Colored Decorative Tile Patterns

Vibrant patterns from various styles of decorative tiles, featuring intricate floral and geometric designs typical of Ottoman and Portuguese ceramic art.

Arabesque geometric pattern decoration, detail from the entrance in the facade of Orvieto cathedral, Umbria, Italy, 13th-14th century.

Iznik tiles from Turkey. ottoman style circa 1550stine sculpture of a bearded male head, from Cyprus, circa 580-540 BC

Ancient colored wood pattern, contemporary moroccan style

Detail of Portuguese glazed tiles.

Traditional Portuguese azulejos - painted ceramic tilework

Old Traditional Portuguese azulejos, painted ceramic tilework.

Detail of Portuguese glazed tiles.

Square Shawl Made 1825-1875 India. Wool, double interlocking twill tapestry weave, woven in rectangular sections; Harlequin tabs pieced twill weaves; embroidered in running, satin, and stem stitches; laid work and couching; warp fringe .

Byzantine ornament

Arabesque geometric pattern decoration, detail from the entrance in the facade of Orvieto cathedral, Umbria, Italy, 13th-14th century.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo (1615-1868). Textiles-Woven

Layout for a Garden with Flower-shaped Floral Beds. Designer: Designed by Jörg Rurfinger (German, born Hallsbach, active early 17th century). Dimensions: Sheet: 5 5/8 x 7 15/16 in. (14.3 x 20.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Majolica, Tillakori Medrese, Registan Square, Ensemble of three medressas, Samarkand, Uzbekistan, Samarkand, Uzbekistan, Asia

Ottoman Turkish art with geometric patterns on surfaces

Detail of Moorish architecture (mosaic) in the Alcazar, a royal palace, originally a Moorish fort in Seville, Andalusia, Spain.

Moresque from the Alhambra No 4 Plate XLI bis bis From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

Painted ceiling in the El Bahia Palace, Medina, Marrakesh, Unesco World Heritage Site, Morocco, North Africa, Africa

Detail of Portuguese glazed tiles.

South America, Peru, Historic Centre of Lima. Colorful tile in the entry of the Basilica Cathedral. (UNESCO World Heritage Site)

Iznik tiles, Queen Mother, painted tiles, Court of the King Mother, Topkapi Palace, Harem, Istanbul, Turkey, Asia

Floral art pattern example of the Ottoman time

Wall Tile, 1600s. Turkey (Iznik), Ottoman Period. Fritware with underglaze-painted design; overall: 26.8 x 26.8 cm (10 9/16 x 10 9/16 in.).

Historic tiled wall with satyrs, centaurs, goats and other mythical creatures, Real Alcazar, Seville, Spain, Andalusia region, Europe

Tile detail, Zellij inlay from Hassan II Mosque, Casablanca Morocco.

Closeup detail of old Portuguese glazed tiles.

Ottoman art example of Mother of Pearl inlays from Istanbul

Renaissance ornament

Ottoman art example of Mother of Pearl inlays

Lazio Viterbo Viterbo S. Francesco5. Hutzel, Max 1960-1990 Interior views only of gothic church largely reconstructed after WWII bombing. No general views of interior, but many views of stained glass windows, frescoes, tombs, mosaic work, capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ceramic wall tiles. 15th-16th century. Morocco. Louvre Museum. Paris. France.

Arabesques of the mihrab from the mosque of Cheykhoun, featuring wall tiles (faïences murales). Created by Prisse d'Avennes in 1877, the artwork measures 46 x 33.5 cm and was published in Paris by A. Morel et Cie. The themes involve architecture and art from Islamic culture, specifically within Egypt and Cairo

The Bezeklik Thousand Buddha Caves (Bozikeli Qian Fo Dong) are complex of Buddhist cave grottos dating from the 5th to the 9th centuries. There are 77 rock-cut caves at the site. Some ceilings are painted with a large Buddha surrounded by other figures, including Indians, Persians and Europeans. The quality of the murals vary with some being artistically naive while others are masterpieces of religious art.

Tile painting Oriental pattern on wall tiles

Ottoman art example of Mother of Pearl inlays from Istanbul

Damascus tiles from Syria. Dated 16th Century

Blue pottery plate, Madaba, Jordan.

Field of forty -eight tiles with animals and hunters, anonymous, c. 1580 - c. 1625 Field of forty -eight tiles (8 x 6) each with a multicolored (blue, orange, yellow and green) animal or hunter within a squared frame. In the corners, filling technique ornament. Netherlands earthenware. tin glaze majolica Field of forty -eight tiles (8 x 6) each with a multicolored (blue, orange, yellow and green) animal or hunter within a squared frame. In the corners, filling technique ornament. Netherlands earthenware. tin glaze majolica

A gaming board. Peter Flötner (German, 1485-1546). Woodcut;

agadir city morocco medina landmark arab mosaic detail

Thai style painting art

Detail of Japanese textile print

Panel of a Tent Lining 1700-1740 This panel was decorated using a traditional dyeing technique called kalamkari. This technique ws associated with the city of Burhanpur, which became a center for the production of dyed textiles in the late seventeenth and eighteenth centuries. Burhanpur textiles show great influence from the nearby Mughal tradition, favoring floral motifs within the cusped arches and arabesque decoration. On the Coromandel Coast, different types of kalamkari textiles were produced, including palampores (bed covers) made for the European market, and sarongs and ceremonial hangings traded to Southeast Asia. This panel lined an eighteenth-century Ottoman tent in Bulgaria, and its medallion-based design was probably made to suit that market.. Panel of a Tent Lining 455064

Ottoman art example of Mother of Pearl inlays from Istanbul

Ottoman art example of Mother of Pearl inlays

arab mosaic agadir city morocco medina landmark arab mosaic detail Copyright: xZoonar.com/tudorxantonelxadrianx 7379617

Field of sixteen tiles with soldiers, anonymous, c. 1580 - c. 1625 Field of sixteen tiles (4 x 4) each with a multicolored (blue, orange, yellow, green and purple) soldier within a squared frame. In the corners, filling technique ornament. Netherlands earthenware. tin glaze majolica Field of sixteen tiles (4 x 4) each with a multicolored (blue, orange, yellow, green and purple) soldier within a squared frame. In the corners, filling technique ornament. Netherlands earthenware. tin glaze majolica

Egyptian Ornament

Vintage azulejos (ancient tiles) at Portugal

Shawl mid-19th century Scottish. Shawl. Scottish. mid-19th century. Wool and silk. Textiles-Woven

Drawing, Ceramic Tile design; Frederick Krieg (American, b. Germany 1852-1932); USA; watercolors; 1984-125-11

Pietra Dura work in Itimad-ud-Daula Itimad ud Daula Tomb, Agra, uttar pradesh, india Copyright: xHemantxPatil/DinodiaxPhotox

Colourful painting on a ceiling in Thirumalai Nayak Palace Madurai Tamil Nadu India

Colorful Tile work in the Topkapi Palace, Istanbul Turkey

Lusterware Tile. Culture: Spanish. Dimensions: 12 1/16 × 8 9/16 × 7/8 in. (30.7 × 21.7 × 2.2 cm). Date: 1450-75.This unusually large tile survives in nearly pristine condition. It is decorated in a brocade pattern of alternating thistles and pomegranates. Museum: Metropolitan Museum of Art, New York, USA.

6 four -paste tiles in Tegelveld, 1580 - 1620 6 four -paste tiles placed in Tegelveld of 3 x 2. Four tiles together form a four -pass with rosette surrounded by pomegranates and marigolds. In the corners, ornament in Vultechniek. Netherlands earthenware. tin glaze majolica 6 four -paste tiles placed in Tegelveld of 3 x 2. Four tiles together form a four -pass with rosette surrounded by pomegranates and marigolds. In the corners, ornament in Vultechniek. Netherlands earthenware. tin glaze majolica

Sibmacher Nürnberg, 1602.

Detail of the fine stone inlay work to be found inside and outside the tomb, tomb of Itmad Ud Daulah Itimad_ud_daulah, Agra, Uttar Pradesh state, Indi...

Ottoman art example of Mother of Pearl inlays

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush and watercolor, gouache, black wash, pen and black ink, graphite on cream paper mounted on cream laid paper, Design for a hexagonal column capital with red, blue, and gold, geometric Arabic-style ornament., 1835, architecture, Drawing, Drawing

Fine ceiling and wall painting in tempera in Ganesh pol, Amber fort, Jaipur, Rajasthan, India Copyright: xNitinxKelvalkar/DinodiaxPhotox

Mosaik-Fussböden in der Kirche S. Giovanni battista zu Florenz, 1842., 1842., Berlin. Publisher, bei G. Reimer. Decoration and ornament, Mosaics, Italy, Florence, Chromolithographs

ALICATADO DE CERAMICA NAZARI- LACERIAS GEOMETRICAS-S XIV. Location: ALHAMBRA. GRANADA. SPAIN.

Turkey, Istanbul, 'Seragkio Point. Topkapi Palace, Detail Of Iznik Tiles With Blue Stylised Floral Motif.'

Border. France. Date: 1675-1700. Dimensions: 271.7 × 26.8 cm (106 3/4 × 10 1/2 in.). Silk, integrated compound weave of warp-float faced satin weave and weft-float faced twill weave. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wall Tile, 1600s. Turkey (Iznik), Ottoman Period. Fritware with underglaze-painted design; overall: 26.8 x 26.8 cm (10 9/16 x 10 9/16 in.).

The Turkish ceramic tiles from Rustem Pasha Mosque, Istanbul

Ottoman art example of Mother of Pearl inlays from Istanbul

England, Kent, Sevenoaks, Ightham Mote, 14th century Moated Manor House, Stained Glass Window

Closeup detail of old Portuguese glazed tiles.

Floral art pattern example of the Ottoman time

Turkey, Trabzon. 13th century St. Sophia Church Museum (aka Ayasofya or Hagia Sophia). Detail of historic Turkish tiles.

Rosemaling tile, traditional Norwegian decorative pattern. Vector illustration

Ottoman art example of Mother of Pearl inlays

The University of Evora interior. It was founded in the 16th century by Cardinal Infante Dom Henrique it was delivered to the Society of Jesus.

Fliesen für Vertäfelung und Altarfront Tile for wainscoting and altar front, glazed and painted tiles, 17th century, Huesca Diocesan Museum, Aragon community, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 22307950

Persian art: tapestry and flowing ornaments. Oriental palms and floral design from an emboidered carpet, and nine examples of running patterns from manuscripts of the Shahnameh in the Bibliotheque Nationale, Paris. Persan. Hand-finished chromolithograph by Le Breton from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Colour illustration from 'The illuminated manuscript Khamsa of Nizami' a 12th Century a lavishly illustrated manuscript of the Khamsa or 'five poems' of Nizami Ganjavi (1141-1209) a Persian poet.

Panel of four tiles, framed ca. 1880 Attributed to Christopher Dresser These tiles are decorated with inlaid colored clays in a technique that is known as encaustic. Tiles of this type were highly popular in nineteenth-century Britain, and were used extensively in Gothic Revival churches as well as domestic interiors. The simple patterns executed in two or more colored clays created a highly decorative effect with an economy of means.. Panel of four tiles, framed. British, Stoke-upon-Trent. ca. 1880. Earthenware with inlaid colored clays (encaustic). Ceramics-Pottery

Example of Ottoman art patterns applied on metals

Decorated tile painting at City Palace, Udaipur, Rajasthan, India

Renaissance No 5 Plate LXXVIII From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

Floral art pattern example of the Ottoman time

Iznik tile from the 15th century in the Tile Pavilion, Istanbul, Turkey, Asia

Arabesques faïences murales d'un hanout,' 1877, by Prisse d'Avennes (1807-1879). Published in Paris by A. Morel et Cie, Libraires-Éditeurs. The work focuses on Islamic architecture and art in Cairo, featuring Islamic decoration and ornament, particularly arabesques and faience tiles. The dimensions of the piece are 45.5 x 33 cm

Damascus tiles from Syria. Dated 16th Century

Bangkok National Museum. Temple decoration. Mural painting. Bangkok. Thailand.

Mosaics and marble pavements in the Byzantine style. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Design for a wall panel in Moorish Style, J.D. Woodward, Blue and yellow watercolors on paper, Vertical rectangle. Design for a wall panel, in imitation of Moorish tilework showing a stylized plant within a niche with a pointed arch; rondels at either side, top; and a border of repeating stylized buds and intertwined rope., USA, about 1894, ornament, Drawing, Drawing

Travel album by Karel Frederik van den Berg with photos from Java, Karel Frederik van den Berg, 1921 Travel album by Karel Frederik van den Berg with 54 photos on 24 magazines and nine separate photos, from Java. Java cardboard. textile materials. baryta paper gelatin silver print 'en route', traveller under way. family life Rots van Gibraltar. Southampton. Ventnor. Said Port. Mount Lavinia. Sabang. Ngamplang. Cangkah Kamojang. Blocker. Pendjaloemeer. Mangli. Borobudur. Mendut Temple. Prambanan. Surakarta. Paleis Te Buitenzorg

Snakeshead. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, Decorators Ltd., 1925-1940, formerly Morris & Company, 1875-1905; Printed by Hencroft Dye Works; England, Staffordshire, Leek. Date: 1876. Dimensions: 70.4 x 97.7 cm (27 5/8 x 38 1/2 in.)Repeat: 32.2 x 21.5 cm (12 3/4 x 8 1/2 in.). Cotton, plain weave; block printed. Origin: London. Museum: The Chicago Art Institute, Chicago, USA.

Arabesques mosquée cathédrale de Qous, typan and écoinçons in faïence from the 16th century, created in 1877 by Prisse d'Avennes (1807-1879). Published in Paris by A. Morel et Cie. The artwork showcases Islamic architectural decorations and ornaments from Egypt, specifically from Cairo and Qûs. 27.5 x 48 cm

Traditional wall painting of rural Rajasthan in Shilpgram Crafts Village near Udaipur, Rajasthan, India, Asia

At torba ilgich, late 19th century, 15 3/4 x 15 5/8 in. (40.01 x 39.67 cm), Silk, wool; chain stitch, double chain stitch, Uzbekistan, 19th century

Tiled wall panel in the harem, Tash Khauli, also known as Tosh Hovli, Ichan Kala, Khiva, Uzbekistan

Palermo, Sicily. Mosaic tile detail

Fanière brothers, turquoise bracelet at the cruciform center (main title). Graphite and gouache on gray cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Bureau. Ivory, wood, metal; foil, carving, engraving, colouring. Arkhangelsk. 1750-1770. Detail. The State Hermitage Museum. Saint Petersburg. Russia.

Wall paintings from the Royal Museum, Naples, Italy. Handcoloured lithograph by Berth after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1832.

Fine example of Ottoman art patterns in view

Vector illustration of Ukrainian ornament in ethnic geometric style, identity, vyshyvanka, embroidery for print clothes, websites, banners.

Faience Mosaics, Shaikh Lotfullah Mosque, Isfahan, Isfahan, Iran, Asia

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