Decorative Architectural Designs

Etchings of intricate ornamental details for architectural elements, including candelabras and vases, emphasizing style and decorative aesthetics.

Arabsken puts Vazen in Meerminnen, Laurent Guyot, After Etienne de Lavallée-Pousin, 1788 print Arabic and vases surround a vase with flowers and saters and a vase with mermonry. after drawing by: Romepublisher: Paris paper etching ornament ~ arabesque. vase ~ ornament. merman - AA - mermaid, siren

Kandelaar met guirlandes, anonymous, after Jean François Forty, in or after 1775 print An ornamented five -armed candlestick with flowers and garlands. France paper etching Chandelier, a candlestick. ornament ~ Festoon, Garland

Small Drinking Goblet Artist's working dates 1592-1618 Germany. Dotted engraving on cream laid paper . Paul Flindt

Cartouches Nouvellement Inventez par J.B. Toro. Designer: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: Plate: 12 13/16 × 7 3/4 in. (32.6 × 19.7 cm)Sheet: 15 15/16 × 11 5/16 in. (40.5 × 28.7 cm) irregular edges. Etcher: Charles Nicolas Cochin I (French, Paris 1688-1754 Paris). Publisher: Jacques-Nicolas Le Pas Dubuisson (French, 1663-1733). Date: 1716. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Clock 18th century Anonymous, French, 18th century French. Design for a Clock 351505

Design for Hanging Vase or Lamp 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for Hanging Vase or Lamp 389600

Print, Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels); Designed by Bernhard Zan (Germany, active ca. 1580); Germany; punch engraving, pen and black ink, graphite on cream laid paper; Sheet: 29.5 x 18.4 cm (11 5/8 x 7 1/4 in.) Platemark: 23.2 x 15.5 cm (9 1/8 x 6 1/8 in.)

Arabsken puts Vazen in Meerminnen, Laurent Guyot, After Etienne de Lavallée-Pousin, 1788 print Arabic and vases surround a vase with flowers and saters and a vase with mermonry. after drawing by: Romepublisher: Paris paper etching ornament ~ arabesque. vase ~ ornament. merman - AA - mermaid, siren

Upper part of a jar, consisting of a cuppa and a high lid; Visirung Buch (...); Lid of a jar. The decoration of the Cuppa consists of a cartouche with a landscape surrounded by curling work and mascarons. Leaf from a series consisting of a title page and 35 sheets.

Print, Design for a Lectern; Print Maker: Charles Nicolas Cochin the younger (1715 - 1790); France; etching on paper; 28.4 × 16.7 cm (11 3/16 × 6 9/16 in.)

Pre-bow for the House of W. Hurgonje, 1751; Pre-bow standing in front of the house of Mr. Willem Hurgonje Board and former bars. Pre-bow applied for the house of Willem Hurgonje, a council and old vessels of Vlissingen, in honor of the cityholder's visit. Illustration in the book about the inauguration of Willem IV as the Heritage of Vlissingen on June 5, 1751, p. 54/55.

Daniel Mignot, Large Pendant, Victory Flanked by Two Herms at Centre, 1596 Large Pendant, Victory Flanked by Two Herms at Centre

Girandole places garlands; 26th notebook bb notebook of 6 girandoles and fireplace arms; The volume of the work of J. Ch. Delafosse (...). Een Geornamenteerde Driearmige Girandole Met Bloemengirlands.

Design for a candlestick (No. 6), Abraham Meertens, 1767 - 1823 drawing paper. pencil brush sconce, wall lamp

Cartouche with children's head at the top; Cartouches in role frames with grotesken, garlands and mascarons.

Design for a Compote Dish. Artist: Anonymous, French, 19th century. Dimensions: image: 10 3/8 x 6 5/8 in. (26.3 x 16.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Candlestick; Italy; graphite support: white wove paper; 43.3 x 23.9 cm (17 1/16 x 9 7/16 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Cartouches Nouvellement Inventez par J.B. Toro 1716 Jean Bernard Toro French. Cartouches Nouvellement Inventez par J.B. Toro 626568

Chandelier with four candles, print maker: Eduard Niermans, (signed by artist), Paris, 1887, paper, etching, h 279 mm × w 198 mm

Plaque. In the middle an oval medallion containing a representation of the return of the lost son. Above it kneels a man for a woman, between them capable of a violin man. Print of an engraved plaque.

12 plates from 'A New Book of Ornaments with Twelve Leaves Consisting of Chimneys, Sconces, Tables, Spandle Panels, Spring Clock Cases, Stands, a Chandelier and Girandole, etc.'. Designer: Designed and published by Matthias Lock (British, London ca. 1710-ca. 1765 London); Designed and published by Henry Copland (British, ca. 1706-1753). Dimensions: 14 11/16 x 10 13/16 x 3/16 in. (37.3 x 27.5 x 0.4 cm). Published in: London. Date: November 13, 1752. Museum: Metropolitan Museum of Art, New York, USA.

Sketch for a Nameplate for Edward D. Adams 1892 Alphonse Legros. Sketch for a Nameplate for Edward D. Adams. Alphonse Legros (French, Dijon 1837-1911 Watford, Hertfordshire). 1892. Pen and brown ink, graphite. Drawings

Print, Vase en plomb bronzé de la piece de Neptune à Versailles; Print Maker: Marie Michelle Blondel (French, active mid 18th century); Published by François Blondel; France; etching on laid paper

France, Mariette, Pierre (I), Zuccaro, Federico, Firens, Pierre, Cartouches in scrollwork frames with grotesques, garlands and mascarons, Cartouche in the form of a broken pediment, In the middle below hangs a cherub between bunches of fruit., print, ornament print, prints, ornament prints, height 154 mm, width 186 mm, South Netherlands, French, 1580 - 1638-12-24, print maker, printmaker, 1613 - 1657, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, 1541 - 1609-07-20, after a design by, Publication (Event), Publication, 1596 - 1657, publisher

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Various inventories and delineations of Giovanni Giardini da Forlì, Various church objects, Fountain with dolphins and tritons on hippocampuses, verso - stamped, Numbered top left: no. 86., print, ornamental print, prints, ornamental prints, height 269 mm, width 175 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Drawing, Design for pendant; Italy

Twee ornament voorstellingen.Two performances on a leaf. Upstairs: a terrine surrounded by Guirlandes. Below: a shell flanked by putti.

Print

Cartouche awarded by skull with Tiara, Gabriel Huquier, after Jacques de la Joue (II), c. 1710 - c. 1772 Cartouche crowned by skull with Tiara. The cartouche is further surrounded with stab weapons, a scythe and smelly torches. Part of a series of twelve numbered ornament prints. paper. rope etching / engraving ornament derived from plant forms. ornament derived from animal forms

Cartouche with lion's head at the top; Cartouches in role frames with grotesken, garlands and mascarons.

unknown architect, plaque. Monthly competition January 1879 (01.1879): front view. Pencil watercolor on the box, 81.2 x 54.5 cm (including scan edges) N.N. : Gedenktafel. Monatskonkurrenz Januar 1879

Wall panel with oval list resting on mask; Livre de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal. A landscape is depicted in the list.

Double cart shower between leaf refrences; Cartouches. The upper cartouche has been awarded a mask that has a banderole between its jaws. From series of 12 sheets.

Cartouche with violin; Ut cantet tibi gloria mea; Eight cartouches. A cartouche with a violin, a banderole with text and on top of a skull with feathered helmet.

Vaas puts Arabesken, just Nathan François Boucher, 1752 - 1782 print A vase with flowers surrounded by arabesken. Paris paper etching ornament ~ arabesque. flowers in a vase

Bound Print, Frame with Mascaron and Fantasy Crown; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 27 × 17.5 cm (10 5/8 × 6 7/8 in.)

Drawing, A Candelabra for a Cardinal; Italy; pen and ink, brush and wash on paper

Design for a Necklace and earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, green watercolor, traces of graphite Support: cream-colored laid paper, mounted, possibly Siena, Italy, ca. 1755, jewelry, Drawing, Drawing

Ornament met mascaron en Ornamenteel cartouche met ondergaande zon.Two performances on a leaf. Above: ornament with women's mask and two winged woman figures. Below: a man behaves the setting sun in rapture. Above the show the motto: Coeli Enarrant Gloriam dei.

Stotz Paul (1850-1897), wall fountain and chimney intent (without a year): View. Ink on paper, 58.8 x 42.8 cm (including scan edges)

Design for a candlestick (no. 5) ..

Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads 1743-97 Sir William Chambers British, born Sweden. Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads 362935

Design for a chandelier ca. 1750 Anonymous, French, 18th century French. Design for a chandelier 389909

Design for a Cartouche, Gabriel Huquier, 1705 - 1772 print Design for a cartouche consisting of flowers, tendrils and leaves. paper etching ornament ~ cartouche

Design for a covered vase ca. 1815-17 Thomas Fletcher American. Design for a covered vase 362806

Ornament with Terrine with Kroon, Bernard Picart (workshop of), 1683 - 1733 print Amsterdam paper etching / engraving ornament derived from objects

Girandole puts Vaaas; 26th notebook bb notebook of 6 girandoles and fireplace arms; The volume of the work of J. Ch. Delafosse (...). An ornamented Bushy Girandole with a vase and snakes.

Design for a Frame 1750-88 Johann Oktavian Salver German. Design for a Frame 335803

Design for a Gas Lamp and Candelabrum, Brush and watercolor, gouache, pen and blue ink over graphite on tracing paper, This drawing depicts a candelabrum and gas lamp consisting of a tall-necked porcelain vase in a floral design. The vase is mounted on a gilt-bronze tri-footed base, with putti flanking a coat-of-arms surmounting a female mask. Twenty candle arms encircle the gas lamp., France, ca. 1855, lighting, Drawing, Drawing

Wandtafels, Anonymous, after Franz Xaver Habermann, 1731 - 1756 print Front and top view of two wall tables with fantasy animals and rocaille ornaments. Print number 360. Augsburg paper etching / engraving table. rocaille ornament

Design for a coupe. .

Standing women with vases, Unknown, After Juste Nathan François Boucher, 1752 - 1782 print Two women are under a vase with arabesks and a vase with flowers, two vases with flowers next to them. Paris paper etching ornament ~ arabesque. standing figure - AA - female human figure. vase ~ ornament

Netherlands, Letter of greeting with twelve months, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with personifications of the twelve months of the year., print, folk print, letter of greeting, prints, folk prints, height 415 mm, width 321 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, papier, etching, etchings, print maker, printmaker

Drawer Pull. Dated: c. 1936. Dimensions: overall: 30.1 x 23 cm (11 7/8 x 9 1/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Janet Riza.

Depicts a dancer in a Reifrock by Dagobert Peche, created as a woodcut on Japanese paper between 1920 and 1921, showing posture, costume, and movement.

Design for Kandelaber, c. 1830 Design for a, gilded bronze five-armed candelabria, gilded, gilded. France paper. graphite (mineral) brush Chandelier, a candlestick

The excess of the eagle from the facade of the Zygmuntów chapel in the Wawel cathedral. Board from the unpublished portfolio Eagles Łepkowski, Ludwik (1829 1905), Cercha, Stanisław (1867 1919)

Candlesticks and chandelier with Minerva and Keizer, Anthonie de Winter, 1696 - 1717 print Three prints on a leaf. Left: a two -armed wall candlestick with a bust of Minerva. Middle: a chandelier with semi -figures and a sitting Minerva. On the right: a two -armed wall candlestick with two chained Islamic prisoners of war or slaved men and a bust of a emperor. These men can be recognized as Muslims by the typical hairstyle (head except for a bare shaved). Amsterdam paper etching / engraving chandelier, candelabrum. (story of) Minerva (Pallas, Athena). emperor. slavery; serfs and the enslaved. prisoner of war (after the battle)

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Berthault, IIe Volume De l'Oeuvre de J. Ch. Delafosse, 25e Cahier AA Cayer de 6 Grilles de Chenets et de Feux de Cheminées, Fire-dog with helmet and shields, verso - stamped, An ornamented fire-dog with a helmet, shields, weapons and garlands., print, engraving, printmaker, 1771 - 1771, paper, etching, etchings, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Crowned Cartouche, Jean Duvivier, 1712 print A crowned cartouche with leaf and floral motifs, a shell motif and Garlande. Paris paper etching / engraving ornament ~ cartouche. crown (symbol of sovereignty)

Sheet from series with cartouches. Eleventh print from a series of twelve with copies to a series with cartouches. Cartouche decorated with garlands of leaves. At the bottom is a small shield. A banderole on cartouche.

Wilkinson Tracing, Design for a torchere, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Plan and Elevation of a Console Table, Plate 4 from 'Premier Cahier de Meubles et d'Ebenisteries,' Parte V, Cahier E, Richard de Lalonde, French, active 1780-96, Augustin Foin, French, 1726 - ca. 1759, Engraving on paper, Plan and front elevation of a three-legged console table, with four objects on it. Decorated with garlands and acanthus leaves. Below, engraver's and designer's names. From 'Premier Cahier de Meubles et d'Ebenisteries,' Parte V, Cahier E. planche 4., France, ca. 1780, Print, Print

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Cartouche with winged female figures and bunches of fruit, verso - stamped, A cartouche with winged female figures in the edge that merge into ornament. At the bottom of the cartouche hang four bunches of fruit. The print is part of an album., print, picture, album sheet, ornamental print, prints, pictures, ornamental pictures, height 250 mm, width 167 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, etching, etchings, Publication (Event), Publication, Italian, publisher

Cartouche with mask and horns of plenty; Cartouches. Cartouche awarded a mask with a shell-shaped head cover between two horns of plenty. There is a shield at the bottom. From series of 12 sheets.

Cylindrical lidded cup with dancing hares, a round lidded cup with Christoforus and a ship on the lid, and a drinking horn with hunting motifs, draughtsman: Franz Jakob Kreuter, (workshop of), München, c. 1835 - c. 1860, tracing paper, pen, h 302 mm × w 452 mm

Design for a Chandelier ca. 1770-90 Anonymous, French, 18th century French. Design for a Chandelier 345873

Man in boot, Robert Cooper (possibly), after Jean Baptiste Pillement, 1755 - 1775 print In a water landscape there is a man in a boat with a shelter. Rocaille elements on the bottom. Paris paper etching standing figure. boat propelled by man or animal

Ceiling with eagles, Jean Berain (Le Vieux), 1670 - 1678 print An ornamented ceiling with a rosette with laurel wreath in the middle. GUIRLANDES with miter and scepters flank the rosette. At the bottom and top, two eagles are on horns of abundance on either side of a female half figure with a fruit basket on the head and crowns in her hands. In the four corners of Acanthus vranks with rams heads. paper engraving (decorated) ceiling. predatory birds: eagle Louvre Museum

Design for a Chalice with Acanthus and Shell Decoration 1652-1725 Giovanni Battista Foggini Italian. Design for a Chalice with Acanthus and Shell Decoration. Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). 1652-1725. Pen and brown ink, brush and brown wash, over traces of black chalk

Decoration of an Arched Portal, Carlo Marchionni, Italian, 1702-1786, Graphite, black crayon, brush and gray watercolor on laid paper, The upper part of an arch, inside contains an applied escutcheon, supported by two angels. Sitting upon the arch at left, Wisdom,” at right Hope.” Above, an escutcheon with a sketch representation, perhaps the death of the Virgin. On top are clouds with cherubim and an angel, supporting a branch with three burning candles. Two other candles are supported by branches growing out of the volutes., Italy, 1750-55, architecture, Drawing, Drawing

Plate 3, from a series of designs for locksmith's ornament, Antoine Jacquard, French, active 1616 - d. ca. 1640, Engraving on laid paper, A vertical rectangle showing symmetrical grotesque design. At top, a pair of satyrs with clubs strike a behooved figure with two shields. Below, an architectural framework with a frieze of flora and fauna, and an owl in flight., France, 1615, albums (bound) & books, Print, Print

Print, Page Three from "Second Licre Contenant Differens Desseins de Pendules Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.4 × 27.9 cm (16 5/16 in. × 11 in.); 1959-85-9

A seemingly eye-catching rectangular frame suspended from a bow, with alternative left and right solutions for detailing the profiles, draughtsman: anonymous, France, c. 1710 - c. 1785, graphite (mineral), drawing, brush, h 329 mm × w 196 mm

Page Six from 'Quatrieme Livre Contenant Des Montans où Pilastres Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier', Gilles-Marie Oppenord, French, 1672-1742, Gabriel Huquier, French, 1695-1772, Etching on paper, Three 'candelabra-like' arrangements of various motifs, characterized by, first: a putto with a banner carried by a herm; second: figure of Time supporting a portrait medallion; a female herm supporting a putto with war trophies (third). Inscribed, upper left: 'D'; upper right: '6'; lower left: 'Oppenort inv.'; center: 'Avec privilege du Roi'; lower right: 'Huquier sculp. et ex.', France, after 1751, Print, Print

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 32). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

Design for Wall Panel mid-18th century Anonymous, British, 18th century British. Design for Wall Panel 364248

Vignette with torque in hug, Meny, 1700 - 1799 print Numbered at the top right: 4. print maker: Francepublisher: Paris paper etching embracing each other, kissing. sea (seascape)

Hulddekwijs offered to King William III by the Dutch youth at his silver government anniversary 1849-1874, Anonymous, 1874 print Hulddekwijs offered to King William III by the Dutch youth at his silver government anniversary in 1874. Sculpture in the form of an Oranjeboom with a clock carried by angels at the top. To the tribe of the tree a parade of children who wear a young girl (the Dutch youth with the tribute certificate in her hands) on the shoulders. Allegorical figures at the bottom with scenes during the reign of King William III. The king's visit is recognizable to the area affected by the flood in 1861. Compare the photo of an earlier - rejected - design. print maker: Netherlandsprinter: Amsterdam paper piece of sculpture, reproduction of a piece of sculpture. clock

Drawing for a Wall Light. Date/Period: Ca. 1775. Drawing. Pen and ink with wash. Height: 298 mm (11.73 in); Width: 210 mm (8.26 in). Author: Attributed to Jean-Louis Prieur.

Elevation of a Catafalque: Obelisks at the Corners and One in Center ca. 1720-40 Workshop of Giuseppe Galli Bibiena Italian. Elevation of a Catafalque: Obelisks at the Corners and One in Center 344448

Ornament with vase, cartouches and palm branches, Henry Fletcher, After Gaetano Brunetti, 1736 - 1737 print An ornament with a cartouche with palm branches, underneath a rocaille motif. Crowned with a vase with flowers and surrounded by leaf and floral motifs. London paper etching ornament ~ cartouche. trees: palm-tree. rocaille ornament. flowers in a vase

Commodes, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print A commode with three drawers and a commode with two drawers, with rocaille ornaments. Publishing number 178. Augsburg paper etching / engraving ornamental cupboard. rocaille ornament

Garden vase with monogram, Gerrit Visscher, after Jean Bernard Honoré Turreau, 1690 - 1710 print Amsterdam paper etching / engraving letter combinations such as letterword, anagram, letter square, monogram, etc.. ornaments ~ art. garden vase

Juno with her peacock, flanked by two fantasy scenes with roses in their hands, Etienne Delaune, c. 1560 print paper engraving anthropomorphic ornament

Cast Iron Gate. Dated: 1937. Dimensions: overall: 50.9 x 38.1 cm (20 1/16 x 15 in.). Medium: graphite and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Shellady.

Eight Blanco Wapen Shields, Pieter Jansz, 1630 - 1672 drawing Design for a print. paper. ink pen / brush armorial bearing, heraldry

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of the scheme of -1439. The motif below has the width of teh panel. Upon a pedestal stands a circular, vaulted structure in the center of a hemi-circle. The lateral parts of the front of teh pedestal are projecting; upon them are sitting figures. Above the hemi-circle are scrolls from which two stems rise having above scrolls and on top an oval medallion with a standing figure. The scroll rising in teh center end in spirals above the medallions, framing a stem witha female half-figure and supporting the frame of a landscape. Above the latter are two crouching animals beside a medallion, with scrolls on top., Rome, Italy, 1780-1790, architecture, Drawing, Drawing

Four ornaments on a sheet, 1727 print Four ornament performances on a magazine. From top to bottom: an owl with spread wings above arrows and a hunting horn. In the branches on the right and left birds. Ornament with a vase. Ornament with crossed arrow sleeve and torch. Ornament with garlands. Amsterdam paper etching / engraving foliage, tendrils, branches ~ ornament. owls

Designs for decorations of snuff boxes: four allegorical performances, Willem Kok, c. 1771 - c. 1807 drawing paper. ink pen / brush

Crowned letters in ornamental list, Claude Mellan (attributed to), 1608 - 1688 print paper engraving frame of painting, etc.. letter combinations such as letterword, anagram, letter square, monogram, etc.

Cartouche with cherub and winged women; Cartouches in role frames with grotesken, garlands and mascarons. Left and right is the upper body of a winged woman, she has no arms, but holds the end of a garland with her mouth.

Cartouche with winged woman and two reading children, c. 1866 - c. 1900 drawing To the left of the cartouche is a trophy with art attributes, a trophy with science attributes on the right. At the top are the following words in small cartouches: Arts, Etude and Science. tracing paper. ink. pencil drawing

Design for the decoration of an oval ceiling with putti and garlands; with a detail of a lunette. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 19 5/8 x 13 5/16 in. (49.8 x 33.8 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Fire Bock with Helmet and Schilden, 1771 print An ornamented firebok with a helmet, shields, weapons and garlands. Paris paper etching / engraving andiron, fire-dog. helmet. protective weapons: shield

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, C Médaillons Ovales, Noblesse, Académie des Sciences, Adel en academy of sciences, verso - stamped, An oval medallion with a suit of armor with shields, flags and weapons. Below that an oval medallion with three putti at a fountain and an obelisk. Print number 76., print, ornament print, prints, ornament prints, height 373 mm, width 235 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Vase on pedestal; Precatients by Joans: Houbakker; Title page for: Joannes Houbakker, predicate about shown Texten der H. Scripture, 1730. An ornamented vase with image of piety (Pietas) sitting next to a burning altar. The vase is on a pedestal on which two putti are. On the underside an image of the baptism of Christ. A drapery behind the whole.

The bowl is low and divided into the fluted body and a big rim. The lid has the shape of a rounded pedestal with cherubim above festoons. It is supported by a high vase, the upper part of which is decorated at the front with lily branches and a festoon. At the oblique sides are volutes, with cherubim on top. Date: ca. 1775. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Design for a Painted Panel; Designed by Michel (French, active 1785); France; graphite, brush and black and light blue watercolor washes on off-white laid paper; 52.2 × 26.9 cm (20 9/16 × 10 9/16 in.)

French crown, Paris, Poilly, Duvivier, Jean, Nouveau Livre De Cartouche Pour Ornemens des Armes, Cartouche, verso - stamped, Cartouche with leaf motifs., print, ornamental print, prints, ornamental prints, height 149 mm, width 108 mm, 1687-02-07 - 1761-04-30, print maker, printmaker, 1712 - 1712, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher, granter of privilege

Allegorical performance with bust of Sybrand factama; Studio Fovetur Ingenium. Two putto laurels the bust of the artist Sybrand Feestama, which is on a base. On the ground there is a smoking pot, which symbolizes his death. There is also a winch and a roll of paper. Left Apollo, the Muses and Pegasus on the Parnassus. At the top of the frame books and the eternity symbol the Ouroboros.

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