Decorative Ephemera Designs

Beautifully crafted designs for greeting cards and certificates, blending artistic motifs with calligraphy and ornate frames.

Design for a certificate on the occasion of twelve and a half years of loyal service at the Glue and Gelatine factory, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, brush, h 157 mm × w 101 mm

Franz Deák, wreaths on the coffin of Deaks from new illustrated newspaper, Illustrated family leaf, Unknown

Greeting Card ca. 1825 Johannes Endletzberger. Greeting Card. Johannes Endletzberger (Austrian, 1782-1850). ca. 1825. Gouache, metallic paint, metallic foil, embossed and punched paper, and carved and painted mother of pearl on silk. Ephemera

Design for a certificate on the occasion of twelve and a half years of loyal service at the Glue and Gelatine factory, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, brush, h 157 mm × w 101 mm

Coat of arms with chalon weapons Guillaume Boichot (1735-1814). Blazon with Chalon's weapons. Feather and ink from China on layer, 1735-1814.

Drawing, Design for Bronze Clock; Made by Unknown

Ex-libris lucien layus; Fau, Ferdinand (1858-1919); around 1900 (1895-00-00-1905-00-00);

Coat of arms of Prince Bischoff of Aichstädt (Wilhelm of Reichenau)

Design for a certificate on the occasion of twelve and a half years of loyal service at the glue and gelatin factory. .

Rhombus with weapon and caption "Geerit Joosten van der Linde Out Burgemeester Der Stede Schoonhoven 1641" .Large Diamond with Arm Including Two cartouches in Which (Geerit Joosten (....) 1641). Note: Belongs to a Group of Four Windows (BK-LXI, LXII, LXIII and LXIV).

Basel. Rathaus Glas window with coat of arms

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)08. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Textile Fragment with Mamluk Emblem. Dimensions: H. 9 in. (22.9 cm)W. 12 in. (30.5 cm). Date: late 15th-early 16th century.The Mamluks developed a system of emblems or blazons to signify the role of courtiers serving under each sultan. This emblem dates to the reign of Sultan al-Ashraf Qaitbey (r. 1468-96) or of one of his successors, and is likely a fragment from an article of clothing or a piece of furniture. Numerous Venetian Renaissance paintings, including The Reception of the Venetian Ambassadors in Damascus, incorporate strikingly similar Mamluk emblems in their compositions. Museum: Metropolitan Museum of Art, New York, USA.

Lviv (Lviv, Ukraine). Ormia cathedral - alabaster plate with shells in the presbytery; Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

ESCUDO Y BANDERA DE CATALUÑA - Conj nº 146328. Author: JOSE MARIA GARCIA ROYO (1922-1996). Location: SENADO-PINTURA. MADRID. SPAIN.

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Weapons from Johan Oldenbarnevelt, Maarten Luther and Johan de Wit, c. 1900 - c. 1930 copper (metal) engraving

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Anne Barker from Chadwick Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Charles Meryon, Le tombeau de Molière, au Père Lachaise, Paris (Moliere's Tomb, in Père Lachaise Cemetary, Paris), 1854 Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris)

Signboard with patriotic show. Wooden polychromed square board with performances and inscriptions in flat relief. Under inscription freedom, joy etc. Presentation of v.l.n.r. Dog, man with tricolor next to freedom tree, the Dutch virgin with staff and hat, lion with sword and arrows bundle and more.

Ex-libris Dr. Codina; Triado, Mayol José (1870-1929); 1903 (1903-00-00-1903-00-00);

Charlotte Angus, Pa German Fractur Design, c 1937 Pa. German Fractur Design

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)41. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Fragment , Monumens de Paris; Designed by Hippolyte Le Bas (1782 - 1867); Company: Oberkampf & Cie. (France); Engraved by Leisner (1787 - 1857); France; cotton; Warp x Weft: 101 x 135 cm (39 3/4 x 53 1/8 in.) Repeat H: 52 cm (20 1/2 in.); Bequest of Elinor Merrell; 1995-50-53

Illumination of the cross at the grave of 5 donations "; Beyer, Karol (Warsaw; photographic abroad; 1845-1872); 02.03.1861 (1861-03-02-1861-03-02); National in Warsaw; photographic / photographic print / printing from glass negative / printing from the glass negative color; products from Wzkien / Paper / Paper / Paper Albumin, Products with W Lekniej / Paper / cardboard; photographic print: height 7.8 cm, width 5.3 cm, cardboard: height 10.1 cm, width 6.1 cm; di 98592 MNW; all rights reservations.

tile manufacturer: Aalmis, Cartouche tile, purple; acrobat, corner motif quarter rosette, wall tile tile material ceramics pottery glaze, baked 2x glazed painted Yellow shard Purple pull purple on white Aalmis Aelmis family Magito

Callot. Florence's holidays Jacques Callot (1592-1635). The Florence festivals (Italy). Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Ex-libris Eduardo Puig Valls 1903; Triado, Mayol José (1870-1929); 1903 (1903-00-00-1903-00-00);God Father (iconogr.), Partage Plus, Puig y Valls, Eduard (Fl. Ca 1900), Puig y Valls, Eduard (Fl. Ca 1900) - exlibris, Witke -Jeżewski, Dominik (1862-1944) - collection, Banderole , Spanish graphics, Catalan graphics, Spanish (culture), Catalan (culture), books, modernism (style), prayer (iconogr.), Orant (iconogr.), Religious scenes

Organization. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 410 mm × w 383 mm. Museum: Rijksmuseum, Amsterdam.

Sampler 18th century British. Sampler. British. 18th century. Cotton on linen. Textiles-Embroidered

Don't go home until you see the celebrated Dubuque soft coal burner.

Wall picture in the city hall, upper town of Meersburg, Lake of Constance, Baden-Wurttemberg, Germany

War memorial leaf, My fatherland, my Austria, Viktor Schufinsky -, Graphic Artist

Wszyscy Święci w MNK Moulin, Sainte Marie Ludovic Hardouin Hippolyte (Fl. 1848 1879), imp. Lemercier, rue de Seine 57, Paris., Wilczyński, Jan Kazimierz (1806 1885)

Tattoo Design with a Naval Theme. Artist: Clark & Sellers (American, active 20th century). Dimensions: Sheet: 8 1/4 × 6 1/16 in. (20.9 × 15.4 cm). Date: ca. 1900-1945. Museum: Metropolitan Museum of Art, New York, USA.

Coney Island Horse Races, American Folk ArtSampler1817Tapestry/Textiles

Cendrillon. Frontispice.. 1841 - 1842. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cinderella (Tale)

Cover - the belt writes its diaries; Wilczyński, Jan Kazimierz (1806-1885); 1850-1851 (1850-00-00-1851-00-00);

Weapon window with shield with two fish and caption "Anno 1624", Anonymous, 1624 Weapon window with two fish and date 1624 in the coat of arms. glass. lead (metal).

Woodcut on pear wood by Albrecht Dürer workshop showing Emperor Maximilian I at the honorary gate, panel B, graduation piece with inner left-wing pair and outdoor pairs, 1515.

Coat of arms of Denmark, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.) (+ city; municipal)

Bookplate of Pau Font d Rubinat 1902. Triado, Mayol José (1870-1929), graphic artist

Allegorical emblem of Republic Fasces topped by Cap of Liberty and ribbands with legend ' Liberty, Fraternity, Egality or Death', French Revolution 1789, Contemporary popular coloured print,

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile00. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Embroidered Sampler. Culture: American. Dimensions: 23 3/4 x 25 1/4 in. (60.3 x 64.1 cm). Maker: Mary Ann Stauffer (1811-1891). Date: 1830.This sampler displays a grand Federal two-story public building or church. Its maker, Mary Ann Stauffer, displays an interest in rendering the architectural details of the building in her stitching of window shutters, a fanlight over the front door and a colonnaded bell tower and spire. Museum: Metropolitan Museum of Art, New York, USA.

Hooked Rug. Dated: c. 1939. Dimensions: overall: 35.8 x 48.4 cm (14 1/8 x 19 1/16 in.) Original IAD Object: 29" high; 37 1/2" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Georgine E. Mason.

Block from Friendship Quilt. Dated: 1935/1942. Dimensions: overall: 43 x 41 cm (16 15/16 x 16 1/8 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Florence Truelson.

Frieze, Block printed on handmade paper, Neoclassical design, in neutral yellow on a blue field. Confronted sphinxes, with urn in center and candelabrum at each end., France, 1810-20, Wallcoverings, Frieze

Jacob Schut, Delft blue plate with the eye, the smell and taste satisfied by forest and leaves; so do sign it is double Aatje, AA on ton, plate crockery holder ceramic earthenware glaze tin glaze, baked painted glazed Round plate slanting edge three prun prints Top edge painted blue underglaze: Virginia Delft blue tobacco trade tobacco shop interior

Princess Margriet Fonds Foundation. Hardy tile.

Ex Libris van Maurits Mendels, Richard Nicolaüs Roland Holst, 1924 print Three swallows at a corn sheaf. paper sheaf. song-birds: swallow

Astronomical clock at the town hall, Worms, Rhineland-Palatinate, Germany, Europe

Hephaestus making the armor of Achilles. Drawing from Greek amphora, fifth century B. C. Museum of Fine Arts, Boston , Drawings, Gods, Goddesses, Armor, Hephaestus Greek deity, Thetis Mythological character. Nicholas Catsimpoolas Collection

4th station. The French people terraced federalism - colossal figure elevated on the place of the invalids. (IT)

Emblemat pamiątkowy 1939. Goryńska, Wiktoria (1902-1945), graphic artist

Roger of Lauria (1245-1305). Sicilian-Aragonese admiral. The Great Admiral. Engraving by Serrapausas in Spanish Glories.

Zodiac Sundial Artist Unknown

Table III (live, family and Bourbon coat of arms) for the Norbert Eugeniusz Malinowskis publication “Heraldry, i.e. the study of coats of arms containing a lecture on the theory of world heraldry collected from the best sources [!, the theory of Polish 5. Weinhold J., Kochański i Marszycki (Warszawa ; zakład litograficzny ; fl. 183.), lithography atelier

Retablo (Sacred Heart). Dated: c. 1939. Dimensions: overall: 36.8 x 28.5 cm (14 1/2 x 11 1/4 in.) Original IAD Object: as shown. Medium: watercolor, colored pencil, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.

Marches Ancona Sassoferrato Pinacoteca3. Hutzel, Max 1960-1990 Two coats-of-arms (of Sassoferrato and the Bishop Aldobrandini; a polyptych of saints Anthony, Sebastian, Roch and Martin; the Madonna of Sassoferrato; a portrait of Sentinensi; ceramic fragments (15th-16th centuries); a renaissance ciborium, a mosaic of St. Demetrius in a wood and silver frame (10th-11th centuries); an Umbrian processional cross (15th century); a wooden statue of the Madonna di Loreto; reliquaries; a saint's wooden shoe; an ivory diptych; silver medallions (13th century) and various paintings. Antiquities: A Roman altar, gravestone, urn and torso. (1st-3rd centuries). Object Notes: Hutzel photo campaign date: March 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, includi

Old, weathered votive plaque, protection from bombing during the World War, Chapel of Grace Altötting, Upper Bavaria, Bavaria, Germany, Europe

Wallpaper. Dated: c. 1939. Dimensions: overall: 22.5 x 30.1 cm (8 7/8 x 11 7/8 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Handkerchief, Medium: silk Technique: printed on plain weave, Souvenir handkerchief showing six vignettes from Seville including the Cathedral, La Giralda, a flamenco performance, livestock, and a row of marquee tents. Made for the Seville April Fair. Includes the text: 'Ferias y Fiestas' and 'Recuerdo de Sevilla.', late 19th century, printed, dyed & painted textiles, Handkerchief

Diptych with flowers and insects, 1591. Artist: Joris Hoefnagel. joris Hoefnagel was a Flemish painter noted for his illustrations of natural history subjects.

Attributed to Daniel Lysons, 1762-1834, British, Memorial of the Lady Anne Southwell from Acton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper.

The Prodigal Sets Out (one of eight scenes from the story of the Prodigal Son) 1532, possibly some 19th century German. The Prodigal Sets Out (one of eight scenes from the story of the Prodigal Son). German. 1532, possibly some 19th century. Colorless glass, vitreous paint and silver stain. Glass-Stained

Cordoba, Painted tile picture of a rider on horseback, advert for the Bandolero restaurant, Cordoba, Andalusia, Spain, Europe

William McAuley, Powder Horn, c 1937 Powder Horn

'Untitled'. Collection of Georges Matcheret and Nadiya Volkonskaya. 2004. Dimensions: 270x204 mm. Museum: State Hermitage, St. Petersburg. Author: Lyudmila Putilina.

Design for a print, Design for the ex libris by Joannes Gerardus de Groot Jamin jr., draughtsman: Pierre Joseph Hubert Cuypers, 1837 - 1921, paper, pen, brush, h 202 mm × w 278 mm

Hand-coloured etching titled 'The Arms of France' by James Gillray (1751-1815) English caricaturist and printmaker famous for his etched political and social satires. Dated 1803

Charles Meryon, Le tombeau de Molière, au Père Lachaise, Paris (Moliere's Tomb, in Père Lachaise Cemetary, Paris), 1854 Le tombeau de Molière, au Père-Lachaise, Paris (Moliere's Tomb, in Père-Lachaise Cemetary, Paris)

Tavern Sign. Dated: c. 1938. Dimensions: overall: 37.9 x 27.8 cm (14 15/16 x 10 15/16 in.) Original IAD Object: 50" high; 26" wide. Medium: watercolor and goauche on paperboard, and gouache. Museum: National Gallery of Art, Washington DC. Author: Alice Stearns.

Premier détail de l'archivolte émaillée, (ville porte ornée).. Thomas, Félix, 1815-1875. Prints, Illustrations. 1867. General Research Division. Assyria , Antiquities & archaeological sites

Genealogy of the De Vaux and Lanckoroński families. Krahl, Ernst (1858-1926), painter

Sarkophag des Infanten Don Alfonso de Castilla Sarkophag des Infanten Don Alfonso de Castilla Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22568769

Daniel Lysons, 1762-1834, British, Memorial to Elizabeth Heigham from East Ham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Forget Me Not (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 98 x 58 mm (folded sheet). Collaged elements with pen and black ink on embossed cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

c.1900, Brightly colored Hawaiian decal.

Abruzzo L'Aquila Celano Museum9. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Histoire des Quatre Fils Aymon. Dated: 1883. Dimensions: book: 28.5 × 23.8 × 2.3 cm (11 1/4 × 9 3/8 × 7/8 in.). Medium: bound volume with 6, 224, 11 pages of color Gillotage illustrations and borders on china paper. Museum: National Gallery of Art, Washington DC. Author: Eugène Grasset, Charles Gillot (engraver), Charles Marcilly (author).

Powder Horn. Dated: c. 1937. Dimensions: overall: 26 x 35.5 cm (10 1/4 x 14 in.) Original IAD Object: 14" long. Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William McAuley.

Charger, Brislington, c 1670. Lead-glazed back. Early piece of Brislington delft with a portrait of Queen Mary II, This is probably the earliest complete piece of Brislington delft in the collection. It exhibits the typical greenish-blue Brislington glaze, and the plant motifs and insects occur again later on the William III charger.

'Fiestas del Ommeganck o del Papagayo, en Bruselas: procesión de Nuestra Señora de Sablón' (detail), 1616, Oil on canvas, P01348. Author: DENIS VAN ALSLOOT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Bliżej Kultury Raszka, Jan (1871 1945)

Alfred Boucher (1850-1934). Medal plate. Louis Lortet, dean of the Faculty of Medicine. Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 58759-14 25th anniversary, branch, bronze, decatate, medal faculty, medal, metal, numismatics, reverse, plate, bridge

Alice Cosgrove, Carved Eagle, c 1942 Carved Eagle

Louis Oscar Roty, The Body of President Sadi Carnot Borne to the Panthéon (obverse), 1894 The Body of President Sadi Carnot Borne to the Panthéon obverse

painter: JN, Rear-glass painting 'fire in brewery De Rode Leeuw at the Haringvliet, an inlet of the North Sea, in the province of South Holland in the Netherlands, cityscape painting glass painting painting material oil color paper metal wood gold glass without frame, gilded Oil paint On glass in frame. Title: fire in brewery De Rode Leeuw at the Haringvliet Rectangular format; decorative frame black polished and gilded inner frame with leaf ornaments on the corners; there is glass plate and panel in the frame The painting is painted with oil on the front of glass plate; the center of the flames and the windows in the burning building have been saved; the back of the glass plate is painted with thin semi-opaque paint light blue within the frame and light pink outside the frame; immediately behind the glass plate panel covered with paper as support; between glass plate and metal foil support panel; the whole in the decorative frame with hand-forged nails fixed in ink handwritten on pape

Tile Panel showing Rural Industry, with Live-Stock, Tools and Products, anonymous, c. 1750 - c. 1800 Tile tableau of twenty tiles (5 x 4) with blue painted performances divided into four rows concerning the negotia of a farm. Netherlands earthenware. tin glaze majolica Tile tableau of twenty tiles (5 x 4) with blue painted performances divided into four rows concerning the negotia of a farm. Netherlands earthenware. tin glaze majolica

Tuscany Siena Montalcino Museo Civico64. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cornelius Christoffels and Margaret Linsley, Pieced Autograph Quilt (1 Piece), c 1936 Pieced Autograph Quilt (1 Piece)

American 20th Century, Embroideries, 1935 1942 Embroideries

Master Jacob, for "The Wonder Clock" 1887 Howard Pyle American Pyle is considered the father of American illustration. Born in Wilmington, Delaware, he became interested in art and writing as a boy, studied in Philadelphia and then New York, at the Art Students League. In 1878, a drawing accepted by Harper's Weekly helped to launch his career and the artist returned to Delaware in 1880. Over the next three decades Pyle wrote and illustrated a series of now iconic works and became an influential teacher. Aware of contemporary European innovations, he skillfully adapted his style to suit a range of subjects. This title vignette design appeared in Harper's "Young People" in 1886. The artist adapted it here for "The Wonder Clock," a book published by Harper Brothers in 1888. The related image appears in story XIII on page 163.. Master Jacob, for "The Wonder Clock". Howard Pyle (American, Wilmington, Delaware 1853-1911 Florence). 1887. Pen and black ink. Drawings

Anonymous. Plate at the arrest of Varennes. Earthenware. Paris, Carnavalet museum. 71684-36 Arrest, decoration, faience, revolutionary period, French revolution, king France, roy, plate

AZULEJO DE LA REAL SOCIEDAD COLOMBINA ONUBENSE 1880. Location: MONASTERIO DE LA RABIDA. PALOS DE LA FRONTERA. Huelva. SPAIN.

Panel announcing an historic monument France

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