Cultural Textile Artifacts

Historical textile pieces, including ceremonial tunics and skirts, displaying intricate patterns and cultural significance from various regions.

Tunic, 600-1200, 40 3/4 x 38 3/16 in. (103.51 x 97 cm), Cotton, camelid fiber, Peru, 7th-13th century, In ancient Andean cultures including the Wari empire, clothing communicated much more than style; a ceremonial tunic like this was an object of great prestige. Its production required the cooperation of a large community of skilled individuals. Because it took so long to create, multiple weavers would often collaborate on a single piece. On close inspection, variations in weavers individual styles can be seen in the weave structure as well as the interpretation of the repeating pattern.

Tunic, 600-1200, 40 3/4 x 38 3/16 in. (103.51 x 97 cm), Cotton, camelid fiber, Peru, 7th-13th century, In ancient Andean cultures including the Wari empire, clothing communicated much more than style; a ceremonial tunic like this was an object of great prestige. Its production required the cooperation of a large community of skilled individuals. Because it took so long to create, multiple weavers would often collaborate on a single piece. On close inspection, variations in weavers individual styles can be seen in the weave structure as well as the interpretation of the repeating pattern.

Sin Mi (Woman's Funerary Skirt) Made 1850-1900 Laos. Silk and cotton, plain weave with supplementary patterning wefts; resist dyed; edged with cotton and silk, plain weave . T'ai Neua People

Machine-made openwork samples, Medium: cardboard, linen, silk, metallic Technique: linen embroidery with ground cloth dissolved Examples of embroidery on net produced by the Schiffli machine Metallic embroidery on net Machine-made openwork in imitation of hand-embroidered net Mostly floral and a few geometric patterns, some designs described as 'Spanish' Imitation hand-made filet Machine filet Imitation filet crochet Ploven (burnt-out lace) Fancy curtain lace made on the Levers machines Real filet (handmade) next to Machine-made filet Spotted curtain nets, made chiefly at Nottingham, England and Caudry, France., Samples of machine-made openwork and several examples of hand made lace mounted on boards. They imitate hand-embroidered net, crochet, or needlepoint. All are floral patterns plus a few of early 1920's geometric style., 'Embroidered net' produced by the Schiffli Machine., USA, ca. 1910, lace, Machine-made openwork samples

Skirt (), 1950s, 38 x 24 in. (96.52 x 60.96 cm) (selvedge as bottom edge), Cotton, silk, Laos, 20th century

Skirt fragment, Satin with warp pattern stripes and brocading; silk, metal; lined with linen, Deep coral pink satin with serpentines of silver-gilt leaves, small pink and coral flowers; set off by broad vertical stripes of dark brown warp ribbing with cherry-patterned guard-strips. Broad pencil-striped selvages with cloth outer edges with heavy silk warps. Lined with undyed glazed linen. Pocket. Rows of buttonholed coral silk loops across upper and lower part., France, Italy or Spain, 18th century, woven textiles, Skirt fragment

Fragment printed side with art-deco pattern, Wiener Werkstätte, c. 1910 - c. 1925 Fragment white silk printed black art decop pattern consisting of wide zigzag lines with geometric motifs in between. Vienna silk printing Fragment white silk printed black art decop pattern consisting of wide zigzag lines with geometric motifs in between. Vienna silk printing

Insertion for Cover Made 1575-1600 Italy. Linen, plain weave; embroidered in buttonhole, double hem, overcast back, overcast, and satin stitches; eyelet holes; cut and drawn thread work embroidered in buttonhole and hem stitches with needle lace fillings (including buttonhole and overcast bars, some decorated with woven picots, lace filling stitches, etc., some decorated with buttonhole picots and overcast edges) .

Long shawl in Grand Pivot, a small black reserve, made by Emile F. Hébert, whose initial H is woven in white in the center, Paris, around 1867. Galliera, fashion museum of the city of Paris. Chale long Kashmir, long chale, large pivot, black, notice, number 44 catalog, small reserve, silk

Embroidery sample for a mans suit 1800-1815 French. Embroidery sample for a mans suit 224654

Woman's blouse (Huipil), c. 2000-2006, 26 3/8 x 32 1/2 in. (66.99 x 82.55 cm), Cotton; supplementary weft patterning, Guatemala, 20th-21st century

Dress of oriental textile with multicolored embroidery. Dress of multicolored chewy cotton, decorated with flower drinks and ornament, lined with cotton.

Skirt, late 20th century, 33 x 27 13/16 in. (83.82 x 70.64 cm), Silk, metallic threads, cotton, Laos, 20th century

Chasuble early 16th century Italian. Chasuble 227430

Sample, Monte Carlo; Designed by Carl Krenek; Made for Wiener Werkstätte (Austria); Austria; silk

Dress of satin with ciselé velvel. A dress composed of fifteen fragments of silk with a scattering pattern of blue palmets on beige satin soil. The center of the dress, as well as the lining, is from blue satin. Lined by brown tinted gold galon. Note: Consists of galon: 2.3 cm, edge velvet 15 fragments, satin (center field).

Man's Tunic 17th-18th century () Aymara. Man's Tunic 318147

Textile Design with Alternating Rows of Palmettes Decorated with Lens Shapes Bordered with Pearls Separated By Undulating Vertical Scrolls of Ribbons 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of palmettes rendered with stipples of dark reddish-brown color decorated with two vertical lens-shapes of different sizes bordered by pearls, separated by vertical undulating scrolls of ribbons of light tan color over a light tan background with stipples of dark reddish-brown color. The larger lenses are of dark red color and the smaller lenses are of black color. The pearls are of white color with black outlines.. Textile Design with Alternating Rows of Palmettes Decorated with Lens Shapes Bordered with Pearls Separated By Undulating Vertical S

Mariano Fortuny (1871-1949). Delphos dress. Gray silk taffeta, yellow and red glass pearl, gold printed silk taffeta, belt in gold printed silk taffeta. Around 1919-1920. Galliera, fashion museum of the city of Paris. 101976-12 Haute couture, female mode, female model

Yellow silk dress with Dessin van Hanen, Chris Lebeau, c. 1900 Dress of natural -colored silk with a yellow -batot design of roosters. Signed: 5 Chris Lebeau. Netherlands silk Dress of natural -colored silk with a yellow -batot design of roosters. Signed: 5 Chris Lebeau. Netherlands silk

Parts of a Waistcoat Made 1775-1890 France. Silk, satin weave; embroidered with silk .

Shawl, Medium: linen Technique: needle lace with ground of loop & twist with loop & twist return, A long shawl with a pattern of large-scaled floral sprays at either end enclosed by elaborate swirling border pattern, interspersed by small sprays. The technique is commonly called Point de Gaze., Belgium, mid-19th century, lace, Shawl

Miniature Feathered Dress 12th-13th century Ica. Miniature Feathered Dress 312840

Embroidery sample for a mans suit 1800-1815 French. Embroidery sample for a mans suit 223120

Fon's Tunic, 20th century, 42 1/2 x 35 5/8 in. (107.95 x 90.49 cm) (image, sheet), Cotton; appliqué, Cameroon, 20th century

Embroidered Fabric for a Waistcoat front Made 1800-1815 France. Menís waistcoats, or vests, were worn with jackets and breeches; the design and color of the waistcoatís fabric usually contrasted with the matching suit. Because the waistcoat was worn under the jacket, its back was not visible and would be made from a cheaper fabric.. Silk, plain weave foundation; embroidered with silk threads in satin and stem stitches with borders worked in diagonal satin stitch; French knots .

Concept fabric dushala shawl stole embroidered wrapper India Copyright: xNirmalaxMishra/DinodiaxPhotox

Woman's blouse (Huipil), c. 1990, 10 7/16 x 40 5/16 in. (26.51 x 102.39 cm), Cotton; supplementary weft patterning, Guatemala, 20th century

Kimono for an unmarried woman, 1920 - 1940 Informal women Kimono with a pattern over the entire plane of partially placed rectangles behind all, the upper decorated with geometric motifs in squares, against a red background. Red silk with decoration in stencil pressure (girls). Lining of white and purple-brown cotton. Japan silk. cotton (textile) painting Informal women Kimono with a pattern over the entire plane of partially placed rectangles behind all, the upper decorated with geometric motifs in squares, against a red background. Red silk with decoration in stencil pressure (girls). Lining of white and purple-brown cotton. Japan silk. cotton (textile) painting

Embroidery sample for a mans suit or waistcoat ca. 1785-1815 French. Embroidery sample for a mans suit or waistcoat 224715

stitched set of arranged strips of fabrics workshop on sewing a patchwork scarf - stitched set of arranged strips of fabrics for the future silk shawl on white background ,property released Copyright: xZoonar.com/ValeryxVoennyyx 11698922 ,model released, Symbolfoto ,property released

detail of dutch lace embroidered by needle vintage knitting craftsmanship - detail of dutch lace embroidered by needle ,property released Copyright: xZoonar.com/ValeryxVoennyyx 6641600 ,model released, Symbolfoto ,property released

Womans Skirt

Front Half of a Vest, late 1700s. England, late 18th century. Embroidery, silk; overall: 58.4 x 25.4 cm (23 x 10 in.).

Theatrical costume 1868-1912 Japan. Theatrical costume. Japan. 1868-1912. Silk. Main dress

Turksih traditional woman scarf with some embroidery

Waistcoat front, Medium: silk, metal-wrapped silk, metal wire, paillettes, paste jewels Technique: embroidery using satin, stem and knot stitches on plain weave, Waistcoat right front panel with standing collar, straight hem edge, and pocket welts in ivory silk. Embroidered in twelve colors of silk floss, with metal-wrapped silk threads, coils of metal wire, sequins, and paste jewels. Overall tiny floral sprig, small-scale floral border at center front, and a design of a blindfolded Cupid being driven by a bird. Trimmed with four color woven silk fringe., France, 1780-95, embroidery & stitching, Waistcoat front

Embroidery vector Tatreez template, Palestinian fashion neck ornament

Embroidery vector Tatreez template, Palestinian fashion neck ornament

Young woman's blouse, early 20th century, 25 x 17 in. (63.5 x 43.18 cm), Cotton; painted, India, 20th century

Vest. Cut velvet, striped, launched, taffeta background, silk, back and lining, canvas, linen, glass pimples, tricolor striped paper background and shellfish inclusions and insects, around 1790-1800. Galliera, fashion museum of the city of Paris. 53917-12 Glass button, shell, detail, vest, insect, tricolor paper, ray, silk, taffetas, velvet

Skirt, from a two-piece set, 35 7/16 x 58 9/16 in. (90.01 x 148.75 cm), Cotton, silk, China

Fashion concept with scarf on white

Tunic, 20th century, 57 x 38 1/2 in. (144.78 x 97.8 cm) (irregular), Cotton; needlework, Niger, 20th century

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Skirt, 33 5/8 x 36 1/4 in. (85.41 x 92.08 cm), Silk, cotton, China

Traditional Inuit Clothing, Holsteinborg, Greenland, Sissimiut, Eskimo, Beadwork, Embroidery, North America

Traditional folkloric pattern from Belarus Belarus

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Skirt (KainKebat)

Pair of Sleeves, 1900-1925, a: L.46 x W.16-1/2 in.; b: L.46 x W.16-1/4 in., Cotton, silk (), sequins; needlework, Syria, 20th century

Black black coverage, around 1860. Galliera, fashion museum of the city of Paris. Accessory, blanket, lace, feminine, woman, pellet

Vest. Cibed white silk, embroidered with the past of polychrome silk threads: sowing and patterns on the current edge and pockets, between 1800 and 1815. Galliera, fashion museum of the city of Paris. Current edge, passage embroidered, hill, polychrome silk wire, vest, haute couture, masculine, male model, pattern, pocket, sowing, white silk, clothing

Dress (fabric detail). Shaped with purple silk with satin and patterned with knotted ribbons and flowers. 1891-1892. Galliera, fashion museum of the city of Paris. 56385-13 Detail, facon, foil, satin background, feminine mode, pattern, knotted ribbon, mauve silk, fabric, dress

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Skirt (KainKebat)

Flower and leave traditional embroidered neckline Vector Image

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Fashion concept with scarf on white

Mitaine van Zwarte Kloskant with C-Voluten and Roslingers, Anonymous, c. 1855 Mitaine van Zwarte Kloskant: Chantilly side. Model until just below the elbow and formed to the arm. The pattern consists of a large rose and a flower garland on the back of the hand and a few connected large C-volutes along the edge. Bloemlingers walk on the lower edge on the forearm and upper arm part. The lower edge consists of connected rosette flowers from which some smaller C-volutes spring in leaf shape. The motifs are made in netslag and are accentuated by contour threads. The motifs are connected by a tuler land. In the C-Voluten along the edge and the larger flowers, a decorative land has been used, a rose ground. All edges are finished with picots. Chantilly silk bobbin lace Mitaine van Zwarte Kloskant: Chantilly side. Model until just below the elbow and formed to the arm. The pattern consists of a large rose and a flower garland on the back of the hand and a few connected large C-volutes along th

Traditional Romanian embroidery vector design elment over white background

Skirt, China

texture of knitwear, ryazannye items of clothing. knitted fabric texture

The uniformed tailcoat of the Senator of the Congress Kingdom after Ignacy Miączyński unknown

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Woman's shirt, H.18 x W.17-1/2 in., Myanmar (Burma)

Lace lace

Concept fabric dushala shawl stole embroidered wrapper on white background India Copyright: xNirmalaxMishra/DinodiaxPhotox

Percale for an apron pattern made of figures of girls in traditional Russian garments unknown

Embroidery sample for a mans suit or waistcoat ca. 1785-1815 French. Embroidery sample for a mans suit or waistcoat 224706

Winter wool scarf. Brown cloth. Vector illustration

Anonymous. Underwear: pair of stockings, sky blue, rebruded, and encrusted with lace and embroidered with freshwater pearls. Silk and binche lace. Galliera, fashion museum of the city of Paris. 79124-29 Feminine, female lingerie, women's fashion, stockings, underlying

Stockings first quarter 19th century British. Stockings 175817

Skirt French 18th century

Embroidery vector Tatreez template, Palestinian fashion neck ornament

Two Dress Inserts Made 1780 France. Silk, warp-float faced satin weave; underlaid with linen, plain weave; embroidered with silk floss and silk ribbons in back, running, satin, stem and surface satin stitches; couching and French knots .

Woman's Coat early 19th century China. Woman's Coat 70305

Graphic, Fashion Dress Concept Graphic, Fashion Dress Concept Copyright: xZoonar.com/YogeshxMorex 5500483

pink hand drawn scarf in batik technique pink hand drawn scarf in batik technique with floral pattern ,property released Copyright: xZoonar.com/ValeryxVoennyyx 9672690 ,model released, Symbolfoto ,property released

Woman scarf isolated on the white background

Hand drawn watercolor ethnic t-shirt print template. Tribal vectorr pattern.. Ethnic Print

Woman's Blouse, 20th century, 15 1/2 x 19 1/2 in. (39.37 x 49.53 cm), Cotton; supplementary warp patterning, Myanmar (Burma), 20th century

Miniature Dress 12th-13th century Ica. Miniature Dress 312830

Coat, 41 x 50 in. (104.14 x 127 cm), Cotton, China

Neckline ethnic embroidery for woman. Necklace design for textile industry.

Cotton cardigan composed of four strips of lace -ups with openwork Margrits, C.I. Bosch Reitz-Teding van Berkhout, c. 1860 Cardigan of natural cotton with lace bobbins: English embroidery. Semi -circle -shaped model composed of four overlapping shell strips. The repeating pattern consists per strip of two rows of consecutive openwork Margrites, the rows of jumps and around the lower flowers are made, with five embroidered lobes per sculpt. The strips are not finished on the long and short sides and along the cut strip. Amsterdam cotton (textile). batiste Cardigan of natural cotton with lace bobbins: English embroidery. Semi -circle -shaped model composed of four overlapping shell strips. The repeating pattern consists per strip of two rows of consecutive openwork Margrites, the rows of jumps and around the lower flowers are made, with five embroidered lobes per sculpt. The strips are not finished on the long and short sides and along the cut strip. Amsterdam cotton (textile). batiste

Women Maru Obi with motifs from Hagoromo. Belt of silk brocade for a formal kimono (Maru obi) for a woman, with an ornament over the entire area of different attributes from the NO play Hagoromo ('the plumage'): a headdress with a hay-bird, waves, pine and a butterfly. Cream white silk with brocade textured decoration (Nishiki).

Embroidery Tatreez pattern, Palestinian fashion vector ornament

Habit à la disposition. Culture: Italian. Date: 1780-90.The shimmering silk has been embroidered à la disposition, that is, following the contours dictated by the projected application, and is ready to be cut and sewn into a gown and petticoat. Two side skirt panels (a detail of one is pictured), a single petticoat panel, and a length of yardage for the skirt back, bodice, and sleeves are all sumptuously worked with silk floss accented by tiny silver sequins to depict meticulously arranged ivory ribbon swags and abstract floral sprays in pinks and greens.Although clients could specify colors, applied decoration, and styling, more often a dressmaking workshop would provide a variety of already embroidered panels from which the customer could select. Needlework designs, often adapted from pattern books, were transferred to the textile by pouncing, dusting over a pricked cartoon to leave dotted guidelines. The resulting dots were traced with ink for permanence during working. The open

Dress Flounce Made 1860-1869 Belgium. Cotton, needle lace of a type known as Point de Gaze .

Woman's Stomacher. France or Italy, circa 1775. Costumes; principal attire (upper body). Silk plain weave with weft-float patterning, silk lace, silk plain-weave ribbon, silk passementerie, silk fly fringe, and glass bead trim

Woman's Overskirt Made 1801-1900 Democratic Republic of Congo. Raffia, plain weave; pieced; embroidered in lateral looping, and stem and running stitches cut to form pile; couching; joined by pearl and trammed twisted buttonhole stitches; edged in lateral looping stitches . Kuba

Embroidery vector Tatreez template, Palestinian fashion neck ornament

Anonymous. Underwear: pair of stockings, with white and blue stripes, around 1890. Galliera, fashion museum of the city of Paris. 79126-5 Feminine, female lingerie, woman mode, pair of stockings, underlying, 19th XIXth 19th 19th 19th 19th century

Dress border early 19th century French. Dress border 224466

Anonymous. Underwear: pair of openwork stockings on feet top, 2 clippings at the top. Jersey of white and blue thread, between 1850 and 1899. Galliera, fashion museum of the city of Paris. 79126-9 Feminine, female lingerie, woman mode, pair of stockings, underlying, 19th XIXth 19th 19th 19th 19th century

Woman's blouse (Huipil), 20th century, 22 x 27 1/2 in. (55.9 x 69.9 cm), Cotton; embroidery, Guatemala, 20th century

Sample (Dress Trimming) Made 1815-1835 France. Cotton, plain weave; glazed; calenderized; qappliquÈd with cotton plain weaves, edged with cording covered with cotton, plain weave, glazed, calenderized; edged with cording covered with cotton, plain weave, glazed, calenderized .

Front for a gown unknown

Embroidery vector Tatreez template , Palestinian fashion neck ornament

Woman's garment (Kira), 20th century, 86 1/2 x 59 1/4 in. (219.71 x 150.5 cm), Silk, cotton, metallic thread; brocade, Bhutan, 20th century

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