Decorative Architectural Elements

Cast iron stove plates and ornamental reliefs showcasing intricate designs and coats of arms. The images reflect craftsmanship and historical royalty with detailed embellishments.

Cornice with egg and arabesque details; Rome, Italy; about 1870 - 1890; Albumen silver print

Kachelplaat with the coats of arms of Joost, Count van Bronckhorst, lord of Borculo and Maria, Countess van Hoya, Anonymous, After 1530 - Before 1553 Stove plate made of cast iron, divided into two zones. There are two coats of arms in the upper zone. Left that of Joost, Count van Bronckhorst, lord of Borculo (1503-1553). On the right the family crest of Maria van Hoya, Countess van Bronckhorst, Lady of Borculo (1508-1579). Three female saints on a console in the lower zone. Left Catharina, in the middle Maria with child and right Barbara. In addition, a symmetrical ornament of leaves. The whole is framed with a double profiled edge. Germany iron (metal) casting Stove plate made of cast iron, divided into two zones. There are two coats of arms in the upper zone. Left that of Joost, Count van Bronckhorst, lord of Borculo (1503-1553). On the right the family crest of Maria van Hoya, Countess van Bronckhorst, Lady of Borculo (1508-1579). Three female saints on a console in the lower zone.

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia1. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cornice with egg and arabesque details; Rome, Italy; about 1870 - 1890; Albumen silver print

Bliżej Kultury unknown

SILLA DE CARLOMAGNO S XI - DETALLE. Location: CATEDRAL DE SANTA MARIA-INTERIOR. GERONA. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

Columna con bajorelieves de motivos florales y figurativos (148).

Przeszo Przyszoci unknown

Marble funerary stele with inscription 4th century BC. Museum: ARCHAEOLOGICAL MUSEUM, Kavalla, GREECE.

Lazio Viterbo Castel Sant'Elia S. Elia8. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore298. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Ablutions basin of Almanzor. 987-988 AD (377 after Hijra). Marble. Detail. It belonged to the Alcazar of al-Zahira (Madinat al-Zahira), on the outskirts of Cordoba (Andalusia, Spain). Reconstructed from various fragments found in Seville. National Archaeological Museum. Madrid. Spain.

Abruzzo, L'Aquila, Trasacco, SS. Rufino e Cesidio, Italy, 20th century, photo, photography, Europe

Abruzzo Pescara Penne S. Maria in Colleromano, Convent church6. Hutzel, Max 1960-1990 Post-medieval: exterior views, including detailed views of main portal. Views of interior, including naves, altars, architectural (17-18th century) sculpture, painting, and frescoes. Several views of cloister and colonnade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fireplace with the Dutch Virgin and Dutch Lion in the Dutch garden, Anonymous, c. 1650 - c. 1700 Cast iron fireplace, with semicircular top. Central are the Hollandse Leeuw and the Dutch Virgin in the private Dutch garden, which has an access gate diagonally in front. Immediately above them the inscription Pro Patriae. The whole is framed by a decorative band, with a pearl band and flowers. Hollandia is at the top of the edge. The whole is closed at the top with three shell shapes with an ascending dolphin on either side. Germany iron (metal) casting Cast iron fireplace, with semicircular top. Central are the Hollandse Leeuw and the Dutch Virgin in the private Dutch garden, which has an access gate diagonally in front. Immediately above them the inscription Pro Patriae. The whole is framed by a decorative band, with a pearl band and flowers. Hollandia is at the top of the edge. The whole is closed at the top with three shell shapes with an ascending dolphin on either side. Germany iron

Chest Front. Culture: French. Dimensions: Overall: 21 7/8 x 63 x 1 3/8 in. (55.6 x 160 x 3.5 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Orphrey Band (Italy); medium:silk, linen, metallic

2906 Spalato, Romanesque wood carving, involvement. .

Dormition of the Virgin Relief French 15th century View more. Dormition of the Virgin Relief. French. 15th century. Stone, paint, gilt. Made in Lorraine. Sculpture-Stone

Oirband met een cartouche waarin een krijgsman staat met een zwaard; Teras Nowo widane y Drukowan (...).Two children are at a construction of rollerwork on which a satert is between two horns of plenty. Above it leans in armor on his sword. The bottom button is decorated in the shape of a boar cup, a lion's head and a ram head. From series, consisting of a title page and 12 sheets.

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church38. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Fireback 1608 Possibly by Nicholas Fowle. Fireback. British, Sussex. 1608. Cast iron. Metalwork-Iron

Hardplate with allegory on the peace of Munster, Anonymous, After c. 1648 - c. 1675 Cast iron fireplace, with a semicircular top. Central is the personification of peace with a palm branch in her hand, with draped above her canvases and the inscription Pax. Peace is on weapons and two men. Right next to Vrede the inscription AO 1648 24OC. The whole is framed with a border, decorated with a pearl edge and mirrored leaf motifs, the lower of which differ from those of the sides. At the top a vase with flowers. The top is crowned with three buds with two rising dolphins on either side. Germany (possibly) iron (metal) casting Münster Cast iron fireplace, with a semicircular top. Central is the personification of peace with a palm branch in her hand, with draped above her canvases and the inscription Pax. Peace is on weapons and two men. Right next to Vrede the inscription AO 1648 24OC. The whole is framed with a border, decorated with a pearl edge and mirrored leaf motifs, the lower of whi

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio8. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

Grave stele made of limestone grave stele made of limestone

Tuscany Siena Montalcino S. Salvatore (Duomo)4. Hutzel, Max 1960-1990 Medieval: Architectural sculpture (detached), remains of original church built c. 1000. Post-medieval: Architecture (neo-classical remodelling c. 1818-32); painting; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

King Harald Blatan the blue tooth 910-85 proclaims his Catholic faith at Jelling Denmark 985 Gold leaf fragment. Museum: National Museum of Copenhagen, KOPENHAGEN, DENMARK.

Morse. Culture: Spanish. Dimensions: L. 6 5/8 x W. 5 inches (16.8 x 12.7 cm). Date: 1591. Museum: Metropolitan Museum of Art, New York, USA.

Plaque

Wall paper made from stucco : interiors from houses and palaces. Particularly famous for Samarra is its carved stucco, with once decorated the dadoes of houses and palaces. There are three different styles. Two styles show vine leaves, grapes and leaf tendrils closely follow the tradition of Late Antiquity. There is then the flat cut 'bevelled' or 'slant' style of carving with stylised ornaments repeated in endless series. This was a ground-breaking invention and widely used in the Abbasid Empire in the 9th and 10th century.

With the right door folding. It has above and below a high rectangular panel, the upper one with the representation of the figure of a standing woman, the lower one with a hermae, both in the center of scrolls. A small oval representation, framed above by festoons, is in the interval. The overdoor consists of an oblong, divided into a central lozenge, with the figure of a standing woman and four pentagons. The lateral frame consists, at right, of a pilaster with a stem of leaves springing from a vase, and a capital with an oval medallion, at left of a fluted gaine in front of a band. On top the cornices of an entablature. The wall is colored. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Cast of a fireplace., Anonymous, c. 1800 - c. 1900 Cast of a fireplace. Fireplace with a triangular fronton, with the crowned coat of arms of Keizer Charles V. On either side the columns of Hercules, held by a griffin and a lion. Around the columns a spell band with the inscription PLVS Oltre. In the tympanum a portrait bust from Karel V and the year 1552 Netherlands earthenware. gypsum Cast of a fireplace. Fireplace with a triangular fronton, with the crowned coat of arms of Keizer Charles V. On either side the columns of Hercules, held by a griffin and a lion. Around the columns a spell band with the inscription PLVS Oltre. In the tympanum a portrait bust from Karel V and the year 1552 Netherlands earthenware. gypsum

Panel 12th century Wood, either carved or inlaid with ivory or with other types of wood, was commonly used as architectural furnishing during the medieval period in Ayyubid Cairo. The design of this piece consists of the scrolling overall pattern known in the West as the arabesque. By general definition the arabesquea French word originating at the end of the eighteenth centuryis a rhythmical arrangement of vine scrolls and foliate forms, often incorporating split leaves; vines emanate from the tips of the leaves, assuring infinite extension of the pattern.. Panel 447782

Eingangstür des Tempels Entrance door to the temple, Gothic flamigero, walnut door with casetones decorated with Plateresque motifs, 16th century, Monastery of Santa María La Real, Nájera, La Rioja, Spain Copyright: xZoonar.com/Tolox 22946351

Detail of the bronze portal by the sculptor Pisano, Cathedral of Monreale, Monreale, Sicily, southern Italy, Italy, Europe

Fragment of a Frieze with a Sequence of Roundels Enclosing Rosettes 5th-6th century The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small village, grew to consist of numerous complexes with residences, chapels, and service structures and two large churches profusely decorated with sculptures and paintings, often reused from other sites, all affiliated with the Coptic church. The more important buildings were decorated with courses of sculpted stone freely combining floral and geometric motifs inspired by classical art - rosettes, acanthus leaves, meander patterns - with more recent Christian themes. These sculptural elements, demonstrating the Byzantine love of complex patterning with lush textures, were originally painted in rich, vibrant colors like those surviving in textiles.. Fragment of a Frieze with a Sequence of Roundels Enclosing Rosettes 446138

Fragmentos de tres jambas, formela y capitel con decoración floral, clásica y figurativa. Author: Rappa Marone. vorm. Zatelli Giobbe.

Panel ca. 1775-85 French This panel displays delicate low relief carving of floral garlands, a floral wreath, a trophy of gardening tools and sunhat as well as a small still life below consisting of an overturned ewer, a sun hat, wheat ears, laurel branches and gardening tools. The small scale of this neoclassical panel and the high quality carving suggest it may have been made by a decorative sculptor as a masterpiece for presentation at the Académie royale darchitecture (Royal Academy of Architecture) in order to show his talent and secure future commissions. This anonymous low relief was part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885, the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, , Hoentschel sold the collection to J. Pierpont Morgan who gav

Peter Flötner, Abraham Welcoming the Three Angels, c 1525 1535 Abraham Welcoming the Three Angels

Ceiling Design: Decoration for theater, Pen and ink and sepia wash on paper, Circular centre showing Paris distributing the prize among the goddess. Around this centre main part of design describes oval divided into sections decorated with ornaments and representations of scenes fromt he life of Apollo., Europe and USA, Rome, Italy, ca. 1790, theater, Drawing, Drawing

Floral still-life relief 1784 Aubert Henri Joseph Parent French Carved of a single piece of soft lime wood, this high relief with its daring undercutting is an excellent example of the virtuoso work for which the French sculptor Aubert Parent was justly known. Reminiscent of Dutch seventeenth-century flower paintings, Parents still lifes then as now drew admiration for their realism, delicacy, and the remarkable liveliness of the birds and other small creatures that inhabit them. The inscription below — AUBERT PARENT. EQUES RO. INV. SCULP. ROMA AN. 1784 — indicates that this panel was created in Rome in 1784, the year that the artist, supported by a royal stipend, traveled to Italy.The classical vocabulary that Parent mastered there is reflected in the shape and decoration of the urn filled with tulips, roses, lilacs, liliesof-the-valley, and other sweet-scented blooms. A grapevine harboring a linnets nest surrounds the base, and while one bird feeds the fledglings its mate brings ad

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo09. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Stove plate with Battle of Gibeon, 1660 Cast iron stove, consisting of two zones. Central to the upper zone is the Battle of Gibeon (Joshua 10: 1-27). In the foreground are four armed men in armor around a man located on the ground. In the background, a man is led into a cave on the right and a man is hung on a tree on the left. The lower zone is decorated with curly slens. Germany iron (metal) casting Cast iron stove, consisting of two zones. Central to the upper zone is the Battle of Gibeon (Joshua 10: 1-27). In the foreground are four armed men in armor around a man located on the ground. In the background, a man is led into a cave on the right and a man is hung on a tree on the left. The lower zone is decorated with curly slens. Germany iron (metal) casting

Plaque of chancel decorated with a scallop supported by small columns, between which are depicted rosettes inscribed in squares. Limestone. 7th century. From Talamanca del Jarama, Community of Madrid, Spain. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.

Campania Napoli Sorrento Museo Correale di Terranova2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

FRONTAL DE PLATA CON ESCUDO DE LA CIUDAD. Location: Museo Municipal. CORDOBA. SPAIN.

Panel with trophy representing Europe ca. 1780-85 French The panels are each carved with a trophy comprising arms and armor suspended from a tasseled ribbon: in antiquity, military victories were commemorated with a display of arms captured from enemy troops and hung on a tree or temple. Oak branches are added to the martial symbols on 07.225.100a. Laurel branches, a laurel wreath and a standard with SPQR (short for Senatus Populusque Romanus or the Senate and the Roman People) above a portrait of a Roman emperor or general are added to the arms and armor on 07.225.100b. The shield with the horse on this panel and the one with a lion on the other, symbolize Europe and Africa respectively, and suggest an originally larger ensemble of woodwork with references to the four continents, a popular decorating theme during the eighteenth-century. Stripped of their original paint layer, these carvings may have served as door or shutter panels.This pair of panels was once part of the model collec

Campania Caserta Aversa S. Paolo, Cathedral7. Hutzel, Max 1960-1990 Medieval: Work on cathedral begun in 1053 under conte Riccardo I, completed in 1145 by his son Giordano in 1090. Destroyed by fire in 1145 and restored in 1255. Damaged by earthquake of December 1456, and rebuilt during 1703-1715 by C. Beratti. Exterior and Interior: Architecture, architectural sculpture. Post-medieval: Interior views: Altar of 1563 by Giacomo Lucarelli, with frieze representing the Trinity, Annunciation, and SS. Peter and Paul; bishop's throne; wooden crucifix, catalana, c. 1250; German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organ

DETALLE DE ESCUDO EN LA ARMADURA ECUESTE DEL EMPERADOR CARLOS V PLATA DORADA - SIGLO XVI. Location: MUSEO HOSPITAL DE SANTA CRUZ, TOLEDO, SPAIN.

DETALLE DE ESCUDO EN LA ARMADURA ECUESTE DEL EMPERADOR CARLOS V PLATA DORADA - SIGLO XVI. Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN.

CLAUSTRO-RELIEVE TOCADOR DE GAITA. Location: UNIVERSIDAD. SALAMANCA. SPAIN.

Hearthstone, from Antwerp Belgium, without frame, with mascaron, fireplace hearth part ceramic bricks, baked Hearth stone of the Antwerp type without frame representing mascaron in laurel wreath medallion along the edges half and quarter medallions with star motif between which fruitfarms building history heating

PLACA VISIGODA CON CRISMON Y DOS FIGURAS HUMANAS-S VII/VIII-MARMOL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Embroidered fragment with bird among vines, 1100s. Iraq, Baghdad, Seljuq period. Plain weave: silk warp and cotton weft (mulham); embroidery, couched and split stitches: silk and metallic thread; overall: 7.3 x 21.6 cm (2 7/8 x 8 1/2 in.).

Large-leaf proscenium-verdure with soldiers holding banners. unknown c. 1550-1600 Tapestry Dimensions: H 11' x W 14'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. H. I. Pratt 10/1/1943; "see stock sheet 76855" SS 76650. French & Co. purchased from Rosalie Sachs 12/2/43; sold to Mr. John Yeon 8/20/1957 SS 76855. Central plant with long pointed leaves flanked by 2 soldiers carrying banners in front of semi-circular balustrade with 4 large birds perched on top; greenery composed of wispy flowering plants amidst large scrolling acanthus-like leaves inhabited by birds (L & R BRD) columns covered by foliage; (UPR & LWR BRD) garlands with foliage, fruit & flowers with pairs of small ornamental cartouches suspended from rings The 2 panels in the set are nearly identical. French & Co. stock sheet in archive, 76650-b French & Co. stock sheet in archive, 76855-b Related Works: Panels in set: GCPA 0184418-01844

Choir stalls, side panel, Daniel and the lion, St., Saint, Saint

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral26. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Eingangstür des Tempels Entrance door to the temple, Gothic flamigero, walnut door with casetones decorated with Plateresque motifs, 16th century, Monastery of Santa María La Real, Nájera, La Rioja, Spain Copyright: xZoonar.com/Tolox 22946465

ICONO RUSO. Location: PRIVATE COLLECTION. MADRID. SPAIN. SAINT GEORGE.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in the window, fireplace stone part ceramics brick, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1605 half the windows on the top and bottom are filled with lily pattern. date 1605 heating history from bakery in Hekendorp.

Hearthstone, from Antwerp Belgium, without frame, with lions in the window, fire stone fireplace component ceramics brick, fired Hearth of the Antwerp type without list of two climbing lions placed in two panes with laurel leaf motif and accompanied by the year (15) 8 the half and quarter panes at the top and bottom are filled with star motif. year 8 heat building history

Bronze gate ornaments. Assyrian (circa 883-859 BC). From Balawat, near Nimrud. Embossed with scenes of warfare, prisoners and tribute bearers to represent the achievements of Ashurnasirpal II.

Drawing, Ornamental Panel; Architect: Flaminio Innocenzi Minozzi (Italian, 1735 - 1817); pen and brown ink, brush and brown and gray wash on two sheets of paper joined vertically, lined with cardboard; rosettes drawn on four separate pieces of paper and laid down on the original sheet; 69.1 x 20.1 cm (27 3/16 x 7 15/16 in.)

Paduan 15th Century, Venus and Cupid (obverse), late 15th century Venus and Cupid obverse

Lintel, anonymous, c. 800 - c. 900 Kalakop with heavens, upper sill of the porch of one of the bite temples from Candi Sewu. Sewu Temple andesite Kalakop with heavens, upper sill of the porch of one of the bite temples from Candi Sewu. Sewu Temple andesite

Ottoman marble stone carving art in floral patterns

Fries, anonymous, c. 1780 - c. 1830 Frisian with white relief figures in hard masses, applied to a gray wooden stock. Northern Netherlands (possibly)Netherlands (possibly) wood (plant material) Frisian with white relief figures in hard masses, applied to a gray wooden stock. Northern Netherlands (possibly)Netherlands (possibly) wood (plant material)

Panel with weapon silkwever guild in Florence, Anonymous, 1440 - 1460 Panel of a walnut door, attached to pinewood, decorated with Intarsia. The panel has a dichotomy and both the two courses and the frame show arabesks and kandelaber motifs. The upper compartment shows the weapon of the Zijdeweversgilde in Florence. Florence wood (plant material). walnut (hardwood). spruce (wood) Florence Panel of a walnut door, attached to pinewood, decorated with Intarsia. The panel has a dichotomy and both the two courses and the frame show arabesks and kandelaber motifs. The upper compartment shows the weapon of the Zijdeweversgilde in Florence. Florence wood (plant material). walnut (hardwood). spruce (wood) Florence

Panel 16th century French. Panel. French. 16th century. Carved walnut. Woodwork

Panel; wood

Saint Jerome. Dated: 15th century. Dimensions: overall: 8.8 x 6.8 cm (3 7/16 x 2 11/16 in.) gross weight: 87 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Paduan 15th Century.

Fireback. Dated: c. 1942. Dimensions: overall: 34.8 x 23.7 cm (13 11/16 x 9 5/16 in.). Medium: photograph. Museum: National Gallery of Art, Washington DC. Author: Charles Von Urban.

Ministère d'État (Galerie d'Introduction); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 45 x 31.5 cm (17 11,16 x 12 3,8 in.)

Lazio Viterbo Nepi Oratorio di S. Biagio. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, portal contains Roman spolia; ambo, altar (1170); cofanetto (12th century). Post-medieval: Frescoes (14-15th century). Viewsn of damaged frescoes and small crypt. Antiquities: Holy water font with Roman spolia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woman with a Flower. Aldegrever, Heinrich (1502-1555/1561)

PILA DE ABLUCIONES DE ALMANZOR REALIZADA EN MARMOL PROCEDENTE DE MEDINA AZAHARA - 987/998. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

'The Annunciation to Joachim'. Upper Bavaria (), Circa 1511-1520. Dimensions: 90,2x70,6 cm. Museum: State Hermitage, St. Petersburg.

Traditional balinese craftsmanship, wooden handmade decorated door. Detail. Yogyakarta. Indonesia.

Shield (Pavise) ca. 1450-75 German, Saxon The German inscription around St. George reads, "Help, knight Saint George; help, God, your eternal word, the body here and the soul there." At the top is the coat of arms of the duchy of Saxony quartered with crossed swords, symbols of the elector of Saxony's office as archmarshal of the Holy Roman Empire.. Shield (Pavise). German, Saxon. ca. 1450-75. Wood, leather, gesso, silver foil, polychromy. Saxony. Shields

Saint. Ignacy Loyola with a host on a cloud, Verso: N.M.P. with the baby in his hand; Czapliński, Mikołaj (Fl. CA 1710-1750); 1711 (1711-00-00-1711-00-00);

Italy, Campania, Pozzuoli, Relief representing a ship

Artful stone carvings, Alhambra, Granada, Andalusia, Spain, Europe

Pa. German Chest. Dated: c. 1936. Dimensions: overall: 44.6 x 64 cm (17 9/16 x 25 3/16 in.). Medium: watercolor, graphite, pen and ink, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Elmer G. Anderson.

Elevator panel from the Manhattan Building, Chicago, Illinois ca. 1889-91 Designed by William LeBaron Jenney William LeBaron Jenney, one of the leading architects of the Chicago School, designed the Jenney's Manhattan Building from which this panel came. The Jenney's Manhattan Building was built at 431 South Dearborn Street in Chicago. The sixteen-story structure, designed in 1889 and completed by 1891, represents one of the most important examples of early skyscraper technology and design. Most of the building's metalwork was made by the Winslow Brothers, perhaps the finest metal shop in the country at the turn of the century. This cast iron panel, which originally formed part of an elevator enclosure, has a geometric grid pattern on its lower half and semi-naturalistic stylized ornament adorning its upper portion. The Museum owns another panel, 1981.439.2, from the same building. It is identical to the present panel, save for the addition of small volutes around the outer edges.. Ele

Venus ", XVIIth century (made in Italy). According to the model of Tiziano Aspetti (1565-1607). Belongs to a pair. Landier surmounted by a figurine of Venus Marine. Metal, bronze. Museum of Fine Arts of The city of Paris, Petit Palais. 28845-1 Belongs pair, bronze, deesse, Roman divinity, figurine, overwhelming landier, marine, metal, realizes Italy, mythology

Cinerarium. Unknown about A.D. 20-40 The front and sides of the chest are enclosed in frames. There are small feet at the front. The lower border is wider at the sides, and lies directly on the ground. A rectangular tabula with a molded frame is set into the top of the front side in the middle. Beneath it, acanthus leaves form a cup from which two scrolls emerge. The first loop of each scroll holds a blossom. The scrolls end in a chalice of leaves in the second loop. Flowers are found in the lower corners, while at the top, a bird perches on the upper loop on each side. These birds turn toward the center while pecking at stems. The left and right sides of the urn are alike. In the middle, growing out of a cup of acanthus, a leaf motif bears a small krater at the top. Two birds sit drinking on its rim. Scrolls of leaves extend from the acanthus cup and form three loops on both sides. In the lowest loop is a flower, the middle one holds leaves, and the top fruits (). There are also two f

Hearthstone, from Antwerp Belgium, without frame, with two lions in oval, fireplace stone fireplace ceramics brick, fired Hearth of the Antwerp type without display of two climbing lions placed in two oval laurel wreaths connected by rosettes and accompanied by the year 1608 year 1608 heating history

Romanesque art in the National Art Museum of Catalonia,Barcrelona,capitals of Santa Maria de Besalú (XII century AC).

Gevelsteen VOCR, Dutch East India Company Rotterdam, facing brick sculpture sculpture building component sandstone stone, stone 588 kg (with iron supports) crown 140 kg sculpted Triangular ornament with curled leaves in the middle the intertwined initials of the VOC room Rotterdam On top of crown (separate stone) with fourteen balls VOCR Rotterdam City Triangle war World War II bombardment free warehouse VOC Dutch East India Company Boompjes The Oude Huis aan de Boompjes from rubble after the bombing of May 1940.

Roman Art. Marble sarcophagus with garlands of oak leaves supported by two erotes and four Victories adorn the front and sides. Medusa heads fill the spaces above the garlands. Ca. 200-225. Severan period. Metropolitan Museum of Art. New York. United States..

Tasting Poetry Hall late 19th-early 20th century Workshop of Jian Guzhai Chinese This ink tablet is from a sixty-four-tablet set (30.76.216-.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each sites name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.. Tasting Poetry Hall 41800

Bliżej Kultury unknown

Panel. Egypt, 8th century. Wood. Wood, carved

Carved oak depicting men pulling an ox and measuring forces by Peter Sanglada, Spanish sculptor. Dated 14th Century

Moderno, The Resurrection, late 15th early 16th century The Resurrection

Tobacco box 1746 Dutch The box is oblong with rounded ends. On the lid Charlemagne is depicted, conversing with a monk and surrounded by children against an architectural background. Scrolls and trelliswork decoration flank the scene. Inscribed at the upper right side of the scene, on a mock signboard is: APC. Inscribed at the left end is: Karel de Groote (Charlemagne) and at the right side: In den jare 1746 (In the year 1746). On the underside, within a wavy-line border, is the inscription: De groote keizer van wiens werk de vrucht blijft leven,/Die veel voort heil sijns volks, veel voor beschaving deed, / Zag voor sijn helden staal niet slechts de vijand beven/Neen 't onderwijs dat hij der teedre jeugd deed geven / Was 't wapen waar hij steeds de domheid mee bestreed (The great emperor, the fruit of whose work still lives,/Who did much for the welfare of his nation, and much for civilization/Saw the enemy tremble not only for his herds steel/No, the education that he provided for te

Cambodia, , Siem Reap - near, Angkor Wat - Bas-relief at Banteay Srei Temple

Fragment, Pilaster (France), ca. 1600; wood, carved

Ministère d'État (Salon Thétre); Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; about 1868; Heliogravure; Sheet: 31.5 x 45 cm (12 3,8 x 17 11,16 in.)

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

The Entombment. Dimensions: overall: 10.4 x 8 cm (4 1/8 x 3 1/8 in.) gross weight: 111 gr. Medium: gilded bronze. Museum: National Gallery of Art, Washington DC. Author: Valerio Belli.

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