Decorative Designs and Patterns

Features intricate patterns and designs intended for decorative art, showcasing craftsmanship in marquetry and textiles.

Plate 2, Descripción histórica y cronológica de las dos piedras que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, se hallaron en ella el año de 1790, Francisco de Aguera, (, active 1779-1820, León y Gama, Antonio de, 1735-1802, Unknown, Engraving, 1832

Two wind instruments; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Design for a plate on the occasion of the silver jubilee of Queen Wilhelmina. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 388 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 53). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

The First Knot”. Interlaced Roundel with an Oblong Panel in its Center 1521 before Albrecht Dürer German Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form three tiers surrounding the central motif which is an oblong panel, left blank. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground while swirling straps in black surround them.. The First Knot”. Interlaced Roundel with an Oblong Panel in its Center 388788

Third Knot. Albrecht Dürer (German, 1471-1528). Woodcut;

Four Designs for Decorated Plates and a Quatrefoil Rondel 1852 Alfred Henry Forrester Alfred Crowquill British. Four Designs for Decorated Plates and a Quatrefoil Rondel 394793

Three weapons. Three performances on an album magazine. Above a shield with a sword and two stars. As a helmet sign a wildeman. Below this a weapon with two shields related to the family trip. The right shield has three wooden shoes or tripping. A coming deer as a helmet sign. At the bottom of a shield with a crowned lion and three shamrocks. The prints are part of an album.

Plate 2, Descripción histórica y cronológica de las dos piedras que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, se hallaron en ella el año de 1790, Francisco de Aguera, (, active 1779-1820, León y Gama, Antonio de, 1735-1802, Unknown, Engraving, 1832

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Théorbe; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Engraved brass plate. Venetian work, middle of 16th century.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Brasswork, Plates (Tableware)

Graphite drawing by Francesco Borromini showing construction details of a window with the coat of arms of Innocent X at San Giovanni in Laterano, Rome, on fine paper, including lettering and whistle.

Sketch for an Interior, Pen and brown ink (iron gall ink), traces of graphite on paper, At bottom, a frieze with a roundel and panels showing architecture (). Above, diamonds containing sketches of dancing figures and laurel wreaths., Italy, ca. 1800, ornament, Drawing, Drawing

Anagram in Honor of Charles III, Duke of Lorraine and Bar. Artist: Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). Dimensions: Sheet: 15 3/8 × 12 in. (39 × 30.5 cm). Date: ca. 1590. Museum: Metropolitan Museum of Art, New York, USA.

Two designs for a wall painting, Giovanni Cambiaso, 1505 - 1579 drawing Two designs for a wall painting with a cartouche and a medallion with garlands in which a face on Rome. paper. ink. chalk pen / brush Rome

Drawing, Center Motif of Ceiling; Designed by James Byres; England

Klomp Johannes Franziskus (1865-1946), grave monuments, altars and church details (0-0): semi-circular, partly figurative ornament. Ink on transparent, 14.6 x 22.8 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Grabdenkmäler, Altäre und Kirchendetails

Drawing, Oval Ceiling with Three Graces, Design for Sala di Enea, Palazzo Marescalchi, Bologna; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink on paper; 18.4 x 26.3 cm (7 1/4 x 10 3/8 in.)

Design for a Decorative Panel with a Flutist (recto); Design for molding (verso) ca. 1700-20 Gilles-Marie Oppenord French. Design for a Decorative Panel with a Flutist (recto); Design for molding (verso) 343096

Sebald Beham, Three Medals with Coats of Arms Three Medals with Coats of Arms

Testimonial presented to the right hon, Sir John S, Pakington, by the County and City of Worchester,

Drawing, Design for necklace and earring; Italy

Paris, Hurtu, Jacques, Black ornaments, Heart-shaped pendentive and eleven smaller motifs, The pendentive and the smaller motifs are decorated with white tendrils and Schweifwerk on a black background., print, ornament print, prints, ornament prints, height 72 mm, width 69 mm, print maker, printmaker, 1619 - 1619, first quarter 17th century, paper, engraving, engraving (printing process), etching, Work conception, after a design by, Publication (Event), Publication, publisher

Deraisme, Pierre -Georges (n.1859 - D.1932), Rocaille pendant (main title), 1895. Graphite on bis paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Denkblatt , An Austria three most glorious days , under , Emperor Ferdinand I, Friedrich Berndt, Lithographer, after, Ferdinand Tewele, Draft, Eduard Sieger -, printer

Design for a Ceiling. Artist: Attributed to James Wyatt (British, Weeford, Stafforshire 1746-1813 near Marlborough, Wiltshire). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Turkish or Arabic Tamburin and a Salmania, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of seats made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Bottom Schets in pencil. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. string instruments (plucked) Royal Palace

Three designs for pendants in the form of pipes, Erasmus Hornick (Circle of), c. 1560 - c. 1570 drawing Design, possibly for a print. draughtsman: Augsburg (possibly)Vienna (possibly) paper. ink pen / brush ornaments, jewels. pomander, musk ball

Magic Lapland drums; Picart, Bernard (1673-1733); 1727 (1727-00-00-1727-00-00);

Albrecht Dürer, Sixth Knot, 7 small systems of knots with black centers, c. 1506, woodcut on paper.

Trivet. Dated: 1938. Dimensions: overall: 30.4 x 24.8 cm (11 15/16 x 9 3/4 in.) Original IAD Object: 6 1/2" in diameter. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Moss.

Italy, Leviores et ut videtur extemporaneae picturae quas grotteschas vulgo vocant, Architectural fantasy with Saturn in his chariot at the top, Flat decoration with grotesques. At the bottom a cartouche with a ship, flanked by two seated monkeys. The whole in a border, decorated with masks. On the left and right a hanging garland of fruits and sea creatures. From a series of 20 sheets., print, ornamental print, prints, ornamental prints, height 256 mm, width 200 mm, print maker, printmaker, 1530 - 1540, second quarter 16th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Roche, Pierre (n.1855-D.1922-01-18), serpent (decor) (main title), 1912. Gypsography, brown draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Two photo productions of prints of swords, c. 1875 - c. 1900 photograph Above (390) A drawing of a sword -ruted decorated with animal heads, under (391) two drawings of heavy features, decorated with human figures. Europe cardboard. photographic support albumen print hacking and thrusting weapons: sword. mask, mascaron ~ ornament. ram's head ~ ornament. anthropomorphic ornament Europe

Cartouche surrounded by grotesken, on the cartouche there is a bow of leaves, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1555 - c. 1560 print Left and top right hangs a weapon trophy. Left and bottom right a mascaron and a fruit thos, on which a bird. Leaf O from series of 16 sheets, literate A-Q. Shaded or dotted background. Netherlands (possibly) paper etching ornament ~ cartouche. ornament ~ grotesque. birds

Stier Gustav (1807-1880), silver press pattern for Ehrenburg (1842-1842): 7 ornaments (breaks). Pencil on transparent, 29.3 x 43.6 cm (including scan edges) Stier Gustav (1807-1880): Silberpressungsmuster für Ehrenburg

Three wind instruments; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Johann Georg Bergmüller, Saint Michael Defeating Heresy and Satan, 1730 Saint Michael Defeating Heresy and Satan

Ground Plan of the Church of Saint John the Baptist. Dimensions: plate: 32.9 x 28.3 cm (12 15/16 x 11 1/8 in.) sheet: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Valerien Regnard.

Circle with plant motifs. Leaf 34 Verso from a sketchbook with 41 sheets.

Drawing, Military Trophy after Polidoro da Caravaggio; After Polidoro da Caravaggio (Italian, 1499 - 1543); Italy; pencil, pen and ink, brush and sepia on paper

GSELL-Laurent workshop. Album n ° 3; Stained glass project for the Sainte-Marie du Havre church: details of a rosette, decorative ornaments. Black stone, watercolor. Paris, Carnavalet museum. Album n ° 3, Catholic, detail, Sainte-Marie Church, decorative ornament, black stone, project, rosette, stained glass, watercolor

Design for Ceiling for the Basement Story, Carlton House, Pall Mall, London, England, Henry Holland, British, 1745 - 1806, Pen and black ink, brush and gray wash on paper, Horizontal format design for a ceiling for the octagon on the basement story of Carlton House in London, England. The wall is indicated outside. A rosette is in the center of an octagonal panel. It is surrounded by eight hexagons which have curved sides near the corners of the ceiling. Hexagonal panels are in the hexagons. Below is the scale. Elaborate framing at the edges. Something has been erased in the lower right., London, England, 1786-90, architecture, interiors, Drawing, Drawing

Cut Tin Candle Holder. Dated: 1935/1942. Dimensions: overall: 35.4 x 24.1 cm (13 15/16 x 9 1/2 in.). Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Dana Bartlett.

Fan Mount: Decorated with three Medallions, the Central Medallion is of an Angel driving a Two Horse Chariot, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, 1782, Engraving

Nine Designs for Decorated Plates. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Grotesque Pendant; Italy; pen, brush and sepia on paper

Scepter for Papal Ceremonies, Pen and ink, brush and watercolor on paper, Cross-shaped scepter. At top, a shield with the papal coat-of-arms supported by two angels. At center, a larger shield and two figures of Henyth and Vigilance., Italy and Germany, mid- 17th century, metalwork, Drawing, Drawing

Oval Pin. Dated: c. 1937. Dimensions: overall: 28 x 23 cm (11 x 9 1/16 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Tulita Westfall.

Albrecht Dürer, The First Knot (with a heart shaped shield), probably 1506 1507 The First Knot (with a heart-shaped shield)

Stüler August (1800-1865), National Gallery on the Museum Island in Berlin (without dat.): Cassette ceiling of the pillared hall. Photo on cardboard, 56.8 x 43.7 cm (including scan edges) Stüler Friedrich August (1800-1865): Nationalgalerie auf der Museumsinsel, Berlin

Project for Ceiling Decoration 16th century Anonymous, Italian, 16th century Italian. Project for Ceiling Decoration 342254

Pin. Dated: 1935/1942. Dimensions: overall: 29.6 x 22.4 cm (11 5/8 x 8 13/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Garay.

Stained glass window with a sailing ship at sea, photograph, photo, drawings, height 110 mm, width 126 mm, photographer, 1907 - 1930, photographic paper, photo paper, daylight collodion silver print

Design for the decoration of a porcelain plate from the Alcora factory, c. 1790 paper. ink. watercolor (paint) brush / pen dish, plate, saucer

Designs, possible for a print, Three designs for pendants in the shape of pipes, draughtsman: Erasmus Hornick, (circle of), Jacopo da Strada, (workshop of), draughtsman: Augsburg, (possibly), Vienna, (possibly), c. 1560 - c. 1570, paper, pen, brush, h 415 mm × w 287 mm

Schneider Hugo (1841-1925), figures and ornaments (without date): View. Pencil on transparent, 34.1 x 18.7 cm (including scan edges) Schneider Hugo (1841-1925): Figuren und Ornamente

Print, Ceiling Design; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: C. Le Meunié (French, active 1770-1786); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Drawing, Design for a necklace; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Deraisme, Pierre -Georges (n.1859 - D.1932), covered (main title), 1900. Graphite, watercolor on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

TEJIDO GOTICO. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Deraisme, Pierre -Georges (n.1859 - D.1932), Monogram: Gaston (main title), 1898. Graphite and Gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for a stained glass window with flower vase and garlands, Anonymous, in or after 1907 - 1930 drawing Amsterdam cardboard. paper. watercolor (paint). pencil brush flowers ~ ornament. ornament derived from architectural details

Loterijlot van der Düsseldorf artist, Anonymous, 1852 - c. 1899 print Two banners for ornamentation of Acanthus. At the top: "Loos No." With hand written by hand the number 135. paper banner, standard (as symbol of the state, etc.). St. Luke as patron of painters

Silhouette of a young woman facing right in an oval frame 1825-1900 Isabella Beetham. Silhouette of a young woman facing right in an oval frame. Isabella Beetham (British, 1750-after 1809). 1825-1900. Etching

Fanière brothers, enameled spindle. Project (main title). Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Etienne Delaune depicts Trojan women setting fire to Aeneas' fleet, executed with lead handle, feather, ink, brush, and Bister lavation.

The Second Knot”. Interlaced Roundel with an Amazon Shield in its Center 1521 before Albrecht Dürer German Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form two main tiers with different patterns surrounding the central motif which is a blank Amazon shield with curled up edges. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The leaves are filled with more knot work in white on the dark ground, and are surrounded by more leaf-shaped forms, combined with swirling straps in black.. The Second Knot”. Interlaced Roundel with an Amazon Shield in its Center 388787

Cast of a capital in the Laon cathedral, c. 1875 - c. 1900 photograph Francepublisher: Paris cardboard. photographic support albumen print capital (~ column, pillar). ornament ~ round and curved forms Cathedral of Laon

Cartouche above a monogram, Daniel de Lafeuille, c. 1690 - c. 1691 print From series of 29 partially numbered sheets with number monograms. Amsterdam (possibly) paper engraving

Design for the decoration of a porcelain plate from the factory of Alcora, draughtsman: Vicente Alvaro, (signed by artist), c. 1790, paper, brush, pen, h 254 mm × w 322 mm

New / Uilenspel, Paulus Emans, 1832 - 1850 print. gameboard The owl game. A circular board game with compartments containing objects, animals and dice. In the middle an owl with a mirror. Under the show the rules Rotterdam paper letterpress printing board-games. board-games of chance. owls

Parijs, Meryon, Charles, Paris, Projet d'encadrement pour le portrait d'Armand Guéraud, Frame for portrait of Armand Guéraud, verso center - stamped, Frame with allegorical representation of the invention and application of the art of printing. Books with titles on the bindings and printer's tools are stacked on top of each other around an empty frame. Under the frame, intended for the portrait of the printer Armand Guéraud, lies a law book with a sword. In a binding at the bottom are, among other things, Chinese characters and hieroglyphs. Meryon took great pains to design the frame, he produced fourteen states and kept changing the titles on the books, as well as other details. Striking are some red accents with which the artist experimented., print, prints, height 168 mm, width 130 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1862 - 1862, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, à la poupée, plate tone, Work conception, after own d

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 11 7/16 × 8 1/4 in. (29.1 × 20.9 cm). Date: ca. 1639. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Detail of a Plumed Canopy Finial; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper, lined; Image: 27.1 x 18.7 cm (10 11/16 x 7 3/8 in.)

Table XXVI (arrangement of objects on and around the escutcheon) for the Norbert Eugeniusz Malinowskis publication “Heraldry, i.e. the study of coats of arms containing a lecture on the theory of world heraldry collected from the best sources [!, the th5. Weinhold J., Kochański i Marszycki (Warszawa ; zakład litograficzny ; fl. 183.), lithography atelier

Enckell, Magnus, work, Sketch book, 1910-1911, drawing, 34 cm x 27 cm, Enckell, Magnus, part: Sectors, 1910-1911, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

The figure of the Indian's fort or Palizado in New England. Underhill, John, d. 1672. Illustrations. 1638. Rare Book Division. Indians of North America , War, Pequot War, 1636-1638, Forts & fortifications, Bird's-eye views

The interior or Empyrean heaven, showing at centre the fall of Lucifer. Date: 1794

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (hexagon). Below that a face on a castle on a water. In the corner at the top left the number 5 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. castle. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Plate Seven, from Book of Ornament. Simon Gribelin II; French, 1661-1733. Date: 1704. Dimensions: 132 × 203 mm (image/plate); 233 × 295 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Designs for three lids of (powder) boxes and two pendants. The right pendant is in the shape of a cross, Box covers and two pendants Livre d'Ouvrages de Joüaillerie (...) (series title), print maker: Jean Guien, (mentioned on object), Jean Guien, (mentioned on object), publisher: Jean Guien, (mentioned on object), London, 1710, paper, engraving, h 158 mm × w 242 mm

Trivet. Dated: c. 1942. Dimensions: overall: 29 x 36.4 cm (11 7/16 x 14 5/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Margaret Golden.

Print, Letter C, for Baluze's "Histoire générale de la Maison d'Auvergne"; Sebastien Leclerc (French, 1637-1714); France; etching on paper; 7.5 × 7.4 cm (2 15/16 × 2 15/16 in.); 1907-7-30-a

Ornament. Draughtsman: Samuel Jessurun de Mesquita. Dating: 1878 - 1944. Measurements: h 136 mm × w 98 mm. Museum: Rijksmuseum, Amsterdam.

Medallion with foolishness and pride; Orgveille et Follie; Dishes; Pride and foolishness. Medallion with a double parent the foolishness and pride. The edge is decorated with fantastic beings and the theme of symbols and performances, such as Superbia, a peacock, the whore of Babylon, the fall of Phaëthon, the fall of Marcus Curtius. Sheet from series of 4 magazines with a medallion in a wide edge of grotesken with figures, animals and leaf refrences on a dark distance. The edge around the medallion and the outer edge contain Dutch and French fresh rules.

Wood engraving. Vignette., Etching and engraving, A globe., Europe and USA, 1800-1830, Wood engraving. Vignette.

Le Samara El Kurbe Egyptien et La Halamanie Turc; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Design for ceramic tile decoration of a bathroom in "Pompeian" manner (possibly for Deepdene, Dorking, Surrey) second half 19th century Jules-Edmond-Charles Lachaise French. Design for ceramic tile decoration of a bathroom in "Pompeian" manner (possibly for Deepdene, Dorking, Surrey) 343060

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentin card games. Number three in a series of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123051-5 Card to play, wood engraving, card game, 16th 16th 16th 16th 16th 16 CENTURY, engraving

Panel with fasces in wreath; eagle in wreath, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, One above the other., Rome, Italy, 1780-1800, architecture, Drawing, Drawing

Design for a Coin: Queis Tutum Faciant Iter, Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), undated, Graphite, and incised for transfer on medium, slightly textured, blued white laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines, Mount: 11 x 7 3/4 inches (27.9 x 19.7 cm), Contemporary drawn border: 7 1/8 x 5 1/4 inches (18.1 x 13.3 cm), and Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm), boats, circle, coin, design, emblem (symbol), genre subject, lighthouse, marine art, shore (landform)

Pa. German Trivet. Dated: c. 1939. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 7 1/2" in diameter; 1 1/8" high. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Filippo Porreca.

Two cartouches, each with the representation of an evangelist; PAME; Comperimentorum quod vocant plywood genus .... Two cartouches on one leaf. Lucas left and right John. Shaded background. Leaf from series consisting of a title page and 15 of the 16 sheets with cartouches with biblical and mythological performances in a frame of rollerwork and grotesken.

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Inventories of various sacred and profane objects for the people of life, Inventories of various sacred and profane objects, Designs for religious and profane objects, Frame, candlestick and a vase with an image of the Holy Trinity, Print is part of an album., print, album leaf, ornamental print, prints, height 161 mm, width 215 mm, Italian, print maker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, etching, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

MR. PETRIE'S EGYPTIAN ANTIQUITIES, 1889: Bronze Mirror, Column, Rake, Bowl.

2nd Plate, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from Les Monnaies (The Currencies) ca. 1630 Jacques Callot French The series depicts coins issued by European Princes, primarily from Germany and Italy, in the 16th and 17th centuries. This plate shows the front and back of 10 coins. These coins feature portraits European princes or emblems and are linked by a cartouche with the inscription "AR" (argentum).. 2nd Plate, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from Les Monnaies (The Currencies). Les Monnaies. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1630. Etching. Prints

Netherlands, Jode, Gerard de, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Panoplia sev armamentarium, Two vertical trophies with cannons and bombs, Two vertical compartments containing trophies with cannons, exploding bombs and other weapons. From a series consisting from a title page and 16 leaves., print, ornamental print, prints, ornamental prints, ., height 185 mm, width 249 mm, print maker, printmaker, 1572 - 1572, third quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Emblemas, de Los Dragones, I. Rey, II. Almansa, III. Pavia, IV. Villaviciosa, V. Sagunto, VI. Numancia, VII. Lusitania, VIII. Reina 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Spain, Military organizations , Spanish

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