Contemporary Abstract Lithographs

Showcases modern art through abstract forms and textures. The mood is experimental, highlighted by bold contrasts and creative use of materials.

Study of a Man's Hand for 'Tribute Money', Daniel Huntington, American, 1816-1906, Graphite, white chalk on grey wove paper, Study of a man's right hand holding a roll of paper., USA, 1852, figures, Drawing, Drawing

Post Rally. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 1133 x 768 mm (image); 1230 x 865 mm (sheet). Lithograph in black from five stones with traces of graphite on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Susanna. Susanna, depicted by half in an oval. Hands folded, gaze aimed at heaven. In the background on the left, Susanna is shown, while it is spied by the elders. Copy in mirror image to engraving from Hendrick Goltzius from 1583. Reconstructed from two fragments.

Persian Garden. Helen Frankenthaler (American, 1928-2011); printed by Ben A.J. Burns; published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1966. Dimensions: 425 x 354 mm (image); 763 x 561 mm (sheet). Lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Miss May Belfort (large plate) 1895 France. Color lithograph on cream wove paper . Henri de Toulouse-Lautrec

A Throw of the Dice #6. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 1,015 x 660 mm. Lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Friedrich, Prince of Prussia.

I Need Yellow. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston (American, born 1943) and John A. Lund (American); printed at Universal Limited Art Editions (American, founded 1955). Date: 1973. Dimensions: 432 x 290 mm (image/stone); 756 x 526 mm (sheet). Lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study of a Man's Hand for 'Tribute Money', Daniel Huntington, American, 1816-1906, Graphite, white chalk on grey wove paper, Study of a man's right hand holding a roll of paper., USA, 1852, figures, Drawing, Drawing

Untitled. Louise Nevelson (American, born Russia, 1899-1988); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1963. Dimensions: 510 x 724 mm. Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Dancer with lifted leg, Louis Legrand, 1892 print France paper etching female dancer

Expo 67 Mural--Firepole 33' x 17'. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1966-1967. Dimensions: 970 x 370 mm (image); 1,015 x 656 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The letter or firelight, 1900-1914, Germany, by Otto Goetze. Gift of Mrs Harold Wright, 1965.

Two figures, Dirkje Kuik, 1945 - 2005 drawing Study of two figures with a shoulder piece of a man with a beard and hat and profil on the left and a standing man on the right, and face. paper. ink pen head-gear: hat (+ men's clothes)

Bust of Venus. William Henry Fox Talbot (English, 1800 - 1877)

Color lithograph by Wilhelm List depicting a May sun scene in Vienna, showing landscape, light, and atmospheric effects.

The Bernese Alps, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with beige chine colle, Sheet: 17 3/16 × 12 inches (43.7 × 30.5 cm), Plate: 9 1/4 × 6 15/16 inches (23.5 × 17.6 cm), Chine collé: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm), and Image: 2 3/4 × 3 1/2 inches (7 × 8.9 cm)

Campania Caserta Capua Museo Campano54. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Miss May Belfort (large plate). Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 400 × 196 mm (image); 638 × 475 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Study of a Figure 1837-1911 Alphonse Legros French. Study of a Figure 337596

Lazio Roma Vicovaro S. Maria delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. The church, located near cemetery, is in a state of disrepair. On the interior, a fragment of a fresco of the Crucifixion remains, as well as stucco ornamentation above the main altar, and a few paintings of saints along the walls. Owner: S. Maria delle Grazie Object Notes: Church not found in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia80. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Expo 67 Mural--Firepole 33' x 17'. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1966-1967. Dimensions: 962 x 630 mm. Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

fr.jap.cur. Rita McBride (American, born 1960); printed and published by Jacob Samuel, Santa Monica, Cal. Date: 2008. Dimensions: 212 × 149 mm (plate); 417 × 327 mm (sheet). Etching and aquatint in brown on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study of a magazine and a twig, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. plants and herbs

Coat Hanger Variation. Jasper Johns (American, born 1930); printed by Robert Blackburn; published by Universal Limited Art Editions (American, founded 1955). Date: 1960. Dimensions: 930 x 686 mm. Lithograph from one stone with embossing in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of dancer Loie Fuller during a performance; Miss Loie Fuller.

Colored Palette. Jim Dine (American, born 1935); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 660 x 485 mm. Lithograph from one stone, with ink additions on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Visitation I. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 675 x 563 mm (image); 767 x 565 mm (sheet). Lithograph in red from one stone and red Conté crayon on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Garrison tales from Tonquin by James O'Neill.. text. Advertising, Posters. 1895 - 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Publishing industry, Posters, American, Book & magazine posters

Girl and Pimp. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 241 × 122 mm (image/plate); 420 × 305 mm (sheet). Aquatint from a zinc plate in 7 colors (black, dark gray, medium gray, blue, pink, orange, and fawn), with a sketch in graphite () verso, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Shallows, from Multiplizierte Kunst. Joseph Beuys, (German, 1921-1986); published by Propylaen Verlag, Berlin. Date: 1973-1974. Dimensions: 113 x 370 mm (image); 500 x 655 mm (sheet). Woodcut on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

At the Concert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 320 × 253 mm. Zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat. Origin: France. Museum: The Chicago Art Institute, USA.

Décor de plat : un chien d'arrêt surveille la cuisson de deux perdreaux embrochés qui rôtissent devant un feu flambant. Dans le haut à droite, un perdreau est pendu par la patte.. 1884. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament, Cookery, Dogs, Pheasants

Diane Raised III. Larry Rivers (American, 1923-2002); printed by Frank Akers (American, born 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 236 x 104 mm (image); 320 x 165 mm (sheet). Lithograph in red on buff newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Thin cut: Trachyt (Ischia)

Mujer "hoja". Museum: COLECCION PARTICULAR MADRID ESPAÑA. Author: ANDRE MASSON.

Plate 1, from The Pocket Size Tlingit Coffin. Gérard Titus-Carmel; French, b. 1942. Date: 1976. Dimensions: 207 × 270 mm (image); 505 × 380 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sagot's Gallery, 1898. Georges Alfred Bottini (French, 1874-1907). Color separation proof in green; sheet: 38 x 28.1 cm (14 15/16 x 11 1/16 in.); image: 29 x 18.6 cm (11 7/16 x 7 5/16 in.). The last decades of the 19th century were the golden era of French color lithography. Jules Cheret (1836-1932) popularized the technique to make colorful posters which, by 1884, were also exhibited as a legitimate art form. In 1891 Cheret began to design posters without lettering to frame and hang on walls---still an unusual idea since prints were usually stored in portfolios. The explosion in color lithography was also encouraged by the use of zinc plates, which were lighter, cheaper, and more pliable than traditional lithographic stones. Also important was the formation of artist's organizations like the Société des artistes lithographie (Society of Lithographic Artists) and the Société de l'estampe originale (Society of Original Prints), which stimulated original printmaking. By the 1890s a prol

Wiik, Maria, work, Sketch book, undateable, drawing, Wiik, Maria, unscheduled, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Joseph Stonefield, Weather Vane, c 1937 Weather Vane

'Series: Curtains, 17 pcs. Untitled/"Curtains"-2'. Russia, Moscow, late 20th-early 21th century. Dimensions: 10x14,9 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Two Studies of Hands, Anthony Van Dyck (Attributed To), 1610 - 1641 drawing paper. chalk hand

Lucio Fontana, Study for Concetti Spaziali #6, 1934, black ink on paper.

OVAL VII- 1990- 50x38- GOUACHE SOBRE PAPEL. Author: PABLO PALAZUELO (1916-2007). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Diane Raised III. Larry Rivers (American, 1923-2002); printed by Frank Akers (American, born 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 38 x 80 mm (image); 356 x 294 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Promenade. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1899. Dimensions: 452 × 347 mm (image); 591 × 463 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Litho #2 (Waves #2). Willem de Kooning; American, born Netherlands 1904-1997. Date: 1960. Dimensions: 1,168 x 813 mm. Lithograph on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

For Adults Only. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 935 x 750 mm (image); 1,050 x 751 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by Dagobert Peche titled 'Exlibris Hugo Barnatzik', created in 1922, showing bookplate design with decorative and textual elements.

Campaign. James Rosenquist (American, born 1933); printed by Ben Berns (American, born Netherlands, 1936-2007); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 798 x 575 mm. Lithograph in red and yellow, with opaque matte blue paint and hand additions in blue, silver-blue metallic, and silver metallic ink, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Chalk drawing by Hans Tichy depicting a lying woman.

Miss Jean Simpson, Seated (Mlle Jean Simpson, assise) Auguste Rodin (French, 1840-1917). Miss Jean Simpson, Seated (Mlle Jean Simpson, assise), 1903. Graphite and watercolor on wove paper, 12 7/8 × 9 7/8 in. (32.7 × 25.1 cm). European Art 1903

Roberto Crippa, Abstraction in Black and White Loops, 1951, black wash on paper.

MAGELONE - 2005 - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Lazio Latina Sezze Antiquarium Comunale06. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollo Standing in His Chariot 1696-1770 Giovanni Battista Tiepolo Italian. Apollo Standing in His Chariot 339371

Photograph of drawing (): Stanisław Szukalski (1893-1987), a monument design with a figure with 4 faces (Światowida with the faces of Piłsudski, Kazimierz Wielki, Kopernik and Mickiewicz), founded on a horse. A monument fucked up for the Duchnician - a place of worship of a nation planned at the bottom of the Dragon Cit at Wawel.; Koch, Edward (Fl. Ca 1930-Ca 1939); 1930s (1926-00-00-1939-00-00);Stanisław (1893-1987), Szukalski, monuments, horse monuments, drawing (artist), Polish drawing, sculpture (artist), Polish sculpture (artist)

Study of honeysuckle. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 385 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

CERVATILLO. Author: ALVARO DELGADO RAMOS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Diebitsch Carl von (1819-1869), wall template (without date): Graphical pattern as a stencil. Tempera on cardboard, 31.8 x 24.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Wandschablone

Reverend Charles Wadsworth Auguste Edouart French 1844 View more. Reverend Charles Wadsworth. Auguste Edouart (French, 1789-1861). 1844. Cut paper silhouette. Ephemera

White tile with blue flying putto, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Untitled (Skull). Jasper Johns (American, born 1930); printed by Styria Studio, Ltd. (American, 1972-1994); published by Multiples, Inc. (American, 1965-1975). Date: 1972-1973. Dimensions: 590 x 795 mm. Color screenprint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Fotogramm. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 23.9 x 17.9 cm (9 7/16 x 7 1/16 in.). Date: 1926.Moholy-Nagy played a key role at the Bauhaus in Weimar and Dessau as a painter, graphic artist, teacher, and impassioned advocate of avant-garde photography. He made this image without a camera by placing ordinary objects, including his hand and a paintbrush, on a sheet of photosensitized paper and exposing it to light. While this simple process was practiced by photography's founders in the nineteenth century and was later popularized as a child's amusement, avant-garde artists in the twentieth century revived the photogram technique as a means for exploring the optical and expressive properties of light. With this shadow-image of a hand and paintbrush, Moholy-Nagy ambitiously suggests that photography may incorporate, and even transcend, painting as the most vital medium of artistic expression in the modern age. Museum: Metr

CABEZA DE SALMON III - 2004 - OLEO/PAPEL JAPONES - 69x47 cm. Author: FRANCISCO RAMIREZ PRADILLA (1975-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Statue of the goddess Roma, Cornelis Bloemaert (II), after Giovanni Citosibio Guidi, c. 1636 print Image of the goddess Roma, personification of the city of Rome. She wears a helmet on her head, she holds a stick in her hand. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving personification of a city, town-patron(ess). piece of sculpture, reproduction of a piece of sculpture

The Bloodstains 1 (Der Blutflecken 1). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 9 7/8 x 14 7/8 inches (25.1 x 37.8 cm). Series/Portfolio: Der Tote Tag, 1912. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Death of a Poet II. Antonio Frasconi (Uruguayan, born Argentina, 1919-2013); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 685 x 942 mm (sight). Lithograph on white wove paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Drawning for a Knot, 1948, Anni Albers, gouache on paper, Bauhaus

For Adults Only. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 935 x 750 mm (image); 1,050 x 750 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Seated man with the head in the hands. Draughtsman: Sonja Dwinger. Dating: 1976. Measurements: h 309 mm × w 227 mm. Museum: Rijksmuseum, Amsterdam.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia67. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Flowers Isabel Lydia Whitney (American, 1884-1962). , ca. 1923. Watercolor over pencil, Sheet: 25 7/16 x 19 3/4 in. (64.6 x 50.2 cm). American Art ca. 1923

Polish rogatywka military cap of the Lviv National Guard of general Józef Dwernicki, from the collection of Stanisław Patek ; drawing for the publication: Dominika Jeżewskiego Skarbiec Zabytków Polskich znajdujących się w prywatnych zbiorach Warszawy, mal. Sztolcman, Władysław Roman (1873-1950), painter

Untitled (Cette chair qui se touche...). Nancy Spero; American, 1926-2009. Date: 1970. Dimensions: 610 x 490 mm. Gouache and ink with collage on off-white Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum16. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Overview of Lavender Elongated Shell 1719-1769 Flanders. Gouache on ivory laid paper . Giuseppe Grisoni

Legs of bent figure. Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 403 mm × w 297 mm. Museum: Rijksmuseum, Amsterdam.

SIN TITULO - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Lalique, René-Jules (n.1860-04-06-D.1945-05-05), Crab belt loop (main title), 1900. Graphite, ink, gouache and watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

SYDUS XVI - 1997 - GOUACHE/PAPEL R DE BAS A MANO. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Attic Red-Figure Kylix Fragment. Unknown about 500-475 B.C.

SEEDLING VII - 1998 - GOUACHE/PAPEL RICHARD BAS. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Flight, 1957, Wellington, by E Mervyn Taylor. Gift of the artist's friends in his memory, 1964.

Delfos, Abraham, Leiden, Iris, verso - stamped, print, prints, images, height 208 mm, width 109 mm, Northern Netherlands, 1731-03-08 - 1820-07-13, print maker, printmaker, 1741 - 1820, paper, papier, engraving, engraving (printing process), Work conception, after own design by

Metrosideros perforata (Forster & G. Forster) A. Richard, 1895, United Kingdom, by Sydney Parkinson. Gift of the British Museum, 1895.

Flower. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 246 mm × w 162 mm. Museum: Rijksmuseum, Amsterdam.

Saxoleine. Jules Chéret (French, 1836-1932); printed by Imprimerie Chaix. Date: 1893. Dimensions: 1242 × 882 mm. Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Spiral Iron Candle Holder. Dated: c. 1941. Dimensions: overall: 40.8 x 33 cm (16 1/16 x 13 in.) Original IAD Object: 7" high; 6 1/2" wide. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Chris Makrenos.

(SIN LOCALIZAR) - 1ª ETAPA. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Dog Diana Ong (b. 1940 Chinese-American) Private Collection

Su Tang 1996 Diana Ong (b.1940/Chinese-American)

Lazio Roma Rome SS. Giovanni e Paolo, Museum9. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bit. Dated: c. 1936. Dimensions: overall: 35.4 x 26.7 cm (13 15/16 x 10 1/2 in.). Medium: watercolor, pen and ink, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: William Herbert.

Two columns, decorated with the Fleur de Lis, Edouard Lièvre, 1863 print Numbered at the top right: pl. 9. Paris paper. etching column, pillar ~ architecture. fleur-de-lis ~ ornament

Unknown architect, burial place. Monthly competition November 1879 (11,1879): Department with floor plan; Scale bar. Tuser and pencil watercolored on paper, 48.5 x 33.2 cm (including scan edges) N.N. : Begräbnisplatz. Monatskonkurrenz November 1879

Study of a Glastonbury Chair. M.H. Nevil Story-Maskelyne (British, 1823 - 1911)

Sketch of two artists on a horse. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 660 mm × w 647 mm. Museum: Rijksmuseum, Amsterdam.

Stencil 19th century Japan. Stencil 69243

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