Country Life

Colorful engravings reflecting the struggles and quirks of rural life, highlighting interactions between people and animals in comedic situations.

The poll , Seesaws, Nobility, Political elections, Politicians, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Wray, Cecil, Sir, 1734-1805, Hood, Samuel Hood, Viscount, 1724-1816, Fox, Charles James, 1749-1806. Thomas Rowlandson (1756-1827). Prints and Drawings

Woman about to fall over with her shoes caught in the mud during a walk after the rain. Miseries of the Country. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

Isaac Cruikshank, 1756-1810, British, Symptoms of Affection, Or - A Specimen of Martial Prowess, 1791. Etching, hand-colored.

Thomas Rowlandson, 1756-1827, British, Reform Advised - Reform Begun - Reform Compleat (Complete), 1793. Etching, hand-colored.

Hibernian Sagacity and Sang Froid, Richard Newton, 1777-1798, British, 1795, Etching, hand-colored, Sheet: 9 1/4 x 15in. (23.5 x 38.1cm)

The poll , Seesaws, Nobility, Political elections, Politicians, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Wray, Cecil, Sir, 1734-1805, Hood, Samuel Hood, Viscount, 1724-1816, Fox, Charles James, 1749-1806. Thomas Rowlandson (1756-1827). Prints and Drawings

Restitution or its account (IT)

The Napoleonic Constitutional (IT)

News / N ° 51 / I've done enough of task for you Guillaume, it's the Tour des Tiens now, starting with your cousin Guillaume de Bade ...

King George IV of England arriving for his tour of Ireland, August 12, 1821. Irish peasants raise their hats and cheer. His Majesty landing on the Pier at Howth. Handcoloured engraving from Pierce Egans Real Life in Ireland, or the Day and Night Scenes, Rovings, Rambles, and Sprees, Bulls, Blunders, Bodderation and Blarney, of Brian Boru Esq., and his Elegant Friend Sir Shawn ODogherty, published by William Evans, London, 1829.

James Gillray, 1757-1815, British, A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day), 1783. Etching.

The Upsetting of the Reform Coach June 4, 1834 John Doyle This political satire responds to the resignation of four Cabinet members from Lord Gray's administration in May 1834. A coach (lettered "Reform") tips over in the background as William IV looks out the window and shouts "Help! help!". On the roof, Lord Brougham says to Lord Melbourne "Sit fast M__lb__ne, these fellows have done much better to have kept their places; I think one ought always to keep one's place as long as one can." Behind the coatch, the Duke of Richmond holds the head of Lord Ripon who lies on the ground. At left, Edward Stanley addresses Sir James Graham, who is on the ground and says, "Well I think we did right to jump off, although we may have got a little hurt or so:__I told you Johnny would upset the Coach.". The Upsetting of the Reform Coach. HB Sketches, No. 324. John Doyle (Irish, Dublin 1797-1868 London). June 4, 1834. Lithograph. Thomas McLean (British, 1788-1875). Prints

A Peep in the City - or Spoil'd Children, unknown artist, nineteenth century, 1802, Etching, hand-colored, Sheet: 8 11/16 x 12 3/4in. (22.1 x 32.4cm)

The Wedding Night May 20, 1797 Isaac Cruikshank British, Scottish. The Wedding Night 398499

Cortège du Commander General des apothecars, Prince Lancelot de Tricanule, at his entrance to the House of Peers Honoré Daumier (1808-1879). Press cartoon. "Cortège of the Apothecar Commander General, Prince Lancelot Tricanula, at his entry into the House of Peers". Board published in "caricature" from August 1, 1833. Lithography. Paris, House of Balzac.

Genhunny walk. (IT)

'Doctor Syntax Meditating on the Tombstones', 1820. Artist: Thomas Rowlandson.

Thomas Rowlandson, 1756-1827, British, Britania's Protection, or, Loyalty Triumphant, 1800. Etching, hand-colored.

John Bull Ground Down. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1795. Dimensions: 244 × 340 mm (image); 248 × 346 mm (plate); 285 × 397 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

To Calais , Mail steamers, Motion sickness, Passengers. George Cruikshank (1792-1878). Prints and Drawings

A Frontispiece to the New Red Book. Attributed to William Heath (English, 1794-1840); published by Thomas Tegg (English, 1776-1845). Date: 1816. Dimensions: 248 × 350 mm (image); 254 × 355 mm (sheet, trimmed within platemark). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Cartoon on the separation between the Netherlands and Belgium, 1830, William Heath, 1830 print Cartoon on the political separation between the Netherlands and Belgium presented as the separation between a man, a fat Dutchman, and his wife, a meager Belgian. The mocking man is sent out by his wife the avenue with the blinds' Buy a Broom (buy a broom). London paper etching divorce. dominating wife. political caricatures and satires

() James Gillray, 1757-1815, British, John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide, 1789. Etching, hand-colored.

Cruikshank, Isaac, Paris, Vallardi, France, Caricatures Hollandaises, Cartoon on the Dutch (no. 1), 1795, 1814, verso - stamped, Three figures: on the left a soldier drops his rifle in fright, in the center a standing woman with a large bosom, on the right a sleeping, drunk and smoking man. Part of a series of four French copies from 1814 of English cartoons from 1795 on the Dutch, who would rather smoke and drink than defend the national interest., print, prent, cartoon, prints, Frederik Muller Historieplaten, height 267 mm, width 323 mm, print maker, printmaker, 1814 - 1814, paper, papier, etching, etchings, hand colouring, Publication (Event), Publicatie, publisher, uitgever, Work conception, English, 1764 - 1811" Parijs, Frankrijk, Cartoon on the Dutch (no. 2), Three figures: on the left an inspecting captain, in the centre a standing drinking man, on the right a sleeping man behind a telescope in a wheelchair. Part of a series of four French copies from 1814 of

Both extremes touch (IT)

London, Fores, Samuel W., England, Cruikshank, Isaac, Bobadil disgraced or Kate in a rage - For Brunswicks Duke, Cartoon on Catherine II, 1792, verso - stamped, Cartoon on Catherine the Great of Russia, who in her anger pulls Stanislaus II, King of Poland by the ponytail and Ferdinand, Duke of Brunswick giving a kick, 1792. On the wall a map of France., print, engraving, cartoon, prints, engravings, English cartoons, height 248 mm, width 350 mm, English, 1764 - 1811, print maker, printmaker, 1792-10-10 - 1792-10-10, paper, papier, etching, etchings, hand colouring, Publication (Event), Publication, 1761 - 1838, publisher

The Departure from the Coast, or the End of the Farce of Invasion October 1, 1805 Thomas Rowlandson British. The Departure from the Coast, or the End of the Farce of Invasion. Thomas Rowlandson (British, London 1757-1827 London). October 1, 1805. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Marie-Louise in anger over Talleyrand

The Departure from the Coast, or the End of the Farce of Invasion. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 15/16 × 14 11/16 in. (30.3 × 37.3 cm)Plate: 11 1/4 × 13 9/16 in. (28.5 × 34.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: October 1, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Scottish traveller John o Arnha with cudgel encounters a witch flying on a broomstick. Sae fently did she wing her flight, In a twinklin' she was out o' sight. Handcoloured copperplate engraving from George Beatties John o Arnha, Montrose, Scotland, 1826.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 204 × 240 mm (image); 214 × 250 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, USA.

Isaac Cruikshank, 1756-1810, British, Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), 1794. Etching, hand-colored.

Buonaparte at Rome giving audience in state, Cruikshank, Isaac, 1756-1811, engraving 1797, Napoleon, wearing tattered clothing, seated on a low throne; kneeling before him is a pope placing the keys of St. Peter at his feet as he kicks the crown off the popes head, saying I say remember to take off your HAT when you wait on a Gemman!!! Cardinals follow the pope, one holding Mary Magdalene's Cracked Pitcher, another holds Vn Marys Peticoat. Behind Napoleon stands a soldier urinating into a font

James Gillray, French Liberty and British Slavery, 1792 French Liberty and British Slavery

Quarterly Dunns, or Clamorous Tax Gatherers. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 13 3/8 × 9 1/2 in. (34 × 24.1 cm). Publisher: William-Samuel Howitt (British, ca. 1756/57-1822/23 London). Date: February 3, 1805. Museum: Metropolitan Museum of Art, New York, USA.

Such a master tel valet. (IT)

A Tragic Story at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution" 1821 Thomas Rowlandson. A Tragic Story at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". Thomas Rowlandson (British, London 1757-1827 London). 1821. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

The resignation : Or John Bull over-whelmd with grief , Princes, Generals, Nobility, John Bull Symbolic character, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827. Thomas Rowlandson (1756-1827). Prints and Drawings

Sailors on Shore at Navarino, Print made by William Heath, 1795-1840, British, Published by Thomas McLean, 1788-1875, British, ca. 1827, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm), Plate: 10 1/4 × 14 3/4 inches (26 × 37.5 cm), and Image: 8 7/8 × 14 inches (22.5 × 35.6 cm)

The Prospect Before Us December 20, 1788 Thomas Rowlandson. The Prospect Before Us. Thomas Rowlandson (British, London 1757-1827 London). December 20, 1788. Hand-colored etching. S. W. Fores (London). Prints

-Who I told you that you could not stand on it! ...

Henry Thomas Alken, 1785-1851, British, Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's, 1823. Hand colored soft-ground etching.

() James Gillray, 1757-1815, British, The Minister In - The Minister Out, 1782. Etching, hand-colored.

The national assembly petrified James Gillray (1757-1815). The National Assembly Petrified. Water-strong color, 1791.

unknown artist, The Female Politicians, Or - The D____ss Defending the Honour of Old Corny, 1801. Etching and aquatint, hand-colored.

The Evil Spirit Lumpazivagabundus or the dissolved cloverleaf Theatrical picture gallery for the Theaterzeitung, Jg, No, After, Johann Christian Schoeller -, Artist, Andreas Geiger -, Copper Engraver

Accommodation, or Lodgings to Let at Portsmouth!! June 30, 1808 Thomas Rowlandson. Accommodation, or Lodgings to Let at Portsmouth!!. Thomas Rowlandson (British, London 1757-1827 London). June 30, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Frankrijk wint het kaartspel, 1795. Vijf gekleurde tekeningen naar spotprenten (1795) (title on object). Draughtsman: anonymous. Dating: 1795. Place: Netherlands. Measurements: h 150 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Allegory n ° 3 / The nightmare of the red mother. (IT)

John Phillips, active 1840-1852, Set of Four: Much Ado About Nothing or Illustrations of Old Sayings, 1828. Soft-ground etching, colored by hand.

Shaving a Forestaller August 15, 1800 Thomas Rowlandson. Shaving a Forestaller. Thomas Rowlandson (British, London 1757-1827 London). August 15, 1800. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Making Decent, i.e. Bread bottomites getting into the Grand Costume. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Caricatures, Prints, Cartoons (Commentary). 1806-02-20. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

London, Fores, Samuel W., England, Cruikshank, Isaac, Symptons of Courage or The Tables Turned, Case of Honour between De Voglas and the Duke of Orléans, 1790, verso - stamped, Cartoon in two representations of a matter of honour between De Voglas and the Duke of Orléans, 1790., print, prints, English cartoons, height 270 mm, width 373 mm, English, 1764 - 1811, print maker, printmaker, 1790-08-16 - 1790-08-16, paper, etching, etchings, hand colouring, Publication (Event), Publication, 1761 - 1838, publisher

A mistake at New-Market : Or sport and piety , Taverns Inns, Dogs, Conversation, Horse racing. Thomas Rowlandson (1756-1827). Prints and Drawings

Beauties of Grease altered to Greece -- or -- Luxuries of the Kremlin. Vide Brighton Vagaries. A Kitchen Frolic. Isaac Robert Cruikshank (English, 1789-1856); published by Thomas Tegg (English, 1776-1845). Date: 1815-1820. Dimensions: 240 × 335 mm. Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thomas Rowlandson, 1756-1827, British, Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, 1785. Etching, hand-colored.

A royal brewery, or how to cook a wife. British Cartoon Prints Collection . Caroline,Queen, consort of George IV, King of Great Britain,1768-1821,Trials, litigation, etc. , George,IV,King of Great Britain,1762-1830. , Brewing industry,England,London,1820-1830. , Divorce,England,London,1820-1830. , Adultery,England,London,1820-1830.

A New Way of Paying Debts of Honor!!, Charles Ansell, ca.1752-active 1790, British, 1799, Etching, hand-colored, Sheet: 9 3/4 x 13 1/8in. (24.8 x 33.3cm)

The patriotic heads offered to the king at the new year 1790 The patriotic headlines offered to the king at the new year 1790 ". Print.

The Hopes of the Party, Prior to July 14th, ---'From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us.', James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 12 7/8 x 19 3/16in. (32.7 x 48.7cm)

The Modern Hercules or a Finishing Blow for Poor John Bull(from: Caricature, vol. 7), unknown artist, ( West ), 1795, Etching, hand-colored, Sheet: 12 11/16 x 9 3/8in. (32.2 x 23.8cm)

unknown artist, nineteenth century, The Whim of the Day, Or - Old Sarum Bringing in his New Member, 1801. Etching, hand-colored.

Cartoon of Napoleon after his loss at the battle of Leipzig, 1813 A small figure of Napoleon is stamping angrily on top of a large wooden barrel of Dutch gin, loosening the lid Representatives of various European countries all smoke pipes and blow tobacco smoke at the emperor In front a fat Dutchman sitting on a barrel of herring and a cheese, On the right the English John Bull, a Prussian hussar and others On the left the King of W, print maker: Thomas Rowlandson, (mentioned on object), publisher: Rudolph Ackermann, (mentioned on object), print maker: England, publisher: London, 6-Dec-1813, paper, etching, h 255 mm × w 350 mm

A Lock'd Jaw for John Bull. Unknown Artist (English, late 18th-early 19th centuries); published by S. W. Fores (English, active 1785-1825). Date: 1795. Dimensions: 358 × 266 mm. Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Surprising Irish Giant of St. James's Street. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 7/16 × 12 7/8 in. (23.9 × 32.7 cm). Publisher: T. Smith (British, active London 1785-1800). Date: March 27, 1785. Museum: Metropolitan Museum of Art, New York, USA.

The Party Breaking Up, and Quae Genus Breaking Down, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax" December 1, 1821 Thomas Rowlandson. The Party Breaking Up, and Quae Genus Breaking Down, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". Thomas Rowlandson (British, London 1757-1827 London). December 1, 1821. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Drunken English gentleman rides a bear into a drawing room. Other guests jump on furniture to escape. Tally ho! Tally ho! A new hunter, first then, Tally ho! Chromolithographic facsimile of an illustration by Henry Thomas Alkenfrom Memoirs of the Life of the Late John Mytton by Nimrod aka Charles James Apperley, Kegan Paul, London, 1900.

Christopher Crabtree in the Suds: "Dear, dear what can the matter be" 1807 Thomas Rowlandson In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-3, 5-6) and title page 59.533.1022(1).. Christopher Crabtree in the Suds: "Dear, dear what can the matter be". The Pleasures of Human Life. Thomas Rowlandson (British, London 1757-1827 London). 1807. Hand-colored etching. Longman, Hurst, Rees and Orme (London). Prints

Copenhagen House, James Gillray, 1757-1815, British, 1795, Etching, hand-colored, Sheet: 8 15/16 x 13 7/16in. (22.7 x 34.1cm)

unknown artist, The Inflexible Porter, a Tragedy, 1783.

The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Isaac Cruikshank, 1756-1810, British, Assassination-Versailles, October 6, 1789, 1790. Etching, hand-colored.

London, King, E., England, Seymour, Robert, The political bellman, Wellington recruits members for the new cabinet, The Duke of Wellington as town bellman with a bell in his hand recruits members for the new cabinet in the street, 1828. The king looks on from a window. On the left a poster is hung., cartoon, English cartoons, height 248 mm, width 355 mm, English, 1798 - 1836-04-20, print maker, printmaker, 1828 - 1828, paper, papier, etching, etchings, hand colouring, Work conception, after own design by, Publication (Event), Publication, British, publisher

The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edye, 1760-1802, Danish, 1786, Etching, hand-colored, Sheet: 11 3/4 x 17 5/8in. (29.8 x 44.8cm)

Les Invisibles en tête-à-tête (Tête-à-Tête with Poke Bonnets). Dated: c. 1805. Dimensions: plate: 20.4 × 25 cm (8 1/16 × 9 13/16 in.) sheet: 25.5 × 34.2 cm (10 1/16 × 13 7/16 in.). Medium: etching with publisher's hand coloring in watercolor on pale green laid paper. Museum: National Gallery of Art, Washington DC. Author: French 19th Century.

The royal exterior Anonymous. "The royal exterior". Water-loud colored. 1815.

Fatigues of the Campaign in Flanders. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1793. Dimensions: 345 × 492 mm (image); 351 × 498 mm (plate); 398 × 543 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

News / N ° 3 / -ouf! The cowdy skin I'm around there, I was driving out to eat! / - My little Guillaume, you see it it is plums! If you are striking at the nuclei.

Adventures of Mr. Mayeux, Faceties ... / No. 2. (Registered Title)

Check and Mate!!!. Monogrammist C.B. (French, 18th-19th century); printed by chez Martinet (French, 19th century). Date: 1817. Dimensions: 247 × 255 mm (image); 370 × 270 mm (sheet). Lithograph in black with hand-coloring on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

School for Modern Greeks May 10, 1802 Thomas Rowlandson In this seventh print of a group of eight, a young man raises a dice cup and prepares to throw. The title makes it clear that his success relies on cheating or "greeking," the accusatory gesture of the older man across the table a sign that he has been discovered. A coachman gnawing his whip at left seems ready to wreak revenge. Rowlandson etched this set after drawings by Willyams, a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson's characteristic elegance does not disguise the dark human impulses being satirized. Modern education, it is suggested, does little to teach self-control, wisdom or empathy.. School for Modern Greeks. A Compendious Treatise on Modern Education: Title and 8 plates. After James Brydges Willyams (British, Cornwall 1772-1820 Truro, Cornwall). May 10, 1802. Hand-colored etching. Thomas Rowlandson (British, London

Ah' let me Sire refuse it..., from Peter's Pension by Peter Pindar, Esq. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 7 9/16 × 9 15/16 in. (19.2 × 25.3 cm)Plate: 7 × 9 3/4 in. (17.8 × 24.8 cm). Publisher: George Kearsley (London). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable) June 25, 1791 Anonymous, French, 18th century French. La famille des Cochons ramenée dans l'étable (The family of pigs pulled to the stable) 398707

Royal extinguisher (The) : Or the King of Brobdingnag and the Lilliputians , Kings, Queens, Nobility, Politicians, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830. George Cruikshank (1792-1878). Prints and Drawings

Beckmann, Friedrich.

Sailors on Shore. Casting Anchor -2.. Artist: Peter S. Duval, American, born France, 1805-1886 After: James Queen, American, 1824-1877

James Gillray, 1757-1815, British, French Liberty - British Slavery, 1792. Etching, hand-colored.

Doctor O'Meara's Return to His Family After Preaching Before Royalty April 1, 1809 Thomas Rowlandson. Doctor O'Meara's Return to His Family After Preaching Before Royalty. Thomas Rowlandson (British, London 1757-1827 London). April 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Cartoon on the Dutch (no. 4), 1795/1814, Anonymous, After Isaac Cuikshank, 1814 print Three figures: Standing smoking man on the back, a screaming man, on the right a sleeping soldier on a chair. Part of a series of four French copies from 1814 of English cartoons from 1795 on the Dutch, who prefer to defend smoking and drinking than the national interest. print maker: Francepublisher: Paris paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). sleeping in chair - BB - out of doors

James Gillray, 1757-1815, British, The Bolgna Sausages or Opposition Flux'd, 1788. Engraving.

Etching - The death of the great Wolf James Gillray (1757-1815)

Cartoon on the Dandies in Bath; Comparative Anatomy - OR The Dandy Tribe. Cartoon with three Dandies in the Assembly Rooms in Bath. The middle has a donkey head. Two women watch them, right a tarts saleswoman. In the caption, the three types are characterized as a monkey, a donkey and a puppy.

Thomas Rowlandson, 1756-1827, British, Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century, 1801. Etching, hand-colored.

The brush, in 1803 The blossom, in 1803 ". Anonymous print.

A grumpy physician taking the pulse of an alarmed man. Coloured etching.

Preliminaries of Peace Published 1801 England. Hand-colored etching on paper . James Gillray

A Long Story reissued after 1828 After Henry William Bunbury. A Long Story. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). reissued after 1828. Hand-colored etching. Prints

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Merry company in front of an inn, Gerrit Grasdorp, 1661 - 1693, draughtsman: Gerrit Grasdorp, 1661 - 1693, paper, pen, brush, h 195 mm × w 312 mm

At Dinner November 5, 1792 Thomas Rowlandson. At Dinner. Different Sensations, No. 3. Thomas Rowlandson (British, London 1757-1827 London). November 5, 1792. Hand-colored etching and aquatint. S. W. Fores (London). Prints

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