Decorative Etchings and Designs

Etchings showcasing intricate designs, including ornamental watch cases, trophies, and religious figures, reflecting 16th to 17th-century artistic styles.

Diamond -shaped pendant between animal figures, Giovanni Battista Costantini, 1622 print Black ornament with two grotesque birds at the top and a leopard of leaf vines and a winged lion at the bottom. From series of 6 () Blades. Rome paper engraving

"Etching by Jean Le Pautre depicting a water basin in Predes, dated 1667."

An etching by an unidentified monogrammist depicting the four evangelists, created in the second half of the 16th century.

Oval Watch Plate with Diana and Actaeon, form a Series of Six Designs for Watch Cases Antoine Jacquard French ca. 1610-15 Antoine Jacquard was active as a metalsmith in Potiers in the first half of the seventeenth century. He appears to have published his designs in print with some regularity throughout his career. They now form the only record of the kinds of objects he would have produced in his workshop. Their subjects range from designs for lock plates, sword hilts, and pommels, to finely-wrought watch cases such as these. This series consists of six sheets, each showing an oval watch case at center, either representing the clock face, or the verso of the case. At the top and bottom of the print decorative friezes are depicted which represent options for the decoration of the sides of the watch case. The prints have been partially executed in the blackwork technique, which may indicated that the watch cases were meant to be enameled, as was the fashion in the early seventeenth cent

Etching by Hubertus Quellinus depicting acanthus ornamentation with trophies including armor, halberd, and weapons. Produced around 1668.

Woodcut book illustration by Sebastian Brant (1504) depicting scenes from Hexastichon Sebastiani, showing figures, gestures, text integration, and compositional arrangement in early 16th century European prints.

Etching by Andrea Meldolla depicting multiple scenes within a decorative framework, created between 1515 and 1563, showing figures, architectural elements, and ornamental design.

Warsaw. Sandstone bas-relief at the fireplace of the Throne Room of the Royal Castle - view in the scale of 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Diamond -shaped pendant between animal figures, Giovanni Battista Costantini, 1622 print Black ornament with two grotesque birds at the top and a leopard of leaf vines and a winged lion at the bottom. From series of 6 () Blades. Rome paper engraving

Crowned medallion with the Lamb of God, monogram missed SB (16th century), 1596 print Crowned medallion, with the lamb of God in the middle, flanked by putti. Print is part of a series of designs and decorations for goldsmiths. paper engraving ornament ~ grotesque. lamb bearing cross or banner, 'Agnus Dei' ~ symbol of Christ. cupids: 'amores', 'amoretti', 'putti'

Quast Ferdinand von (1807-1877), relics of the St. Lucius from the cathedral in Chur (without date): side view and eight details. Pencil on transparent, 36.1 x 28.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Reliquienschrein des hl. Lucius aus dem Dom, Chur

Reproduction of a print of ornaments, designed by Théodore de Bry, Anonymous, After P. J. Paetz, c. 1876 - in or before 1881 photomechanical print Antwerpafter design by: Amsterdam paper photolithography ornaments ~ art

Sky; Oval with the four elements. Oval with ornamental towers and leaf refines. Cupid is in the middle. Second edition.

Designs for watch cabinets and a lid of a snuff box, Johann Lorenz Hönnig, 1707 print Black ornaments. Print is part of an album. paper engraving ornaments ~ art. watch. snuff-box

Design by Hans Sebald Beham. Édouard Baldus (French, born Germany, 1813 - 1889)

Seven designs for goldsmith work; Designs for goldsmiths with flowers and leaf refines. Stylized white flowers and leaf refrences on a black surface, with an oval in the middle in the middle between two small friezes.

Design for Jan Ligthart Calendar before 1918..

Photo production of a print of an allegory on navigation, Libois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print signalling ~ navigation. symbolic representations, allegories and emblems ~ drawing

Copper engraving by Georg Pencz depicting scenes from the New Testament, created in the first half of the 16th century, showing figures in Biblical narratives.

A copper engraving by Pierre Woeiriot around 1570 showing portraits of Jacobus Bornonius, Barthélemy Aneau, and a young Roman man.

Copper engraving by Maarten van Heemskerck depicting the Passion of Christ, created from early 16th to mid-17th century, showing Christ and other figures in a religious narrative scene.

Copper engraving by Adriaen Muntinck from 1611-1677 depicting a title leaf with ornamentation including flowers and fruits, showing detailed 17th-century European decorative style.

Design Vestibule 1st Classe, Mosaic, Mr. P.C. Hooft, Carel Adolph Lion Cachet, 1874 - 1945 print paper ornamenting, decorating ~ applied arts

Print, Designs for Ornament; Designed by Briceau (French, 16..-17..); France; engraving on laid paper

Stucversiering Van de Villa Farnesina in Het National Museum Romano Te Rome, c. 1870 - c. 1900 photograph Roman National Museum cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). fabulous beings with wings - AA - female human figure. ornament ~ hybrid animals. ornament derived from plant forms Roman National Museum

Photo production of a print of grotesque ornaments and two trophies, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print ornament ~ grotesque. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Print, LA PARADE DE FOIRE / LA CURIOSITÉ; Print Maker: Jacques Bacheley (French, 1712 - 1781); After Hubert-François Gravelot (French, active England, 1699 - 1773); Published by François Chéreau, the younger (French, 1717 - 1755); France; etching on paper

Reproduction of a print of decorated panels by Hieronymus Cock, Anonymous, After Hieronymus Cock, After Covens & Mortier, c. 1876 - in or before 1881 photomechanical print Antwerpafter print by: Antwerpafter design by: Amsterdam paper photolithography fabulous animals ~ predatory animals

Copper engraving by Antoine Jacquard from 1610-1652 showing ornamental designs with detailed motifs.

Etching by Salomon Gessner featuring multiple vignettes with figures, landscapes, and decorative elements, produced between 1750 and 1788.

Photo production of a print of a man with a helmet, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print adult man. helmet

Three photo productions of a publication by the Arundel Society with paintings and a miniature, Anonymous, c. 1859 - in or before 1869 photograph photographic support albumen print book. painting (including book-illumination, miniature-painting)

Schulz Bruno (1865-1932), Dom and S. Maria Fosca in Torcello (1899-1899): View of an animal and plant motif on the choir barrier, from 1008th ink on paper, 41.1 x 48.8 cm (incl. Scan edges) Schulz Bruno (1865-1932): Dom S. Maria Assunta und S. Fosca, Torcello

Gypsum Models for Facade Decorations at The Courtconti Courtconti Rana of the Louvre. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

Vilnius. Basilica Stanis "Cathedral." Supper of the parallel to the tabernacle, 16th century Tripped in silver "; Zdanowscy, Edmund and Boles"; Around 1932 (1927-00-00-00-1937-00-00); Downloaded from the Muza system of the National Museum in Warsaw; photographic / photo printing / bromine printing; products from Wzkien / paper / photo paper / bromine paper, products from Wzkien / Paper / Paper / cardboard / cardboard / color cardboard / black cardboard; photographic print: photographic print: height. 11.5 cm, 8.5 cm wide, card in the album: height 16.5 cm, width 24.7 cm; di 67094/18 MNW; all rights reservations.

Thirteen stamps, G. Lavalette, 1850 - 1899 print The stamps are round or in the form of a mandorla. Displayed are saints such as Saint Joris and the dragon and the weapon of the city of Liège. Belgium paper seal, stamp. the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Heinrich Aldegrevers 16th century copper engraving displays decorative friezes and ornaments with detailed lines, tonal shading, and compositional design.

Gypsum Model for an embellishment of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 3.

In. Christopher; Beham, Barthel (1502-1540); 1520 (1500-00-00-1600-00-00);Gołuchów - collection, Krzysztof (Saint - -A 250), German (culture)

Two prints with working putti, c. 1866 - c. 1900 print At the top a Frisian and a frame with five putti that make agricultural tools and textiles, a frieze and a frame with four putti that make weapons and musical instruments. Both prints state: E. Neureuther's Sgraffito (-) Paintings at the Polytechnicum in Munchen. paper

Quast Ferdinand von (1807-1877), Cathedral in Roskilde (without dat.): 2 views, floor plan painted pillara or base. Pencil on paper (outline sketchbook), 28.7 x 18.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Dom, Roskilde

Sun of justice in a medallion. The sun is wearing a crown and staff with sun rays. Above the medallion a smaller medallion with a representation of the constellation lion, there is a half medallion with a representation of a horse. Design for a glass-in-lead window for the Chamber of Commerce in the Beurs van Berlage in Amsterdam. Leaf 6 Recto from a sketchbook with 45 sheets.

Drum and two wind instruments, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Print

Bound Print, Porte, dans le grand Appartement des Tuilleries; Designed by François Chauveau (1613 - 1676); France; etching on laid paper

Gips model for a coat of arms on the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. coat of arms (as symbol of the state, etc.) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Deraisme, Pierre -Georges (n.1859 - D.1932), Dragon buttons (main title), 1904. Graphite. Ink on film -coated paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Plaster model for decoration of the Palais du Louvre by Marie Etienne Cousseau, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Copper engraving by Marcus Gheeraerts I, 1550-1612, depicting personifications of the four classical elements with allegorical accessories.

View of a Bridge. 1680. Mannini, Giacomo Antonio, 1646-1732. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Reproduction of a print of two medallions with scenes from the life of Christ by Philips Galle, Anonymous, After Philips Galle, After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography ornament ~ medallion. Passion of Christ

Gypsum Model for a Vault Decoration of the Louvre Palace by Auguste Pauffard. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Daniel Nikolaus Chodowieckis 1769 etching illustrates Lessings Minna de Barnhelm, showing characters, interior and exterior scenes, and narrative composition in 18th-century book illustration.

Different figures with grotes' flower vines, monogrammist SB (16th century), 1596 print Various figures with grotesken, in which flower vines are incorporated. The ornaments on the right and on the left are each crowned by a bird. Print is part of a series of designs and decorations for goldsmiths. paper engraving ornament ~ grotesque. ornament derived from animal forms

Wilkinson Tracing, Printed design for inlaid decoration for William Nisbet, 1816-20. Ink on laid paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Etchings by Chodowiecki from 1772-1784 depicting various scenes and medals, showing figures, objects, and compositional arrangements.

Bronze register, construction of the McKim Building , Public libraries, Metalwork, Grilles, Boston Public Library

French Crown, Paris, Neufforge, Jean François de, Fifth Volume, Architectural Collection, 58th Century Models of Compartments of Tableaux, Pendules &c Propre au Sculptors, Chiselers, and Orfevres, Rectangular Frames, stamped on the reverse, Two rectangular frames with floral motifs and garlands, in the middle two round frames with a star, wings, garlands and egg-and-dart. Print number 343., print, ornamental print, title print, prints, ornamental prints, height 361 mm, width 228 mm, 1714 - 1791-12-19, print maker, printmaker, 1763 - 1763, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Antwerp, Simonau & Toovey, Mechelen, Maes, Joseph, Five wooden reliefs with biblical scenes, displayed at an exhibition on religious objects from the Middle Ages and the Renaissance in 1864 in Mechelen, recto - printed, photomechanical print, page, photographs, photographically illustrated books, -44, recto - handwritten, 8. 9. 10. 11. 12, 9 - 11 - 10, 12, 8, height 224 mm, width 166 mm, Belgian, 1838 - 1908, photographer, 1864 - 1866, paper, papier, photolithography, fotolithografie, clichémaker

Gypsum Model for Close-up Block of the Louvre Palace by desired Hatchback. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Vessels and Roundels with Attributes of Mercury, Pan, Love, and Diana, Richard de Lalonde, French, active 1780-96, C. le Meunnié, French, active 1768 - 1796, Jacques-François Chéreau, French, 1742 - 1794, Engraving on paper, Vessels and roundels with attributes of Mercury, Pan, Love, and Diana, France, ca. 1778-1782, Print, Print

Bliżej Kultury unknown

Wind instrument with sample head; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Gypsum Model for Decorations of the Louvre Palace by Marie Etienne CUSSEAU. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Etching by Antonio Tempesta featuring grotesque ornamentation, created between 1570 and 1630, highlighting decorative and imaginative motifs in art from the late 16th to early 17th century.

Rectangular ceiling with mythological representations and trophies, anonymous, After Nicolas Pineau, 1725 - 1735 print Design for a rectangular ceiling with cartouches with mythological representations and putti with weapon trophies in the corners. paper etching (decorated) ceiling. Classical Mythology and Ancient History. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Fifteen letter monograms (CDZ-Der), Daniel de Lafeuille, c. 1690 - c. 1691 print From series of 29 partially numbered sheets with number monograms. Amsterdam (possibly) paper engraving letters, alphabet, script

This drawing shows a design for an ornamental glass window by Carl von Hasenauer, executed in pencil on paper.

Variant de la Grande Lyre Porminex ?; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Gypsum Models for Decorations of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Decorated Frisians, Anonymous, After Christoffel Plantijn, c. 1876 - in or before 1881 photomechanical print Antwerp paper collotype / photolithography sculpture

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 6) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 6). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

A duplicate woodcut by Jost Amman from 1592 showing artificial figures related to hunting and animal work, including figures, animals, and hunting tools.

Two bas-reliefs. Photograph by Adolphe Giraudon (1849-1929). Albumin paper draw. Paris, Carnavalet museum. 123097-12

Obelisk Ter Ere Van Ignatius van Loyola in Franciscus Xaverius, Anonymous, 1600 - 1700 print paper engraving obelisk, needle

Reprodukcja rzeźby: Berlin. Pergamon-Museum - fragment Wielkiego Ołtarza Zeusa (tzw. ołtarza pergamońskiego) ; il. z: Der Stil in den bildenden Künsten und Gewerben aller Zeiten, herausgegeben von Georg Hirth, Serie 1., Bd. 1: Der schöne Mensch in Altertum, München und Leipzig, 1898, taf. 211. Bulle, Heinrich (1867-1945), author, Hirth, Georg (1841-1916), publisher

Frame with three children playing at the bottom; Picture frames with flowers, fruits, birds, insects and putti; Six blades, on which eight square edge lists, loaded with children, animals, flowers and fruits, all noticed: P.H. N (1 and 2 and 6 and 7 are printed on the front and back of the paper. The right child holds a stick in his one hand and in his other a bird. There is an owl between the children. One of 6 sheets , Printed on either side, with eight different picture frames around a non-printed midfield.

Sixteen tokens with decorated lists, Simon de la Boissière, 1647 - 1682 print Upstairs numbered: 7. France paper etching medal (considered as a piece of sculpture, regardless of its specific function)

Oscar Pletschs wooden stitch illustrations from 1876-1877 depict cats in domestic and playful settings, capturing 19th-century European animal life and character with detailed line work.

Radoux, Louis-Gilbert, Libois, Photographic reproduction of a print of grotesque ornaments and two putti, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Duch. Voyag. p. 327. col. Brisard., height 33 mm, width 63 mm, photographer, 1852 - 1857, photographic paper, salted paper print, salted print, Work conception, after a print by, French, Belgian, 1820, printer

Vilnius. "Fragment of the decoration of the" W. Kazimierz "; Zdanowscy, Edmund and Boles; Before 1939 (1930-00-00-1939-00-00);

Design for the book cover of the sown edition of 'Art and Society', Gerrit Willem Dijsselhof, 1893 print A book cover with three peacock springs that extend horizontally over the front and back. The pens of the springs are ranked on the back. paper ornament derived from animal forms. ornamental birds: peacock (+ feathers)

Dydon suicide, Virgil's revenge, Virgil, Pyram and Tyzbe; Altdorfer, Albrecht (CA 1480-1538); around 1520-1525 (1st edition) (1515-00-00-1538-00-00), around 1520-1525 (1st edition) (1515-00-00-1538-00-00), approx. 1518/1519 (1st edition) (1513-00-00-1538-00-00);

Copper engraving by Nicolaas Verkolje showing the battle at Kalisch and a portrait of Hendricks Haeck

Photo production of a print of a woman and five geniuses, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print adult woman. child. genius

Photo production of a print of grotesque ornaments and two putti, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print ornament ~ grotesque. Cupids: 'Amores', 'Amoretti', 'Putti'

Bas-reliefs of Psyche that is tied by Putti, a feast of the gods and the friendship that comforts sadness, Joseph Cundall, c. 1868 - in Or Before 1873 photograph paper carbon print sculpture (+ relief ~ sculpture). other scenes from the story of Cupid and Psyche (+ aggressive, unfriendly activities and relationships). banquets, feasts of the gods (in general). Friendship; 'Amicitia' (Ripa)

Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London); John Yenn (British, London () 1750-1821 London). Dimensions: sheet: 15 1/2 x 9 1/2 in. (39.3 x 24.1 cm). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.

Ferdinand I., King of both Sicily Eraser: Morghen, Raphaelverlagsort: Naples

Design for decorated initials H, N, T, Z, A, D and W, Willem Wenckebach, 1898 drawing Design for seven initials decorated with leaf motifs. cardboard. tracing paper. India ink (ink). deck paint. pencil pen / brush initial. foliage, tendrils, branches ~ ornament

Bas-relief with the torture death of Saint Andreas, from the cathedral of Le Puy-en-Velay, c. 1850 - in or before 1857 photograph France photographic support salted paper print sculpture (+ relief ~ sculpture). crucifixion of Andrew: he is undressed and tied to the cross

Four panels with heads, anonymous, after Christoffel Plantijn, c. 1876 - in or before 1881 photomechanical print Antwerp paper collotype / photolithography sculpture

Amsterdam, Covens & Mortier, Bruyn, Nicolaes de, Antwerp, Maes, Joseph, Entourages, XVIe Siècle, Reproduction of three prints of a portrait surrounded by grotesques by Nicolaes de Bruyn, depicting Hector of Troy, Alexander the Great and Julius Caesar, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, ENTOURAGES composed, engraved, recto - printed, LITT. E. - PL. 20, JJvY, height 345 mm, width 232 mm, photographer, 1875 - 1880, paper, photolithography, Belgian, 1838 - 1908, cliché maker, Work conception, South Dutch, 1571 - 1656-10, after a print by, Dutch

Gypsum Model for Decoration of the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Etching from the second half of the 16th century by Jost Amman depicting costumes and customs of different nations, illustrating attire, figures, and cultural practices.

Messenheft with the sacrifice of Abraham, Anonymous, 1500 - 1600 print Abraham sacrifices his son Isaac. With inscription: Genese XXII (v.l.n.r.o. in mirror image) Netherlands (possibly) paper engraving

Decorative design in national colors. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 231 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

Plaster models for a decoration of the Palais du Louvre by Leprêtre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Deraisme, Pierre -Georges (n.1859 - D.1932), Deraisme 1 notebook (main title), 1910. Graphite. Ink and gouache on white vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

A woodcut by Jost Amman from 1592 depicting artificial figures related to hunting and animal work, showing figures, animals, and hunting equipment.

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