Costume Engravings

18th-century engravings depicting historical fashion, illustrating the attire and styles of prominent figures and societal norms.

Valck, Gerard, Saint Jean, Dieu de, Femme de qualité en deshabille d'esté, center bottom - engraved, Lady, standing to the right, dressed in a 'manteau' for the summer, according to the fashion of ca. 1685, veil over her head, closed fan in her hands., costume print, prints, G. Valk Exc., bottom right - engraved, height 245 mm, width 176 mm, print maker, printmaker, 1680 - 1690, fourth quarter 17th century, fourth quarter of the 17th century, paper, engraving, engraving (printing process), hand colouring, Work conception, French, 1654 - 1695, after a print by, Publication (Event), Publication, Northern Netherlands, 1652 - 1726-10-21, publisher

Dame de Constantinople, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 5 18th century Simon Francis Ravenet, the elder French. Dame de Constantinople, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 5 413630

Sforza, Bianca Maria.

Valck, Gerard, Saint Jean, Dieu de, Femme de qualité en deshabille d'esté, center bottom - engraved, Lady, standing to the right, dressed in a 'manteau' for the summer, according to the fashion of ca. 1685, veil over her head, closed fan in her hands., costume print, prints, G. Valk Exc., bottom right - engraved, height 245 mm, width 176 mm, print maker, printmaker, 1680 - 1690, fourth quarter 17th century, fourth quarter of the 17th century, paper, engraving, engraving (printing process), hand colouring, Work conception, French, 1654 - 1695, after a print by, Publication (Event), Publication, Northern Netherlands, 1652 - 1726-10-21, publisher

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; The Lilac Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. Engraving (Floor). The Lilac.

Chef des Eunuques, plate 20 from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 194 × 130 mm (image); 203 × 135 mm (plate); 265 × 206 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

LA BOULANGERE a des ecus”.. Artist: Paul Gavarni, French, 1804-1866

Sculpture of Roma, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Rome Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Rome

A drawing by Francesco Ponte from the Artemisia Opera depicting the character 'Great in the Kingdom', executed with gray pen and brush, lavated and watercolored.

GILLETTE.. Artist: Paul Gavarni, French, 1804-1866

Thomas Rowlandson, A Young English Beauty, c 1790 A Young English Beauty

Hoare, Sarah .

Mrs. Mary Ann Yates as Isabella in "Measure for Measure.". Mary Ann Yates made her debut on the London stage in "Virginia," at Drury Lane, in 1754.. Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1776. Drawn by James Roberts.

Water (registered title)

LEau Merveilleuse. Artist: Paul Gavarni, French, 1804-1866

LE BOA.. Artist: Paul Gavarni, French, 1804-1866

Marie Therese of Savoyen-Carignan.

La Dame a la Petite Coiffe Relevée en Arrière (The Lady with the Hairstyle that is Lifted to the Back), from La Noblesse (The Nobility) ca. 1623 Jacques Callot French. La Dame a la Petite Coiffe Relevée en Arrière (The Lady with the Hairstyle that is Lifted to the Back), from La Noblesse (The Nobility). La Noblesse. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching. Prints

Mrs. Fitzherbert 1786 J. Cook. Mrs. Fitzherbert. The Lady's Magazine. 1786. Etching and engraving. J. Cook (British, active 1780s). Maria Anne Fitzherbert (British, 1756-1837). Prints

Jacques Callot, The Lady with the Fan (La dame à l'éventail), 1620-23, etching on paper.

A Young Girl Walking to the Left Adriaen van de Velde Dutch mid-17th century

Portret van Marie -Thérèse Bourgoin Als Roxelane in Les Trois Sultanes, Alexandre Marie Colin, 1823 - 1824 print Paris paper portrait of actor, actress. stage costume

Edad media. Magistrado florentino. Grabado de 1860.

Buchwieser, Kathinka .

James Roberts, active 1766-1809, British, Act IV, The Relapse or Virtue in Danger, Scene 3, undated. Engraving.

Rabutin-Chantal, Marie de.

Philibert-Louis Debucourt, Modes et Manières No. 26: Le lilas (Capotte ornée d'épis et de Coquelicos.), 1800, hand-colored etching on paper.

Marketentster, Florent Nicolas Crabeels, 1839 - 1879 print paper etching female sutler, canteen-woman

After Jacques Callot, Beggar Woman with Pan Beggar Woman with Pan

Mrs. Sophia Baddeley as Joan la Pucelle in "Henry VI, Part 1.". Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1776. Drawn by James Roberts.

Vuur, Jacob Gole, 1670 - 1724 print The element fire. A young lady bakes poffertjes on the fire. A painting hangs on the wall on which a blacksmith can be seen. The print is part of a series about the four elements. Amsterdam paper engraving fire (one of the four elements). bread, cake, pastry, etc.

La boulangère - 'a des écus' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Portrait of margaretha of Bavaria; Graves and gravingen from Holland. Portrait of Margaretha of Bavaria, standing in imperial clothing with a scepter in her hand. Print from a series of 36 prints with portraits feet from graves and gravingen of Holland.

La Citella Romana (Maiden). Artist: Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571-1621). Dimensions: Sheet: 9 x 6 3/16 in. (22.9 x 15.7 cm). Date: ca. 1580.These engravings illustrating the costumes of Roman women from different stations of life recall the more ambitious series by Cesare Vecellio and Giacomo Franco devoted to Venetian customs and modes of attire. Similar to those examples, these prints were likely created as book illustrations, though the enterprising Bertelli was known to reuse his inventions in a number of different contexts and formats.Courtesans were essentially cultivated prostitutes. The presence of one of them (plate 6) among the cast of otherwise "honest" women reflects the reality that courtesans were a staple in sixteenth-century society, their intractable presence either rued or tolerated depending on the prevailing moral and religious climate of the day. It is interesting that Bertelli's courtesan, like those of Franco, Vecellio, and Giul

Photo production of a painting by Germania, Anonymous, 1870 - 1890 Photograph. visit card This photo is part of an album. cardboard. photographic support albumen print painting, drawing and the graphic arts. adult woman

A Young Girl Walking to the Left mid-17th century Adriaen van de Velde Dutch. A Young Girl Walking to the Left 359440

Bossus ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Philibert-Louis Debucourt, Modes et Manières No. 39: La Réflexion (Coiffure formée de 3 bandes de dentelle), 1801, hand-colored etching on paper.

Une Bonne. Paul Gavarni (French, 1804-1866). Lithograph;

TYROLIENNE.. Artist: Paul Gavarni, French, 1804-1866

Dieppe Woman. Wenceslaus Hollar; Czech, 1607-1677. Date: 1649. Dimensions: 94 × 58 mm (plate/sheet; trimmed to plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

PAYSANNE BASQUE. Chapeau de velours garni de houppes de chenille.…. Artist: Paul Gavarni, French, 1804-1866

Black, reddish, and pastel chalk drawing by Jean Pillement depicting a Chinese figure with a parrot, showing posture, attire, and interaction between figure and bird, laved around 1764.

MARGUERITE de Valois, 1553-1615 wife of Henry IV, 1553-1610 King of France and Navarre, drawing

A shepherdess sits under a tree, a staff in hand., Shepherdess A Shepherdess (title on object), print maker: Andreas van der Myn, (mentioned on object), after: Jean Antoine Watteau, (mentioned on object), publisher: John Boydell, (mentioned on object), London, 1752, paper, engraving, h 353 mm × w 253 mm

Jane Lessingham as Ophelia in "Hamlet.". . Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1775. Drawn by James Roberts.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Wenceslaus Hollar, Dni Maioris sive Praetoris Londinensis Vxoris Hab , 1649 Dni Maioris sive Praetoris Londinensis Vxoris Hab:

FEMME DU DUCHE DE WENDEN. Artist: Paul Gavarni, French, 1804-1866

Young, Elizabeth .

Graham, Mary Ann .

La Dame Venitienne en abit de masque (Venetian Woman in Carnival Dress). Dated: 1775. Dimensions: plate: 24 × 16.6 cm (9 7/16 × 6 9/16 in.) sheet: 38.4 × 26.6 cm (15 1/8 × 10 1/2 in.) (irregular). Medium: etching with aquatint, printed in dark brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni David.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Ana de Cléves (1515-1557), noble alemana, cuarta esposa de Enrique VIII, rey de Inglaterra. ANNA VON CLEVE. Ana de Cléveris.

A good thing from Naples; Maleszewski, Titus (1827-1898); 1858-1859 (1858-00-00-1860-00-00);Polish National Museum (Rapperswil - 1870-1927), Polish National Museum (Rapperswil - 1870-1927) - collection, Naples (Italy), Italians, ethnography, Poland (culture), message (provenance), Polish drawings, generic types, Italian types (culture)

Jacques Callot, Noble Woman with Large Collar, c 1620 1623 Noble Woman with Large Collar

Mrs Mary Bulkley in the character of Lady Dainty in Colley Cibbers The Double Gauntlet. However, it seems she never performed the role in London. Miss Bulkley, later Mrs Barresford, was an English 18th-century dancer and comedy stage actress 1747/8-1792. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1778.

Weekly Writing for Fruntimmer 1824 Nordic

Déesse de la Vallée du Luchon (allégorie) , Goddesses, Allegories, Alexandre Benois Collection

Dwingelandij rug ca. 1701-1713; L'Habit Usurpé. King Louis XIV Sitting in an armchair in clothing made up of row cities and fortresses that he has to get rid of again. On the right a table with a garnished garnished with dancing devils, at the top right a man with a lantern. Two verses and a list of 25 cities in French. On the blade under the plate 6 lines in Dutch. Part of a group of individual cartrents at Louis XIV during the Spanish Succession War, ca. 1701-1713.

Catherine of Aragon, first wife of Henry VIII, England, 1532. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Maria Kazimiera (1641 1716) Bonnart, Robert (1652 post 1729) , Bonnart, Henry (1642 1711)

Mrs. Stratton, Print made by Charles Turner, 1774-1857, British, after Sir Thomas Lawrence, 1769-1830, British, 1833, Mezzotint (third state, private plate) on thick, slightly textured, cream wove paper, Sheet: 29 5/16 × 19 1/8 inches (74.5 × 48.6 cm), Plate: 27 7/8 × 17 inches (70.8 × 43.2 cm), and Image: 23 3/4 × 14 7/8 inches (60.3 × 37.8 cm)

Young lady giving one hand in a minuet, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R. Baldwin, London, 1759.

James Ward, 1769-1859, British, Mrs. Morland's Portrait, ca. 1802. Watercolor over graphite on medium, slightly textured, cream laid paper.

Juno, queen of the gods, Roman goddess of matrimony, with a peacock at her feet. Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defraine from "La Mythologie en Estampes" (Mythology in Prints, or Figures of Fabled Gods), Chez P. Blanchard, Paris, c.1820.

Mulier Nobilis aut Generosa Gallica. Dated: 1644. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Wenceslaus Hollar, Mulier Coloniensis Exspatians, 1643 Mulier Coloniensis Exspatians

L'Esté. Bonnart, Robert, 1652-1733. Prints. 1690 - 1699. Jerome Robbins Dance Division. 17th century

Wenceslaus Hollar (Bohemian, 1607 - 1677), Civis Coloniensis Filia, 1643, etching

Wenceslaus Hollar (Bohemian, 1607 - 1677), Ciuis Pragensis Filia, 1643, etching

Pigeon (The Carrier Pigeon) Maclise, Daniel (1806 1870), Egleton, William Henry (1833 1860)

Portret van Napoleon i Bonaparte, Jean Louis Charles Pauquet, after Jean Baptiste Isabey, 1804 - 1824 print Paris paper etching historical persons. emperor

Gilles Demarteau, the Elder after Jean Martial Fredou, Head of a Young Woman Head of a Young Woman

Venetian dancing woman, Domenico Bonavera (Possible), c. 1650 - c. 1740 Venetian young woman, dancing and with flowers in the hair. Title in the end margin. The print is part of an album. Italy paper engraving / etching Venetian young woman, dancing and with flowers in the hair. Title in the end margin. The print is part of an album. Italy paper engraving / etching

Surprised Woman from Hogarth's "Morning". Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 6 5/16 x 5 3/8 in. (16 x 13.6 cm). Etcher: Richard Livesay (British, 1753-1823 Southsea). Publisher: Thomas King (London). Date: October 1788. Museum: Metropolitan Museum of Art, New York, USA.

Journal of Luxury and Modes 1790, Volume V, T.13, Friedrich Justin Bertuch, 1790 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

Erato February 1, 1779 Francesco Bartolozzi Italian. Erato. After Giovanni Battista Cipriani (Italian, Florence 1727-1785 Hammersmith (active London)). February 1, 1779. Etching and stipple engraving, printed in brown ink. Torre & Co. (British, active 1760-99). Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Prints

Achille Devéria (1800-1857), French engraver, and Antoine Adolphe Catherine Fonrouge (1828-1855), French printer-lithograph. The hours of the day: 9 o'clock in the evening. Colored lithography and erased on paper, 1829. Paris, Carnavalet museum. 77636-20 Sitting, bench, drinking, sofa, drawing, woman, day of the day, day, lithography colored, living room, evening, evening, cup, daily life, the

Portret van Frances Abington-Barton als Thalia.Portrait of Frances Abington Barton. She stands at a statue and has a mask in her right hand.

important Spanish artists of the time, he is honored as one of the last of the Old Masters and one of the first of the Moderns. His early paintings were optimistic and jolly, as the years passed, his works became very pessimistic. A highly regarded portrait painter, Goya did this portrait of the Marquesa de Pontejos y Sandoval in 1786. She was 24 at the time and the wife of Carlos III's prime minister. With her is her pug dog. The pink carnaiton in her hand was at the time a symbol of love and often pictured in the hands of a bride.

Girl from Vissersdorp on the North Sea coast, Gillis van Scheyndel (I), after Willem Pietersz Buytewech, 1620 - 1624 print In a dune landscape there is a young woman from a fishing village on the North Sea coast, dressed in traditional costumes. She has a basket around the arm and a fish in hand. The print is part of a series of eight young women in North Holland traditional costumes. Haarlem paper etching folk costume, regional costume

François Nicolas figure (1825-1901). Illustration for "sea workers" in the Hetzel edition. "An echo in the hill". White gouache and wood engraving. 1869. Paris, house of Victor Hugo. 101107-7 Drawing, woman, gouache, illustration, illustration of literary work, young woman, literary work, character, white dress, novel, 19th 19th 19th 19th 19th 19th century, engraving

Recueil des modes de la cour de France, 'La Belle Plaideuse'. Nicolas Bonnart (France, 1637-1717). France, Paris, 1682-1686. Prints. Hand-colored engraving on paper

Fashionable woman blessing herself with holy water from a font inside an old Gothic church, Paris, 1839. She wears a bonnet tied with a ribbon, fur-lined capelet, dress with full skirts. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.

Reading woman in Ovaal, Gilles Demarteau, After Jean Baptiste Huet (Le Vieux), 1732 - 1776 print paper etching reading

Modes de Paris en 1787 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Noble Woman with Fan. Dated: c. 1620/1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Standing farmer, Ernst Willem Jan Bagelaar, After Jozua Breckerveld, 1785 - 1837 print paper etching farmers - AA - female farmer, farmer's wife

Dumesnil, Marie Francoise.

Self-portrait of the painter, engraver and draughtsman Marie Lambertine Coclers, Self-portrait of Marie Lambertine Coclers, draughtsman: Marie Lambertine Coclers, 1771 - 1815, paper, h 399 mm × w 325 mm

Wenceslaus Hollar, Mulier Generosa Hispanica, 1644 Mulier Generosa Hispanica

Indivisibility (IT)

Project Graraal Mandara 2015 Carnavalet Museum, Collection Drawings

TOILETTE DE PROMENADE. Manteau boyard,…. Artist: Paul Gavarni, French, 1804-1866

Sculpture of the Greek goddess Hebe; EBE; Sculptures by Antonio Canova. Sculpture of the Greek goddess Hebe, standing with a can and a drinking cup in her hands, by the Italian sculptor Antonio Canova.

Girl with basket, by Kate Greenaway. Gift of Archdeacon F.H.D. Smythe, 1957.

Julie Gabillon , Actress Julie Gabillon in the costume, Salomon Hermann von Mosenthal on Knien title page of Der Floh , Karl Klic -, Caricaturist, Johann Tomassich, realization

Collection of English Original Watercolour Drawings: March 1806. Ann Frankland Lewis (England, mid-17th to mid-18th century). England, 1806. Drawings; watercolors. Watercolor on paper

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