Crucifixion Imagery

Artistic representations of the Crucifixion, capturing emotional and dramatic scenes with varying styles from different periods.

Tuscany Siena Montalcino S. Francesco7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bartolomé Maura y Montaner (Engraver and drawer) (After Velázquez, Diego Rodríguez de Silva y); Calcografía Nacional (Printer); Sociedad de Artistas / 'The crucified Christ'. 1875. Etching, Aquatint on wove paper; 1875. Etching, Aquatint on wove paper. Museum: Museo del Prado, Madrid, España.

Lazio Roma Albano Laziale S. Pietro0. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, capital. Post-medieval: Architecture, architectural sculpture, (15-16th century); sculpture, painting, wall painting, tapestry, coats-of-arms Antiquities: Sarcophagus Object Notes: Bibliographic information filed with original worksheets German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino S. Francesco7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica S. Francesco7. Hutzel, Max 1960-1990 Exterior views of the Baroque architecture of the church; interior views of the 15th-century painted altarpieces (ie. Madonna and Child with Saints, the Last Supper, the Crucifixion and the Deposition from the Cross), sculpture and decorative arts. Object Notes: Hutzel photo campaign date: March 19, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Croce in Gerusalemme75. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Canino S. Francesco3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mathis Gothart Grünewald 007 Matthias Grünewald (German, c. 1475/1480 - 1528 ), The Small Crucifixion, c. 1511/1520, oil on panel, Samuel H. Kress Collection

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio1. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sardinia Sassari Castel Sardo Cathedral0. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo06. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Viterbo Viterbo Palazzo Comunale. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

GASCO, Juan (16th century). Holy Face. c. 1513. Gothic art. Tempera on wood. SPAIN. CATALONIA. BARCELONA. Vic. Vic Episcopal Museum. Proc: SPAIN. CATALONIA. BARCELONA. Vic. Cathedral.

San Sebastián,. Museum: PALAZZO MANSI, LUCCA, ITALIA. Author: LUCA GIORDANO.

Umbria Perugia Norcia S. Giovanni8. Hutzel, Max 1960-1990 Exterior views of facade, flanks, and two portals; interior views of altars, ceiling, sculpture, crucifix, paintings, and ciborium. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni S. Margherita1. Hutzel, Max 1960-1990 Post-medieval: 1987, 73 photos Architecture (late 15th century), frescoes 1982, 28 photos Architecture, frescoes, painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Ussita Parrocchiale7. Hutzel, Max 1960-1990 Medieval: Architectural fragments. Post-medieval: Architecture, architectural sculpture, painting, fresco fragments, sculpture, sculptural fragments Object Notes: See article on site provided by Hutzel. Also see TCI, Marche, p. 529 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Camerino Museo Diocesano5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Zurbarán (Fuente de Cantos, 1598-Madrid, 1664). Christ on the Cross (ca. 1630). Oil on canvas. 214 x 143.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: FRANCISCO DE ZURBARAN.

Lazio Roma Ceri Parrocchiale, S. Felice Papa4. Hutzel, Max 1960-1990 Medieval: Architecture (with later alterations, and recently restored); cosmati pavement. Post-medieval: Frescos (16th century); paintings on canvas; carved stone shrine (1484) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Salvator Mundi by Diana, Benedetto (1460-1525)/ National Gallery, London/ ca 1510-1520/ Italy, Venetian School/ Oil on wood/ Renaissance/ 76,2x59,1/ Bible

Head of Christ. Artist: Style of Rembrandt (Dutch, 1650s). Dimensions: 16 3/4 x 13 1/2 in. (42.5 x 34.3 cm); with added strips 18 5/8 x 14 5/8 in. (47.3 x 37.1 cm).Rembrandt painted this subject a number of times; three examples, one described as "Een Christus tonie nae't leven" ("a head of Christ done from life," that is, from a model probably found in the Jewish quarter of Amsterdam), were cited in the 1656 inventory of the artist's possessions. Of the dozen bust-length portraits of Christ known today, only the small panel in Berlin is universally accepted, but several others are obviously the work of pupils. The present picture, which is sensitive both in conception and execution, must be either by Rembrandt or by one of his most gifted followers. The issue, as so often is the case, is complicated by the fact that the paint surface has been flattened and badly abraded. Museum: Metropolitan Museum of Art, New York, USA.

Umbria Terni Narni S. Margherita6. Hutzel, Max 1960-1990 Post-medieval: 1987, 73 photos Architecture (late 15th century), frescoes 1982, 28 photos Architecture, frescoes, painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Lazio Viterbo Viterbo S. Maria Nuova5. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Cerreto di Spoleto S. Giacomo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore88. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Francisco Bayeu / 'Head for the Figure of Christ'. 1771. Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Scene of martyrdom, by Onofrio Palumbo (active mid-17th century), oil on canvas, 218x138 cm.

The Resurrection, detail, Piero della Francesca, 1460's, Museo Civico, Sansepolcro, Tuscany, Italy, Europe

Abruzzo L'Aquila Celano Museum16. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

THORWALDSEN'S STATUE OF THE SAVIOUR. Karl Albert Bertel Thorvaldsen 1770 _ 1844 was a Danish sculptor of international fame, who spent most of his life in Italy (from 1789_1838).

Girolamo Galizzi da Santacroce (ca. 1480-1556). Italian Renaissance painter, active in Venice by 1503. The Trinity, 1533. Tempera on canvas (140 x 90,5 cm). Detail. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Girolamo Galizzi da Santacroce (ca. 1480-1556). Italian painter.

Lazio Sermoneta S. Francesco8. Hutzel, Max 1960-1990 Medieval: Architecture (13-16th century); fresco (13th century). Post-medieval: Altar, wood (late Baroque), wall painting (15th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

JIMENEZ, JUAN RAMON. ESCRITOR ESPAÑOL. MOGUER 1881-1958. OLEO DEL POETA, DEDICADO A RAFAEL A.ALMONTE, QUE SE CONSERVA EN SU CASA MUSEO DE MOGUER.

Copper engraving by Claude Mellan of the Veronica sweat cloth, created in 1649, showing detailed facial features, veil folds, and linear shading technique.

Tribute money by Titian, oil on canvas, circa 1516, 1488-1576, Venetian School, Germany, Dresden, State Art Gallery, 75x56

Saint Sebastiaan, Lucas van Leyden, 1508 - 1512 print Low Countries paper engraving St. Sebastian, tied to a tree or a pillar, is pierced by arrows

Saint Luke. Simon Vouet (1560-1649). Oil on panel, octagonal, 74 x 59cm.

R.Fruehauf d.Ae., Der Schmerzensmann - -

Saint Sebastian by Bergognone, Ambrogio (1453-1523) Private Collection Italy, Milanese school Oil on wood Painting Bible

Scheffer, Ary (n.1795-01-10-D.1858-06-15), head of Christ (main title), 1849. Oil on marouflaged paper on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

Umbria Perugia Massa Martana (environs) S. Maria in Pantano. Hutzel, Max 1960-1990 Exterior views of the Medieval architecture of the church: rose window, gothic portal, and tower. Interior views depict details of Medieval fresco fragments, columns and capitals, and a wooden crucifix. Antiquities: Roman gravestones used as altar bases, a Roman column used as a font, a reused historiated relief and frieze. Object Notes: Hutzel photo campaign date: May 28, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francisco Bayeu / 'Head of Saint Joseph'. 1769. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Pieta, 1550-1560, by Giulio Clovio (1498-1578).

Leiden, Seversz, Jan, Netherlands, Leyden, Lucas van, Christ on the Cross, Sheet from a book. Christ on the Cross, Mary on the right hand, John on the left hand. Lower part of woodblock is not printed., print, book illustration, prints, height 2500 mm, width 150 mm, Northern Netherlands, 1494-06 - 1533-08, print maker, printmaker, 1510 - 1514, first quarter 16th century, paper, woodcut, Publication (Event), Publication, publisher, 1517 - 1517

RIBERA, JosŽ (1588-1652). Martyrdom of St Bartholomew. 1644. Work from the Spanish gallery of Luis Felipe de Orleans at Paris. The plot flows the Golden Legend. Baroque art. Oil on canvas. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

SPAIN - La Huerta de Murcia (district) - MURCIA. Murcia (capital); Museo de Bellas Artes de Murcia; sala de la pintura del Siglo de Oro: "Ecce Homo" de B. E. Murillo (1670- 1680)

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche11. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study for the Head of Saint John 1842 Oil on canvas

Cristo, Carved and Painted, on Black Carved Wooden Cross. Dated: c. 1937. Dimensions: overall: 36.5 x 29 cm (14 3/8 x 11 7/16 in.) Original IAD Object: 13x15 inches. Medium: watercolor, gouache, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.

Corpus 17th century probably Spanish. Corpus. probably Spanish. 17th century. Ivory. Sculpture

The Pieta, Weyden, Rogier van der, 1440.

Alphonse Daudet. Dated: 1893. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Eugene Carriere.

Josef Abel black stone chalk head study referencing Raphael, using reddish tones and white heightening on blue paper, focusing on facial features and expression.

SUPLICIO CHINO - 1930 - OLEO/LIENZO - 220 x 110 cm. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. Santander. Cantabria. SPAIN.

Hercules and Cacus. Hercules has a large club on to cacus, lying on the ground in his cave.

Marches Macerata Castelsantangelo sul Nera S. Stefano5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Descent from the Cross. Artist: Master of the Holy Blood (Netherlandish, ca. 1520). Dimensions: Central panel, overall 36 x 28 1/2 in. (91.4 x 72.4 cm), painted surface 35 5/8 x 28 1/2 in. (90.5 x 72.4 cm); left panel, overall 36 x 12 3/8 in. (91.4 x 31.4 cm), painted surface 35 1/2 x 12 3/8 in.(90.2 x 31.4 cm); right panel, overall 35 7/8 x 12 5/8 in. (91.1 x 32.1 cm), painted surface 35 3/8 x 12 1/2 in. (89.9 x 31.8 cm).The Master of the Holy Blood, an uninventive and repetitive artist who appears to have been trained in Antwerp and to have settled in Bruges, takes his name from a Lamentation altarpiece in the Heilig Bloedmuseum, Bruges. The center panel of the present work is a late reflection of a lost but often copied Descent from the Cross by Rogier van der Weyden. To this essentially fifteenth-century composition have been added wings with individual saints that show the influence of the early-sixteenth-century Antwerp painter, Quentin Massys. There is in-painting al

Saint John the Baptist by Lorenzetti, Ambrogio (ca 1290-ca 1348) Statens Museum for Kunst, Copenhagen ca 1340 Tempera on panel 52,3x47 Italy, School of Siena Gothic Bible Painting

Head of Christ crowned with thorns, by Dieric Bouts the Elder (ca 1415-1475).

Campania Napoli Naples S. Lorenzo Maggiore255. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Panicale (Italy, Umbria, province of Perugia), Church of San Sebastiano. Perugino, Martyrdom of San Sebastiano, fresco, 1505. Detail

Abruzzo L'Aquila Sulmona Badia Morronese1. Hutzel, Max 1960-1990 Views of baroque interior under restoration. Most views are of fresco cycles from the life of Christ (14th century). All the prints in the Medieval section are views of the tomb of Restaino Caldora-Cantelmo (1412) in the gothic chapel, Cappella Caldora. S. Spirito German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Descent from the Cross. Butinone, Bernardino; Italian, c. 1450-before November 1510. Date: 1480-1490. Dimensions: Panel: 26 x 20.4 cm (10 3/16 x 8 1/16 in.); Painted surface: 25.6 x 20 cm (10 x 7 7/8 in.); With Frame: 30.5 x 25.4 cm (12 x 10 in.). Tempera on panel (poplar). Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Marble bust of Cosimo III de' Medici, Grand Duke of Tuscany (1642-1723) the penultimate Medici Grand Duke of Tuscany. Dated 18th Century

The Martyrdom of Saint Andrew. Artist: Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 11 1/4 x 7 5/8 in. (28.6 x 19.3 cm). Date: ca. 1595.This oil sketch on paper is the earliest surviving preparatory work for Otto van Veen's painting for the high altar of Antwerp's church of Saint Andrew, still in situ. Depicted is the crucifixion of the apostle Andrew, ordered by proconsul Aegeus, on horseback at right. Seated at left is his wife Maximilla, who had previously been healed by Andrew and would bury him after he expired on the characteristic X-shaped cross. Van Veen's altarpiece, which also includes three predella paintings, was commissioned in 1593 and completed in 1599. It counts among the first important commissions for a new altarpiece in Antwerp after Iconoclasm, and had an enduring influence on later Flemish artists, including Van Veen's most brilliant pupil, Peter Paul Rubens. Museum: Metropolitan Museum of Art, New York, USA.

John the Baptist / Filippino Lippi

Study for "Christ". Date: 1905. oil on canvas. Museum: Smithsonian American Art Museum.

Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. The return of the prodigal son, Ca. 1668. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.

Ecce Homo by Georges Rouault, 1871-1958, Germany, Stuttgart, Staatsgalerie

BELLINI, GIOVANI. PINTOR ITALIANO , 1426 - 1516 . " EL SALVADOR " , OLEO. JESUCRISTO . MUSEO BELLAS ARTES. SAN FERNANDO . MADRID. SFGP / © KORPA.

Antwerp, Galle, Theodoor, Straet, Jan van der, Cornelis (I), Icones Prophetarum Veteris Testamenti, Habakuk, The prophet Habakuk, in oval with Latin inscription. The prophet has his eyes turned upwards., print, prent, prints, height 179 mm, width 138 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1613 - 1613, paper, papier, engraving, engraving (printing process), 1523 - 1605-11-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

Piero della Francesca, Pietro di Benedetto dei Franceschi, also Pietro Borghese, born c. 1410 to 1420, buried 12 October 1492, was an Italian painter of the early Renaissance, here the painting The Resurrection, Historic, digitally restored reproduction of a 19th century original, exact original date unknown

Lucas Cranach the Elder, German (1472-1553), The Crucifixion with the Converted Centurion, 1536, oil on panel

Jean-François Bremond (1827-1868). "Sketch for the Saint-Jacques-Saint-Christophe-de-la-Villette church:" Jérémie ". Oil on canvas, around 1843. Museum of Fine Arts of the city of Paris, Petit Palais. 52011-6 Catholic, Chretian Chretian, Saint-Jacques-Saint-Christophe-de-la-Villette Church, sketch, biblical character, prophet, oil on canvas

RUNGE, Philipp Otto (1777-1810). The Great Morning. 1809-1810. Romanticism. Oil on canvas. GERMANY. HAMBURG. Hamburg. Hamburger Kunsthalle.

The Resurrection is a fresco painting by the Italian Renaissance master Piero della Francesca, painted around 1463-65. It was painted for the Palazzo della Residenza in the town of Sansepolcro, Province of Arezzo, region of Tuscany

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo85. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Paintings at The Louvre, Paris, France. (Editorial Use Only)

fine arts, Jesus Christ, painting, ""Der Schmerzensmann"", circa 1493, by Albrecht Duerer, (1471 - 1528), Pommersfelden, half length, imago pietatis, man, pain, wound, wounds, scourge, crown of thorns, Durer, religion, christianity, religion, suffering, rod, torture instruments, chest,

Portrait of Ludovico Ariosto, c. 1516, by Jacopo Palma il Vecchio, the Elder (1480-1528)

Hic est veré Salvator Mundi. prints, etchings, engravings, stipple engravings, works on paper

Théodule Ribot, Saint Sebastian, Martyr, c. 1865, oil on canvas.

'Stained Glass of Meÿers Brothers'. Switzerland, 1636. Dimensions: 37,2x25,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous master.

Saint Jerome (San Gerolamo), by Giovanni Serodine, 1620 - 1630, 17th Century, oil on canvas

José de Ribera / 'Saint Andrew', ca. 1631, Spanish School, Oil on canvas, 123 cm x 95 cm, P01078. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Nicolas Tzafouris (1440-1512). "Greek icon: Christ de Pitié (Créto-Vénitian school), 1480-1500". Museum of Fine Arts of the City of Paris, Petit Palais. 26320-15 Catholic, Christian Chretian, Christ, Greek school, Italian School, Greece, icon, passion, stigmata

The Two Marys Watch the Tomb (Les deux Maries observent le tombeau) James Tissot (French, 1836-1902). The Two Marys Watch the Tomb (Les deux Maries observent le tombeau), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 11/16 x 5 3/16 in. (19.5 x 13.2 cm). European Art 1886-1894

Angel, Duccio di Buoninsegna, tempera on panel, 14th century, Amsterdam, Netherlands.

Private Collection Warhol, Andy (1928-1987) The Last Supper 305x671 Bible 18959 Silkscreen ink on synthetic polymer paint on canvas Pop-Art

Italy, Umbria, Orvieto, Cathedral, Duomo Santa Maria Assunta, Opera del Duomo Museum

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra8. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francisco Sans Cabot / 'Saint Mark the Evangelist'. Ca. 1875. Oil on canvas. Museum: Museo del Prado, Madrid, España.

'Saint Jerome', 1644, Oil on canvas, 109 cm x 90 cm, P01096. Author: JOSE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JERONIMO (347-420).

Design for window in the Noordertransept in the Dom in Utrecht, c. 1878 - c. 1938 drawing cardboard. chalk brush

Kunst Bildende Kunst Arte Bienale Tourismus Reisen Italien Venedig 28.05.2024 Venedig Venezia Italien 60. Bienale arte 2024 60. Bieanale di Venecia Kurator Adriano Pedrosa BRA Motto Fremde überall The Museum of the Old Colony. 2024 Installation Pablo Delano Puerto Rico Foto Eberhard Thonfeld Venedig Venetien Italien *** Art Visual Arts Arte Bienale Tourism Travel Italy Venice 28 05 2024 Venice Venezia Italy 60 Bienale arte 2024 60 Bieanale di Venecia Curator Adriano Pedrosa BRA Motto Strangers everywhere The Museum of the Old Colony 2024 Installation Pablo Delano Puerto Rico Photo Eberhard Thonfeld Venice Veneto Italy

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