Decorative Art and Design

A selection of ornamental designs and architectural studies, including stained glass concepts and furniture details, emphasizing intricate patterns and artistry from different periods.

Ornamentics and Uilen, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Warsaw. Centre of encrusted nut wood tripod table, from the equipment of the Royal Castle - top view. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Antependium of Altar. Dated: 1939. Dimensions: overall: 24.3 x 35.5 cm (9 9/16 x 14 in.) Original IAD Object: Approx. 6'x2'1". Medium: watercolor, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward Jewett.

Deraisme, Pierre -Georges (n.1859 - D.1932), bracelet (main title), 1895. Graphite, ink and gouache on gray paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Ornamentics and Uilen, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, graphite on paper mounted on tan illustration board, Two square windows each with blank central squares surrounded by vines., USA, late 19th century, architecture, interiors, Drawing, Drawing

Wind instrument and other instrument; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Warsaw. Wooden floor in the corridor from the so-called Imperial Study to the Empress' Chamber in the Palace in the Royal Łazienki Park - fragment in the scale of 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Light Hugo (1841-1923), cast iron front garden grille. Monthly competition June 1866 (06.1866): View (excerpt); Scale bar. Pencil watercolored on paper, 28.6 x 33.7 cm (including scan edges)

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil

Design for a sign with a crowned W, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush dish, plate, saucer. work of applied art (+ ceramics ~ arts)

Design for a Glass Panel Window for the Coved Ceiling in the Music Room, Frederick Crace, English, 1779-1859, Brush and watercolor on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A lozenge-shaped panel. The central design is composed of two winged insects arranged symmetrically within a circle. This design is flanked by two diamond-shaped fields containing a stylized bud motif., Original album associated with this collection still exists. See 1948-40-1 accessory, England, ca. 1817, architecture, Drawing, Drawing

Klomp Johannes Franziskus (1865-1946), Franciscan monastery and Heilig Kreuz, Essen (29.07.1903): Cross for the stairwell gable (1: 1). Pencil, colored pencil, chalk colored on transparent, 105.3 x 71.8 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Franziskanerkloster und Heilig Kreuz, Essen

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without dat.): ceiling design, cassette fields. Blue pencil on transparent on the box, 27.4 x 22.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Quast Ferdinand von (1807-1877), candlestick from the All Saints' Church, the S. Sebaldus Church and the S. Jacobskirche in Nuremberg (07.10.1853): Views and details (questionable fleeting sketch from the S. Jacob Church) (After or through drawings, four leaves). Pencil on paper, pencil on transparent, 35.5 x 28.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Kerzenleuchter aus der Allerheiligen-Kirche, der S. Sebaldus-Kirche und der S. Jacobskirche, Nürnberg

Design for a Ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 13/16 x 8 1/16 in. (27.4 x 20.4 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper mounted tan illustration board, Design of orange-red and brown vines with a central circular medallion containing 4 petals; framed by orange-brown., USA, late 19th century, architecture, interiors, Drawing, Drawing

Design for an Oblong Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Brush and wash, black and gray chalk on paper, Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal wreath formed by twigs within which are slopes formed by a garland. In the center is an urn, crossed, a thyrsus and a shepherds staff. The field is a rectangle, with parts of rosettes in the corners and tangent oblongs outside. They are decorated with two empty oblongs, laterally, and with a frieze of intertwined circles and segments with rosettes. Below the scale; “Feet.” Two framing lines., London, England, 1780-90, architecture, interiors, Drawing, Drawing

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 7 x 6 cm (2 3/4 x 2 3/8 in.) Sheet: 10.5 x 9.7 cm (4 1/8 x 3 13/16 in.)

Boucheron, Poudrier Rosette (main title), 1945. Ink on the front, pastel fat on the back on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Ornamentation and Crowned Lion (Nobel), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Ornamentation and a monkey with a skull, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Symmetrical pattern of curly lines within a rectangle, c. 1894 Leaf 5 Verso from a sketchbook with 35 sheets. paper. pencil ornaments ~ art

Drawing, Design for Mosaic Floor; Designed by Frederick Krieg (American, b. Germany 1852-1932); Client: R.C. Fisher and Co.; USA; brush and watercolor, pen and black ink, graphite on white wove paper

Ornament Design, Arabesque Panel and Roman Standards. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Schwechten Franz (1841-1924), Badia in Florence (Museum S. Marco) (04.12.1869): Wall paintings, details. Ink, pencil watercolored, gold heighted on paper, on cardboard, 57.1 x 41.1 cm (including scan edges) Schwechten Franz (1841-1924): Badia, Florenz (Museum S. Marco)

Ornamentics and Uilen, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Warsaw. Floor in the Concert Room of the Royal Castle - fragments in the scales of 1:1 and 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Dorothy Dwin, Historical Printed Textile, c 1940 Historical Printed Textile

Dealed bean. .

Ruth M Barnes, Quilt, c 1936 Quilt

Henry Moran, Coverlet, c 1939 Coverlet

Card Case. Dated: c. 1936. Dimensions: overall: 29.8 x 22.7 cm (11 3/4 x 8 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Melita Hofmann.

Kader, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. India ink (ink). pencil pen / brush

Ornamental motif with four legumes, Carel Adolph Lion Cachet, 1874 - 1945 print Four stylized pods and leaves. paper printing block ornament derived from plant forms - AA - stylized

Untitled (holiday card). Robert Mangold; American, born 1937. Date: 2001. Dimensions: 130 x 225 mm (sheet, sight). Color linocut on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Geometric design for printed textile, Louis-Albert DuBois, Swiss, 1752-1818, Brush and gouache, graphite on white wove paper, Vertical rows of stylized flower heads alternating with vertical rows of inverted traingles, pink, blue, yellow and green pallets., France, 1800-1818, textile designs, Drawing, Drawing

Gothic flat decoration with braid. Leaf 16 Recto from a sketchbook with 43 sheets.

Initial Frame, Homer Wayland Colby, American, 1874-1950, Charles Scribner's Sons, New York, New York, USA, Black ink on paper, A symmetrical design of flowers and leaves. Blank frame for initial, center., USA, ca. 1910, graphic design, Drawing, Drawing

Cornelius Christoffels, Quilt (Corner Section), c 1940 Quilt (Corner Section)

Flower. .

alms dishes and chalices, 1878 . Butterfield, William 1878, undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Royal Institute of British Architec

Textile Samples. Dated: c. 1938. Dimensions: overall: 35.6 x 24.5 cm (14 x 9 5/8 in.) Original IAD Object: 3 1/4" high; 2" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edmond Lorts.

Design for a pendant with flower branches of lilacs, enamelled gold, Paul Louchet, c. 1905 Paris paper. ink. watercolor (paint) drawing / pen

Diebitsch Carl von (1819-1869), Fischirah Castle, Cairo (approx. 1863/1864): cassette, scale strips. Pencil and ink watercolor on the box, 45.4 x 50.4 cm (including scan edges) Diebitsch Carl von (1819-1869): Schloss Gezirah, Kairo

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, graphite on paper mounted on tan illustration board; Image: 7.5 x 5.6 cm (2 15/16 x 2 3/16 in.) Sheet: 13 x 11.1 cm (5 1/8 x 4 3/8 in.)

Stüler August (1800-1865), wall decoration (without date): View. Lithograph on paper, 50.4 x 35.9 cm (including scan edges) Stüler Friedrich August (1800-1865): Wanddekoration

Design for a vignette with monogram RWPDV, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Monogram of R.W.P. de Vries Jr. paper. ink. pencil brush magic mathematical figures; magic numbers, words, monograms

Unknown architect, book cover for "Berlin and its buildings". Monthly competition February 1875 (02.1875): View. Pencil watercolor on the box, 47.7 x 31 cm (including scan edges) N.N. : Bucheinband für »Berlin und seine Bauten«. Monatskonkurrenz Februar 1875

Italian No 5 Plate XC From The Grammar of Ornament by Owen Jones published by Day & Son London 1865

A trunk from the 17th century from the collections of the National Museum in Warsaw in 1917 - views at the front and in advance; Sztolcman, Władysław Roman (1873-1950); 1917 (not after 10.04.1917) (1917-00-00-1917-00-00);

Deraisme, Pierre -Georges (n.1859 - D.1932), monograms (main title), 1898. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

The detail of the secretary from the beginning of the 18th century of the hemped Heban and the Inlaid Marketer, in the collections of the National Museum in Warsaw from 1917; around 1917-1918 (not after 23.01.1918) (1917-00-00-1917-00-00);

Evelyn Bailey, Patchwork Pattern, c 1936 Patchwork Pattern

Warsaw. Marble fireplace in the study near the 'red' study in the 1st floor of the Royal Castle - fragment of front view and profiles in the scale of 1:10. Sobecki, Jan Ludwik (1875-fl. 1939), draughtsman, cartoonist

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on paper, mounted on illustration board; Image: 5 x 6.5 cm (1 15/16 x 2 9/16 in.) Sheet: 6.6 x 8.1 cm (2 5/8 x 3 3/16 in.)

Design for the front of a book band with flower pattern, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil. chalk brush book-cover, binding. flowers ~ ornament

Steel with printed silk, design Tanzpaar, 1915 Steel with printed silk. Dessin Tanzpaar, WW no. 00551. On Natural Fond zigzaglines in brown and black arcs within which dancing figures. The steel is glued on cardboard on which the vignette of the Wiener Werkstätte. On the back a color variant with pink and black. Vienna silk. cardboard block printing (relief printing process) Steel with printed silk. Dessin Tanzpaar, WW no. 00551. On Natural Fond zigzaglines in brown and black arcs within which dancing figures. The steel is glued on cardboard on which the vignette of the Wiener Werkstätte. On the back a color variant with pink and black. Vienna silk. cardboard block printing (relief printing process)

Kolb Heinrich, St. Michaelskirche, Eltlingen. St. Veitskirche, Stuttgart-Mühlhausen. (From: Consumers. Medium-sized wall and ceiling painters. In Germany, ed. Richar (1897-1897): Interior views Hoz ceiling and upright equipment. Lithography colored on paper, 48.7 x 32.6 cm (incl. Scan edges)

Frankie vessel. .

Palazzo Pontifici, Sala Regia, coffer panels, reflected ceiling plan (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Palazzo Pontifici, Sala Regia, coffer panels, reflected ceiling plan (recto) blank (verso). early to mid-16th century. Dark brown ink, black chalk, and incised lines. Drawings

Rieth Otto (1858-1911), wall jewelry. () (04.12.1893): View. Pencil watercolored on paper, 30.4 x 28.8 cm (including scan edges)

Textile. Dated: c. 1936. Dimensions: overall: 36 x 25.3 cm (14 3/16 x 9 15/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: James Vail.

Deraisme, Pierre -Georges (n.1859 - D.1932), floral chain (main title), 1905. Graphite, ink, watercolor gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

The Fourth Knot Made 1507 Germany. Around 1506, Albrecht D¸rer designed a series of six ornate woodcuts of labyrinthine designs after a set of engravings by the school of Leonardo da Vinci, which he may have seen or acquired during an early trip to Italy. Though D¸rer left them unsigned, possibly because he borrowed their source material, he referred in his diary to giving away his series of knots on a trip to the Netherlands, and this title has become standard. These impressions are printed on a thin, nearly translucent Italian paper, which may have influenced scholars to occasionally interpret them as embroidery patterns.. Woodcut in black on ivory laid paper . Albrecht Dürer

Schick Carl, pressure decorations for the magazine art and trade, 1880-1882 (1880-1882): View Ornament. Print on paper, 28.8 x 21 cm (including scan edges)

Mural from an atrium in the House of Tryptolemus, Reg. VI, Ins. VII, No. 18. Illustration drawn by Discanno and lithographed by Victor Steeger from Emile Presuhn's "Les Decorations Murales de Pompei," Weigel, Leipzig, 1878. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno, made exact copies of many wall paintings that are now lost.

Insertion 16th century Italian. Insertion 226387

Liemann Ludwig Theodor, sketchbook of the Italian journey (without date): Bl. 57: Rome. Ceiling from the Galleria Borgia of the Vatican Palace (details). Pencil watercolored on paper, 61.1 x 45.2 cm (including scan edges)

Watercolor by Adolf Böhm depicting a circular composition featuring vineyards, rendered with cover colors, gold paint, and black chalk, dated December 31, 1896.

Francis Law Durand, Quilt, 1935 1942 Quilt

Wall Paper. Dated: c. 1936. Dimensions: overall: 29 x 22.2 cm (11 7/16 x 8 3/4 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Robin.

Strack Heinrich (1841-1912), Villa Madama in Rome (without dat.): Friest decoration (dome edge). Pencil watercolor on the box, 24.4 x 24.2 cm (including scan edges) Strack Heinrich (1841-1912): Villa Madama, Rom

Magnus S Fossum, Woven Coverlet, c 1937 Woven Coverlet

Baptistery in Florence. Jabłczyński, Feliks (1865-1928), graphic artist

Wall painting Sint-Bavo church Haarlem; St Bavo's Church in Haarlem / Église de Saint-Bavon` a Harlem; Murals / Peintures Murales. Detail with tendrils of a mural in the Saint Bavo church in Haarlem. At the top a Latin text.

Plaster models for decorations of the Palais du Louvre by Marie Etienne Cousseau, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Elgin Moncure Styll, Patchwork Quilt, 1935 1942 Patchwork Quilt

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three panels which show stilted arches formed by boughs and ornametal motifs on top are separated by two pilaster strips, which, standing upon a dado, support the frieze of the entablature. Staffs frame the strips which contain three vertical lines topped with a palmette. Larger palmettes, standing upon calyxes, also decorate the frieze., Austria, 1820-40, wallpaper designs, Drawing, Drawing

Gedecoreerd Kleed, K.K. Teaching and Experience Institute for Photography, c. 1885 - in OR Before 1890 photomechanical print paper photolithography carpet, rug

Designs for the painted decoration of ceiling timbers monogrammed "PB" second half 19th century Jules-Edmond-Charles Lachaise French. Designs for the painted decoration of ceiling timbers monogrammed "PB" 384868

Drawing, Geometric design for printed textile; Designed by Louis-Albert DuBois (Swiss, 1752-1818); France; brush and gouache, graphite on white wove paper; Sheet: 14.5 x 17 cm (5 11/16 x 6 11/16 in.) Image: 9 x 9.2 cm (3 9/16 x 3 5/8 in.)

Decorative design with Letter W, Carel Adolph Lion Cachet, 1874 - 1945 drawing tracing paper. ink pen initial

Textile Print. Dated: c. 1938. Dimensions: overall: 37 x 26 cm (14 9/16 x 10 1/4 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Lucille Lacoursiere.

Wooden stick panel showing cubes modified to a blunted rhombocuboctahedron, created after 1538, illustrating geometric connections and polyhedral form.

Lace. Culture: Italian. Dimensions: 7 5/8 × 1 3/4 in. (19.4 × 4.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Architectural Drawing of a Temple, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash, brown wash, graphite, pen and black ink on thin, moderately textured, beige, wove paper, Sheet: 19 3/16 × 11 1/4 inches (48.7 × 28.6 cm)

Steel with printed silk, chi-ki design. Steel with printed side. Dessin Chi-Ki, WW Nr. 00720. On Natural Fond with blue dots A design of stylized flower or fruit forms and tones in two shades of blue, yellow, salmon, reddish and green. The steel is glued to cardboard on which the vignette of the Wiener Werkstätte. On the back two color variants with a pink and a beige fond respectively.

Rohscan

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper brush

Etching by Pietro Perfetti from 1769 showing a detailed floor plan of a garden with structured layout.

Decorative motif with three legumes, Carel Adolph Lion Cachet, 1874 - 1945 print paper printing block ornament derived from plant forms - AA - stylized

Wrought Iron Gate Design (recto), Sketches for Bracket (verso) 1870-1900 Anonymous, British, 19th century British. Wrought Iron Gate Design (recto), Sketches for Bracket (verso) 386726

Drawing, Design for Mosaic Floor; Designed by Frederick Krieg (American, b. Germany 1852-1932); Client: R.C. Fisher and Co.; USA; brush and pink, white, and black wash, pen and black ink, graphite on white wove paper

Six segments of a heavenly map, intended for a Ascension, Anonymous, 1777 - 1810 print Six segments of a heavenly map, intended for a celestial grob consisting of twelve segments with the heavens and two circles for the Poles. On the right segment a framework with information about the magnitude of the stars. paper engraving zodiac; the twelve zodiacal signs together. star-globe

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): wall and ceiling painting. Pencil watercolored, gold heighted on paper, 26.2 x 39.5 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Deraisme, Pierre -Georges (n.1859 - D.1932), Rose motif (main title), 1905. Graphite, ink, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Watercolor illustration board by Vincenzo Brenna depicting a ceiling scene with a red seafarer, using cover colors, part of ''Vestigia delle Terme di Tito'' series, circa 1780.

Letter A. .

Deraisme, Pierre -Georges (N.1859 - D.1932), Hatped Epingles (main title), 1900. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

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