Dance and Performance Art

Artistic representations of musicians, dancers, and theatrical figures, capturing movement and emotion in various styles, emphasizing dramatic and theatrical presentations.

Jacques Callot (1592-1635). "The whims, two seated characters. Fourth issue of the suite of 50 pieces engraved in Nancy" (Lieure 431, Meaume 775). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-10 Etching, engraving

Le Jouer de Violon (The Violin Player), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Jouer de Violon (The Violin Player), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

A gray brush and graphite drawing by Adriaen Pietersz. van de Venne showing a dancing begging female with a broken plate, executed with gray lavated brushwork.

L'homme au gros dos orné d'une rangée de boutons Man with a Large Back Ornamented with a Row of Buttons. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jacques Callot, Violinist, c 1622 Violinist

Dwarfs and a donkey, Stefano della Bella, 1620 - 1664 print A dwarf hits a donkey, a second dwarf is on the donkey and a third dwarf pulls the donkey ahead. (possibly) paper etching little people. ass, donkey. man tormenting animal(s)

Anonymous drawing of Riciulina and Metzetin, executed in pen with bister ink.

Scaramouche, cucurucu en Razullo, Anthonie de Winter, after Jacques Callot, 1668 - 1707 print Three characters from the Commedia dell'arte. Scaramouche left with a cat on his arm. In the middle cucurucu. Right razullo, balancing on one leg with a pince-nez () Print Maker: Northern Netherlands Publisher: Amsterdam paper etching Types in 'Commedia dell'Arte'

Heidegger, Johann Jakob.

Two fighting men with swords; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. Two men fight against each other with swords. The right straightens the left. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Jacques Callot (1592-1635). "The whims, two seated characters. Fourth issue of the suite of 50 pieces engraved in Nancy" (Lieure 431, Meaume 775). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-10 Etching, engraving

Soldier who carries his skewer horizontally on his right shoulder (no. 10), ca. 1600. a soldier, full, to the right, who carries a skewer (lance) horizontally on his right shoulder (no. 10), ca. 1600. His right hand to the skewer. This is the third act for lifting the skewer to the shoulder and wearing it horizontally. Plate 10 In the instructions for handling the skewer: Enseignment letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

The Enrollment of the Troops. Dated: c. 1614. Dimensions: plate: 21 x 28.8 cm (8 1/4 x 11 5/16 in.) sheet: 25.1 x 32.2 cm (9 7/8 x 12 11/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Anonymous drawing of the comic characters Razullo and Cucurucu, executed in pen with bister ink.

Procession through the Rederijkerskamer de Uglensen under the thorns from Noordwijk (first part), 1607; The entry of Noortwiick verthounts. Procession by the Rederijkerskamer de Uglensen under the thorns from Noordwijk, at the Rederijkersfeest from October 22, 1607 in Haarlem. First part: procession with the blazean carriers, tamboer, banquet carrier and two biblical figures.

Dwarf with two daggers, Jacques Callot, 1621 - 1625 print Dwarf, more or less seen on the left, with a bought back, a hat with two feathers on the head, in the right hand and a dagger in the left hand. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hunchback. hacking and thrusting weapons: dagger

Procession by the Brabantse Rederijkerskamer Het Lavenderblomken from Amsterdam (third part), 1607, 1607 print Procession through the Brabantse Rederijkerskamer Het Lavenderblomken from Amsterdam, at the Rederijkersfeest of October 22, 1607 in Haarlem. Third part: Procession with allegorical figures and some figures from the parable of the Merciful Samaritan, followed by the chief and the prince. Northern Netherlands paper engraving chamber of rhetoric (Dutch: 'rederijkerskamer'). festivities (+ parade, pageant, cavalcade ~ festive activities). the good Samaritan (Luke 10:30-37) Haarlem. Amsterdam

Copper engraving by Meister E.S. from the second third of the 15th century depicting the letter P.

Gentleman Viewed from the Front with Hand on Hips. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Fifth pair, Anonymous, After Christoph Murer, 1590 print paper letterpress printing bagpipe, musette

Le Commandant a Pied (The Commander on Foot), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Commandant a Pied (The Commander on Foot), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Man with a large basket on his head, from behind, 1649 drawing Zwolle paper. ink. chalk

Dwarf with schedule and sword, Jacques Callot, 1621 - 1625 print Dwarf, seen on the right side, with a boring back, playing a grid as if it were a violin, a hat with two feathers on the head, a sword on his left. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hunchback. one person playing string instrument (bowed). grill, gridiron ~ cooking food. hacking and thrusting weapons: sword

Le duelliste aux deux sabres The Duelist with Two Sabres. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Le Porte-Étendard (The Standard Bearer), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Porte-Étendard (The Standard Bearer), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Wood engraving, England, by Thomas Bewick.

Three standing figures, the front bears buckets.

The Oath of Horatii, print, harrow: engraving, etching, lithograph, Jurriaan Andriessen, 1752 - 1819, paper, ink, graphite (mineral), brush, h 87 mm × w 114 mm

Spear rider with open visor, Jacques de Gheyn (II) (workshop of), After Jacques de Gheyn (II), 1599 print A harnessed man on horseback, riding to the left, with open visor and with a spear or lance upright in the right hand (a spear rider). This print is part of a series of 22 numbered prints: a title print, 20 prints on which one or a few different types of (most harnessed) riders are displayed, and a print with a rider fight. print maker: Leidenprint maker: Netherlandspublisher: Leiden paper engraving warfare; military affairs (+ cavalry, horsemen). helved weapons, polearms (for striking, hacking, thrusting): lance

Arab woman, 1569 Arabische Vrouw Met Kind. Onderdeel van het kostuumboek getiteld 'of nearly the age of our attitude, never before this Aediti', Venetië 1569. Heruitgave shipped 1569 van de Eerste editie shipped 1563. paper engraving fashion plates Arabia

Gray brush and graphite pencil drawing by Adriaen Pietersz. van de Venne depicting a figure playing bagpipes. Focus on posture and musical instrument.

Illustration for the Lauenburg Genealogical calendar for 1780 Chodowiecki, Daniel Nikolaus (1726 1801)

Beggar with crutch and outstretched arms to the right, drawn in gray brush with graphite pencil by Adriaen Pietersz. van de Venne.

Joseph cup is found in Benjamin's bag.

Le Gentilhomme de Face, La Main Droite Sur la Hanche (Gentleman Facing Foward, his Right Hand on his Hip), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Gentilhomme de Face, La Main Droite Sur la Hanche (Gentleman Facing Foward, his Right Hand on his Hip), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Two shooting riders, A. Dufourcq, 1800 - 1900 drawing France paper. ink pen / brush battle (+ cavalry, horsemen)

Study sheet with three running figures. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 14-Feb-1650. Place: Zwolle. Measurements: h 86 mm × w 154 mm. Museum: Rijksmuseum, Amsterdam.

Etching by Stefano della Bella showing Death taking a countess and striking a noblewoman, created around 1633-1634 with pen technique.

Jacques Callot (1592-1635). "The whims, the two pants turning their backs. Thirty-fifth number of the suite of 50 pieces engraved in Nancy" (Lieure 462, Meaume 839). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-13 Etching, engraving

Procession of Monstrous Figures 1615 Wendel Dietterlin, the Younger German. Procession of Monstrous Figures 358467

Two seated men; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. On the left a Lord seated on a chair, seen on the right. On the right a man seated on a coffin or wall, writing, seen from the front. Both wear a hat. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Man with Sword. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Copper engraving by Sebald Beham from 1537 depicting a back-to-back dancing couple, showing figures, movement, posture, and clothing details.

Brush and graphite drawing by Adriaen Pietersz. van de Venne showing a lame female beggar slipping on ice with a toddler on her back, executed in gray wash and graphite, depicting figures, posture, and movement.

Hercules, Deianeira in De Centaur Nessos, c. 1617 - 1619 drawing Zwolle paper. ink brush

Amsterdam, Lons, Dirk Eversen, Dutch women's and men's costumes, 1622, Man with walking stick in a landscape, verso - stamped, In the foreground a standing man, seen from the front, stick in his left hand. He is dressed according to the bourgeois fashion of 1622. In the background a farm. No. 3 from a series of 8 prints with costumes of various ranks and classes., costume print, prints, A man, with a hat on his head and a walking stick in his hand, standing in a landscape. In the background a farm., height 86 mm, width 159 mm, 1600 - 1686, print maker, printmaker, 1622 - 1622, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher

Jacques Callot (1592-1635). "Les Caprices, the gentleman with a large coat seen from the front. Twenty-nine number of the suite of 50 pieces engraved in Nancy" (Lieure 448, Meaume 809). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99606-14 Etching, engraving

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm) and Sheet: 9 1/2 × 15 7/16 inches (24.1 × 39.2 cm)

Two residents of Arkhangelsk, 1726, 1726 print Two residents of Arkhangelsk, a woman and a man in a costume typical of the city, in the background a face on Arkhangelsk. Plate no. 453 in Part XVIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Northern Netherlandspublisher: Leiden paper etching folk costume, regional costume Sheet

Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Design of putti at play second half 19th century Jules-Edmond-Charles Lachaise French. Design of putti at play 388301

A couple in fashionable dress. Woodcut

Two children with sleigh, draughtsman: anonymous, Netherlands, 1700 - 1799, paper, pen, brush, h 100 mm × w 169 mm

Edouard Eckman after Jacques Callot, Standard Bearer, 1621 Standard Bearer

Peasant dance. Prints. 1900 - 1999. Jerome Robbins Dance Division. Dance , Germany , 16th century

Indians on a war solution. Getorganizing to the right. The beast is in step. Seven Indians sit on the elephant. Most have secured spears or bows. The print has a German caption and Latin inscription. Print originally from 'Equitum descripcio ...', 1577.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Forty-UNEth Plate (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Soldier who takes his musket from his shoulder (no. 3), ca. 1600. a soldier, full, to the right, which takes a musket (a certain type of firearm) from his left shoulder with his right hand (no. 3), Approximately 1600. In his left hand except the flask of the musket also a firecuter (musket fork) and a burning wick. Plate 3 In the instructions for handling the musket: Corte Undercury on the figuerliicke figure, so much aengaet the right ghebruyck vant musquet. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Costume Design: Youth and Diana for a Ballet, Lead pencil with additional pen and ink, bistre on paper, Horizontal rectangle. A: at left: A young man is shown frontally. He is crowned with a wreath. He is holding a dog on a chain. The raised right hand carries a bag (). Caption: 'Gioventu / Vestito di varii collori con Girlanda chi / fiorni di Marie sorte.', B: at right: the goddess is shown standing. Her head is crowned by a wreath with feathers. The left hand carries the bow, the right one a large arrow, surrounded by vines. Caption: 'queste deve servire Par Dianna.', Modena, Italy, ca. 1720, theater, Drawing, Drawing

Do Not Wear a Tight-Fitting Ring' fol. 23 recto, c. 1512/1515, Speculum principis (Mirror for Princes), pen and brown ink with watercolor on laid paper, overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.), French early 16th Century (artist)

Jacques Callot, Gentleman in Large Mantle, Seen from Behind, c 1622 Gentleman in Large Mantle, Seen from Behind

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), eight Indians with parasols, Basque drums and flowers. Thirteenth number of a suite of 18 pieces. First number of 6 pieces constituting the third entry (A. de Vesme 1130. Dutuit 103) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

"The Heruli, also descended from the Goths, came from the north, established themselves to the west of the Danube, and founded an empire that was, like the Gepides, destroyed by the Lombards.". "One notices that the clothes of the Heruli (7) were common to many other barbarian peoples, but this contrasts greatly with the workmanship seen in the helmet and the sword hilt.". "Fig. 8 shows a Briton taken from Speed, A Collection of the Dresses of Different Nations, 1772. Under Agricola, the Britons took the manners and customs of the Romans, and dressed in the manner of that nation." . Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Master of the Amsterdam Cabinet, Germany, Saint Sebastian with archers, verso center right - stamped, Sebastian tied to column, two archers preparing to shoot., print, prent, prints, height 129 mm, width 192 mm, print maker, printmaker, 1475 - 1480, fourth quarter 15th century, paper, papier, drypoint, dry needle, Work conception, after own design by

Allegory on human eyesight; Chi Gli Vede. / Chi Non Gli Vede. / Chi Non Gli Vuol Vedere. An allegory on vision and the lack of this, depicts through five figures. They imagine those who see those who don't see and those who don't want to see. On the left a woman, with a mirror in hand, standing for the vanity and volatility of the human appearance. In the middle a blind beggar that is supervised according to the caption by the even blind fortune. On the right a young love couple whose woman offers money to her older husband with the request to squeeze a corner to her amorous escapade. Italian verse in three columns under show. Italian title above show.

Title print for the second edition of the series landscapes after Esaias van de Velde. The first edition of publisher Berendrecht counted a total of fourteen landscapes. Publisher Visscher added two prints to the series and sometimes changed the numbering., Title print with tools for editing the land Landscapes after Esaias van de Velde (title series), Esaias van de Velde, (mentioned on object), print maker: anonymous, publisher: Claes Jansz. Visscher (II), (mentioned on object), 1610 - 1617 and/or 1617, paper, etching, engraving, h 58 mm × w 102 mm

Woman in a Large Dress. Jacques Callot (France, Nancy, 1592-1635). France, 1617. Prints; etchings. Etching

Two dwarfs and two studies of dog and Kop van Leeuw, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1751 - 1755 print paper etching little people. dog

The Dance on Dun-Can (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 9/16 × 11 9/16 in. (26.9 × 29.3 cm)Plate: 10 7/16 × 10 13/16 in. (26.5 × 27.5 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Malcolm D. McLeod. Date: May 15, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer, The Peasant Couple Dancing, 1514, engraving on paper.

A 1546 copper engraving by Sebald Beham depicting scenes representing the end of the year, including figures, seasonal activities, and attire.

Les Deux Pantalons se Regardant (Two Men in Pantsuits Looking at Each Other), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Les Deux Pantalons se Regardant (Two Men in Pantsuits Looking at Each Other), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Quel fichu temps pour battre le rappel , Emperors, Nicholas I, Emperor of Russia, 1796-1855. Honoré Daumier (1808-1879). Lithographs

Depiction by Pieter Jansz. Quast of a scene with four creditors interacting, drawn with graphite pencil and gray brush on parchment, showing dirt and slight rubbing.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Residents of Potosi, 1726; Potosi; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. Man and wife of Potosi in Bolivia, dressed in local costume, in the background the Cerro Rico (rich mountain), a windmill and the city. Plate No. 504 in Part XX of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war.

Amsterdam, Savery, Salomon, Netherlands, Scheyndel, Gillis van (I), Genre scenes, Broot Rot, Man with knapsack, verso - stamped, A man with a knapsack walks along the waterfront. On the river a boat and on the other side a hilly landscape with houses. The print is part of a series of 32 prints with genre scenes., print, prints, height 54 mm, width 44 mm, Northern Netherlands, 1595 - 1660-12-24, print maker, printmaker, 1638 - 1638, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1594 - 1683-10-16, publisher

Les Peches Capitaux (The Seven Deadly Sins): LAvarice (Covetousness). Artist: Jacques Callot, French, 1592-1635

Hans Baldung's 1505 colored woodcut depicts the scourging of Christ, highlighting figures, posture, and narrative detail.

Otniël en ehud, 1643 print The judges Otniël and Ehud. In the background, Otniël conquers the city of Debir. Under the representation of Otniël a reference to the Bible text in Re. 3: 9 and an explanatory text in Latin, which states that he received Achsa as a woman for this victory. On the right in the background, Ehud Koning Eglon of Moab kills him by putting a sword into the belly. Under the presentation of Ehud also an explanatory text in Latin and a reference to the Bible text in Ri. 3:15. This print is part of an album. Amsterdam paper engraving Othniel conquers Debir, and receives Caleb's daughter Achsah to wife. the left-handed Ehud stabs the fat Eglon with a dagger in the belly and kills him

Dry Nurses Various artists/makers July 21, 1838 View more. Dry Nurses. HB Sketches, No. 551. John Doyle (Irish, Dublin 1797-1868 London). July 21, 1838. Lithograph. Thomas McLean (British, 1788-1875). Prints

Roman military aquilifer or signifer (standard-bearer) with the aqulia or signum (standard) of the legion, trumpeter and horn player, all wearing lion heads and carrying swords (gladius). Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1798).

Allegorical representation: a nude boy with painter's attributes, palette, brushes and painter's stick, restraining a rearing horse at the reins, nude boy with painter's attributes, nude boy with painter's attributes, draughtsman: Jan Moninckx, 1600 - 1699, paper, pen, brush, h 153 mm × w 192 mm

November. De twaalf maanden van het jaar (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 139 mm × w 93 mm. Museum: Rijksmuseum, Amsterdam.

Footsoldier with Halberd. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 9 1/2 × 7 5/16 in. (24.2 × 18.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot (1592-1635). "The whims, two characters seated. Fourth issue of the suite of 50 pieces engraved in Florence" (Lieure 217, Meaume 774). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-9 Etching, engraving

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: seventeenth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Dwarf with bottle and glass, Jacques Callot, 1621 - 1625 print Dwarf, seen from the front, a top hat with two feathers on the head, in the right hand a bottle, a glass in the left hand. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. container of glass: bottle, jar, vase. bottle of wine. glass, rummer. glass of wine

Gentleman Viewed from the Front with Hand on Hip. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Jacques Callot, Peasant with a Cup, c 1617 Peasant with a Cup

Cod. 11093, fol. 4v: Book on Swordsmanship and Wrestling Full page: fencing scene; pen and brush drawing, Southwestern Germany, mid-15th c.

Caricature of a flute man, François Collignon, after Stefano della Bella, 1620 - 1687 print print maker: Franceafter design by: Italypublisher: Paris paper etching caricatures (human types). adult man. transverse flute - CC - out of doors

Italy, Raphael, Veneziano, Agostino, Dancing satyr and maenads, verso - stamped, A satyr and two maenads walk dancing to the right. In the middle the satyr plays the aulos (double flute), his forehead wreathed with ivy. On the left and right the two dancing maenads., print, prent, prints, prenten, height 175 mm, width 270 mm, Italian, 1490 - 1536, print maker, prentmaker, 1516 - 1516, paper, papier, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, intermediary draughtsman

Soldier, from the front, seen, who holds his skewer with both hands upright for himself slightly above the ground (no. 16), ca. 1600. A soldier, for feet, which is a skewer (lance) with both hands upright Solidifies above the ground (no. 16), approx. 1600. This is the second operation for placing the skewer on the ground. Plate 16 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant rivese truck, from all T'Ghene a Soldaet Int acting from the Spies Noodich is. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Jacques Callot, The Drinker, Back View, c 1622 The Drinker, Back View

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

The Muse of Poetry. Dated: 1634. Dimensions: plate: 10.3 x 15.8 cm (4 1/16 x 6 1/4 in.) sheet: 10.9 x 17.3 cm (4 5/16 x 6 13/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Farmer and pipe smoking man, François Joseph Pfeiffer (II), 1793 - 1835.

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