash drawing by Joseph Klieber depicting Clio, the muse of history, showing figure, drapery, and posture.

Anatomical study of the Femur, Pieter van Gunst, After Gerard de Lairesse, 1685 print Anatomical study of the femur. At the top right numbered T. 79. Amsterdam paper etching / engraving upper leg. muscles. femur, bone of the upper leg

Study for 'Rectitude,' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856-1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical female figure, facing frontally, representing Rectitude. The figure is crowned in a laurel wreath., 1910, mural designs, Drawing, Drawing

Portrait of Claudius I, Emperor of the Roman Empire; Imp. V; Roman emperors. .

Statue of a Bacchante, 1636 - 1647 print Statue of a bacchante, dressed in classic robe, standing with her arms raised and a grapesros in her left hand. Her left elbow rests on a tree trunk, which is wrapped with wind leafs, grape bunches and a snake. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving maenad(s), female bacchant(es). adult woman (+ front view). piece of sculpture, reproduction of a piece of sculpture

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