Decorative Architectural Designs

Ornate prints featuring intricate decorative elements and personifications, showcasing baroque styles and themes in architecture and art.

Picart, Bernard, Amsterdam, Beteugelen van Pegasus, recto lower right - handwritten, A number of poets and writers try to curb Pegasus. In the background poets and writers try to climb Parnassus. The image is set in an ornamental frame decorated with leaf tendrils, scrollwork, sphinxes, dragons, spider webs, books, a shell and a mascaron., print, image, ornamental print, prints, verso - stamped, 15., height 120 mm, width 137 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Ornament with the Personifications of Hope and Faith, a Ouroboros, two putti and a double portrait; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 52.

Pendant Design with a Winged Sea Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar 1582 Adriaen Collaert Netherlandish Vertical panel with a pendant in the shape of a sea monster carrying Neptune, who is seated on a shell and holds a sail in her right hand, and a male figure with an oar. The ornament is suspended from a small jewelled motif tied with a ribbon at top. Plate 9 from a series of ten plates with pendant designs in the shape of sea monsters. The series, known as Designs for Pendants II, was engraved by Adriaen Collaert, after designs by his father, Jan Collaert I, who died in 1580. Jan Collaert I produced several series of pendant designs, including the prequel to this series, Designs for Pendants I. This print belongs to the first edition, published in Antwerp by Philips Galle in 1582.. Pendant Design with a Winged Sea Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar 426151

Verbruggen, Hendrik Frans, Southern Netherlands, Bouttats, Gaspar, op Gerecht door Gebuerelycken ier vande Coremert, Triomfpoort erected on the Korenmarkt, 1685, Triomfpoort erected by joint effort of the residents of the Korenmarkt in Antwerp. Part of the illustrations of the decorations erected in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 174 mm, width 140 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, Zuid-Nederlands, 1655 - 1724-12-12

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, Last six months of the year, August, verso - stamped, In a rocaille cartouche a farmer harvests grain. Around the image rocaille ornaments, two busts of women, a virgin and the corresponding sign of the zodiac. Publisher number 75., print, ornament print, prints, ornament prints, height 296 mm, width 186 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Flat decoration with grotesken, in the middle state Ceres. Ceres is in a niche. Two female hermen on either side of the niche keep a cartouche up in which Bacchus is sitting, flanked by two birds.

Picart, Bernard, Amsterdam, Beteugelen van Pegasus, recto lower right - handwritten, A number of poets and writers try to curb Pegasus. In the background poets and writers try to climb Parnassus. The image is set in an ornamental frame decorated with leaf tendrils, scrollwork, sphinxes, dragons, spider webs, books, a shell and a mascaron., print, image, ornamental print, prints, verso - stamped, 15., height 120 mm, width 137 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Rectangular Cartouche with Mercury on Pegasus, 1565 - 1571 print On the leaf vines above the cartouche there are two hugging children, each with a boar under his feet. From series of title page + 16 magazines with cartouches or architecture fantasies with a performance in a frame of grotes' with fable being, animals, garlands, trophies and mascarons. Netherlands (possibly) paper etching Pegasus, the winged horse. ornament ~ cartouche. (story of) Mercury (Hermes)

Title page: Orders the Paneaux; Orders the Paneaux. Panel in architectural moldings with an oval medallion with the Blessed Virgin, Joseph and Christ in the middle; At the top of God the Father and at the bottom of a cartouche with the title.

Ariadne in an oval, 1551 - 1580 print At the bottom is a Latin text. From series of sheets with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. This magazine comes from a later edition: the original page number 5 has been replaced by 18. France paper engraving (story of) Ariadne

Ornament with putti, hybrid figures and four monograms; The third part new T 'Ascited Name Arts made by Gerret Visscher T' Amsterdam on the Singel at Der Beuling Sluijs. .

The French Admiral Count de Grasse.. Prints. 1782. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Grasse, François Joseph Paul de Grasse, comte de, 1722-1788

Portrait of Gustaaf Willem (I) Baron van Imhoff, Gerrit Sibersma, 1747 - 1749 print Portrait of Gustaaf Willem (I) Baron van Imhoff, Governor General of Dutch Indie. He is sitting on a balcony under a crowned canopy. His coat of arms are on the balcony. At the bottom are justice and Minerva as a personification of wisdom, paper etching / engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Minerva as patroness

Portrait of Gustaaf Willem (I) Baron van Imhoff, governor general of the Dutch East Indies. He is seated on a balcony under a crowned canopy. At the balcony his coat of arms. Below are Justice and Minerva as personificatioe of Wisdom, Portrait of Gustaaf William (I) Baron van Imhoff, print maker: Gerrit Sibersma, (mentioned on object), Gerrit Sibersma, (mentioned on object), publisher: Arnoldus Olofsen, (mentioned on object), 1747 - 1749, paper, etching, engraving, h 205 mm × w 145 mm

Titelprent voor de serie platen van de statiekoets van de hertog van Ossuna, 1713; Premier des Magnifiques Carosses de Monseigneur le duc d'Ossuna Ambassadeur Extraordinaire et Premier Plenipotentiaire de Sa Majesté Catholique Philippe: V. pour la Paix faits Pour l'Entreé Publique de son Excellence a Utrecht MDCCXIII.Title in a richly decorated ornamental picture frame with two women's figures, angels, sphinxes and leafwork. Title print for the series of plates of the Stickers' test of the Spanish envoy The Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Numbered at the bottom right: 1.

Portrait of Gustaaf Willem (I) Baron van Imhoff, Gerrit Sibersma, 1747 - 1749 print Portrait of Gustaaf Willem (I) Baron van Imhoff, Governor General of Dutch Indie. He is sitting on a balcony under a crowned canopy. His coat of arms are on the balcony. At the bottom are justice and Minerva as a personification of wisdom, paper etching / engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Minerva as patroness

Title Page from 'Premier Livre De Differents morceaux A l'Usage de tous ceux qui s'appliquent aux beuax Arts Inventé Par G.M. Oppenort Architecte du Roy Et Gravé par Huquier,' Serie A (Moyen Oppenord), Gilles-Marie Oppenord, French, 1672-1742, Gabriel Huquier, French, 1695-1772, Etching on paper, Title in a cartouche flanked by Apollo (right) and Diana (left); a rooster on a shell above. Below, piece of ground with shells, etc. Inscribed in center, title; along lower margin: 'A Paris chez Huquier vis a vis le Grand Chatelet avec privilege du Roy'; upper left: 'I'; upper right: 'A'. Center: 'Preuier livre / de / different ruarceaux / a l'usage / de touts ceux qui s'appliquent / aux beaux arts / inventé / par G. M. Oppenort / Architecte du Roy / et / ??? par Huquier' ('first book on the different herbs to be used for all purposes related to five arts, written by G.M. Oppenort, Royal Architecetu and printed by Huquier')., France, after 1751, Print, Print

Cartouche with shell and fish head, Daniel Rabel, 1632 print In the cartouche there is a house next to a river with a bridge. Page 6 from series of 13 sheets with cartouches in French lobe style. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Portrait of Franz Georg von Schönberg in allegorical frame, Jacob Andreas Fridrich (II), 1729 - 1756 print Print maker: Augsburg print maker: Augsbugal Roman Empire paper engraving / etching historical persons. rocaille ornament. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). armorial bearing, heraldry. insignia of bishop, e.g. mitre, crozier

Weapon trophy with coat of arms of Habsburg, Pieter Yver, 1741 print Coat of arms of Habsburg on an ornamental piercing stable. All around weapon, banners, a half moon and the spiced head of an Ottomaniac. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.). weapons

Underbias with painting by young Louis XIV; Underbools. At the top is the French king's crown on a coat of arms with the letter L. At the bottom is a fireplace with the French coat of arms and the French king's crown. From series of 6 sheets.

Clock with the personifications of day and night, 1714 print Numbered top left: no. 81. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching Clock. Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa). 'Artificial day', 'artificial wagon', 'serenity of the day, nymph of the air' (Ripa)

Wisdom Introducing Innocence to the Fine Arts, Thomas Rothwell, c. 1742-1807, British, after unknown artist, ( van Afsen ), undated

Allegory on the Peace of London, 1801, Govert Kitsen, After Cornelis Groeneveld, 1801 print Allegory on the provisional peace reached in London between France and the coalition on October 1, 1801. On the altar of peace, the French and British virgins shake hands with a palm branch. On the altar the names 'Bonaparte, George, Frederik'. Peace floats in the clouds. The oval representation surrounded by undy shields, at the top of the Prussian eagle. Weapon trophies at the bottom. A six -line verse on the pedestal. print maker: Netherlandsafter drawing by: Netherlandspublisher: Rotterdampublisher: Rotterdam paper etching / engraving signing of peace treaty, concluding the peace. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). altar

Panel with abduction of Europe in medallion; Ornements de Panneaux.

Folk gift for William III, King of the Netherlands, offered on March 23, 1862, 1862 print Folk gift for William III as a reminder of and as a thank you for the King's participation in the flood in 1861, offered on March 23, 1862. In the middle the beautiful Bible and the Lessenaar with his weapon and the year '1861'. Two columns with two lines each Dutch text each in the lower margin. Entirely in a ornamented rectangle with eight performances, each in an oval with a border script. print maker: Netherlandsprinter: The Haguepublisher: Rotterdam paper

Vignette with female personification of Poetry playing a lyre on the bank of a water in a southern landscape. Behind her is a pedestal with Bellerophon defeating the Chimaera in relief, a swan on the bank spreads its wings. A small medallion depicts Truth. Around a frame swing a garland and a banderole with motto Studium scientiarum genitrix. Vignette with Poetry with lyre and swan in framed landscape, print maker: Leendert Brasser, (mentioned on object), intermediary draughtsman: Hendrik Hoogers, (mentioned on object), Rotterdam, 1727 - 1793, paper, etching, h 95 mm × w 106 mm

Battle of Kassel (1677), painting in the large stairwell in Versailles; Bataille de Cassel, Dance Le Grand Escalier de Versailles / Pugna Ad Castellum, in Majoribus Scalis Versaliarum. Painting of the Battle of Kassel (1677) in the large stairwell of the Palace in Versailles. Presentation of the battle in an ornamental frame with figures of the fame, eagle and tendrils. In the Battle of Kassel On April 11, 1677, the French army under Philip I defeated the Duke of Orleans the army of the Republic among the Prince of Orange. Numbered at the bottom right: 21.

Address card of the Crowned Sluyyer, Christiaan Hagen, c. 1663 - 1695 print An address card of the store in hats, stockings and ribbons from Melsen Dieprinck. A piece of dust and a crown within an oval cartouche above which the Wapen van Amsterdam. There is different items of clothing such as hats, caps, gloves, stockings and sashes. At the bottom of a second cartouche, on which a five -line inscription. Amsterdam paper engraving veil. crown (symbol of sovereignty). gloves, mittens, etc.. head-gear Amsterdam

Amsterdam, Marot, Daniël (I), Netherlands, Panels with arabesques and modern grotesques, Panel with the element water, In the middle above is a crowned coat of arms with the monogram RWR (William Rex), at the bottom a large cartouche with Neptune and Amphitrite. The edges of the cartouche are formed by a cascade, crowned with two tritons with the crown and trident of Nepunes. From a series of 6 sheets, of which 4 sheets with the four elements and two sheets on which two vertical panels are placed each., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 315 mm, width 197 mm, 1663 - 1752-06-04, print maker, prentmaker, 1712 - 1712, first quarter 18th century, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, publisher

Two nymphs with vase; Various orders, Trophées et Panneaux. The nymphs both have a palm branch in hand. Leaf 10 from series of 12.

Design for Tabernacle, from 'Tabernacles', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Male and woman in landscape, 1745 print A man plays on a flute, next to him a woman sits against a tree under a hung cloth. Animals run right and in the background. Around the show an ornamented frame. after design by: GermanyParis paper etching / engraving one person playing an instrument. sitting figure - AA - female human figure

Man plays on Lier and sits on the back of dolphin in calm sea in frame with ornaments and extinguished torches, François van Bleyswijck, 1681 - 1746 print Emblem with a man, possibly Arion, who plays on a winch and sits on the back of a dolphin in calm sea. The show is included in a round frame with banderol with motto mediis tranquillat in undis (calm in the middle of the wild bars). Leiden paper etching Arion rides on a dolphin, holding his lyre. swimming mammals: dolphin. lyre, cithara, psaltery

WEJWFWWATERBAk, Franrance Ertings, After Jean Lepautre, c. 1677 - c. 1692 print The holy water tray is supported by two angels on both sides of a mask. On the back plate is the baptism of Christ. From series of 6 magazines. Antwerp paper etching

Unterschiedlich Augspurgische Goldschmidts Arbeit, 'Ver', Plate 1, Abraham Drentwet, 1647 - 1727, Jeremias Wolff, German, 1663-1750, Engraving, Germany, 1721-40, furniture, Print, Print

Josef, Prince of Hesse-Darmstadt.

The pendant depicts a goddess leaning to the right. No. 3 of series of 10 sheets of pendant fronts. Gems in settings of grotesques and scrollwork, Pendant showing a goddess with laurel branch Monilium bullarum inauriumque ... icones (series title), print maker: anonymous, Hans Collaert (I), publisher: Philips Galle, Netherlands, (possibly), 1581, paper, engraving, h 171 mm × w 118 mm

May; Majus; The months of the year. In a Rocaille cartouche people dance around the May tree. Around the show Rocaille ornaments, putti with flowers, twins and the corresponding sign of the zodiac. Publisher number 74.

The Reception of Louis XIV at the Hôtel de Ville on the Occasion of his Recovery, January 30, 1687. Artist: Sébastien Leclerc I (French, Metz 1637-1714 Paris). Dimensions: sheet: 14 9/16 x 9 1/16 in. (37 x 23 cm). Date: 1687. Museum: Metropolitan Museum of Art, New York, USA. Author: Sébastien Leclerc I.

Music, 1528 - 1583 print The music, playing on a string instrument, under an arc of leaves. From series of 6 magazines. France (possibly) paper engraving

Ornamental Panel ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Ornamental Panel. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Astronomy (Astronomie) 1540-83 Etienne Delaune French. Astronomy (Astronomie) 399345

Vase and painter's attributes, Anonymous, After Pierre Ranson, 1746 - 1775 print An ornamented vase with garlands in a rectangular frame. Below that a panel with garlands and painting attributes such as a bust, a palette, brushes and a canvas. Publishing number 67. Augsburg paper etching vase ~ ornament. tools, implements of painter

Grotesque Design, Charcoal, pen and ink on paper, At center, a vertical rectangle with strapwork escutcheon decorated with a helmet and festoons. On either side, a candelabrum with harpies. Below, a frieze with satyrs., Italy, early 17th century, ornament, Drawing, Drawing

Carlo Antonio Buffagnotti, Architectural Motif with Fruit in a Vase, c 1690 Architectural Motif with Fruit in a Vase

Sigismund, Duke of Bavaria.

Vase with a River God in an Oval Medallion 17th century Originally by René Boyvin French Depiction of a vase or ewer. The vase is caracterized by an abundance of motifs from the Fontainebleau School. In the center an oval medallion with a river god is placed. The handle is shaped like a satyr. The print is part of a series of 12 vases said to be designed by Rosso Fiorentino and Polidoro da Caravaggio and initially engraved and published by René Boyvin. The current series was first published by Claes Jansz. Visscher in the early seventeenth century and subsequently also by Frederik de Wit.. Vase with a River God in an Oval Medallion 397246

Le May 1722-1760 France. Etching and engraving on paper . Pierre Aveline

September; Septembre; The twelve months of the year. In a rocaille frame with putti with fruits a representation of fruit pickers. A man in a tree picks fruit and gives it to a woman with a basket. Below the tree two children collect the fallen fruit. A four-line French text in the undermarge. Publisher number XXVI.

Ornamental Panel Surmounted by a Winged Harpy. Dated: 1647. Dimensions: sheet: 45 × 23.2 cm (17 11/16 × 9 1/8 in.) plate: 24.2 × 12.2 cm (9 1/2 × 4 13/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Simon Vouet Michel Dorigny.

Herinnering en overvloed; Diverses Mémoires, Abondance; C Médaillons Ovales; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).An octagonal medallion with an eagle on a burning stack of wood, an obelisk and a lion. Below you an ornamented vase with a half-lumber and an oval medallion with Minerva and a lion. Print number 64.

Philips, Jan Caspar, Amsterdam, Zededichten, Cartouche with Faith and Love at the Ten Commandments, verso under - stamped, Landscape with Faith and Love at a monument on which the tablets of the law with the Ten Commandments. The image is contained in a cartouche decorated with medallions depicting biblical scenes., print, vignette, prints, height 137 mm, width 116 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

. Ornamental picture frame awarded by putti with trumpets and the coat of arms of Leiden. In the middle a circle with the names of the Leiden churches and the moments that were preached. In the circle one could put a dash when a visit to a church was brought.

Cartouche in a frame of rolling work with grotesks, figures, mascarons and animals, anonymous, after monogram Filer (Inventor), 1500 - 1600 print On the rolling work hangs around shields with sayings in Greek, Latin and Italian. At the top left is Democritus, at the top right of Heraclites. Shaded background. Netherlands (possibly) paper engraving

Leopoldo Magno Caesar I, Leopold I, Emperor of the Holy Roman Empire of the German Nation homage gazette, Elias Christoph Heiß -, Mezzotint Artist, After, Peter Schubart von Ehrenberg * , Artist

Design for a chimney with Diana as a goddess of the yacht; Neu Inventirte Hollaendische Camine, Erster Theil, Series S; Neu Inventirte Hollaendische Camine, Erster Theil / Nouveau Livre de Chéminees Hollandoises Premiere Partie.design for a Chimney with a Representation of Diana With Arrow and Bow in the hands and a hunting Dog on a Pedestal. The Mantelpiece is decorated with Rocaille ornaments and voltes. A Candlestick on Either Side.

Incense burner with two griffins, 1714 print Numbered in the top left: no. 64. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching censer. griffin (lion/eagle); 'Griffo' (Ripa)

Croesus in Solon, 1715 - 1777 print In a rocaille ornament, Pluto sits with crown, tweetand and horn of abundance as God of wealth on a throne. A man with a mask on his head kneels in front of him. On the right, King Croesus sits with a crown and scepter chained to a box with coins. The back left, Solon looks at the whole disapproving. In the lower margin two columns with five -line German text. Print number 348. paper etching (story of) Pluto (Hades), Dis Pater, Orcus. (story of) Croesus king of Lydia. Solon, the philosopher and lawgiver

Woman in a medallion flanked by two hybrid beings ..

Lodewijk XIV and Justitia reveal Judicial Innovations to his magistrates, Nicolas Henri Tardieu, After Jean Baptiste Massé, After Charles Le Brun, 1752 print print maker: Francepublisher: Paris paper etching / engraving official acts of rulers, e.g. royal acts (ruler giving audience, granting mercy, etc.; ruler and his subjects). Justitia (justice) as Roman personification Versailles

Panel with portrait in medallion; Grotesken.A panel with grotesken. In the middle a portrait in an ornamented medallion, flanked by two vases with flowers. A garland above that. At the bottom an offer scene and basel theses.

Leopold I., Roman-German Kaiser.

Coat of arms surrounded by flowers, fruit, painting palette and papal tiara, claude mellan (attributed to), 1608 - 1688 print paper engraving armorial bearing, heraldry. palette. insignia of the pope, e.g. tiara

Lazio Viterbo Bagnaia Villa Lante64. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for a Pendant with the Alphabet 1609 Master P.R.K Dutch Design for a pendant in fine goldsmiths work. The pendant is hanging from a ribbon and has an oval central compartment in which the alphabet has been placed. The letters J, V and W are missing. Below it is the signature of the Master PRK combined with the date of publishing. Surrounding the compartment are four small enameled fields and fine openwork made up out of Schweifwerk. Three figures are added to the top half of the jewel with a Bacchus figure holding up a tazza crowning the pendant.. Design for a Pendant with the Alphabet 415193

Decorative panel filling from the Loggias of the Vatican, Giovanni Martini (follower of), 1510 - 1600, draughtsman: Giovanni Martini, (follower of), 1510 - 1600, paper, pen, brush, h 142 mm × w 41 mm

Oval cartouche with arm between two lions. Cartouche with a weapon with a climbing lion above, flanked by two lions. At the top is a helmet. Design for a print.

CXV. La Paix et L'Abondance. Agathe. Traité des Pierres Gravées, Bouchardon, Edme, 1698-1762, Mariette, Pierre Jean, 1694-1774, Soubeyran, Pierre, 1709-1775, Engraving, 1750, Plate 115, a detail of page 115.

Candelabra Grotesque with a Large Vase Flanked by Sphinxes 1540 after Anonymous, Italian, 16th century Italian Two thirds of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by a large vase on a pedestal forming the base of the candelabra. The vase is flanked by female sphinxes. On top of the vase a small pavillion-like structure is placed in which a woman stands holding an acanthus leaf. To the right a menora springs from a meandering acanthus rinceau.. Candelabra Grotesque with a Large Vase Flanked by Sphinxes 407178

Esau with his father Isaac and the hunting attributes of Esau, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Two performances on a leaf. Upstairs: Esau throws his hands in the air when he comes to his father Isaac and hears that the blessing has already been given to his brother Jakob. In the middle of a reference to the Bible text in Gen. 27:34. The show is caught in an ornamental list. Under: The hunting attributes of Esau. Amsterdam paper etching / engraving Esau seeks his father's blessing; Isaac realizes he has mistakenly blessed Jacob instead of Esau. spoils of the hunt, game, venison. hunting trophies. scrollwork, strapwork ~ ornament. foliage, tendrils, branches ~ ornament

Ornament Met sats en leewen; Different kerkelijke voorerpen; Different Drawings Evented and Delineates by Twin Drawings by Forled.numbered Uppper Left: No. 97.

Coat of arms of Jean Rulant, c. 1611 - c. 1625 print From series of 6 magazines. paper engraving armorial bearing, heraldry

Water basin on tripod, Anonymous, After Jean Lepautre, c. 1655 - c. 1678 print Bassin decorated with oval medallion in the midst of two tritons. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Wijwaterbak, Anonymous, After Jean Lepautre, 1659 - 1732 print In the middle an empty octagonal frame. paper etching

Title Page, from Ars His Myronis Nobilis Effingitus Pagellulis. Artist: Paul Birckenhultz (1561-1639). Dimensions: Sheet: 5 1/2 × 3 5/8 in. (13.9 × 9.2 cm). Date: ca. 1600.Ornamental design with the title on a tablet at bottom center, and jewelry bouquet above. Above lettered tablet, a putto head with wings and skull below. Museum: Metropolitan Museum of Art, New York, USA.

Call letter with decorative frame. Greeting letter with unwritten cartouche within a decorative framework with performances of children who offer their mother's letters and other figures and activities. Numbered at the top right: 60.

Round Cartouche with text from Cleobulus, 1558 - 1630 print Cartouche is supported by an Atlant in Rolwerk. Bottom and bottom right drink a bird from a bowl. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Augsburg, Hertel, Johann Georg (I), Rösch, Georg Sigmund, First six months of the year, Iunius, June, verso - stamped, In a rocaille cartouche a landscape in which a shepherd shears a sheep. Around the representation rocaille ornaments, a cancer and the corresponding sign of the zodiac. Publisher's number 74., print, ornamental print, prints, ornamental prints, height 294 mm, width 186 mm, print maker, printmaker, 1705 - 1766, paper, papier, etching, etchings, engraving, engraving (printing process), German - 1766, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Coat of arms of Jean Rulant combined with that of his wife, c. 1611 - c. 1625 print From series of 6 magazines. paper engraving armorial bearing, heraldry

Frederick II., King of Prussia Eraser: Hübner, Bartholomeworder: Scheller, AugustLeger: Will, Johann Martinstecher: Halfauer, Christiandatting: 1757/1775 publisher: Augsburg

Coat of arms of Ernst Casimir, Count of Nassau-Dietz. Coat of arms of Ernst Casimir with three winged helmets. In the middle his fifth spell. In a cartouche six lines of latin text. Completely in an ornamented frame with allegorical figures.

Two Dessus-de-Portes and a chimney piece, Daniël Marot (I), in or after 1703 print Three panels. At the left and right above, putti wear a flower basket. In the middle of a vase with flowers on a pedestal with four putti. Amsterdam paper etching panelling

Design of Escutcheon with Coat of Arms, Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and brown ink, brush and gray wash on off-white laid paper, Elevation of an escutcheon supported symmetrically by four putti, with two more sitting above. The shield of the escutcheon has four quarters in which are depicted a flowering plant, a monogram with the numeral V above (see also 1938-88-2180), and a stone bridge over a stream. There is a tablet below the escutcheon with an inscription (the same as that of 1938-88-2180), with differences in the orthography., France, 1620-40, ornament, Drawing, Drawing

Iulius, Anonymous, After Georg Sigmund Rösch, 1705 - 1766 print In a rocaille cartouche a farmer rests during his work. He is drinking, a scythe lies in front of him. Around the show Rocaille ornaments, leaf motifs, a lion and the corresponding sign of the zodiac. Publishing number 75. Augsburg paper etching July and its 'labours'. farmers. rest during harvest (eating, dancing, making love, etc.)

Charme van Het Portrait, Johann Esaias Nilson, 1731 - 1788 print The upper half of a leaf with two scenes. A man shows a woman her miniature portrait. The show is in a round list surrounded by rocaille ornaments, a painter with his model and a painting putto. Augsburg paper etching / engraving portrait, self-portrait of painter. painter at work, in his studio

Wszyscy Święci w MNK unknown

Under a canopy is a man who empties a wine bag, Anonymous, After Cornelis Bos, 1548 print The canopy is supported by four columns. On the canopy there is a vase on which a saat hangs, flanked by two eagles. One of 4 sheets from a series of 6. Netherlands (possibly) paper engraving canopy, baldachin. satyr(s) (in general). vase ~ ornament. lambrequin ~ ornament

Emblem with Blank Heraldic Shield, folio 156 from the Anthologia Gnomonica. Jost Amman (Swiss, 1539-1591); printed by Sigmund Feyerabend (German, 1527-1590); original text by Henri Estienne (French, 1528/31-1598); portfolio text by Max Geisberg (Swiss, 1875-1943). Date: 1579. Dimensions: 78 x 110 mm (image); 80 x 130 mm (image/text); 100 x 155 mm (sheet). Woodcut and letterpress in black on cream laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, USA. Author: Jost Amman.

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with winged figures and putti frames a blank rectangular and oval panels., Italy, early 17th century, ornament, Drawing, Drawing

Apollo Mixed Poems (title on object), Apollo sits with his winch in his hands under a tree and rests with his right arm on the cornucopia. Pegasus is prancing in the air behind him. In the foreground, putti play with attributes of the Muses next to a hive. The performance is contained in an elegant frame, (story of) Apollo (Phoebus), Pegasus, the winged horse, cupids: 'amores', 'amoretti', 'putti', Jacob Folkema (mentioned on object), 1702 - 1767, paper, etching, h 158 mm × w 104 mm

August Georg, Markgraf von Baden-Baden.

Buste van Cosimo I of 'Medici, Groothertag Van Toscane, Enea Vico, 1555 print Bust van Cosimo I de 'Medici, caught in an ornamented list. print maker: Italypublisher: Venice paper engraving historical persons. knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order)

Bombario Actionist en de Geest van Esopus Bombario the shareholder, and the ghost of Aesop. 1720. Buysen, Pieter van. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Etienne Delaune, Mars Mars

Graftombe van Filips van Hessen-Philippsthal.Graftombe van Hessen-Philippsthal filips in the large or Sint-Jacobskerk in The Hague. In the middle, a veiled woman is growing at the deceased, who wears a harness. Different weapons and flags behind him. Left and right Volutes and Garlandes. Above two crowned lions on either side of a crowned weapon. At the bottom of the name of the deceased and a six-line predicted position in Latin.

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de diferentes Inventions, Cartouche on which a putto sits, The cartouche depicts a river with a boat sailing in it. Sheet 8 from a series of 13 sheets with cartouches in French auricular style., print, ornamental print, prints, ornamental prints, height 172 mm, width 127 mm, 1578 - 1637-01-03, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Arms of Michel Beheim n.d. Albrecht Dürer German. Arms of Michel Beheim 388364

Holste, Lukas .

Portrait of Emperor Charles V ca. 1519 Daniel Hopfer German. Portrait of Emperor Charles V. Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). ca. 1519. Etching; first state of two. Prints

Daniel Mignot, Large Pendant, Strength Standing at Centre, 1593 Large Pendant, Strength Standing at Centre

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